Episode Transcript
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2:02
How was that filming together? It
2:04
was that.
2:04
But it's hell. It was so much
2:07
fun. I
2:08
think that about nobody else by the way.
2:11
The the times on the show that I got to
2:13
torture people or
2:16
have crazy, like, on camera
2:18
sex with Quinn were the
2:20
most fun ever.
2:22
Yeah. You know what I mean? Debbie Allen directed
2:24
the first episode where we had to
2:27
ice smack your face then you
2:29
grab my cheeks so that I can't
2:31
speak. You're, like, hurting my face. And, oh, I
2:33
smacked him so hard. His ears was ringing.
2:35
It was I lost my earring. For, like, half
2:37
an hour. I've talked about this on other shows.
2:39
But I was like, Katie, Smack me for real.
2:41
Like, do it for real for real. And then
2:43
was like, What did you say,
2:46
Debbie? Like, I'm coming through.
2:53
Hi. My name is Katie Lowes, and I
2:56
really like this podcast. Hi,
2:58
guys. My name is Guillermo
3:01
Daz, and I just
3:03
watched a
3:04
wrap. Run across my backyard.
3:06
No. Yes. Twice.
3:10
Twice. Well,
3:16
hello everyone and welcome
3:18
back here to off the beat
3:21
I am your host, Baumgartner,
3:23
and today is a very special Daz.
3:25
Because today, we have
3:27
not won But two exciting
3:30
guests, that's right. It's a threesome,
3:33
Katie Lowes and Guillermo
3:36
Daz. I met Katie
3:38
and Guillermo for the first time today,
3:41
but they met a
3:43
decade ago on the set of
3:46
scandal. One of the most popular
3:48
Lowes, well, certainly in the last
3:50
decade, and for good reason,
3:52
it has politics. It has drama.
3:55
But most of all, it has
3:57
Katie and Guillermo. Now, they're
3:59
actually starting their own scandal podcast
4:02
called unpacking the toolbox.
4:05
I've heard the trailer and it is
4:08
fantastic. Lots of
4:10
scandal, but that's
4:12
expected. They're here today to
4:15
talk about their early days as
4:17
actors struggling in New
4:19
York, their time on scandal, what
4:21
it means to be a part of the Shondaland
4:24
universe, and both of their
4:26
most recent shows law and order
4:29
organized crime for
4:31
Guillermo and the most talked about
4:33
show of the last year inventing
4:35
Anna. For Katie. They're
4:37
delightful together. I didn't
4:40
even need to be here, but guess what? I
4:42
was. So here they are.
4:45
Katy, Lowes, and
4:47
Guillermo Diaz.
4:53
Bovlin'sque. I
4:56
love it. Bublin'sque, I
4:58
know. Bubble
5:01
and squeaker cooking every remote
5:03
and left over from the night before.
5:15
Hi, guys. Hi. Is that
5:18
Brian?
5:19
How are you? Pretty good. How
5:21
are you? I'm good. I mean, you know,
5:23
I'm lurking in the background so I hear. I mean,
5:25
we should keep the conversation going. You're
5:27
more you're going to Vegas this weekend.
5:29
That's fantastic.
5:31
I am and I know you're not like a
5:33
Vegas dude to me but, like, maybe
5:35
more and I'm always learning new things
5:37
from this friendship.
5:38
Yeah. I love Vegas. I really love it.
5:40
I mean, I can't go for more than, like, two days.
5:42
You know what I mean? But I'm excited we're
5:44
gonna see the Michael Jackson show out there.
5:47
Oh, it's so good.
5:49
I saw it. I did. Oh, nice.
5:51
Yeah. I'm super excited about that. Saw it.
5:54
And you know what's so funny. Did you guys
5:56
watch the Chris Rock special
5:58
on
5:58
Netflix?
5:59
I haven't seen it.
6:00
Well, I just
6:01
heard about it.
6:02
Yes. It got me thinking because
6:04
he was saying how, like,
6:06
people are selectively outrage.
6:10
Out or outrage, and he's like, why are we
6:12
allowed to watch Michael listen to Michael Jackson,
6:15
but we're not allowed to listen to r
6:16
Kelly. You
6:17
know what I mean? Right. Yeah. Yeah. I get that. Anyway,
6:19
whatever
6:19
you feel about that, I'm not trying to be provocative right
6:21
now, but I'm, like, I'm trying to
6:22
ask, like, you're trying to be provocative, but continue
6:25
yes. Ask
6:25
that question in myself because
6:27
I've seen the Michael Jackson show, and I love
6:29
Michael Jackson music. And then I
6:31
and I know what he's done, and then I
6:33
would never see a musical about
6:35
our Kelly. No. Totally. Same.
6:38
I just Yeah. I don't know what's happening
6:40
in my brain. Yeah. It's
6:42
crazy that he presented that and then
6:44
it makes you it really makes think. Yeah. Yeah.
6:47
And, like, everybody's different what they feel because
6:49
I have friends who are like, we'll walk off a dance floor
6:51
if Michael Jackson comes on.
6:52
Really? A hundred percent. Really?
6:55
One hundred percent, like, they are, like,
6:57
absolutely not. I don't endorse
6:59
support. Any of this music, this
7:01
person was incredibly sick and and
7:04
broke laws and hurt people and
7:06
children. And so I'm out. I'm like, fuck.
7:08
I'm a bad person. Interesting.
7:10
You're on the dance floor.
7:11
I'm just like, doing the moonwalk, like
7:13
my best impression is of I mean,
7:15
Guillermo, this sounds like kind of an indictment
7:17
of you. How are you feeling right now about
7:19
to go to Vegas and watch the
7:21
show.
7:21
Oh my god. That's right. What the
7:23
fuck man? Well,
7:24
I've seen it and was just saying I was endorsing
7:27
it because I loved it.
7:28
Right. Right. Teasing. You
7:32
guys I mean, I have to start with
7:34
what is secretly wrong with
7:37
Bellamy Young. I just
7:39
had the opportunity to work with her. She
7:41
seems way too kind a
7:43
person
7:44
There must be something -- Let's
7:47
just
7:47
work with her on.
7:48
-- we're working on a new
7:50
show, the other black girl
7:52
--
7:53
For Lowes. Yes.
7:54
I find her way too delightful.
7:58
So there must be something wrong with her.
8:00
There isn't.
8:01
Unless you
8:02
hate a vegan unless you hate vegans
8:04
or you hate animal lovers, those
8:06
would be the only famous
8:09
to check. She loves animals and
8:11
she doesn't eat
8:11
them. Okay. Other than
8:14
that, she's pretty gloriously perfect.
8:16
Yeah. No. But but you're you're feeling
8:18
your thinking is is correct
8:20
because when I first met her, I thought the same too. I
8:22
was like, this is way to like,
8:25
is this real? And then you come
8:27
to find out years later that she's that
8:29
exact same person every single day with
8:31
you and she's just though she has the biggest
8:33
heart and the most loving kind
8:36
person I
8:36
know.
8:37
She really is but she is she's
8:39
pretty fantastic. She's pretty fantastic.
8:41
She's exceptional. Also, it's like disarming.
8:44
Like, I don't know where you're from originally Brian,
8:46
but don't know, like, a lot a lot of, like,
8:48
southern bells. Like Say
8:50
I'm funny stuff. She's bellied, but Oh,
8:53
okay. So she's like, I was
8:55
like, duff. What the hell is this?
8:57
Like, I'm from New York. I've never met women
8:59
that are like that, like, Like,
9:02
she's very oh, god. Josh Milena
9:04
used to drive him so crazy on scandal because she's
9:06
a big hugger and
9:08
kiss her and very warm. Mhmm. But she
9:10
also she's just the person on
9:12
our WhatsApp, like scandal chain. She knows
9:15
everybody's birthday. Everybody's
9:17
anniversary -- Right. -- and is like so
9:19
conscious about
9:21
that it's like pretty remarkable
9:23
Is that a southern thing? You're from there, Brian? Is
9:25
that a southern woman thing? I
9:28
mean, my mom does that. So
9:30
I get that. I get yes.
9:32
Yeah. I mean, it's Blue Mountain cards.
9:35
General Blue Mountain messages generally
9:37
at this
9:37
time. get
9:38
those from my aunt Maureen.
9:39
What are those? That's a Blue Mountain message.
9:41
I don't know what that is. It's a it's basically
9:44
a it I mean, it's still
9:46
a kind gesture, which I guess guess it's
9:48
more effort than just text if that's
9:50
what Bellemeade
9:51
does. But it it is a virtual
9:53
car that you open usually
9:55
has some sort of dancing
9:58
Lowes.
9:59
Flower r. Yes. Yes.
10:01
And it says, like, wishing you a great day.
10:03
It's like an ecard, but the company
10:06
is called BlueMountain, and I that is
10:08
a classic in my family as well.
10:10
Yes. Alright. I
10:12
wanna go back to your to your childhood.
10:15
I wanna go back to your
10:17
time growing up. Both
10:19
of you, each of
10:20
you, when did you start becoming interested?
10:23
In the arts or acting. G.
10:27
Guillermo.
10:28
For me, it happened when I was in high school. I
10:30
was a a sophomore in high school, and I did
10:32
a a talent show where we did a Medley
10:34
of songs by the bestie boys.
