Audio in your broadcast mix has never been more considered or important in the history of the church. Presenting an incredible experience online has never been more crucial. How as audio engineers can we lead the Church to forward progress?
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In Episode 4, Armando sits down with Luke and Mike. They have a conversation about how each of them approach FOH and Broadcast mixing, how they work with their teams, and some of their strategies for creating an immersive experience in the room while also creating a great experience online.

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Episode Highlight:

"The reason we started mixing wasn't because we love mixing consoles. It wasn't because we love turning knobs, it was because we love music. That’s why we got into mixing and that’s what makes mixing fun." - Mike

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Meet the Guys:

They each use a different PA, console, and have a different room shape with unique finishes. 

Mike Ward

Mike serves at Seacoast Church outside of Charleston, SC. Mike's venue is a 2,500 seat room with concrete finishes completed in 2019.

Luke Vogel

Before joining the team at Venueflex, Luke served at Church of the Highlands in Birmingham, Alabama, a 2,500 seat venue. He was on staff for 17 years, helping the church grow from one campus to 23, and oversaw all audio production. 

Host: Armando Fullwood

Over the last three decades, Armando's visionary direction in the marketplace has founded several technical and creative companies.

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A note from our sponsor: Venueflex

Are you looking to provide an immersive experience to every seat in your venue? With the Venueflex Definition Process, you can achieve equal experience, spatial realism, and a balanced reverberant field in every seat of the house.The Definition active acoustics give audio engineers a definable and variable acoustic palette. You can mix “into” the sound of their room, rather than having to compromise your choices based on an inaccurate or inefficient one. To champion your audience's experience with immersion in every seat, #FixTheRoomFirst.

Learn more at http://www.venueflex.com/definition