0:01

I feel funny . Why

0:04

is this happening to me

0:06

? Is this going to be forever

0:09

?

0:17

Can you do that with two fingers ? You

0:20

got two fingers . Oh , now

0:22

I have two fingers

0:24

, all right , so

0:27

thank you for listening to the Greatest Not Hits

0:29

. I'm Chris and playing

0:31

Voodoo Lady is Tim , my co-host

0:34

, and thank you so much for listening

0:36

. We're going to listen to the

0:40

album Chocolate and Cheese by the band

0:42

Ween , and it's recorded in 1994

0:45

on Elektra Records . Shout

0:49

out to St John's College , the founder

0:51

of Elektra Records . Found

0:56

it in a dormitory with

0:58

500 bucks , some of that effect

1:00

. But yeah , that was the band that signed

1:02

Ween . It's their fourth

1:04

uh studio album , I want

1:07

to say , and like the first professionally

1:09

recorded album

1:11

at that . So , um , just

1:13

a little bit of a background . Wean

1:16

is a rock band from new hope

1:18

, pennsylvania , uh , getting

1:20

this via Wikipedia , of course . Two

1:24

founding members , aaron Freeman and

1:27

Mickey Melchiondo

1:30

.

1:31

But they are better known by their respective stage

1:33

names which are Gene

1:36

and Dean .

1:37

Ween Not kidding

1:40

. Those are their stage names and

1:44

we would categorize

1:46

them the way Wikipedia would . They're

1:48

an all-rock band first , I guess , but

1:52

they weave in elements of

1:54

funk , soul , country

1:56

gospel , there's prog

1:58

, there's some psychedelia , r&b

2:01

, heavy metal , punk

2:03

rock . I know

2:06

they're big fans of Parliament Funkadelic

2:08

, and I think the guitar

2:10

player from that band , eddie Hazel

2:13

, had passed away

2:15

a couple of years before this was recorded

2:17

. So

2:20

there is a tier . One of the

2:22

songs is

2:24

a tier for Eddiedie . That's

2:26

the fifth track on this album . There's 16

2:28

tracks all together . So , um

2:31

, but a tier for eddie is

2:33

like , I guess , a nod to him , um

2:35

, shortly after his death . So

2:37

, uh , they , they make a lot of

2:39

um , yeah

2:42

, they have a lot of . I would

2:44

say eddie , not

2:47

eddie hazel , but uh , jimmy

2:50

hendrix shows up a little bit on

2:52

this album in between , like voodoo

2:54

lady , you know voodoo child . That's

2:57

a little bit of a nod there there

2:59

is uh , take

3:01

me away sounds very jimmy

3:04

and singing . Singing and

3:06

some of the the guitar playing isn't

3:08

anywhere close to .

3:09

Jimmy Henders . Don't get me wrong , but just kind of a vibe

3:12

.

3:13

But nevertheless it's a good album . I

3:15

would say there are no hits on this , so , like

3:18

all of our albums , we're going to listen to every

3:20

song and at the end , give

3:22

you our top three non-hits and just

3:25

have a bunch of fun along the way . We

3:28

, as you can see , we've got some clips

3:30

. That was david after dentist

3:32

. Uh , you know , viral clip

3:34

of a kid in 2009

3:37

. I guess you know tim's

3:39

a big fan of that . He just introduced it to me

3:41

. So , anyway , um , anyway

3:44

, getting back to Ween , new

3:47

Hope , pennsylvania , that's interesting

3:49

. I think it's on the New

3:52

Jersey border , near Trenton , I guess

3:54

. I think Tim

3:56

said that he's done some bike riding

3:58

in that area . Maybe we can ask

4:00

him about that . I don't know what

4:04

else can we discuss here

4:06

. So Aaron is Gene and

4:08

Mickey is Dean . Let

4:12

me make sure I have that right . I

4:18

don't know . Yeah , yeah , for

4:20

the hell of it . Yeah , let's say that that's what

4:22

it is . So , gene and

4:25

Dean . Gene is Aaron , dean

4:27

is Mickey . Okay , got that straight . Prior

4:32

to this album , pure

4:34

Guava was 1992 .

4:36

I think they had some hits

4:38

there . That was a good one .

4:42

They had a cassette album they came out with when they

4:44

formed or

4:47

for like

4:49

the first one since their formation .

4:50

This is the same , so anyway

4:53

, yeah , good stuff .

4:56

Uh , let's see some of

4:58

the band members

5:00

. There's also claude coleman who plays drums

5:02

on this . Dean plays guitar , vocals , drums . I think gene is the main vocals . Claude

5:04

Coleman who plays drums on this . Dean plays guitar , vocals , drums . I think Gene is the main vocals

5:06

. Claude Coleman

5:08

plays drums . Additional personnel

5:10

there's a guy named Mean Ween

5:12

on bass . I guess that's another

5:14

, just like a pseudonym

5:17

. Greg Fry , engineer

5:19

. Who

5:21

else do we have here ? Howie Weinberg

5:24

, mastering . Andrew Weiss , producer ? Uh

5:27

, anybody else

5:30

. Oh , steven Said S-A-I-D

5:33

Plays Spanish

5:35

guitar On Buenos

5:37

Tardes , amigo , which

5:39

is the 13th track . So A

5:42

lot of music that we're gonna get into . So

5:44

, uh , again you know the 13th track . So a lot of music that we're going to get

5:46

into . So , again , you know , shout

5:48

out to our listeners . Shout

5:51

out to I don't know , I can't put my

5:53

finger on it , ah , geez , yeah

5:57

, speaking of which , here's a song called can't put my

5:59

finger on it . So I

6:01

mean , we're going to be putting

6:04

our fingers on some things here

6:06

, but that one you can't

6:08

do it yeah , that

6:10

giggity was from Tim's getting

6:12

get a little just in here . Yeah

6:14

, it's gonna . Yeah , goddamn carpet

6:17

this carpet . Jesus

6:20

Christ crying out

6:22

loud . How's it going , bud

6:24

you doing ? All right , get

6:27

those heads

6:29

.

6:30

We you know what we in here . We're doing

6:32

it .

6:33

That's right .

6:33

We up in here , we doing it , and , uh

6:36

, this album

6:38

goes out to those

6:40

that don't take themselves very

6:42

seriously . Uh , or uh , those who take

6:44

themselves very seriously , uh or uh , those who

6:46

take themselves way too seriously and just

6:49

need to chill out because

6:51

, uh , just eat eat some chocolate

6:53

, eat some cheese . Sit

6:56

back .