10:37
Okay. And I played Mike Dee, and it was
10:39
the first time I was on stage, and
10:41
and I just fell in love with performing.
10:44
And I thought, this is what I wanna do.
10:46
And then from that point on, I just really,
10:48
really focused on pursuing
10:51
it. I bought Backstage. There used to be a newspaper
10:53
called Backstage. And, you know, you'd
10:55
circle the auditions and open calls.
10:57
And all that stuff. I did a ton of extra
11:00
work and background work and student films
11:02
and I just I really
11:04
just wanted to to act and I
11:07
pounded the pavement, and I just I, you know
11:09
and I I just kept going. So that's
11:11
that's how it started for
11:13
me. But let me ask you this. So you you're
11:15
on a a talent show
11:17
stage. As the besty boys, like,
11:20
what what was the impetus behind wanting
11:22
to do
11:23
that? Or you just kind of conned by
11:25
your friends and doing this. Somewhat, I
11:27
didn't even I I didn't even wanna be in
11:29
the talent show, but one of the guys dropped out
11:31
that was playing my d and my friends were like, Jeremy,
11:33
Lowes. Just do this for us, do this
11:35
this solid. And I was like, alright. And
11:37
that's sort of how it happens. So I wasn't even
11:40
looking for it. I wasn't even thinking about,
11:42
you know, wanting to do the talent show sort
11:44
of fell in my lap and then it
11:46
was a it was
11:47
a, you know, really exciting surprise
11:49
that I that loved it so much.
11:51
Did you kill it? Was the audience, like, in
11:53
the
11:53
posture your hand? I haven't. I
11:56
haven't. It's recorded. Like,
11:57
I have
11:58
it. I have it. On tape. Oh.
12:00
It's on a VHS.
12:01
Yeah.
12:02
Well,
12:02
but you haven't changed it over yet?
12:04
Yeah. You gotta change it
12:05
over. There you have it. No. It changed it over to an
12:07
electronic file. Let
12:08
me tell you something. Guillermo oh my
12:10
god. You this is not gonna
12:12
survive.
12:13
No, ma'am. Alright. If you moved
12:15
it might be less accurate.
12:17
To New York apartment. This is gonna
12:19
get, you know, damaged in some
12:21
way. I know. I know. I really I'm gonna
12:23
transfer it over. There's There's a photo
12:25
on my Instagram of us three
12:27
dressed like the beastie boys from that
12:29
night. If you scroll through
12:31
on my Instagram, there's a
12:32
photo of us. Your life, my
12:34
community. Yeah. And then and then years
12:36
later, fun fact, years
12:38
later, I did a movie called Half
12:41
Baked. And Tamara Davis directed
12:43
it. And she I
12:45
couldn't believe that she was married to
12:47
Mike
12:47
D. And I got to
12:50
tell this story to Mike
12:52
D. Into Tim Davis into Dade
12:54
ship l and That's amazing.
12:56
Yeah. You have said in the
12:58
past that hiding
13:01
the fact that you were gay growing up
13:03
gave you a crash course
13:05
in
13:06
acting. Can you can you talk to me a little bit
13:08
about that or why you feel that way? It
13:10
did, man. You know, when you're when you're
13:13
growing up in in in New York
13:15
City and Washington Heights in the eighties,
13:17
you know, we I did
13:19
a lot of lying. Yeah. A
13:21
lot of lying. A lot of hiding.
13:23
A lot of, you know, just
13:26
suppressing all all
13:28
things gay that I knew I was and
13:30
and it it really
13:31
does. It makes you it made me a really
13:33
good actor because
13:34
I, you know, I just sort of, you
13:37
know, rolled along throughout my
13:39
world acting like I wasn't
13:41
gay and it just sort of helped my
13:44
and it's sort of a messed up thing to think about.
13:46
You know what I mean? Because I was was herding inside
13:48
and the fact that I was hydrating and lying
13:51
to my parents, to friends. Like, that was all
13:53
really sad to me. But it was
13:55
a it was AAA performance. I
13:57
had to keep keep doing
13:59
and keep up if I wanted to sort
14:01
of, you know, survive for lack of a better word
14:03
in, you know, where I grew up. You know, I
14:06
also think it sort of relates so much to,
14:08
like, Guillermo's had the most incredible
14:10
run of playing so many different
14:12
types of
14:13
parts, but you've played a lot of,
14:15
like, super tough, fucked
14:17
up.
14:18
Right. Like -- Yeah. Yeah. -- jail, crime,
14:21
you know, drug dealers, all this stuff.
14:23
And I I feel like it's so authentic
14:26
because it's probably taps into you
14:28
covering, growing up in like a tougher neighborhood
14:30
and, you know, pretending to be,
14:32
like, a really tough kind
14:35
of exterior person. Absolutely.
14:37
Yeah. And and you've played gay characters
14:39
in your in your career also, but
14:42
but I just think you're you're really good with
14:44
a gun. You've done so much gun
14:46
work. You've done so much.
14:48
That's so much
14:48
gun work. Can somebody pull that for the tape.
14:51
Can somebody pull that for the tape? You've done a lot
14:53
of gun gun
14:54
work. Yeah. That's That's
14:56
yeah. But you've also every time you're
14:58
in, like, a jail
15:00
suit. Like, or haven't you been because I've been in
15:01
college a
15:02
few times and you're like, this is my fifty --
15:04
This is -- Yeah. -- a million times.
15:06
Yes. Ever I've done law and order,
15:09
like, five, six times, and, you
15:11
know, five out of the six, I've been a convict
15:13
in a in a orange jumpsuit. We'd
15:15
either murdered someone or raped someone
15:18
or No. Yeah. Me
15:20
pedophile. I'm very
15:21
good for you. Yeah. There
15:23
you go. Yeah. Orange jumps. Our right is our right
15:25
of passage is doing line order. If you're
15:27
That's what I do. And especially in New York.
15:29
Right? Yeah. Yeah. And that is a rite of passage.
15:32
It
15:32
really is. Katie, what about
15:34
you? When did you start thinking this
15:36
was your path?
15:37
My god, Daz I got the bug, like,
15:40
very early I just always
15:42
was one of those you could probably tell annoying
15:45
little girls who was just looking
15:47
for attention and applause my
15:50
parents probably messed up the other
15:52
direction telling me that I was special
15:55
too often. But
15:58
In all honesty, my mom, like, always
16:00
danced as her, like, workout. Like,
16:02
I grew up in queens. And my mom
16:05
was a mover. Like, she just she's a yoga
16:07
teacher now, but she just was always a mover. So we
16:09
were always in, like, mommy, daughter,
16:11
dance class on Thursdays at, like, five.
16:13
And and I just remember
16:15
being in little like recitals when I was
16:17
34567,
16:19
and, you know, then in fourth grade. I
16:21
got Dorothy in the Wizard of Oz. Like, it just
16:24
was never I
16:26
never questioned when I was twelve. I
16:28
we I grew up right outside the city, and I remember
16:30
screaming, crying, begging my dad for an agent.
16:32
He was, like, absolutely not.
16:36
Like, he was, like, absolutely not. If you
16:38
wanna do the school plays and, you know,
16:41
community theater and you wanna go
16:43
to class, I will support that wholeheartedly.
16:45
And even if you decide to major in
16:47
it, and go to school for it. I will also
16:49
support that, which at the time didn't
16:51
realize what a gift that was -- Right. --
16:53
until I ended up going to school and realized
16:55
how many kids parents were like, there's no way.
16:58
But by the way, now that I have kids, I'm like,
17:00
they weren't wrong. But anyway, I'm wrong.
17:03
But But my dad was, like, there's
17:05
no way you're doing anything professional until
17:07
you decide as an adult that that's
17:09
the path you wanna Lowes. But, like, you're gonna
17:11
be a regular kid and So
17:14
I did every little role from Chorus
17:16
to this that. And then when I started doing
17:18
it professionally, I was like, oh my god, this sucked.
17:21
This is so hard. Like,
17:24
I didn't realize, like, I had always been
17:26
such the goody twosh shoe people, please, are,
17:28
like, the best in my class get the monologue, this
17:30
that neither thing. And then it was, like, record scratch
17:33
stop. Yes. At, like, twenty one. It was,
17:36
like, you're never working. You're
17:38
going to be a waitress for a decade. You
17:40
are gonna fucking fight for this
17:42
tooth and nail, and you
17:45
will work harder than you've ever worked for
17:47
this dream that a lot of other
17:49
people have. And it took
17:51
ten years before and also probably
17:54
fifteen auditions in front of Shonda Rhimes,
17:56
although she'll say to you, I Katie
17:58
just came in. No. No. No. That was, like, my Yeah.
18:00
Like, I thought I did go with Sean Grimes. I
18:02
had been on private practice. I had been on Chris.
18:04
I had done all of it. I had tested for
18:07
previous Lowes. But scandal was
18:09
really the thing where was like, I
18:11
can stop my side
18:12
hustle. I
18:13
don't have to nanny. I don't have to be a personal
18:15
assistant. I don't have to be fucking caterer,
18:18
all of these things. Right.
