Podchaser Logo
Home
How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics

How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics

Released Wednesday, 18th November 2020
Good episode? Give it some love!
How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics

How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics

How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics

How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics

Wednesday, 18th November 2020
Good episode? Give it some love!
Rate Episode

After serving as a second unit director of photography on movies like The Matrix Trilogy and Dark City, Ross Emery was tapped to be one of the key cinematographers on the new series Raised By Wolves, where he got to work with one of his all-time film heroes: Ridley Scott. In fact, it was Scott's 1982 classic Blade Runner that made Emery fall in love with movies as visual art. Emery regales us with stories that you don't want to miss, everything from working with the Wachowskis and the incredible team they assembled, to the madness of The Island of Dr. Moreau. (Yes, he was on that set, too.) Emery's style and approach are distinct and he's been around the block, so pull up a chair and listen.Check out more interviews with great DP's:

David Fincher's Longtime DP Jeff Cronenweth Has Advice, Insight, and Stories

'Lovecraft Country' DP Michael Watson On Shooting During COVID-19

Darren Aronofsky's Rockstar DP Matthew Libatique Talks Career and 'Requiem For a Dream' Anniversary

Please email us any questions or comments at [email protected]!Learn more about your ad choices. Visit megaphone.fm/adchoices

Show More

Unlock more with Podchaser Pro

  • Audience Insights
  • Contact Information
  • Demographics
  • Charts
  • Sponsor History
  • and More!
Pro Features