6:57

These guys met in junior high school in

6:59

typing class 1984

7:01

.

7:02

Yeah , they ordered a pizza in class

7:05

. Who ordered the double cheese

7:07

and sausage ? It's right here , dude , he was a jock

7:09

, I was a trench coat guy . Is

7:11

that what they said ?

7:12

Yeah .

7:15

That's wild . Yeah , no , shout

7:17

out to the cassette listeners , okay .

7:19

Yeah , they didn't like each other . Yes .

7:22

No .

7:25

He was a jock .

7:26

Mickey was the jock , aaron

7:28

was the trench coat guy .

7:30

They later said that this was music designed

7:33

to be obnoxious . These

7:35

guys have a lot to say , but not in

7:37

a way that's pretentious , I

7:40

would say .

7:43

No , I would agree , it's not pretentious .

7:44

It's all tongue-in-cheek .

7:45

Yeah , it's tongue-in-cheek .

7:47

It's the opposite . Even the album cover with like

7:49

Ween

7:52

and their little symbol that they drew up

7:54

as a wrestling belt on

7:56

a like Playgirls , you

8:01

know with her underboob

8:03

hanging out , gotta be

8:05

one of the best album covers of all time

8:07

.

8:08

Oh , you're talking about this one . Yeah , there is . Yeah

8:10

. So , guys , you know if you're out there . Yeah

8:13

, there's , there's some under boob on the album

8:15

cover which yeah

8:18

. I mean that's a

8:20

little sexist .

8:21

Well , you should have seen the cover they wanted to do . I

8:23

don't care what they want , all

8:26

right .

8:26

Sir Edward Eaton hog . No , no

8:28

, it's not Sir Edward Eaton hog , that is uh

8:30

. Ah , the manager Damn it . Uh

8:33

, from this spinal tap

8:35

, Anyway , you

8:38

get the reference . Yeah , you get the reference , it's

8:46

all good and anyway . So what do you ?

8:46

got for us Anything else before we get into this album , you ready to listen to it ? Honestly

8:49

, yeah , my central focus for this album

8:51

is to just

8:53

whatever music tastes

8:55

. You have throw them out the window . You're

8:59

going to hit the hard reset button on this

9:01

one . This is these

9:03

guys are masters at

9:06

eclecticness , if

9:08

that's a word . Literal

9:10

chameleons in every

9:13

genre .

9:14

So well , yeah , they are

9:16

all over the place , but it's tolerable

9:19

, so yeah

9:21

that's my feeling and then at

9:23

times you're gonna be like right , or it's

9:25

just gonna be so I feel funny , yeah , because

9:28

it's weird it is .

9:29

it's just going to be sort of I feel

9:32

funny .

9:33

Yeah , because it's weird .

9:35

It is . It's a weird thing .

9:37

It's a weird thing .

9:39

Let's go . Here's the Jimi Hendrix thing right here

9:42

. This , right here . I

9:46

mean not this , but when he starts singing , take

9:49

me away .

9:51

I don't know , in that exact

9:53

kind of gaffe there .

9:57

Take me away , son of the land

9:59

, thank you , thank you . I

10:02

gotta get away from that girl before I go

10:05

crazy .

10:09

She took my love away . She

10:12

took it to another man . Oh no , I love song . Oh no , love

10:15

song , take

10:26

me to another land . You'll know what's

10:28

the overlay here , that

10:30

is crazy . It's

10:41

an honest song structure . Here they

10:47

have a way with chords . The way that they

10:49

they

10:53

put their chords is really yeah .

10:56

They're kind of playing like a power trio here , yeah . Oh

11:03

no , that's horrible I know this

11:07

is like old school . It's the beginning of it , are you ?

11:09

crying . This guy's

11:11

crying . This girl took his love away

11:13

.

11:17

He's out of town on a business trip and it's just sort of

11:19

like all of

11:21

a sudden your girlfriend's there for

11:23

a gangbang or whatever . Some

11:26

guy knocks on the door . I'm here for the gang thing

11:28

.

11:56

Just saying let it out , give it some air

11:58

man , air man , play with it . Gotta get away .

12:00

It's a long note right there what she took my love away

12:02

.

12:02

The pen is blue I

12:06

don't know anything anymore I know , I just

12:08

oh call

12:12

the fire department .

12:13

this was out of control . Know anything anymore ? I know I was just . Oh , Call

12:15

the fire department .

12:20

This was out of control

12:22

. You know what this reminds me of ? Actually Our

12:25

first podcast .

12:26

Why is that ? Oh dude , Do we dance ?

12:29

No , oh

12:32

, second , again no Cover

12:37

of Rolling Stone . Yeah , dr , hook Dr .

12:38

Hook .

12:38

Yeah , because they're so outlandish .

12:43

The lyrics are insane .

12:45

Thank you , Thank

12:50

you Jim and thank you Tim

12:52

. So this one's spinal , we're

12:54

in a second song .

13:06

This is spinal meningitis

13:10

.

13:29

Man , this is like the dentist

13:31

kid Smile on Mighty Jesus .

13:41

Seriously , I said it ain't no joke .

13:46

Is this real life ? I'm

13:49

gonna be a mommy . Please

13:52

don't let me die . Don't let

13:54

me die . Stinky nasty mommy . Life Stinky

13:59

Vaseline . What are these lyrics

14:02

?

14:07

It's like the kid and the adult are like layered . They're

14:09

like the same . One of them is Dean or

14:11

Jean .

14:11

Ween and one of them Adult , or like layered , we like

14:13

the same the same . One of them is Dean or Jean

14:15

Ween and

14:18

one of them .

14:19

I wonder who's the kid actually ? That's on

14:22

the credits .

14:24

I don't see it . I

14:27

have to say this is one of my favorites . You play this at

14:29

a party and people are just going to be

14:31

either worried about you or just

14:34

kind of indie-gloving

14:36

their ass off . It's

14:40

tolerable .

14:51

This kick is hard , I

14:55

still play . Why

14:57

is this happening ?

14:58

to me Dean is crushing it . No

15:01

, he's a good guitarist .

15:03

He is a

15:06

good guitarist

15:14

.

15:17

It's just great that they went the other route

15:19

. You know what I mean . They didn't really care

15:21

about success , and thus

15:23

they got a cult

15:25

following . See , that's how it works , yeah .