18:20
Meanwhile, my parents were just
18:22
always very supportive, but felt
18:24
I think really nervous. Like, I remember being
18:26
twenty eight and, like, fighting for health insurance
18:29
and, you know, driving my rhetoric
18:31
around in Los Angeles, looking at my
18:33
Thomas Guide of how to to my third
18:35
rejection of the And my parents
18:37
were like, I don't know how long this
18:40
is going to go. And to be
18:42
honest, I don't know if I I got I
18:45
respect so many. I have wonderfully
18:47
talented friends in their forties and fifties
18:49
who are still fighting that fight, and I don't know
18:51
if I would've had it in me. I don't know.
18:54
I'd like to think so, like I'm an artist
18:56
and an actor through and
18:57
through, but man,
18:59
that sucked.
19:00
Yeah. It's tough.
19:01
No. It's it's really tough. But
19:03
in terms of your path, you decided to
19:05
go to Tish that assume that's what you're referring
19:07
to and your parents supporting you
19:09
-- Yeah.
19:09
-- through Titch. You
19:11
don't believe that. Were you process based
19:14
at that point or were you or
19:16
was it about
19:18
the business? I was not about
19:20
the business. At all. I was
19:22
the weird experimental theater wing
19:24
like rolling around on the floor, working
19:26
with like thinking I was making the greatest
19:28
art that ever been created in the
19:30
Tri State area, like,
19:33
everybody got body lice. It
19:35
was awesome. Like, we
19:37
were writing our names and permanent markers
19:40
holding umbrellas, naked. It
19:42
was so crazy. Dish was so expensive. And
19:44
the best thing they ever gave they they would be like,
19:46
here's fifty bucks. Like, go make a play.
19:48
Like, you're lucky that we gave you a little black
19:51
box theater with forty seats. And,
19:53
god, did we, like, make
19:55
the most of it I thought. But my my parents
19:57
who always loved I did musicals, they came
19:59
one of my first dish plays where
20:01
I took my top off and someone had to
20:03
mess surveyed in the play.
20:06
And my and I remember my parents sitting
20:08
in the front row being like Oh
20:10
my god. My and it's a great play. It's
20:12
Beirut. Like, Mercer's Domain did it off Broadway. Like,
20:15
it's super legit.
20:15
Like, I'm not
20:16
like, it was a fucking it's a great play.
20:18
But they're, like, this is not Lowes
20:21
Happened to guys and dolls.
20:24
So Carousel or, like,
20:26
pirates of pants, and I was like,
20:28
mom, I'm an artist. Now. I am a
20:30
drama nature. This
20:32
is
20:33
drama. My boobs are gonna be out.
20:35
Thank god, the iPhone didn't exist then, you know.
20:37
Thank god. Thank
20:39
god.
20:40
I was just naked all the time, all up on
20:42
that stage. Just naked. Nick
20:44
naked with a e. You want me?
20:47
Did you guy do you feel like growing
20:49
up in New York influenced you
20:52
and your aesthetic
20:55
your career paths, your desire
20:58
to create naked art.
21:01
I think I think growing up in New York
21:03
certainly gave me
21:05
an edge that I,
21:07
you know, at the time, I don't know if I appreciated
21:10
it as much at the time as
21:12
I do now. But similar
21:14
to Katie, III joined a theater
21:16
company called Labarin. We did the same
21:18
sort of thing. We would, you know, we
21:21
had a sort of a rundown space
21:24
on 53rd Street between, like, tenth
21:26
and eleventh Avenue, and we would go
21:28
back backstage where there were bags of old
21:30
masks and costumes, and we would dress up
21:33
and do kaboukie makeup
21:35
and -- Lovely. -- and then get on the stage perform
21:37
and move however we wanted to move. And
21:39
and a lot of those artists are like Daphne
21:41
Ruben Vega, David Zayas, Philip
21:44
Seymore Hoffman, John Ortiz,
21:47
Like, it was all Steven Edley Gergis,
21:49
who is an amazing
21:51
playwright. And so this was
21:53
the group of people that I was rolling around just
21:55
like you Katie on this, like, you
21:58
know, old, like, dusty stage.
22:00
But it and again, we were we were
22:02
in in New York City in the early nineties
22:05
doing this. So it was you know, I
22:07
remember going to the theater and being like,
22:09
okay, I hope I don't get mugged. I had to walk
22:11
really fast and I have to, you know, keep
22:14
my head down, and it it was it was a
22:16
a journey to the theater hoping you weren't
22:18
gonna get jumped by someone at at at
22:20
at knife point, which happened a lot in New
22:22
York. But But again, that gave I think
22:24
that gave me a certain and all of
22:26
us in in that group gave us a certain
22:29
edge, which I love so much, and I
22:31
move through, you know, the rest
22:33
of my career even now. I I moved
22:35
around in the world with that inside me.
22:38
I I love that.
22:46
What the floor, this
22:48
color, the wide planks, These fours
22:50
from Lowes are perfect. Oh,
22:52
my scratch resistance, are these pet proof
22:55
too? And I can get the same look in hardwood
22:57
or waterproof
22:58
vial. Honey, we need them.
23:00
Sure. Just get off the neighbor's
23:02
floor and we'll go to LL Flooring.
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When you get out of school and you start auditioning
25:00
for things, Guillermo for you.
25:02
Struggles early
25:03
on, did you find it
25:07
Yes. You're not on your head. Oh my god.
25:10
Absolutely. It was a you
25:12
know, I mean, talking about it now sounds
25:14
like it was something that happened very quickly.
25:16
It took I think it took even longer than ten
25:18
years for me. It was it was constantly
25:21
pounding the pavement and you know,
25:23
dealing with rejection. And again, like
25:25
I said earlier, doing I did a ton of extra
25:27
work. I was doing extra work on student
25:30
films. That's how fucking Can
25:32
you say can you say student films on
25:35
on campus? Yeah. We
25:37
curse not But yeah.
25:39
That's how that's how, like, down Lowes,
25:41
I was. But, you know, with all that set, I
25:43
loved it. I still loved it. It it was
25:45
still so much fun and and
25:47
it exciting and exhilarating to be in front
25:49
of the camera whenever I was or on stage.
25:52
But, yeah, it was a constant constant
25:54
constant struggle. Even I mean, Katie, I think
25:56
he'll agree with
25:57
me. Like, even now, it's
25:59
a constant struggle now. Had
26:00
three huge rejections last week. Right?
26:03
Oh my god. No.
26:04
God. I'm flooded. My god.
26:06
I'm still
26:07
doing this like Yeah.
26:08
I mean, just dragged over
26:11
the coals for, like,
26:12
a while
26:12
just to get, like, a big fat no at
26:14
the end of it all. It's like, oh my
26:17
god. But you know what?
26:20
I just I think you have to
26:22
be, like,
26:23
I don't know. I don't wanna say stupid.
26:26
That's not right.
26:28
But there's some, like, faith,
26:31
hope, Yeah. Diabete, whatever
26:33
it is, to think
26:34
that, like, this day is gonna be different
26:36
or this opportunity is
26:38
gonna be different.
26:39
It's different now. Yes. I think you're right.
26:42
Like, there has to be something where it's like, I think
26:44
someone might give me a shot. Like,
26:47
Yeah. I I also think what we were asking
26:49
before about the New York
26:50
Edge, I remember moving to LA and being
26:52
like, is anybody doing
26:54
any
26:55
Like, I remember, like, New York,
26:57
you're a like, you're
26:59
early to things. You
27:02
fight for your place. Like like
27:04
if this is contest of like how hard you
27:07
can work, like, I feel like New Yorkers
27:09
work pretty hard to
27:11
get what they want, you know? And I remember
27:13
moving out to Los Angeles and so many people were
27:15
calling themselves actors, but they weren't doing anything.
27:18
Like -- Right. I was like, okay, I'm
27:20
in class, and then I go to waitressing, and then I'm gonna go
27:22
to babysitting, and then I'm gonna try to meet this person, and
27:24
then maybe this casting director will have lunch
27:26
with and then maybe they'll give me a babysitting job,
27:28
and then I'm gonna go back to acting class, and then I'm gonna
27:30
try to keep my body in mental health and shape. Like,
27:32
I just remember, like, studying my auditions
27:35
and things like
27:35
that. And I started a theater company and, like,
27:38
you know, I was just, like, hustling. And
27:40
I feel like that always gave me such an edge
27:42
because there were so many people out in
27:44
LA who were just far more laid
27:46
back. And chill
27:49
I feel like people in LA were all
27:52
sort of hyper focused on, like,
27:54
a really great headshot. Yeah.
27:56
Or, like, you know, that
27:58
sort of superficial type of stuff
28:01
as opposed to, like, really, like, finding
28:03
work and working on monologues
28:06
or finding
28:06
a, you know, theater to do a plan or
28:08
stuff like that. Yeah. But I think
28:11
not just in acting or
28:13
theater, but in the world and in
28:15
in whatever business that you're in, the
28:18
amount of work outside of
28:21
doing the thing that you do to prepare
28:23
you to do the thing that you do
28:25
is so important. And doesn't get
28:27
enough credit. You hear the word
28:29
lucky a lot or, like,
28:32
right place at the right time
28:34
or you met the right person or
28:36
whatever. But I think all of
28:38
those things are a product of
28:41
all of that work that you're doing
28:43
outside
28:44
of the thing that you're trying to do?
28:46
I completely agree.
