Episode Transcript
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0:00
I love life, I love living. I believe
0:02
in good, I believe in beauty. But I also
0:04
think that it's important not to turn a blind eye to all
0:06
the messed up things that are going on our planet. Welcome
0:17
to the one you feed Throughout time,
0:19
great thinkers have recognized the importance
0:21
of the thoughts we have. Quotes like
0:24
garbage in, garbage out, or you
0:26
are what you think ring true, and
0:29
yet for many of us, our thoughts don't
0:31
strengthen or empower us. We
0:33
tend toward negativity, self pity,
0:36
jealousy, or fear. We see
0:38
what we don't have instead of what we do.
0:40
We think things that hold us back and dampen
0:43
our spirit. But it's not just about
0:45
thinking. Our actions matter. It
0:47
takes conscious, consistent, and creative
0:50
effort to make a life worth living. This
0:52
podcast is about how other people keep
0:54
themselves moving in the right direction, how
0:57
they feed their good wolf. Thanks
1:09
for joining us everyone. Our guest this
1:12
week is George Watsky, who goes by
1:14
the stage name Watsky. He's
1:16
a rapper and poet from San Francisco, and
1:18
we had a chance to talk to George as he's wrapping
1:21
up his US tour. His latest
1:23
album is called Cardboard Castles, and
1:25
you can find more details about him on our
1:27
show notes at One You Feed dot
1:29
net. Slash Watsky, thanks
1:32
for joining us today, George, my pleasure.
1:35
Thank you for having me. So our podcast
1:37
is called The One You Feed, and it's based
1:40
on an old parable that goes
1:42
something like, there's
1:44
an old Cherokee grandfather who is talking
1:46
to his grandson and he's saying to him,
1:49
uh, you know, in life, we have two wolves
1:51
inside of us that are always fighting. One is
1:53
good and kind and loving,
1:55
and the other is bad, you know,
1:57
greedy or hateful or self
1:59
pity. And the grandson thinks for a second, he says,
2:01
well, Grandpa, which one wins? And he says
2:04
the one you feed? So our podcast
2:06
is really about how people
2:09
feed their good wolves well, and that means
2:11
very different things to very different people. So
2:14
I guess the first question I have for you is sort of
2:16
what comes to mind when you when
2:18
you hear that parable, and and how do
2:21
you think it relates to what you do personally
2:23
and in your work? Yeah, I mean it's very
2:25
profound, it's awesome. I mean the first
2:27
thing that springs to mind is just I'm
2:30
not a perfect person that I know that
2:33
the capacity for evil exists inside
2:35
me. I've seen it rear its head. But I also believe
2:37
that every human being is good too. And you
2:40
know, as an artist and as a person, we get
2:42
to choose on a daily basis what
2:44
direction we want to take our lives and our art.
2:46
And I've tried to do that with honesty.