15:28

The name ween was a word made up by the duo

15:30

, a combination of the words wuss and

15:32

penis . So I guess that's A ween

15:34

.

15:34

Yes , oh

15:36

yeah , it's

15:39

tolerable .

15:43

Now I remember it . It's like even like the

15:45

word weeness was like sort of like

15:47

a combo interwoven

15:49

between all of these . Well

15:52

, I guess the point is don't

15:55

take these guys seriously . They're not taking anything

15:57

seriously here , that's for sure

15:59

. That's okay . There's

16:02

real credibility in them , especially

16:04

in Gene's playing or Dean's guitar

16:06

playing .

16:08

And Weiss's bass

16:10

in producing he kind of .

16:13

Yeah , it's professionally done .

16:16

Liberty Bell cracked

16:19

in half . A

16:22

bacon steak , a

16:24

perfect match . Freedom

16:26

steak .

16:30

You know , what would be a good spot right now is a Pat .

16:32

All right , it's time to try out Pat's

16:35

King of Steaks .

16:39

It's a Pat's and Gino's . That's

16:41

the debate , right .

16:43

It is .

16:45

Gino's has .

16:46

Wiz , wiz , wiz .

16:47

Wiz , wiz . I

16:50

said one with Wiz . I think I said

16:52

one Wiz with Second we got Wiz , wit whiz whiz , whiz

16:54

whiz , whiz we got whiz

16:56

, oh my god whiz

16:59

is ew . Don't eat that whiz . It's

17:11

also that mannequin .

17:14

A clothing store downtown . They got a mannequin

17:16

in there that looks exactly like a lady Get

17:19

out . Mannequin

17:21

was filmed at Woolworths

17:24

Boyz II Men .

17:27

Shout out to Boyz II Men .

17:28

Yeah , and shout out to Andrew McCarthy and Kim Cattrall

17:30

For Mannequin and Boyz II Men . Yeah , and shout out to Andrew McCarthy and Kim Cattrall From Mannequin

17:32

, mannequin and

17:35

Boyz II Men , kenny .

17:40

It's like they chopped off your arms and legs , dipped

17:42

you in plastic , then screwed you all back

17:44

together again and stuck you on a pedestal .

17:48

Yeah , it was when Elaine looked like the mannequin . Was it Woolworth or no ? No , it was when

17:50

Elaine looked like the mannequin . Was it Woolworth ?

17:53

No , it was another .

17:55

It was like a fictitious store

17:57

, I think , is what he said . It's really quite exquisite

18:00

.

18:06

I do love cheesesteaks though .

18:11

Do you know the difference between Cheetahs and pads , or do

18:13

you have a favorite ?

18:15

or I've never been . But okay , shout

18:17

out to pips . Downtown

18:19

pips has a moroso

18:21

philly roll and you can order

18:23

a wit whiz . That's right , and they'll know what you

18:25

mean .

18:26

Since , we're talking . If you know sponsors , you know we

18:28

can A cocoa .

18:31

We need a cocoa in there . So

18:35

what genre is this ?

18:36

This is like I can't put

18:38

my finger on it . That's the whole thing

18:40

. Can't put your finger on the genre

18:42

.

19:00

Why Neither

19:02

can Nancy . She's

19:04

just a New England girl trying to listen to music and

19:07

this album hits her cassette

19:09

tape and she's just like .

19:11

Why ? And this album hits her rec cassette tape

19:14

and she's just like

19:17

I do , like this interlude

19:25

a lot .

19:26

You know there's this part . They

19:31

give you like a little bit of a break .

19:33

Right , they're just

19:35

messing around . This

19:43

is like Like

19:46

what , if you go heavy distortion , you wuss penis

19:48

and then we'll go . It's

19:51

all acoustic , oh

19:53

, and then more effects . Or

19:55

is there more ?

19:56

Maybe there is nothing more

19:59

to be added to it .

20:01

Oh , okay , thank you . Thank you , osho , thank

20:06

you

20:10

Sad . Guru .

20:14

Touch the dwarf inside this

20:17

part's funny .

20:17

Touch the dwarf inside

20:20

, it's

20:23

true , you don't see many

20:25

dwarf women Shout out to Lord of the Rings

20:27

. Shout out to Lord of the Rings , the dwarf

20:29

woman .

20:31

I was surprised

20:36

when I the dwarf woman .

20:46

There's like a sort

20:50

of Indian culture riff now

20:52

, it's like an Indian culture riff .

20:54

Now it's like a snake charming the

21:00

Egyptian magician . All

21:12

right .

21:12

Oh .

21:15

Okay , and

21:17

this is a tear for Eddie , eddie Hazel . Yeah

21:20

, guitar player for yeah Parliament

21:22

Funkadelic Maggot Smith .

21:24

Maggot Brain Sorry .

21:26

Oh yeah , it's just Ten Minute . Yeah

21:30

, his , that was like his opus Magnum

21:34

.

21:34

Opusus more or less yeah something to that effect

21:37

excellent

21:47

guitarist really made the guitar

21:51

scream , you know .

21:53

It's actually Maggot

21:55

Brain was the third studio album from the

21:59

band Funkadelic Right Before

22:01

Parliament was involved .

22:03

Gotcha .

22:05

So this is yeah , it's from

22:07

that iconic 10-minute guitar

22:10

solo .

22:14

Recording July 71 71 in Detroit . This

22:16

is beautiful . This

22:24

is like , albeit with the sort of drum machine that's throwing me off . Everything else is

22:26

good .

22:28

Oh really , you don't think it's Clarence or

22:30

Claude Coleman ? I think this is a drum machine for this one

22:33

. Oh okay , yeah

22:39

, it says patricia fry played drums on

22:41

this as well , but I don't know

22:43

what song it was .

22:45

I know they have a drum machine . This just sounds like a drum

22:48

machine .

22:48

Yeah there's not really much

22:50

, maybe

22:58

making

23:02

music though

23:06

that's for sure .

23:08

Work it , work it , baby , work it Work

23:13

it own it , work it , work it , work it . Yes , you can have

23:15

this . Thank you

23:17

myself . That's

23:25

baby making music . That's what that is .

23:34

Oh , this also sounds

23:36

like it's Blinded

23:38

by the Light from .

23:40

Manfred Mayer .

23:40

Blinded by the light . It's

23:45

kind of I mean it's Wrapped

23:47

up like a douche .

23:47

There's another room around More

23:50

like the style of the guitar playing

23:52

, more so than the melody

23:54

.