28:49
Sometimes I'm lucky enough to go in
28:51
and I, like, talk to little like
28:53
I said, I started a theater company like sixteen
28:56
years ago. And I go in
28:58
sometimes to, like, classrooms of, like, twenty,
29:00
like, younger actors and And I'm like, what
29:02
are you doing though? Like, nine to if
29:04
this is your job, right, and
29:06
you're gonna work at least forty hours a week on
29:08
this, you should more, by the way. Like, what
29:10
does that mean if you don't have someone
29:13
paying you right now currently to act? Like, what
29:15
are the hours filled with? And and to
29:17
me, that's also, like, therapy
29:20
walking, all of that
29:22
stuff, but I'm like,
29:22
it's such a mental physical game
29:25
of, like, longevity and
29:28
stability and being able to when
29:30
the opportunity does finally knock to
29:32
be able to show up with
29:34
all of the work you've done on yourself
29:37
and on the and enacting itself
29:39
and you're ready to be there because I have also
29:41
seen people sabotage those
29:43
shit out of those opportunities like --
29:45
Oh, yeah. -- sadly because
29:48
the outside stuff that you work on
29:50
was not there. I mean,
29:51
it's wild.
29:53
Yeah. And I think, you know, I owe it, you
29:55
know, because I did I did theater
29:58
for a number of years and really thought that that
30:00
was my Your path. And
30:02
I say now when I moved to
30:04
Los Angeles, I was still an actor.
30:07
But I felt like I changed careers.
30:09
Because for me, the
30:12
the business work
30:14
outside be it, networking be
30:16
it, what's happening in
30:18
the world of film and television is
30:21
equally, if not, more important than
30:23
all of that
30:24
stuff. Yep. No. It's a
30:26
big the business side of it is also
30:28
huge. I mean, oh my god. Like you said some of these
30:30
greatest actors I went to school with,
30:33
didn't have the business head or the business
30:35
savvy of, like, how to
30:39
make a business of yourself and sell
30:42
yourself. I mean, there's also all of that.
30:44
I mean, it's it's it's
30:46
it's a lot.
30:47
It's a lot. You gotta have a very odd
30:49
combination of, like, artists and artistry.
30:52
And at the same time,
30:55
this business sense and this business
30:57
savvy of how to work it, that's
30:59
authentic and feels good to you.
31:02
I mean, I used to waitress at a restaurant and
31:04
bless her, one of my best friends used to
31:06
write her fucking website with a
31:08
real on every check because we would wait
31:10
on Ryan Murphy and the
31:12
creator of Batman and That's
31:14
in in Justin Timberlake. I mean, the freaking
31:17
everybody, this was the power hour lunch
31:19
spot. And that never felt
31:22
authentic to me. Like, I just like,
31:24
I could talk and and
31:26
be like, hey, I just had an audition, you know, like
31:28
something barely that. And I used to come
31:30
home and feel like shit that I was missing
31:32
opportunity. And she totally got a
31:34
job out of
31:35
that. She got a
31:35
nine episode recurring part.
31:38
I would've I would've gone on that on that website.
31:41
Mike. Mike that up. Right? She's
31:43
good. Like, she
31:43
went to Tesla. She's a fucking great actor.
31:47
She has since now retired from the business,
31:49
but at the time, she was
31:51
totally hustling and and so that's what I
31:53
mean to say. Like, you have to figure out how to work the
31:55
business, like, in a way that feels
31:57
good to you. For example, I was
32:00
a babysitter, Nanny, for two
32:02
big casting directors who
32:04
have both or two out of the three
32:06
only casting directors in Hollywood who
32:08
repeatedly hire
32:09
me.
32:09
Nobody else. Really?
32:11
I've said that. Like, honestly, like,
32:13
I've been babysitting and they've been family for
32:16
me for fifteen years.
32:17
Yeah.
32:18
But they wouldn't continue hiring you if you
32:20
could if you didn't deliver when you got
32:22
the job. You know what I felt to
32:24
the whole team, but they're the ones
32:26
that are the gatekeepers. Like, they
32:28
get me in there. But luckily, you're
32:30
really good. Like, if you suck, they
32:32
would have been like, oh, Daz. We got it.
32:34
Should we bring her in
32:35
again? She's really bad. You know what I mean?
32:37
Well, that that could work the other
32:39
way too. It's like, oh, don't wanna lose my
32:41
babysitter.
32:42
Yes. That's true. So
32:45
you Maybe, here's the key.
32:47
Be really nice and respectful and
32:49
and appear to be artistic
32:52
and be kind of a
32:53
shitty. Maybe
32:54
Right. But
32:54
you know what? Kind of was.
32:56
Hey, Jim. Shoot. I looked back and I'm like,
32:59
oh my god. I used to be smoking cigarettes
33:01
out of the car with, like, fling it out as soon
33:03
as I would, like, pick her from school. And then I would
33:05
take her to the zoo or whatever, but have, like,
33:07
the dude I was dating, like, come meet me
33:09
at the zoo. So I would be, like, double asking,
33:12
like, babysitting and going on a
33:14
date. I'm not kidding. Kidding.
33:16
This is news to me. I
33:18
love this story. Oh my
33:20
god. I
33:20
was twenty four and such a
33:23
idiot.
33:24
Wow. But whatever. And they know it now.
33:26
Like, I'm not I
33:27
mean, I hope they do.
33:28
If not, now they know. Now
33:29
they
33:29
know. Please keep hiring me. Keep please keep letting me
33:31
out of it for you. Thank
33:32
you. You do. For
33:35
you, Katie, well, early on,
33:38
I understand you appeared on
33:40
a couple of episodes of both the
33:42
guiding light and Daz the world.
33:45
Turns. I know
33:48
that's not ultimately what you wanted
33:50
to do for your career, but talk
33:52
to me a little bit about that experience.
33:55
Was it awful or did that teach
33:57
you something?
33:58
Yes. Well, I got this
34:00
crazy thing is I got really close on
34:02
both to having,
34:03
like, that being my first job at a college,
34:05
like contract Lowes, like four year
34:08
contract Lowes. And I always, like,
34:10
look back and being, like, oh my god, I was so upset that
34:12
I didn't get it because the money would have been great, but
34:15
I am relieved I didn't get it
34:17
because I I think maybe I would
34:19
have stayed there forever. Like, maybe we still
34:21
would know Katie Loews as who
34:23
the hell knows what their names were, but for fifty
34:26
years, we're gonna play that part. Anyway, Oh,
34:28
no. It was awful. It was so
34:30
embarrassing because on both Lowes, I
34:33
had to oh, no. One, I played a nurse that
34:35
stole drugs. And took them. So that
34:37
was exciting. That's a good part. The
34:40
other one was horrifying because I had to,
34:42
like, have one of those scenes where it's, like,
34:44
oops, see, I forgot my bathing
34:46
suit and, like, jump into a hot tub
34:48
that's a pretend lake with ferns
34:50
around it. And I just remember
34:52
feeling so, like, I was in, like, a
34:54
nude song and, like, the whole crew
34:56
was around. It wasn't a Lowes set. And it was, like,
34:59
I just didn't know at the time what that
35:01
was and I was not a
35:03
comfortable, like, sexy actor. God,
35:05
I've been naked. I've on the podcast. It
35:07
sounds like all I
35:08
do is waste of execution
35:10
and it is truly not. I had a brief moment
35:12
in my early twenties where this occurred
35:14
and it has never really again. So
35:17
But remember just feeling, like, so embarrassed
35:19
and and felt so
35:21
dumb. Like, I I was, like, uh-huh.
35:23
Like, like, just oh, god. Like, my acting
35:25
was terrible and But
35:27
whatever,
35:28
it's part it's part of it. It's it's a
35:30
really just part of the whole thing.
35:32
God,
35:32
I wish
35:32
I had it on VHS. I don't know
35:34
where III
35:35
Yeah. That would be good. I mean, I know you
35:37
only did a few episodes, but the thing
35:39
that I
35:40
Were you on Lowes? No. No.
35:42
We are on. No. But
35:45
the thing that I've always thought about it and
35:47
heard about it is in
35:49
terms of getting a crash
35:51
course of being on camera. Yeah. Soaps
35:54
to me is up another level because you're
35:56
literally being handed pages
35:59
get one shot and it's done.
36:01
Eighty pages a day they do. Yeah.
36:04
Eighty pages. They don't
36:06
block anything. Every blocking has
36:08
either three moves you could do. It's like a
36:10
dooey doe, a like
36:12
stack shot, like anything because
36:14
they can't move cameras. But it's different
36:17
than a multicam. It's not proceed
36:19
you know, it's not proceeding in staging. So
36:21
there's only a few moves you could do.
36:24
Wow. And, yeah, you get one shot. So
36:26
you cannot mess up
36:28
your lines. It's I
36:31
got those actors and also they have
36:33
to turn on the emotion and the water works
36:35
in one second.
36:37
You can't pull out the tear stick and
36:39
There are no tear sticks.
36:41
It's just
36:41
like you just go
36:42
and you're just it's really,
36:45
really a wild place. Guillermo,
36:48
you did not start on soaps.
36:51
But you did a series of
36:53
episodes on what some
36:55
consider Dark Horse's
36:58
greatest thing that ever existed
37:01
the chappell
37:02
show. Talk to me a little bit about how
37:05
that happened and
37:07
what that taught you early
37:09
on. Well,
37:12
I did a movie the movie I did with Dave Chappell,
37:14
half baked. I did that. So Dave
37:17
was, you know, liked my work
37:19
and and dug what I was doing. And
37:21
just he was like, hey, I'm doing this show.
