Sight & Sound
The Mixing Room: conversations about cinemaEpisodes
Episodes of The Mixing Room
Mark All
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Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demon
To make Being Frank: The Chris Sievey Story, director Steve Sullivan conducted a decades-spanning quest to uncover and understand the man behind Frank Sidebottom, the cult comic figure with the papier-maché head. On Sight & Sound’s website, he
Tara Brown, Keith Jarrett and Ben Walters talk through all the fun in the 2018 BFI Flare! Film Festival, from queering the South Bank and LGBTQ+ bingo cards to mainstream incursions, gay miserabilism and the marvellous indescribability of Good
What does Steve McQueen’s new heist thriller Widows – Sight & Sound’s November 2018 cover film and gala opener of this year’s London Film Festival – tell us about race and class? Philip Concannon, Nick James, Isabel Stevens and Kelli Weston dis
Gaspar Noé’s closing-night Climax set the tone for a horror bonanza that went big on spiked drinks, ghosts, nuns and dollhouses. We locked Anton Bitel, Kim Newman and Virginie Selavy in a room to chew it over.
A look back at the best of last year’s FrightFest with Anton Bitel, Kim Newman and Virginie Selavy.
Kelli Weston hosts a conversation with Sophie Brown, Simran Hans and Ben Nicholson to discuss some of the picks of this year's Sheffield documentary festival: • RaMell Ross’s Hale County This Morning, This Evening• Bing Liu’s Minding the Gap
Alex Davidson, Sophie Mayer and Ben Walters discuss the best of the year’s London LGBT film fiesta – from the half-century commemoration of the Sexual Offences Act to The Untamed's alien sex octopus.Films discussed include:Against the LawFr
Did Kelly Reichardt’s intimist small-town Montana character study fully deserve its Best Film award at this year’s London Film Festival – or does it have a ‘celebrity problem’? Is Paul Verhoeven’s blackly provocative rape-revenge drama Elle a r
Sixtysomething films later, our indefatigable horror-film specialists Anton Bitel, Kim Newman and Virginie Selavy stagger out of this year's FrightFest bonanza and into our recording studio to discuss the best and worst, darkest and weirdest of
On its thirtieth anniversary, the former London Lesbian and Gay Film Festival – now BFI FLARE – had plenty to reflect on, from biopics, revisionist histories and rereleases to the new places queer cinema is going. Our three critics at the festi
Film critics Anton Bitel, Kim Newman and Virginie Selavy dissect the best and worst of this year's major showcase of horror cinema, roaming across themes from final girls and crazy ladies to confinement, madness and British grand guignol. Fil
A conversation between critics Anton Bitel, Kim Newman and Virginie Selavy about the 2014 edition of London's FrightFest horror film festival.
A Sight & Sound audio roundtable discussion about the 2015 BFI FLARE London Lesbian and Gay Film Festival, bringing together critics Sophie Mayer, Frances Morgan and Ben Walters.
Sight & Sound critics Anton Bitel, Kim Newman and Virginie Selavavy discuss FrightFest 2013.
The directors of Enter the Void and Trash Humpers consider human sofas, women who punch themselves and fantasies of remaking Beverly Hills Cop 2, somewhere in the wilds of Paris.See bfi.org.uk/news-opinion/sight-sound-magazine/interviews/les-
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