23:55

You let it hang kind of thing . Yeah , let's

23:58

it hang .

24:22

Real , though I

24:24

was kind of playing like David

24:26

Gilmour too Well who's

24:30

better , eddie Hazel or David

24:32

Gilmour ? They're

24:36

both just different . Yeah

24:38

, well , they all could have . Eddie

24:40

Hazel and David Gilmour were

24:43

coming to prominence at the same time . I

24:46

think they maybe

24:49

inadvertently their

24:51

styles intersected . They

24:55

were influenced by one another and

24:59

they were both probably clearly influenced by

25:01

Jimmy

25:05

.

25:05

Edwards yeah

25:07

, definitely .

25:09

It's all the same thing . Whoa . Yeah

25:47

, that was a little too much Whoa . It's

25:50

a really great performance

25:53

. I know they intentionally

25:55

did that too , just to make it extra

25:57

sharp it was just too much . It was just

25:59

too much effect they didn't need all that .

26:01

Left them for noticing .

26:03

But that's better . Take

26:06

a piece of tinsel and

26:09

put it on the tree .

26:14

This is a Christmas song . What's going on here

26:16

?

26:16

Cut a slab of melon and

26:19

pretend that you still love

26:21

me . You didn't miss much . Honeydew

26:24

is the money melon . Call

26:27

that a pumpkin and rely

26:30

on your destiny .

26:33

Shout out to Phish for covering this song like 500

26:35

times . Get

26:38

in your car and cruise the land

26:40

of the brave and free .

26:47

Don't forget to understand

26:50

exactly what you put on the tree

26:52

. What's the song called ? This place is

26:54

cool .

26:58

Don't forget the flowers . No

27:00

, nigel , nigel Roses

27:02

are free this

27:05

place is cool .

27:08

This place is cool .

27:11

Take a wrinkled Raisin , aka

27:14

Love Pump . So

27:23

actually Dean and Gene

27:25

Ween thanked

27:29

Fish for playing this song live

27:32

and Trey

27:36

on stage said I

27:40

wish Dean and Gene could play this song

27:42

more live . And then they

27:44

reunited and actually played a

27:46

tour after

27:49

the first time Trey and

27:52

fish played it live . It

27:55

spurred some sort of uh

27:57

renaissance

28:00

with with yeah it was an advertisement

28:02

, you know it was an organic grassroots

28:04

. You know level

28:06

upper from trey and the boys well

28:09

, trey gave them a plug , maybe they needed

28:11

it Shout

28:13

out to the Nassau Jam . They do

28:15

a 22 minute jam after

28:17

Roses Are Free , which

28:20

arguably is

28:22

some of the best music out

28:25

there Very repetitive but good .

28:29

A lot of reverbs

28:31

. It's very 80s . I

28:34

know this is probably the 90s yeah

28:36

.

28:38

Screw you Melon .

29:02

Notwithstanding Mr Mellon's input

29:04

.

29:08

Weird chromatic scale going

29:11

on here . I

29:18

like Fish's version way

29:20

better . Is it this much distortion ? It's

29:22

too much synths . Flange

29:25

they added too much man . Yeah

29:28

, or

29:30

is there ? Roses

29:32

Are Free might be a cover .

29:38

I may have turned into an old man . This

29:40

is too much noise .

29:41

Yeah , you can skip it

29:43

.

29:45

No , I mean , that's the thing . This is

29:47

what's annoying about it . These aren't

29:49

good songs . Somebody

29:52

should just like melt these down

29:54

, but then it would then

29:57

be Yacht Rock

29:59

.

29:59

Yeah .

30:08

Entirely written by Gene , Including

30:11

the guitar solo . Oh

30:13

really .

30:16

AKA Aaron .

30:17

He said it was reminiscent of Prince . Interesting

30:21

Is guitar playing here , I guess

30:23

. Yeah

30:27

, I guess Prince does kind of play like that A lot of Phish

30:29

fans are Ween fans too , so

30:33

they both have that ad hoc kind of humor

30:35

going on .

30:36

It's been a while since

30:39

I've seen you smile .

30:40

All right , this is Baby .

30:42

Bitch , but now you've come back

30:44

again .

30:45

Bitch , all right .

30:47

Came into the room and you saw

30:49

my girl , this is going to be fun .

30:54

And you asked her how long it's been . This is going to be fun . The first thing I thought

30:56

of was jerky voice . There's like at the end

30:59

she's like okay , bye , baby bitch .

31:02

It's like in one of the crank calls .

31:06

This screams Elliot Smith from

31:09

Matt

31:17

Damon . Good Will Hunting .

31:23

Shout out to Stevie Bitch

31:29

I don't care , I'm better

31:32

now . Please let go . What else you gonna say

31:34

while you're back on your state

31:36

? Maybe something

31:39

, maybe nothing ? We'll see

31:41

.

31:43

Her son just called me a bitch , you're

31:45

beautiful .

31:46

I guess I

31:49

wasn't for you and you weren't for me . You're bitchin'

31:51

but you're not a bitch . You're bitching , but

31:54

you're not a bitch .

31:56

Shout out

31:58

to middle America families Having

32:02

trouble With their

32:04

medicated son . Baby

32:08

, baby , baby

32:10

, bitch , go conquer

32:14

someone else

32:16

.

32:17

Now you've had it done . People

32:23

say how beautiful , how sweet , how kind , all right , pete bye

32:26

Parker , you've got nothing to hide

32:28

, but

32:30

I , for one , have seen

32:32

the sun . The price is wrong

32:34

, bitch , and the bitch that you've locked

32:36

up inside Got

32:40

fat , got angry , started

32:42

hating myself .

32:43

Start lifting some weights , don't be afraid

32:45

anymore . Bitch

32:47

, you got jacked , bitch Get jacked .

32:50

I'm skinny and sick and

32:54

have no idea , oh Bitch .

32:56

I don't care , chris

33:00

is on fire right now .

33:06

Bitch .

33:07

There's a

33:09

lot of bad word going on . Oh

33:14

, see you around , bitch .

33:16

And Tim with the assist .

33:17

We're just like Carl

33:19

Malone and John Stockton up in here . That's

33:22

right . Shout

33:24

out to the Utah Jazz . Shout out to the mailman . None

33:29

of those players

33:33

use steroids .

33:34

I'm not Stockton , definitely not

33:36

Stockton .

33:37

There was one that did Karl

33:41

Malone's like bitch . Every

33:45

time he dunks , he's like bitch .

33:48

Mister .