37:24
Come do the show with me. It just felt
37:26
like a continuation of playing like
37:28
we were playing when we did the movie. And
37:30
he he started Chapelle show, like, if
37:33
if I remember correctly, right after
37:35
the film. And it just felt like we
37:37
just kept playing. You know, we were like these just
37:39
big goofballs in doing these
37:42
like, really provocative sketches that
37:44
Dave and Neil Brennan, who is
37:46
his co writer, were writing.
37:48
You know, in one of the sketches he
37:51
the one character uses the n word over
37:53
and over and over and over and back in
37:55
the Daz. They didn't bleep the n word. And now
37:57
if you watch the episodes, it bleeped, but Oh,
37:59
wow. You know, it wasn't it
38:01
wasn't just being used frivolously. It
38:04
was used where there there was a,
38:06
you know, there was a lesson and and
38:08
behind all of it and it was so Martin.
38:10
The writing was so intelligent. And,
38:13
yeah, I just I remember just feeling really,
38:15
really lucky that that Dave gave me that
38:17
opportunity to to work on that show
38:19
with him. And it's funny because before that, I had
38:21
done a show called House of Buggin with
38:24
John Liquizamo, which was a sketch comedy
38:26
show too, which I don't think a lot people
38:28
sort of really heard about or know
38:30
about, but I feel like I I got more
38:33
training there than I did like,
38:36
maybe that sort of helped me to be able
38:38
to do a chappell show because
38:40
was a same sort thing. John Wick was
38:42
almost sort of took me under his wing and then
38:44
brought me on to the show and we would perform
38:46
it, you know, every Thursday after rehearsing
38:49
all week and -- Wow. -- in front
38:51
of a live audience and and we would
38:53
do all these different
38:54
characters. Yeah.
38:55
Lowes is one of those actors that
38:56
can literally do everything. It's so
38:59
insane.
38:59
Like I'm also the most insecure a pure
39:01
freaking actor in person you could
39:03
ever imagine. I think that's why I'm
39:05
constantly like me and Katie were talking about this
39:08
the other day because Katie's in an acting
39:10
class. And I was like, Katie, I kind of wanna go
39:12
and, you know, audit the class and
39:14
possibly
39:14
have to comment a bit just to sort of
39:16
keep keep that instrument
39:19
oiled up so I don't get super
39:21
anxious when I'm not working for long periods
39:23
of
39:23
time. You know what I mean? Yeah.
39:26
Were you aware working on the Chappell
39:28
show? Like, before it comes out
39:31
or before it starts getting the attention it
39:33
does, that what he was
39:35
doing and talking about was
39:37
different and
39:38
unique, not like any other job. Or
39:40
for you, was it a job and you got to play? Yeah.
39:42
I think it was a little bit of both. I remember
39:44
just having such a blast and everything
39:47
being so it was just
39:49
so funny. I remember just like,
39:51
truly, like, sincerely cracking up,
39:54
shooting these sketches. But then also in the
39:56
back of my head, I was like, this is this
39:58
is, like, other level
40:00
because it wasn't just some sort of
40:02
BS like comedy skit.
40:04
There was, again, there was, like, a lesson
40:06
and a point behind
40:08
all of it. So I I remember thinking for
40:11
sure that this this is something
40:12
special, you know. Last
40:14
thing, Prashant Delandah, have to bring up
40:17
the two of you on a lot of my Lowes,
40:20
it says that I was on this little show
40:22
in an uncredited role. This is,
40:24
unfortunately, for me, false, Both
40:27
of you appeared in
40:29
episodes of the Sopranos. Were
40:32
you were you Katie, by the time
40:34
you got on, were you a fan of the
40:35
show? It
40:36
was the biggest show ever. Like,
40:37
it was the biggest show ever. It was the biggest
40:39
show ever. You were aware. Yeah. I was on season six. So it
40:41
was already, like, the biggest show ever. Like, when I called
40:43
my parents to tell them I got one line on the
40:45
Sopranos, like, everyone was
40:48
speechless. Yeah.
40:51
You were on a two? Who did you play?
40:53
No. That's what I'm saying.
40:54
Because it's false credit. Right? I got
40:56
a Out a bunch
40:56
of Lowes. I don't know. And I
40:58
don't know. Who it is? Here,
41:00
Brian. That they think that I was.
41:02
It says I was in an episode of Unaccredited.
41:06
I wasn't at
41:07
all. I never was. That's
41:09
hilarious. I only got
41:11
mine because, actually, everyone just
41:13
found out from each other that we were on this
41:15
approach. I was like, we didn't know that. Yeah.
41:17
By the time got on this front is it was like a
41:19
law in order but like times a million because it was one
41:21
of the few shows that shot in New
41:22
York. So everybody was trying to get on it and also
41:24
it was the biggest show. Right.
41:27
But I had one line and Steve
41:29
Buschami was directing the episode and I had to
41:31
go to SilverCup Studios and go to the callback
41:33
and I was so nervous.
41:36
It was insane. And
41:38
I had to I smoke a cigarette in the
41:41
scene and they're I'm AJ's date to a family
41:43
wedding and a tray of like, oysters
41:45
come around. And the
41:47
the, you know, the waitstaff says,
41:49
like, would you like one? And I take a look. And
41:52
I inhale from my cigarette.
41:54
And I say, I don't eat fish, and then I blow
41:56
out the toxins. Right?
41:59
It doesn't joke why. But
42:02
I was so young. I was twenty one. It was, like,
42:04
twenty two. Like, one of my first jobs and who showed me just
42:06
really didn't want a kid coming in who didn't
42:08
smoke. So they were, like, do you smoke? And I
42:10
was, like, yes. And I'm pretty sure that's the
42:12
only reason why I
42:18
But because it was a wedding, and the whole
42:20
episode took place in one scene
42:22
in this wedding in this wedding venue
42:24
room, and I was AJ's date and I was sitting
42:27
at the family table. I was in the background
42:29
in every scene, so I shot for three
42:32
weeks. Wow. At
42:34
Lenards in Long Island, which is where my
42:36
cousin Michael got amid bombed bombed bombed
42:38
bombed bombed bombed bombed
42:41
bombed bombed bombed bombed bombed bombed
42:43
bombed bombed. Really? I hung out
42:45
with, you know, Tony Saprano in
42:47
his trip, like, the whole cast. They put us up in
42:49
hotels in Long Island. I went out with all of
42:51
them. It was real marketing fun.
42:53
And I actually became lifelong friends with
42:55
Jamie Linxigler who played
42:57
meadow. It's where we met and we've been friends
42:59
ever since. Yes. Mhmm. I
43:03
she and I are friends too. I'm surprised we haven't met.
43:06
Me too bright. In? I know.
43:09
That's very interesting.
43:17
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43:41
weeks -- Wow. -- at
43:43
Lenards in Long Island, which is where
43:45
my cousin Michael got mits bar
43:48
mitsford, AND MY WHOLE
43:50
FAMILY CAME THEY LET MY WHOLE FAMILY
43:52
COME TO SET. REALLY? I
43:54
HANG OUT WITH TONY Ciprano
43:56
AND HIS TRIT, LIKE THE WHOLE cast. They put us
43:58
up in hotels in Long Island. I went out with
44:00
all of them. It was a remarkable
44:02
fun. And I actually became lifelong friends
44:04
with Jamie Lynn Siggler who played
44:06
meadow. It's where we met and we've been friends
44:08
ever since. Yes. Mhmm.
44:12
I she and I are friends too. Surprise
44:14
we haven't met.
44:16
Me too, Brian. I know.
44:18
That's very interesting.
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47:47
Before scandal, you appeared
47:50
on two other shows you mentioned briefly
47:52
for Grey's anatomy and
47:54
private practice. Were you
47:56
all in on the Shondaland
47:58
thing before scandal, or were
48:00
these just jobs for you.
48:02
When I was like twenty four, I started
48:04
watching Grey's Anatomy because I had a best friend
48:06
who was on it. And I was like,
48:08
I gotta get on a Shonduran show. Like,
48:10
that was, like, in my head. I
48:12
was, like, I just related to those
48:14
women, more than other women on television
48:16
shows. They looked like
48:18
me. They looked like normal people.
48:21
They talked kind of fast. They
48:23
were really, like, naturalistic. And, like,
48:25
I just felt like, god,
48:27
if I could just get in front of Shonda Rhimes,
48:29
I think she might vibe my vibe.
48:31
Like, I think This
48:34
is a fit and you know what's crazy. This girl I
48:36
used to audition against all the time, Sarah
48:38
Drew, we used to always go head to head on
48:40
everything. She got April
48:42
on Grey's Anatomy. And I was like, great. Get
48:44
this girl out of here. Give this
48:46
girl a job. And in my head, I was like,
48:49
if she, like, Sarah Drew. She's definitely gonna
48:51
like me. Like, we could play sisters. So,
48:55
yeah, I had the Shonda Rhyme's
48:57
bug. Grey's Anatomy was a huge hit.