2:49
I've tried my best to do it with integrity every
2:51
step of the way. I try
2:53
to make the choices that I think I'm
2:55
going to be able to live with and that my parents are gonna
2:57
be proud of me for. And I
3:00
fail sometimes, but I'm very
3:02
proud of the little empire
3:05
in the world that we've built with our fellow
3:08
artists that were on the road with you know. So
3:11
I think that relates to everyone. You know, everyone is fighting
3:13
in constant struggle for trying
3:15
to let the good parts of themselves emerge. And
3:18
nobody's perfect. Yeah,
3:21
I And that's That's one of the things
3:23
that resonates to me about
3:25
your work is that that struggle is
3:28
evident, but there's a clear um,
3:30
there's an acknowledgement of it, as well as a
3:33
an attempt to sort of an
3:35
attempt that there's effort that has to go into
3:38
sort of the uh, the positive, and
3:40
there was I was reading some something
3:43
you had somewhere where you're talking about UM, the
3:46
the the kill, the hipster uh savior
3:49
hood, and you're you say in one of your comments
3:51
somewhere that you know the most important
3:53
part of that is to take a look in the mirror. And I thought that was
3:55
really interesting. That ship
3:58
is no good plus where
4:02
a mixture does no good
4:09
right on? Yeah, I mean that whole song, And I
4:11
think that people the problem with that is that that's
4:13
a five and a half minute song where I get to the self
4:15
awareness portion of it about four and a half minutes
4:17
into the song, and some people with
4:20
today's modern attention span don't stick around
4:22
to see the message evolve. But a huge
4:24
part of my work is um
4:27
not so much just diagnosing, but
4:30
taking those things that I see wrong
4:33
and then turning the mirror on myself. I mean, it's it's
4:35
the same as Tiny Glowing Screens Part two. The
4:37
poem that I have. It's a trope that I use in
4:39
a lot of my stuff, which is diagnose
4:41
an ill in the world and then figure
4:43
out how I'm implicated in that, because I don't think
4:45
that a message is as powerful if you remove
4:48
yourself from responsibility. You know,
4:50
like, if you're talking about global warming
4:52
being a problem with the world, how am I a
4:54
participant in that? You know that carries more
4:56
weight than saying, hey, you guys who
4:58
are screw up our planet, why
5:00
don't you get it together? You know, there's nothing more
5:02
powerful than saying I'm a part of this problem.
5:05
We're all a part of this problem. Now let's
5:08
look at it together. The
5:10
other thing I've I was looking at
5:13
of yours that I really liked was the letter
5:15
to your sixteen year old self. I think that's one
5:17
of the most powerful things that you've
5:19
done. And it's probably resonates with me a
5:21
lot because I have fifteen year old
5:23
boys, and so you know,
5:25
they're at that age where they're
5:27
starting to make their decisions about,
5:30
you know, what they're gonna do with their life, and is a parent you
5:32
sort of sit by semi
5:35
helplessly at this age. I mean, you can, you
5:37
have influence, you talk to them, but they're gonna
5:39
they're kind of at the age they're gonna do what they want to
5:41
do. And and I love the positivity
5:44
that's in that letter um
5:46
to yourself, as well as the acknowledgement
5:48
of how challenging it's going to be at certain times.
5:50
Do you want to share a little bit about that? Sure?
5:53
I mean, I just think that that era, like fifteen
5:55
sixteen, you're freshman and sophomore year of high
5:58
school. At least for me, that's when I kind of on
6:00
myself and those those
6:03
things, those parts of
6:05
my identity that came out in that time are things
6:07
that are still with me today. You know. That's really
6:09
when I feel like I became an adult in
6:11
many ways, and like the man
6:14
that I am was kind of became
6:16
concrete, and not that I'm not changing, but that's
6:19
when so much identity comes
6:21
in. And it's a message
6:23
in a lot of my pieces, which is I
6:25
don't have all the answers, that there's
6:27
a balance between hopelessness and
6:30
hope, that there's a balance between ugliness
6:32
and beauty. I mean, letter to my sixteen
6:34
year old self, Tinygoing Screens, Part two. It's kind
6:36
of all different variations on that theme of
6:39
I believe in life, I love life,
6:41
I love living, I believe in good, I believe
6:43
in beauty. But I also think that
6:45
it's important not to turn a blind eye to all the messed up
6:47
things that are going on our planet. And you
6:49
know, I don't have a
6:52
message that's as appealing
6:54
as say a religious leader who can say, here
6:56
are all the answers, this is how you should live your
6:58
life. Uh. The message
7:01
that I have is a little bit less
7:04
appealing than that. In many ways, my messages
7:06
that I don't have the answers, and that none of us have
7:08
all the answers, and that we're all kind of trying to puzzle
7:11
through this. Uh. And I've actually I had a girl
7:13
email me through my manager a couple of weeks
7:15
ago saying, how could
7:17
you do that to me with tiny going screens? Part two? Like you
7:19
built me up to believe in hope and optimism and then
7:21
at the end you said, well but it's really kind of all meaningless
7:24
at the end. And um, you know that
7:26
is my That's the core message of my
7:28
work is that is that life is worth living
7:30
even though it sucks sometimes,
7:33
and that you just have to you have to ride the roller
7:36
coaster and just enjoy it for what it is. Another
7:40
thing that my my one
7:42
of my boys said, if you're going to talk to wats. You gotta ask
7:44
him a question. He said, what what is it about
7:47
his little cousin on the record? You know you look cousins
7:49
all over the record and and I said, I
7:51
think it's because he's adorable and he loves his cousin.