33:51

Oh gosh , we

33:53

have a lot for this song , buckle up .

33:57

The name of the song is Mister , would you Please Find my

33:59

Ponytail ?

34:00

No thanks , I'm a horse

34:02

, not a guinea pig .

34:17

I think , I'm getting

34:19

the black lung pop Riding

34:21

dogs .

34:25

What about ponies ? Huh . What

34:33

kind of abnormal animal is that

34:36

?

34:42

And those kids who had their own

34:44

ponies .

34:46

I know I hated those kids . In fact , I

34:49

hate anyone that ever had a pony when they were

34:51

growing up .

34:57

I had a pony . He is in trouble

34:59

.

35:00

Oh , you're in trouble .

35:03

He's like oh , I didn't mean , he's like we all had ponies

35:05

.

35:06

You know , if you were

35:08

to vote for Vermin Supreme

35:11

, you might get a pony .

35:15

Vermin Supreme . He's the dentist guy right there's

35:17

a lot of dentistry going on in this episode

35:19

.

35:20

He's the presidential candidate from New Hampshire

35:22

.

35:22

That's right .

35:23

Who wants a free

35:25

pony for all Americans ?

35:27

Ride a pony for every .

35:29

American . Yes , I do , sir

35:31

. Free ponies for all Americans

35:33

, one of the overlooked issues in America

35:35

today . My free pony platform

35:38

is , of course , a jobs creation program

35:40

. It will create lots and lots of jobs

35:42

. Once we switch over to a pony-based

35:44

economy . We'll also lower our dependence

35:46

on foreign oil . We'll also be

35:48

able to turn all that pony poop into

35:51

methane gas and wonderful

35:53

compost , so we'll be able to re-up

35:55

our soil that is being depleted

35:57

by agrochemicals , et cetera , et cetera , et

35:59

cetera . And , of course , the important thing

36:02

to realize is that it is a federal

36:05

pony identification

36:07

program where you will need your pony

36:10

with you at all times . Thank you very much .

36:14

All right , he's

36:16

got my vote .

36:17

Have your pony with you at all times . Okay , that's

36:19

right yeah don't fuck about . And

36:21

if your pony has a lung problem , get

36:24

it fixed . Okay , go

36:26

to the pony vet get

36:29

it sorted , mate .

36:36

Wow , that was okay All right

36:39

, okay , so this is Drifter in

36:41

the Dark .

36:41

Like a drifter in the

36:43

dark . Like a drifter

36:46

in the dark Seeking out

36:48

what isn't there , seeking out

36:50

what isn't there .

36:51

All right , Drifter in the Dark .

36:53

Looking only for a

36:55

spark from a girl

36:57

who's all alone , from

37:01

a girl who's all alone , from a girl who's all alone . Maybe she's a-drifting

37:04

too . Maybe she's a-drifting

37:06

too , like a shadow

37:08

in the night . Like a shadow

37:11

in the night Waiting

37:13

just to meet with you and

37:16

then , perhaps , in love

37:18

you'll stay , perhaps in love you'll

37:20

stay , perhaps in love you'll stay , or fall

37:22

and go your separate ways

37:24

. Fall and go your separate

37:26

ways . Still searching

37:28

for a spark , still searching

37:31

for a spark Like

37:33

a drifter in the dark

37:35

. Do-do-do-do-do-do-do

37:38

, da-da-da-da-do

37:42

, do-do-do-do-do-do .

37:44

Anyway , do you mind no .

37:47

Do-do-do-do-do-do

37:50

, da-da-da-da-do-do

37:52

, do-do-do-do-do-do

37:55

, do-do-do-do-do-do

37:59

. Come on , do it , lay

38:04

it out right

38:07

here . Do it , do it

38:09

, do it , do

38:14

it . Think you want some Give

38:16

it to me . Huh , come on , do

38:18

it , lay it out right here . Do it , do it , do

38:22

you ever walk alone . I'm scared . Can

38:27

you do it too ? Seeking out what

38:30

isn't there . Seeking out

38:32

what isn't there , looking

38:34

only for a spark , like

38:40

a drifter in the dark

38:42

. Like

38:46

a drifter in

38:48

the dark . Like

38:52

a drifter in the dark , like

38:58

a drifter in the dawn

39:00

.

39:02

Don't , don't take it out .

39:06

That was a nice one . Oh

39:09

, we're at Voodoo .

39:10

Lady , we're at a banger now .

39:12

This is a banger .

39:21

It's kind of like Talking Heads-ish . It's very Talky talking heads-ish . It's very talky headsies

39:23

, very

39:26

talky headsies .

39:38

Is voodoo the same thing as black magic ?

39:41

Uh yeah , I think so .

39:42

There's a difference , I think , I don't know . It's

39:45

like one is the other , but the other is

39:47

not . That one Right , okay , shout

39:59

out

40:01

to Mark Wahlberg .

40:05

Shout out to .

40:06

Chancey Riley , aka Boogie Nights

40:08

. Shout

40:10

out to Philip Seymour Hoffman .

40:14

I don't know what to say , I

40:17

guess well , I

40:19

guess the only thing I can say is

40:21

I'll promise to keep rocking and rolling .

40:26

Great little guitar riff here Okay

40:28

.

40:32

Oh Work

40:36

it .

40:38

That's baby making music .

40:50

Is this Claude ? Is

40:52

there like a synth ? What's

40:55

going on here ?

41:06

May I see it ?

41:07

Really Please

41:10

. Oh , that's that creepy

41:13

old guy , right ? Thank you .

41:14

Eddie Shaking that stick

41:16

.

41:19

May .

41:19

I see it please , right over the Shaken

41:22

stick part . Oh , here's the

41:24

bridge . This is just a chromatic Fuck

41:27

kerfuffle .

41:29

Yeah , this isn't our Effect either . This

41:32

is them .

41:38

Call the fire department . This one's out

41:40

of control

41:45

.

41:45

Holy shitballs .

41:51

Holy shitballs

41:53

.

41:53

The whole existence is

41:55

so hilarious .

42:03

Laughter for no reason .

42:08

Thank you , bitch .

42:09

Anyway , do you mind your

42:14

effects on Tom , why it's got to

42:16

be more chaotic , doesn't it ?

42:21

It's gotta

42:25

be more chaotic , doesn't it ? It's

42:28

tolerable . I like the chorus and the chord

42:31

structure is very catchy .

42:38

Yeah , that is , you

42:40

do , you

42:43

do All

42:45

right , all right

42:50

, all right

42:53

.