48:59
And, like, maybe the offense. Like, there were comedies,
49:02
but there weren't a lot of dramas where the
49:04
leading ladies weren't, like, fucking
49:07
alien gorgeous. You know? And I was like,
49:09
I can't I knew that that wasn't
49:11
my type. You know? Like, I just wasn't
49:14
gonna be able to do that. And then I saw
49:16
Grey's and I know, Susandra O
49:18
and Chandra Wilson and and not that they're not
49:20
fucking gorgeous and Meredith Grey
49:22
and and they're all fucking
49:24
gorgeous. But they were like also something
49:26
else going on and I was like, okay,
49:29
I relate.
49:30
So yeah, it had been in my
49:32
head. What about you,
49:35
Guillermo? Were you a fan of the
49:37
Lowes, Grey's Anatomy, or
49:39
private practice, any other? And I do do just
49:41
wanna note that for like a decade,
49:43
Grace Adami aired on the
49:45
opposite of the office. So I just wanna know
49:47
what you were watching on Thursday
49:49
nights at nine o'clock. Guillermo.
49:52
I I was a huge fan of Grey's Anatomy.
49:55
Oh, there you go. There you go.
49:57
Yep. But now the office,
49:59
like, my family is obsessed with the
50:02
offense Same. -- whenever I get back on
50:04
the same. Oh, drop it. Have
50:06
it on in the background. Not
50:07
that. It's not on the start.
50:09
As of the greatest shows of all
50:10
time. One
50:11
of the greatest shows of all
50:11
time. Oh, no. So, yeah, I was a fan
50:14
of race anatomy for sure.
50:15
You were. Yes. Yeah. Were you trying to
50:17
get in the show I mean, No. I mean, look,
50:19
it's sort of a
50:20
I was just trying to get a job.
50:22
Yeah. Exactly. I mean, but do you remember
50:25
your experience auditioning?
50:27
I do. Yeah. It was very it was, you
50:30
know, I had one audition. I
50:32
I was I was very reluctant
50:35
to audition for the role because I
50:37
didn't understand why they wanted to see me
50:40
in the character description was, you
50:42
know, he was a lot older and sort
50:44
of described as a nevish older
50:47
guy who was obsessed with figurines. And
50:49
I was like, what the hell is going on?
50:51
Why am I going in for
50:52
this? He was all pissed. He's never gonna get this
50:54
in my fifties. I'm not one fifties. And
50:56
now I'm fifty one, and I'm like, fifty
50:58
is the new twenty six, like, you know.
51:01
But I had that one audition and and I
51:03
just went for it and and,
51:05
yeah, I've tested for other shows and
51:08
it's been the most grueling and
51:10
nerve racking
51:10
experience. I'm sure Katie can agree
51:13
with me.
51:13
Oh, I just want to But the fact
51:15
that Shonda did not put us through that
51:19
fresh hell of testing over and
51:21
over was so
51:22
nice. Wait. Talk to me about this.
51:24
What are you talking about? There's no testing.
51:27
No.
51:28
didn't test for her. She didn't test anybody.
51:30
I mean, their what they did was
51:32
they would make an audition tape in Linda
51:34
Lowes off face and her, you know, Linda Louie cast
51:37
grays and cast scandal and cast private. And
51:39
she would make the tape in
51:41
the office and Shonna would have her pick
51:43
and Linda would have her pick. They would be the same person.
51:46
And they would send it to ABC Studio
51:48
Network to be nice for, like, approval.
51:51
But, like, they just sent the tape that you made
51:53
in the room. You never had to go to studio
51:55
or network and do the scene
51:56
again. That's amazing. Brian
51:58
is like, yeah. It was and
52:00
he said why? Because Linda
52:02
is married to Jeff Perry who played
52:04
Cyrus on scandal, but
52:06
Linda loves actors. And
52:09
she's just, like, not gonna fucking do
52:11
that. Like, that's not her at a certain
52:13
point when they could when they got to place
52:15
of success that they did not have to do that with
52:17
ABC, they did not. And we benefited
52:20
from it. Yes. We did. My
52:22
god. Now I really
52:25
wanna get into this chandelier.
52:27
No. That is that is
52:29
incredible. That is unbelievable. Yeah.
52:31
It's insane. It's really
52:34
like, I auditioned once in the room, Chonda
52:36
gave me a redirect. Audition. I did the scene
52:38
again. They taped both takes. And then two
52:40
weeks later, she called me into the office for what
52:42
I thought was me going
52:44
to audition again. And she
52:47
was sitting in the room, and I
52:49
it was weird, and there was a tape going. And I was like, okay.
52:51
Should I start the scene? And she was like, oh, no. You don't have to.
52:53
I've already sent the tape that
52:55
you made two weeks ago to studio
52:57
and network, you've already been approved and I'm going
52:59
to give you the part. And they videotaped
53:02
it and I started ugly sobbing beyond
53:04
epic believe Brian, like boogers, not
53:06
I mean, I was running for my fucking babysitting
53:09
job from family who didn't believe in diapers where the
53:11
baby was just pooping in between my legs over
53:13
toilet. And and
53:16
I had the sides in my bag
53:19
for another audition the next Daz.
53:21
And I remember just, like, after
53:23
they told me, and I was hysterical crying.
53:25
My didn't even
53:26
know. Nobody knew.
53:27
Wait. Why did she call you back in? They wanted this
53:29
video to take your response. And it's off of the scenes
53:32
DVD of season one. And I looked like
53:34
a five year old. And
53:37
I had to sit in my car. I remember
53:40
after ICE was sobbing. And I was like, what do I do now? And
53:42
she was like, well, wardrobe is gonna call you, and there's gonna
53:44
be a table read. And I was like, there's gonna be
53:46
table read.
53:50
And then she was like and I said, this is the best
53:52
day of my life, and she was like, but you just got
53:54
engaged. I was like, this is way better.
53:58
Like, my Asian was a horrible and a panic
54:00
attack. I'm so scared to get married, but I've been
54:02
fighting for this my whole life. Like Oh
54:04
my god. And even
54:06
then, you know, like, I think what was so and
54:08
I'm sure I've been it was probably similar with
54:10
the office actually. Like, we were never
54:12
like, oh, yeah. We're getting picked up again.
54:14
Yeah. We're a hit show. Like, we were all
54:17
so fucking
54:19
tired and grateful to have a job
54:22
and never ever took
54:24
for granted like we were a shoe in. So
54:27
and she had something. She's caught on our podcast
54:29
and said, you know, she had a no asshole. She called
54:31
our previous couple bosses to
54:33
vouch for us and our
54:35
behavior and our personalities. Oh,
54:38
who? Yeah. She was pretty
54:40
serious about putting together a group
54:42
of, like, nice people.
54:45
Well, based on what I've heard from Bellemeade, everyone
54:48
was. They were it's really
54:50
gross. It's just gross. Like, the press
54:52
used to come up to us and be that ad events and be
54:54
like, do you guys hang out with anybody else? Because
54:56
we would just sort of
54:57
be with each other at all these many younger
55:00
days or with Yeah.
55:01
After, like, eight years, they'd be like, but
55:03
can you guys go talk to, we'd be like, no. We only
55:05
just, like, love each other. It
55:08
was pretty magical from the
55:10
audition all the way through. That's
55:12
just so crazy. Like, the shoot the other
55:14
shoe never dropped. Girl was like, and that's
55:16
when everything went south. Nope.
55:19
Right.
55:20
One of the things that Bellemeade said to me
55:22
was that the the
55:24
cast of scandal was like a
55:26
bunch of theater kids.
55:28
Totally. I also think theater
55:30
people for you I think too.
55:32
Like, I think theater people have this
55:34
sense of the ensemble. Like,
55:36
it's something bigger than your
55:38
own singular performance. Which
55:41
I I think is such a healthy way
55:43
for a long running television show. It
55:45
it makes it so that, yes, I mean, Kerry Washington
55:48
was obviously the star of scandal. But,
55:50
like, storylines move around
55:52
so much when you've been on the show. And I
55:54
think so much of, like, theater background
55:57
is, like, this is an ensemble. This
55:59
is, like, their storyline this week, and my
56:01
storyline next year. And, like, you know,
56:03
just really understanding that you're part of a
56:05
much bigger
56:06
thing. Was there any conscious
56:09
conversation about
56:12
differentiating it from
56:15
other shows about politics that
56:17
had existed before.
56:19
You mean, like West Wing or something? Well, yeah,
56:21
like West wing. I mean Nadia was obsessed
56:23
with she was a huge west wing fan.
56:25
Okay.
56:26
And I remember when Malena walked on to set,
56:28
judge Malena. It was the only time I've seen her starstruck
56:30
in the last. Fifteen
56:32
years. God, it was so crazy
56:34
to be on a political show then, wasn't it? Gee,
56:36
God. Yeah.
56:38
Yeah. But I don't even don't even remember any
56:40
other I didn't watch West Wing, but I don't even remember
56:42
any other what were the other political shows
56:44
that were were there even any others
56:46
on at the
56:47
time? Well, no. I mean,
56:49
v came on after two. Yeah.
56:51
And I was all offended at the same time.
56:54
I remember reading some article in The New York
56:56
Times maybe or the LA Times where, like, as
56:58
soon as Trump got elected, Veep
57:00
ended and Sean had chose to end scandal
57:02
because she was, like, I'm I'm doing
57:05
terrible job quoting this. But she said something like, it's one thing to
57:07
write political show when all the lights are on in Washington.