7:53
But he seemed to think there might be more to it than
7:56
that. So yeah, it's funny. Actually
7:58
people assume we're related, but I
8:00
am not related to that kid. His name
8:02
is Norton, and I actually
8:05
met him through casting him in a music video
8:08
and trying to remember the first thing I did with him was a promo
8:11
from the Rest album
8:13
when I just needed a little cute kid to say, hey,
8:15
Wat's key, why are you doing a bluegrass
8:17
hip hop album that sounds really weird? And
8:20
uh, and that's all. I just shot a little promo video with him,
8:22
but then he I ended up talking to him
8:24
on set and making this connection with this
8:26
kid who in a lot of ways
8:28
reminds me of myself when I was younger.
8:31
And Norton and his mom
8:33
have become like friends of mine, and
8:36
he lived in l A. He's a very quirky
8:38
kid who he's been getting bullied
8:40
in school and stuff and so I've kind of become
8:42
a mentor to him and went to
8:45
his jiu jitsu ceremony graduation,
8:47
and like, I went to go see The Hobbit with him
8:49
and his mom, and I went to see his play in
8:51
North Hollywood. I kind of have like a little big brother
8:54
little brother relationship with him. And Uh,
8:57
when I was kind of coming up with cardboard castles
8:59
and figuring out what glue was going to hold the album
9:01
together, I thought, you
9:03
know, so much of it is about coming of age and
9:06
having realizations of things in
9:08
the past, and I thought, how cool would it be to get a kid who
9:10
I feel like articulates a lot of the things
9:12
that I was going through when I was younger and
9:14
actually have him provide the perspective
9:16
from an honest place. There's like only
9:19
womb in my class. He just thinks
9:21
he's all cool. He thinks he's smarter
9:24
than me, He saks, he thinks
9:26
a lot of things. What's
9:28
really cool about it is that their unscripted moments
9:31
of honesty from a ten year old and at
9:33
that time an eight year old kid. It was just kind of trying
9:35
to you know, he wasn't filtering
9:37
his thoughts. He was just talking about growing
9:39
up and you know, the
9:42
thing that I'm constantly in search of his honesty
9:45
moments, unscripted moments
9:47
that reflects something that we can all relate
9:49
to. And and he was kind of that glue that held the album
9:51
together. He said so many things that were like
9:53
to me. I was like, like the idea of
9:56
feeling your own, the impending doom of turning
9:58
ten years old because will never be nine anymore,
10:01
and just like you know how how much
10:03
weight you put on everything when you're that age, because
10:05
that's what you know. And so um,
10:08
that's the answer. He's not my cousin. He's just a random
10:10
kid that I've created a connection with and who I'm
10:12
trying to not have too close a
10:14
connection with because like, if things go
10:16
wrong in his life, he'll text me and
10:18
and he'll he'll ask me for advice, and I'll be like, dude,
10:21
don't text me, Like ask your parents
10:24
if I give you the wrong advice and then you go and get
10:26
punched in the face in school. I don't want that on
10:28
my hands, you know, like you
10:30
you gotta you gotta let your parents do that.
10:32
And I'm I'm trying to be a positive
10:35
figure in his life without being too to
10:38
present. Yeah, he's
10:40
he's uh, he is a he's funny.
10:42
The there's the things he says
10:44
come come unexpectedly. When
10:47
you were just talking about the
10:49
then you know he was mortified about turning
10:51
ten. Um. And at the
10:54
very end of that you say something, you say ten
10:56
is a great year or something like that, and then you go on and say the thing
10:58
that used to help you was your parents would
11:00
make funny faces and tell you stories. And
11:03
then you kind of go into the song you want to share a
11:05
little bit about that. Sure, Yeah,
11:07
I love my mom and dad. My mom and daddy. If
11:09
you happen to be watching, it's possible. My
11:11
dad follows my online activity
11:13
closer than I do, so he might be. Um.