42:53

So that was voodoo . I have

42:56

a

42:58

, so that was Voodoo . Not

43:01

Voodoo Child , but Voodoo

43:03

Lady . This one is Joppa Road

43:05

, joppa .

43:08

Shout out to Pasadena , shout

43:19

out to the old movie theater on Chopper Road

43:21

when

43:23

I saw Liar Liar for the first time .

43:25

Oh was it .

43:26

It was good . Oh

43:28

, that's years and years later . Right , they

43:31

would release old movies and it

43:34

was kind of cool .

43:48

What do ?

43:49

they have at Java Road in New Hope . Yeah

43:51

, new Hope is literally

43:53

like there's one little main street and that's it .

43:58

Such a such a small town , I have to have a movie

44:00

theater there too .

44:01

Really hippy-dippy . I don't know , it's on the

44:03

canal there .

44:05

Okay , across the Delaware . It's on

44:07

the .

44:07

Delaware . It's the DNL . It's on the DNL Trail

44:10

. I

44:14

really wish I spent more time . I just kind of biked through

44:16

it .

44:19

Got a little classical gas going on here , I'll

44:23

do classical gas . Shout

44:33

out to Lenny from the Simpsons . This sounds like a charming

44:35

town . You hope yeah .

44:41

It is .

44:43

Sonoco .

44:50

Sonoco .

44:54

Heel and toe .

44:55

Heads , shoulders , knees and toes

44:57

.

44:58

I take head , shoulders , knees and toes knees

45:00

and toes .

45:02

Okay , you can have those In case I know where

45:04

we can go called Jabba

45:07

Road . It's a little

45:09

ways where the sun shines

45:11

down where we drive real

45:13

slow On

45:18

Jabba

45:20

Road , on Jabba Road , jabba Road

45:22

, that's what that is Baby

45:25

making in the back of a car ?

45:27

Work it , work it baby , work

45:30

it , work it , own

45:32

it .

45:35

Yes , you can handle this . First

45:37

is here somewhere .

45:47

Richard .

45:59

Ah , that feels better . It's

46:05

tolerable that one . Yeah , it was tolerable that one that was tolerable . This

46:07

was tolerated .

46:08

This is candy oh , a piece of candy . Oh

46:12

, a piece of candy .

46:24

And berry and berry . Shout out to the

46:26

berries out there and the peaches

46:28

.

46:33

Peachies . Rip Berry

46:37

wife .

46:39

Peaches and her RIP Berry wife . Peach

46:41

isn't hurt Candy .

46:43

Ooh piece of candy .

46:48

Ooh Rarit Glazing and cherry

46:50

Need some glazing

46:52

cherries .

46:53

Candy Candy .

47:06

He shed it Spicy

47:17

and sticky

47:19

Missed opportunity the

47:23

last reference to the , the

47:26

album title . I don't think it shows up at any other

47:28

point , does it ? No , it doesn't chocolate

47:31

with cheese .

47:33

I come to see them in the dressing room being like

47:35

, yeah , Um , we

47:39

just wanted chocolate and cheese . There

47:41

are grapes and salami

47:43

on this tray . Woo

47:47

pizza candy .

47:57

Custard and berries . Looks

48:01

like somebody's been down here with the ugly stick . Say hi , looks like somebody's been down here with the ugly stick . Say that again .

48:02

Looks like somebody's been down here with the ugly stick .

48:11

Peaches and cream . Beck has a good

48:13

song called Peaches and Cream . Who

48:15

does Beck ?

48:16

Oh yeah , peaches , and .

48:17

Cream . That's right On his Midnight Vultures album . It's very good , peaches and Cream

48:19

. Who does Beck ? Oh yeah , peaches and Cream . That's right On his Midnight Vultures album

48:21

. It's very good . It's

48:29

a juicy little , oh

48:31

yeah

48:36

.

48:36

Little nugget . I feel

48:38

funny . Why

48:47

is this happening to me ? Yeah , it is . This

48:51

is a long testamentary . Is

48:55

this real life duty

48:59

Is ?

49:01

this real life

49:04

. He's adding stuff onto

49:07

this already layered . The

49:09

pen is blue , the pen is blue .

49:10

The pen is blue .

49:17

I'm waving him off , bring him

49:19

down , bring them down , bring them down

49:21

, bring them down . Chandler , yeah

49:24

, just sit .

49:25

The next couple plays out Chandler .

49:27

Bring them down .

49:29

I feel funny , though , okay .

49:33

I feel funny the band is over , you can go ahead

49:37

.

49:40

There's 20 more seconds for this Candy

49:43

Bitch .

49:48

You alright , I'm

49:51

just laughing . I'm just laughing . Woo

49:55

beat the candy .

49:57

Candy . Shout

49:59

out to the candies out there .

50:01

Wow , candies are in Amigo

50:06

.

50:07

I'm Lucky Day . Hola

50:10

, my

50:13

Good friend

50:15

, I'm Lucky Day . I'm

50:17

the needle lad . Cinco

50:20

de Mayo

50:22

on Tuesday

50:25

I'm Dusty Bottom so together we're

50:27

and I hoped

50:29

we'd

50:32

see each other again

50:34

.

50:35

The Three Amigos . You

50:38

killed my brother .

50:39

My name , amigos , okay , you

50:42

killed my brother .

50:43

My name is Montego .

50:45

My amigo Montoya , and you killed

50:47

my brother .

50:48

You shot him .

50:50

And I will have my vengeance . This

50:53

will be my revenge Prepare

50:56

to die .

50:58

In the night I

51:00

still hear Mama

51:03

weeping . Oh

51:08

, mama Still

51:10

dresses In

51:12

black .

51:14

Oh man , if we could only talk to Tony

51:16

Montana's mom , right now , at

51:19

every fiesta

51:22

For

51:27

you .

51:29

I wanted to

51:31

greet .

51:37

Maybe , I'd sell you

51:40

a chicken with

51:46

poison interlaced

51:49

with the meat

51:51

.

51:56

You , you

51:58

look Like

52:00

my brother .

52:01

Two more years I get my cosmetology license

52:04

.

52:05

Mama . Shout

52:07

out to Tony , my fan sister , the

52:10

best .

52:11

Gina .

52:15

He was Head

52:17

honcho With the

52:19

ladies . Mama

52:25

always said

52:27

he was blessed

52:30

. The

52:33

village all gathered around him , max , but is it still bodegas , you

52:36

and the others ? No things are different . The village , what are you ?