57:09
But when all the lights are off in DC and we don't
57:11
know what the fuck is going on anymore, I can't
57:14
write any I can't do this world anymore.
57:16
It was one of the reasons she's,
57:18
like I mean, she always knew that Scanna
57:20
would have beginning middle and end, but I
57:23
know that that did not help things at
57:25
all. Yeah, it was crazy.
57:27
I remember the cast always being dropped into DC
57:30
for White House correspondent dinner and it was saying
57:32
we all got to meet Barack Obama and Michelle
57:34
Obama and Michelle Obama is all telling us that
57:36
we she watched scandal all day and it's her,
57:38
like, thing to do on weekends. And I've just
57:40
about died on the floor. Like, I just was
57:42
like, this is insane. Yeah.
57:45
Yeah. Your
57:48
characters, you guys had little
57:50
romance? At one point -- Oh,
57:52
yeah. -- a very a very
57:55
dark, dysfunctional chaotic
57:59
romance, on air quoting, if you would
58:01
even call it a romance. I think it was more
58:03
of
58:03
a, I don't know, like a crazy sort
58:06
of connection that they had and they just
58:08
lusted after each other and
58:10
We sleep like crazy motherfuckers. Like
58:13
-- Yeah. -- so Garibo plays a
58:15
spy towards killer, but he takes
58:17
me under his wing, and I get really good also.
58:19
And then we bone town USA for,
58:21
like, a bunch of while. But it's like I I
58:23
was being jealous. I was pretty jealous.
58:25
I was being delicate for a purpose. So
58:28
insane. And How was that filming
58:30
together?
58:31
It was that. But it's hell.
58:35
I say that about nobody else by the
58:37
way. The the times
58:39
on the show that I got to torture people
58:43
or have
58:44
crazy, like, on camera sex
58:46
with Quinn. We're the most
58:48
fun ever. You know what I mean? This
58:50
real Debbie Allen directed the first episode
58:53
where we had to, like,
58:55
I smack your face, then you
58:57
grab my cheeks so that I can't speak.
58:59
You're, like, hurting my face. And, oh, I smacked
59:01
him so
59:01
hard. His ears was ringing. It was awful.
59:04
My earring for, like, half an hour. I've talked
59:06
about this on other Lowes. But I was like, Katie,
59:08
smack me for real, like, do it for
59:10
real for real. And then I was like, what
59:12
did you say, Debbie?
59:14
Like, I'm trying to because, like, we
59:17
had been friends for three years already
59:19
and done three seasons when our characters
59:21
took a turn to get together. So we
59:23
had a lot of actually, like, accurate conversations
59:26
where we were like, we gotta use a lot of
59:28
tongue. Like, these two are
59:30
not this classic movie
59:32
star TV kissing bullshit where
59:35
her
59:35
hair Oh, no. Just a lot of lip. Like,
59:37
we're fans of that. Like, we love watching
59:39
Kerry and fits fits in Olivia do
59:41
that. But for Quinn and Hock, they
59:43
beat to a different drum. They're super
59:45
weird, super kinked out.
59:48
They torture people for fun. So we
59:50
were like, these to feel authentic
59:53
to them, we have to be weird.
59:56
Yeah. And thank God, we were so Lowes,
59:58
and I we felt really safe and,
1:00:00
like, able to go there because I I actually
1:00:02
think it would have been really weird. Had
1:00:04
Quinn and Hock just sorta
1:00:05
done, like, p g thirteen
1:00:08
sort of five, like, they were weird.
1:00:10
Yeah. I also feel like I don't know if I would've been
1:00:12
able to if we would've been able to do this if
1:00:14
it wasn't you and
1:00:15
I. Like, I I know I I wanted to oh
1:00:18
my god. Oh my god. No. If I had a different actor
1:00:20
that I was working with, I was playing Quint. I don't know
1:00:22
if I would have felt so comfortable or to
1:00:24
be like, hey, Katie. Like, let's Really?
1:00:26
But I didn't ask you. Yeah.
1:00:29
I didn't even ask
1:00:30
you, but I did. I stood on you. But then
1:00:32
afterwards, I was like, oh my god. I'm so sorry. You were
1:00:34
like, I don't care.
1:00:35
Well, Yaron, we had already had the conversation
1:00:37
left. You didn't do anything. Like, you were
1:00:39
so gay. We just felt very
1:00:41
safe and and Did
1:00:42
you have a safe word? No.
1:00:44
Wow.
1:00:47
What so wait. Did
1:00:49
you take it further than the writers
1:00:52
had
1:00:53
intended. Yes.
1:00:55
I think so.
1:00:56
I think so too. Yeah. But they like They
1:00:58
wrote
1:00:58
weird shit. So, like, we had already
1:01:00
licked each other's faces
1:01:03
Right. He had pulled my teeth
1:01:05
out with dryers.
1:01:08
That had already been in the script.
1:01:10
So it's like Yeah. And
1:01:13
maybe they didn't write spit or slap
1:01:16
or -- Right. -- that kind of thing, but
1:01:18
we had already gone to some
1:01:20
really freaking weird dark
1:01:22
places, but I do think we took it further
1:01:24
than what they wrote. Yeah.
1:01:26
Seven years together -- Mhmm. -- very
1:01:28
difficult. To say goodbye.
1:01:31
How was it for you
1:01:33
all? I I feel like it
1:01:35
was difficult to say goodbye to the show
1:01:38
But it wasn't difficult to say goodbye to
1:01:40
the I mean, it was difficult, but
1:01:42
I felt like they're gonna be in my life forever.
1:01:45
So that didn't feel like I was like there
1:01:47
was I was experiencing a loss as
1:01:49
far as the actors. But the show, I was
1:01:51
I was I mourned I mean,
1:01:54
playing puck for a long
1:01:55
time. I'm still mourning it. He's the
1:01:57
greatest character of all time. You know, we were
1:01:59
really lucky, Shonda had told us a year
1:02:01
before that it was ending,
1:02:03
so we had a lot of good buys.
1:02:05
We had a lot of last things.
1:02:07
I feel like I
1:02:09
actually was kind of relieved like
1:02:12
as weird as that is. just felt like
1:02:14
we did it. Like, we did it well.
1:02:16
We did the goodbyes well. We played
1:02:18
our parts well. No one everyone
1:02:20
left on amazing terms. Like, I just was so
1:02:22
proud of us that we all, like, laid our heads
1:02:25
on the pillow at the rack being,
1:02:27
like, we fucking did that show.
1:02:29
I was, like, so proud. And not
1:02:32
to say that it would have taken a turn, you know, I
1:02:34
think we could have done it for a million more years,
1:02:36
but we really finished on a high, and that's
1:02:38
what Shonda wanted, And I do think
1:02:40
it would have been different to be on a political show
1:02:42
under a different presidency. I do.
1:02:44
Like, I think, you know, we
1:02:46
were sort of in this wonderful
1:02:49
bubble of --
1:02:49
Yeah. -- like
1:02:50
Obama and the world looked different and it
1:02:53
was pre pandemic and -- Yeah. -- so
1:02:55
I'm sort of glad it ended where it did
1:02:57
and they gave us so many chances to say
1:02:59
goodbye. Yeah.
1:03:00
Nice. We're watching episodes now
1:03:02
of the show and Katie and I are like, it's
1:03:05
so much crazier in real life than we
1:03:08
were ever on the show, politically wise,
1:03:10
that you're right. I don't know if it would have
1:03:12
if it would have even, you know, resonated
1:03:15
with people, it would have been like
1:03:16
vanilla. Yeah. How would I mean with
1:03:18
all the crazy stuff that's going on? Yeah.
1:03:20
Yeah. I don't know. Yeah. I don't know.
1:03:22
I think we got out with our with our
1:03:24
heads held high and and we should be
1:03:26
grateful for
1:03:27
that. You have a new podcast
1:03:30
unpack active tool toolbox
1:03:32
-- Yeah, Brian. -- about scandal. What
1:03:34
what made you wanna dive back
1:03:36
into it? Would you just miss each
1:03:38
other? To office, ladies.
1:03:40
Okay.
1:03:41
And I was listening to all these other and
1:03:43
I was like, yo, someone is definitely
1:03:46
gonna jump on this scandal thing, and it should
1:03:48
definitely be me, Guillermo. I
1:03:51
had already had a podcast for
1:03:53
five years called Katie's crib that's also reduced
1:03:55
by Shondaland audio and it's parenting podcast
1:03:58
and it was the first one they had underneath Shondaland's
1:04:00
audio department. Yeah. So I just
1:04:03
called them and I was like, Do you think you could do a
1:04:05
scandal rewatch? I feel like we have a hundred
1:04:07
and twenty four episodes. The gladiators have
1:04:09
been bored out of their minds with no content
1:04:11
for years since we went off the air.
1:04:13
Guillermo and I love to hang out anyway, and
1:04:16
we're funny and cute even though you don't see us,
1:04:18
our voices are delicious. Let's
1:04:20
do this. And I pitched it before I
1:04:22
even had, like, a yes from I didn't even tell
1:04:24
you about it. You
1:04:27
knew I was gonna be, like, hell yeah. So,
1:04:30
I mean, he's the busiest actor and he's
1:04:32
very, very in demand and everybody wants
1:04:34
him. But I was like,
1:04:34
dude, you could just stay at home. In.