11:16
My parents were really great
11:19
parents to me. They my dad is a psychotherapist
11:22
and was also a poet. Um, he's
11:24
a writer and he has you
11:26
know, million degrees. Is one of the smartest
11:28
guys I know. And my mom is an elementary school librarian
11:31
now and they both read to me a lot.
11:33
Growing up very active. My
11:36
dad showed up at all my baseball games even if I
11:38
struck out three times and sat on the bench. Um
11:41
and yeah, I think them reading
11:43
to me was one of my favorite things about
11:45
growing up. That we did bedtime every night
11:47
and reading time and um,
11:50
he would read me novels and think
11:52
that definitely like spiked my intellectual curiosity
11:54
and never you know, being smart in
11:56
our household was not something that you
11:58
should be ashamed of or embarst of. Um.
12:01
You know, it's just there's a lot of curiosity and
12:04
um, a love for language and a love for art.
12:07
Did you go through any adolescent
12:09
rebellion period towards your parents? You
12:13
know, I went through periods
12:15
of like angst
12:17
and being a teenager and like not wanting
12:20
to hang out with my parents all the time, and being embarrassed
12:22
of them and the kids, the stuff that all kids do.
12:24
But I was never like I hate you guys, like
12:26
I'm moving out of the house and running away. It
12:29
was never that much, you know. I always
12:31
knew that they loved me and wanted the best for me.
12:33
Um. But I every kid, most
12:36
kids of that age, I feel like, have a period where
12:38
they don't want to be best friends with their parents anymore.
12:41
So I had that. But now I'm twenty
12:43
seven, and I have a great relationship with my folks. And I call
12:45
them all the time and I
12:47
love seeing them. Yeah, I think for teenagers
12:50
there's a it's part of their their duty
12:52
to distance themselves from their parents. It's part just
12:54
part of what they have to do. Yeah,
12:57
and so to some degree, and some
12:59
of its you know better worse, it's one of the
13:01
things I you know, there's a lot of things I like
13:03
about what you're doing, but I love it when my sons
13:05
and I can find something that we both genuinely
13:08
enjoy and can share. And your music
13:10
is one of those things. So that's really great because it does
13:13
get hard to connect sometimes and it's nice
13:15
to find those things that are genuine and real right
13:17
on. Yeah, well, I appreciate that. That's awesome,
13:20
and I think it's it's been really cool seeing
13:22
the kind of people who show up to our
13:24
shows and seeing that sometimes it's fifteen
13:26
or sixteen year old kids, and you know, we and then
13:28
we get clusters of people who are like in their mid
13:30
thirties and mid forties who relate to the poetry
13:33
and love it too. So we bring out
13:35
a motley crew definitely to our events.
13:37
And I think that's great because it means it's reaching a
13:39
broad variety of people. UM.
13:43
Another question for you around you
13:45
know, there's a theme that runs through a lot
13:48
of what you do is, um,
13:50
the concept of work. Can
13:53
you talk about kind of what
13:55
what work means to you and
13:57
and and the value that that has. Yeah,
14:01
well, I'm self employed. I
14:04
am an independent artist, which means that if
14:07
I'm gonna go on tour and I'm gonna make an
14:09
album, it has to come from me. I'm not I have
14:11
known breathing down my neck to say,
14:13
George, you gotta get up at nine and do this, and
14:16
you know you've got to be on the clock or else it's
14:18
you know, time is money. It comes
14:21
from me because uh,
14:23
we're doing this as a labor of love. And I
14:25
feel like, especially for someone in my position
14:27
who gets to being a professional artist
14:29
and gets to perform and gets to follow his passion.