52:38

doing now All gathered Banks Around him .

52:39

But is it ?

52:39

still bodegas , you and the others . No things

52:42

are different . I work

52:44

with an anti-castro .

52:46

I'm an organizer .

52:48

I'm an organizer .

52:51

I get a lot of political contributions

52:54

. It was you

52:56

that had killed

52:58

him . You're a hater and

53:02

that I find you and

53:05

the boss stands the gun sticking in somebody's face , the

53:07

law .

53:10

You know what we hear about

53:12

in the papers the people , his

53:14

family looks like you .

53:15

Our image Believed

53:17

me Preach Mrs .

53:19

Montana . I will say Mitch believed me .

53:20

Preach Mrs

53:23

Montana , mama

53:26

she wanted Mama

53:29

say that happiness is from magic

53:31

rays of sunshine .

53:31

I told her .

53:33

We're doing like a montage right now . We're going

53:35

back and forth between Tony Montana's

53:37

mom and Billy Madison

53:40

oh , it's Waterboy Nice . I

53:43

like it . Oh Red Hot Mama To

53:46

death .

53:46

Mama says we

53:59

haven't heard a word from you in five years

54:02

, cinco

54:05

años . Will you suddenly show up here and throw some money around

54:08

and think you can get my respect ?

54:09

That's $1,000 , ma'am .

54:11

You think you can buy me with jewelry ? You

54:13

think you can come into my house with your hot

54:16

shot clothes and your gay manners

54:18

and make fun of us I'm

54:27

rocky day , I'm

54:33

dusty bottoms .

54:34

Together we're the three amigos

54:36

. So together we're

54:38

the Three Amigos

54:42

.

54:42

Well , so long as we've got some time to kill

54:44

, I think I'll have a beer .

54:47

We don't

54:50

have no beer . No beer on Cinco de Mayo . What a disgrace

54:52

.

54:53

I know .

54:55

Not even a Corona . I'm trying to kill somebody here . I

54:57

just want

54:59

a beer before I commit my joyous

55:03

murder of revenge

55:05

. Murder okay .

55:06

Yeah .

55:07

I just want a beer , I know .

55:12

Came into town Save

55:17

the village

55:19

man On

55:26

this such a joyous day . I tell you it

55:29

was me who

55:31

killed him With joy in

55:33

your heart . But

55:36

the truth is

55:39

that never Billy .

55:40

Bob .

55:41

Billy .

55:41

Bob , billy Bob T boy

55:46

, I could be a ruthless killer , probably

55:48

are days probably is .

55:50

Yeah , he's probably

55:53

killed somebody I'm thinking hola

55:56

or maybe indirectly my

55:59

good friend Cinco

56:06

de Mayo

56:08

on Tuesday

56:11

and

56:15

I hoped we'd

56:18

see each other again

56:21

.

56:23

You better not mention that again . You

56:25

better not .

56:28

Shout out to the goat . We'd see each other again

56:31

.

56:33

You better not mention that again

56:35

.

56:35

I hope they mention that again .

56:38

We'd see each other

56:40

again

56:43

.

56:49

What the Got all deep . It's

56:55

tolerable , alright , I feel funny

56:59

. Oh , it's tolerable , all right .

57:01

I feel funny .

57:04

Yeah , you and me both Jeez . Okay

57:09

, this song is the HIV song . It's

57:13

basically AIDS and HIV back and forth

57:15

. Two minutes and

57:17

nine cents Nine

57:26

seconds I don't know

57:28

HIV . Take a picture man

57:33

following the lyrics Just AIDS , aids

57:35

, hiv . Those lyrics have

57:37

actually been spoken . I haven't even heard it . Okay

57:40

, there's just AIDS , aids , hiv . Those lyrics have actually been spoken

57:42

. I haven't even heard them . Okay , there's the AIDS . Shout

57:53

out to the Dallas Buyers

57:55

Club . Say

57:58

that to you . Take a seat

58:02

. I don't

58:04

want to mess with you . I don't want to mess with you . I don't want to mess with

58:08

you . I don't want to mess with you . I don't want to mess with you . I don't want to mess with you .

58:10

I don't want to mess with you . I don't want to mess with you . I don't want to mess with you .

58:11

I don't

58:13

want to mess with you . I don't Shout

58:16

out to Matthew . Shout

58:20

out to Matthew . H-i-v

58:29

. Why was this song included ? I have no idea

58:31

, h-i-v

58:35

. Why

58:39

Should

58:42

we ?

58:42

cut the next 30 seconds out . Let's go . That's not on our top , it's just .

58:44

Yeah , all right gosh , all right

58:46

, dodged a bullet there

58:48

this

59:00

one's called what Diener Was

59:02

Talking .

59:02

About .

59:06

Diener , what are you talking about ?

59:11

Did he write this song Like

59:13

in the third person ?

59:32

What ? What are they talking about ? I'm gonna

59:35

slip you something . Oh

59:37

God , what are you ?

59:40

talking about

59:42

? Oh god .

59:48

How much more black could this be ? And the answer is none . Is

59:50

that good ?

59:55

This is something this is

1:00:01

something it's

1:00:04

really quite exquisite

1:00:06

. This is a hard album to listen

1:00:09

to . It is For 16 songs

1:00:11

. It is Fucking non-stop

1:00:14

.

1:00:17

The person the last listener with us . Thank you

1:00:19

, we're still having a good time . I hope you are .

1:00:21

Oh yeah .

1:00:22

Don't get me wrong . I'm just saying I mean , this

1:00:24

is taking

1:00:26

my music parameters out

1:00:28

infinitely .

1:00:30

No , this is you man . You love this don't you yeah

1:00:45

.

1:00:45

I mean my music parameters are like here , you know , in this little

1:00:47

narrow field , but then , after listening to this , they both widen on either

1:00:50

side , up and down , side to side I mean . I

1:00:52

get it . You don't want everything spoon fed to you , like Toto

1:00:54

you know . Oh well , yeah , but I get that part of it .

1:00:56

This is on the outer bank . I

1:01:00

mean , our listeners might be guinea pigs after this

1:01:02

.

1:01:02

I'm a horse , not a guinea pig , alright

1:01:05

.

1:01:06

This is Don't Shit when you Eat . So

1:01:09

yeah , thanks for hanging in there Last

1:01:11

.

1:01:12

It's the last one . Yeah , we

1:01:15

got some do's

1:01:18

.