1:04:37
So in. Yeah.
1:04:40
That's awesome. Yeah. I know you're not
1:04:42
on Twitter that much anymore, Katie, but I still
1:04:44
am. And the amount of people that
1:04:46
are listening to the podcast and
1:04:48
are flipping out over it and are so excited
1:04:51
about it and have started to rewatch
1:04:53
scandalous. My heart is
1:04:56
remarkable. The other thing Brian, like
1:04:58
the office, that everyone's, like, watching it
1:05:00
now, and you're probably getting, like, Grey's
1:05:02
Anatomy, has all these new teenagers that
1:05:04
are literally starting Grey's Anatomy from the beginning.
1:05:06
The office is having the same thing. And
1:05:09
scandal, I didn't know until
1:05:11
us re watching it. One hundred
1:05:13
percent holds up. Yes.
1:05:16
And works and is
1:05:18
wonderful ride of TV.
1:05:20
And I'm just like, it's on Hulu. You guys
1:05:22
can stream this. Like, I'm watching all the
1:05:24
other hot shows that are nominated for every fucking
1:05:26
Emmy under the sun
1:05:27
and, like, Skit feels a great
1:05:29
show. Yeah.
1:05:32
Is it fun to go back and rewatch? Do
1:05:34
you remember it? It it was
1:05:36
it was a scary at first to think
1:05:38
about having to go and start to watch
1:05:40
all these episodes. But now so much time has passed,
1:05:43
I feel like I'm watching someone else, and
1:05:45
that's really really nice. Do you
1:05:47
know what I mean? Like, I feel like I'm a true scandal
1:05:49
fan now a gladiator. And
1:05:51
I'm able to just enjoy it, you know,
1:05:53
without any of
1:05:55
my critical brain jumping in and
1:05:58
being like, why did you do that like that or why
1:06:00
did you say that line like that? I'm I'm
1:06:02
just sitting back and enjoying it and it's so
1:06:04
freaking good. And I'm so good.
1:06:06
You're so good. Oh, good.
1:06:09
No. I was
1:06:09
thinking.
1:06:10
It's also the perfect amount of time. Like,
1:06:12
I think, it's been ten years.
1:06:15
Since the first season. So we're I
1:06:17
don't I'm like, who is that?
1:06:19
Like, this is so
1:06:21
long ago. And like you said, I don't really remember
1:06:24
a lot of this scenes that I
1:06:25
shot, but I do remember the
1:06:28
behind the scenes stuff.
1:06:29
Right. There he is. Yes. Yeah.
1:06:31
Same. That's awesome.
1:06:33
That's awesome. Yeah.
1:06:34
You're awesome, Brian.
1:06:35
You're awesome, Brian. Stop
1:06:38
it. Keep going. As
1:06:41
Katie mentioned, Guillermo, you're the busiest
1:06:43
man in television
1:06:45
recently, law and order organized crime.
1:06:49
How was that? It was
1:06:51
it was was trippy, but at the same
1:06:53
time, it's a universe that I
1:06:55
always feel comfortable in when
1:06:57
they invite me back back and it was
1:06:59
a blast. And and, you know, and in and in this
1:07:02
law and order organized crime, I was
1:07:04
not playing a criminal. I was playing a --
1:07:06
Yeah. -- a detective. Look at you.
1:07:08
Which which were nice.
1:07:10
Baby has grown up. Oh, yeah.
1:07:13
But he was still he was still unconscious.
1:07:15
Like, the character was sort of crooked internationally.
1:07:18
Yeah. And and I got to,
1:07:20
you know, to act with Chris Maloney
1:07:22
and and Morrishna Hargate
1:07:24
and iced tea because there was a lot of crossover
1:07:27
with a lawnmower SBU. So it was
1:07:29
it was really really fun. And don't know if
1:07:31
I'm going back. was occurring on the show. I don't know if
1:07:33
I'm going
1:07:34
back, but Life of
1:07:35
an actor, folks. Life of an actor. Yeah.
1:07:38
Yeah. And
1:07:41
Katie, you, of course, were
1:07:43
in the most talked about
1:07:45
show of twenty twenty
1:07:47
two inventing Inventing Anna.
1:07:50
Shondaland. Yeah. Thanks for having
1:07:52
me. To the Shondaland universe,
1:07:55
were you surprised
1:07:58
by all of the
1:08:00
discussion of that. It's so
1:08:02
bizarre to me. People are like the most
1:08:04
obsessed with that story of all time. I truly
1:08:06
was not. I've talked about this with Shauna. Like,
1:08:09
she's obsessed with the story and people are obsessed with
1:08:11
an adulty. I'm like, this bitch is
1:08:13
a psycho and a sociopath
1:08:15
and not kind and broke
1:08:18
laws and, like, get her out of here. Like, I don't
1:08:20
understand. But I I don't know.
1:08:22
People are upset. I mean, people talk to me every day I
1:08:24
get a text
1:08:24
message. Like, did you hear what's happening in with Anna Delphi? Like,
1:08:26
she's doing this out. I'm like, I don't care.
1:08:28
They gave her a goddamn show. She got
1:08:30
They gave her a goddamn show. No. No.
1:08:33
This is a criminal. Yeah. She's a criminal. I
1:08:35
don't I I never was, like, that
1:08:37
obsessed with, look, I was so thrilled to
1:08:39
be part of the story, and I'm so glad the
1:08:41
show was wildly successful. And Julia
1:08:43
Garner, I would act with her if she was
1:08:46
reading the phone book. She's so genius and
1:08:48
Clifford Cox and Anna Klumski, and
1:08:50
I mean, the cast was ridiculous. And of course, Sean
1:08:52
did the writing was wonderful. And I got to
1:08:55
play a part that was so
1:08:57
difficult and I got to go to Morocco for a
1:08:59
month and stay in the hotel where my character was
1:09:01
calm and I took my whole family and it was the shit.
1:09:04
That's awesome. I feel like that was my
1:09:06
swan song playing twenty seven year old,
1:09:08
like I-forty.
1:09:12
Me too. Like, I can't.
1:09:15
Yeah. Like, whoa. It's
1:09:17
so fascinating, though, because
1:09:19
there were couple of years ago, it was the
1:09:21
the murder doc serious
1:09:23
stuff. You know, there was the, you know, both
1:09:26
murder and the Wisconsin Town.
1:09:28
I can't remember what it
1:09:29
was called. Like, that was the thing. And then last
1:09:31
year, it was like all of the
1:09:33
con things. And I have to say
1:09:35
-- Yeah. -- I'm a dropout. The
1:09:37
dropout
1:09:38
that you -- Uber. -- vanting
1:09:40
the the Tinder swindler.
1:09:41
The Tinder swindler. Yeah. Yeah. All of these
1:09:43
stories about these people who are
1:09:46
just horribly deceptive
1:09:49
people doing terrible things to people.
1:09:51
And I'm a little bit like you where
1:09:53
I'm
1:09:54
like, I don't understand why we just don't
1:09:56
take these people and lock them away.
1:09:58
I don't either. I yeah. I was it was
1:10:00
never a big thing for me, but That was
1:10:02
like for the job. Well, it was a great show with
1:10:04
a great performance by you and
1:10:07
I
1:10:08
had to cry a lot. Seriously?
1:10:09
He was good to cry a lot. A lot.
1:10:11
And but you got the stick. So you
1:10:13
did you didn't back in the stick all day.
1:10:16
You didn't back in the I have, like, an hours
1:10:18
worth of takes. And me with that one, if that and
1:10:20
then I'm like, Teraustin.
1:10:22
Yeah. Yeah. I don't care who
1:10:24
knows it.
1:10:26
You guys are awesome.
1:10:28
Thank you so much for taking the time to hang
1:10:30
out with me
1:10:31
for You're awesome, Brian. There are awesome.
1:10:34
Unpacking the toolbox if
1:10:37
you're a scandal fan, or even
1:10:39
if you're not --
1:10:40
Yeah. Totally. -- right now, check
1:10:43
out the podcast because that will
1:10:45
enable you to definitely check out
1:10:47
scandal. You guys thank you
1:10:49
so much. Come back anytime. Thank
1:10:52
you, Brian. Thank you. Bye bye. Bye, everybody.
1:11:06
Katie, Guillermo. You guys are
1:11:08
the best. Thank you so much. Good luck
1:11:11
on the podcast unpacking the
1:11:13
toolbox, and thank you so much
1:11:15
for joining me. And telling me the
1:11:17
juiciest scandal ever
1:11:20
because that is definitely what just happened.
1:11:23
Listeners make sure to tune in to their
1:11:25
podcast and come back here next
1:11:27
week. For more stories off
1:11:30
the beat, it can't come soon enough,
1:11:32
and have a great week, everyone. Off
1:11:43
the beat is hosted an executive produced
1:11:46
by me, Baumgartner, alongside
1:11:48
our executive producer, Ling Li.
1:11:50
Our senior producer is Diego Topia.
1:11:53
Our producers are Liz Hayes, Hannah
1:11:55
Harris, and Emily Carr. Our
1:11:57
talent producer is Ryan Papa
1:11:59
Zachary,
1:12:00
and our intern is Sammy Katz.
1:12:02
Our theme song bubble and squeak
1:12:05
performed by the one and only
1:12:07
creed bread.
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