1:01:22

Don't shit where you eat is the name of this one

1:01:24

, I mean .

1:01:35

I guess the only thing I can say is

1:01:37

I'll promise to keep rockin' and rollin' .

1:01:53

You got good stuff here , class

1:01:55

A chip .

1:02:10

All that shit is fucking bullshit

1:02:14

.

1:02:19

Veal . This is the life for me , but don't

1:02:21

shit when you eat my

1:02:23

flesh . He called the shit poop .

1:02:30

Give two shits about you or nobody else

1:02:32

.

1:02:35

He gonna shit when he realizes

1:02:37

it's shit .

1:02:40

Some good shit . Huh , it's a fucking cigarette .

1:02:47

That's some heavy shit , man

1:02:50

.

1:02:51

Shout out to Cheech .

1:03:14

Do , do , do , do

1:03:21

, do , do . Anyway , do you mind Do it

1:03:27

, do it , do it

1:03:29

. Do it , do it , do it

1:03:31

, do it , do it , do it Do it , do

1:03:33

it , do it , do it , do it , do

1:03:35

it , do it . Do

1:03:39

it , do it , do it

1:03:41

Do it .

1:03:44

I often have my coffee in the bathroom .

1:03:46

Oh , that was nice . All right , all right

1:03:49

yeah .

1:03:58

So that was a . You

1:04:01

know , it was like a palate cleanser at the very

1:04:03

end of the album After all the distortion

1:04:05

and whatnot .

1:04:06

Yeah .

1:04:06

All the other songs . I mean I liked it . You

1:04:08

know , I just wish they reined it in , but

1:04:10

you know you might feel differently . Well

1:04:13

it's tolerable .

1:04:16

It's excellent . What are we talking about here ? All right , it's excellent

1:04:19

. What are we talking about here ?

1:04:19

all right all right , so

1:04:21

let's get our top three . I mean

1:04:23

, you go number three and

1:04:28

they're all open for voting right all

1:04:30

?

1:04:30

open for voting . I'm

1:04:33

gonna go . Chopper

1:04:36

road is a banger . It's a lo-fi

1:04:38

sort

1:04:40

of joppa

1:04:43

road three . It's

1:04:45

got the baby making music . It's sort

1:04:47

of uh , it's

1:04:50

something , it's something there I

1:04:52

hear you , I

1:04:55

, I it .

1:04:57

yeah , joppa road was good . I'm going

1:04:59

to , I'm going to say Buenos

1:05:01

Tardes , amigo . It's going to be my number three

1:05:03

. That's your joke pick .

1:05:06

Uh , no , no , no , these are all jokes . Yeah

1:05:08

, this whole album is a joke . Let's be honest .

1:05:11

I , it was entertaining yeah .

1:05:13

I like the story of it . It's a comedy um

1:05:15

yeah , that was my number three number

1:05:18

two mister , would you please help my pony

1:05:20

because , uh

1:05:22

, I couldn't get it out of my head . Yeah

1:05:26

, mr , would you please help

1:05:28

me get this song out of my head about a pony

1:05:30

. I think it's as long .

1:05:33

Yeah , it's just great , just great stuff yeah

1:05:35

, well , I mean , I couldn't get baby bitch out of

1:05:38

my head . That's my number two .

1:05:39

Oh , baby Bitch , yeah , baby baby bitch

1:05:41

, baby baby bitch , yeah

1:05:43

, yeah , I liked it . It's got that New

1:05:45

England Good Will Hunting like .

1:05:47

Elliot Smith vibe .

1:05:48

Oh gosh , all right . Well

1:05:50

, what's your number one ? My number one

1:05:53

, roses

1:06:00

Are Free , is a fish song , so I'm going to go Take Me Away . Take Me

1:06:02

Away , number one , take me away . Yeah

1:06:10

they kick

1:06:13

it off kind of in a really just great way . Shout out to Voodoo

1:06:15

Lady . Voodoo Lady deserved to be up there , but

1:06:17

yeah that seemed to be an obvious pick , though at the same time , it was

1:06:19

too obvious as a pick that

1:06:21

Dean and Gene Wein would be disappointed

1:06:24

in me if I picked it .

1:06:27

It's a de facto hit .

1:06:28

It's a de facto hit .

1:06:30

But we'll make it . That's why we're avoiding

1:06:33

it .

1:06:33

We are .

1:06:34

It's not on my , even though it deserves to be mentioned

1:06:36

. Yeah

1:06:47

, take me away , so that's

1:06:49

your number one . Yes , okay , I went with a song that didn't have

1:06:52

any lyrics . Oh , going , uh , a tear for eddie , you softy , I , uh , I enjoyed the uh , yeah

1:06:54

, just like the acoustic vibe . It gave off and it was like , very

1:06:56

like . David Gilmour and Manfred

1:06:58

Mann , and I liked how it

1:07:02

was its own unique thing , even

1:07:04

though you could hear those influences , and I

1:07:07

thought that was what was excellent .

1:07:09

Nice , so yeah .

1:07:11

I liked yours too . I'm glad we had

1:07:13

a difference yeah we

1:07:15

usually do . Different songs . Yeah , we

1:07:18

intersect from time to time , but yeah , this was .

1:07:20

A lot of non-honorable mentions on this

1:07:22

, songs that can just never be listened

1:07:24

to again .

1:07:24

But great album . Yeah , you're talking about the

1:07:27

HIV song .

1:07:28

HIV Candy . Candy is

1:07:30

yeah oh . Drifter in the Dark is not

1:07:32

that good .

1:07:34

The last two songs , do you like ? I Can't Put my Finger

1:07:36

Out .

1:07:37

I do like that song because of the interlude

1:07:39

Mm-hmm , do , do , do

1:07:42

, do , do , do , yeah

1:07:45

, but yeah , don't shit

1:07:47

where you eat .

1:07:47

I got to hear a little bit of that

1:07:49

that was tolerable

1:07:51

.

1:07:51

I'll occasionally have a breakfast burrito with

1:07:53

a coffee in the bathroom

1:07:55

. That's all .

1:07:56

Yeah , hey , man , you know just

1:07:59

, we're on a don't ask , don't tell basis

1:08:01

. So yeah , to

1:08:03

each his own , though , and uh with that , uh another

1:08:06

one for the books . Yeah , Another one in the

1:08:08

books . Thanks again for listening

1:08:10

. Uh , continue to download us and uh

1:08:13

, you hope you enjoyed it .