14:32
You know, it's not that people who are in these
14:34
luxury jobs should be able to
14:36
be lazier than everyone else. I feel like, if you're
14:39
going to have one of the jobs that's coveted by
14:42
nine percent of the population, you have a duty
14:44
to actually treat it like a real job and
14:47
work really hard because it's a hell
14:49
of a lot more fun doing what I do than being a fry
14:51
cook or shoveling in a mind somewhere,
14:53
which is what most human beings have
14:56
to dedicate their lives to, or something of that variety.
14:58
If it's a desk job, even you have to do
15:00
something that you don't want to be able, that you don't want
15:02
to have to do from nine to five in order to you
15:05
know, pay rent and pay the bills.
15:07
And for me, I'm in this extremely
15:10
lucky position to get to do exactly what
15:12
I want to do, and for me to be lazy
15:15
and flip into about that opportunity would be
15:17
a criminal travesty. Like I
15:20
believe so strongly that I
15:22
am in a privileged position and that since I love
15:24
what I do, I have a duty to try
15:26
and do it the best I can and work really hard at it.
15:29
And you know, that's pretty much as far as it goes. And
15:32
it seems that you you have, you
15:34
know, clearly had this had this work
15:36
ethic for for a long time.
15:38
And I'm always interested in people who are successful
15:42
because there's tends to be two things that sort
15:44
of at least that I notice that are driving.
15:46
One is just the love of what you're
15:48
doing the satisfaction
15:50
of doing work that's good. And then the second
15:52
is the desire to be successful at it.
15:55
And and I sort of have heard both coming
15:57
through in in your music. How
15:59
do you how do those two relate to each other? Well,
16:03
I think that this is like the fundamental
16:06
paradox of my life and of a lot of
16:08
artists lives, is knowing
16:11
that we don't matter, but
16:13
wanting to matter a lot at the end of the day,
16:16
you know. And and I think that the
16:18
idea of trying to be successful is
16:21
is my drug. You know, everyone has a poison. Some
16:23
people it's alcohol, some people. You
16:25
know, every everyone has a bomb that sues them.
16:27
And at the end of the day, the positive reinforcement
16:30
that what I'm doing is good is
16:32
what my poison is. It's what my drug
16:34
is. And I've, you know, from
16:37
a very young age, I've had this feeling.
16:39
You know, I'm gonna put my cards on the table. I'm not a religious
16:42
person. I don't believe in the afterlife, at
16:44
least from from what I've gathered
16:47
and the lens that I have to view
16:49
the world. That is not something that is
16:51
part of my life. And that that
16:54
fear of not existing and knowing that I love this
16:56
life so much means that I've from
16:58
a very young age felt like I have a very brief time
17:00
on this planet to make my mark and to exist
17:03
and to do something meaningful. And
17:06
you know, it's that it's that constant struggle
17:08
against wanting to matter.
17:10
And you know, since I was fifteen or sixteen, I kind
17:12
of felt like the clock was ticking and I only
17:14
have so long to kind of make an impression. And
17:17
and it can be a bad thing too, because
17:20
sometimes constant seeking out of
17:22
validation is not healthy, and you
17:24
have to be able to
17:26
to exist and be happy without being validated
17:29
all the time. So there's not really
17:31
a simple answer to that question. You know, I struggling
17:34
constantly against trying not to care too
17:36
much about what people think about my stuff versus
17:39
also taking a pride in it and being able
17:41
to have self satisfaction that what I'm putting out into
17:43
the world is good. So it's kind of a constant
17:46
pushing a pull between those two things. It's
17:48
fairly timely in that today was
17:51
the I think it started today, maybe yesterday,
17:53
the whole thing with Joe Rogan
17:55
and this podcast and sort of you
17:57
know, bizarre, uh you know, sort
18:00
of attack of slam poetry and
18:02
of yours in general. And I thought your
18:04
response was really really well
18:06
done. How much does that sort
18:08
of stuff, you know, it is a somebody
18:11
not validating you, not doing that. How
18:13
much do the do the haters get to you?
18:17
Um people? The things
18:19
that get to me most are the well thought
18:21
out criticisms, And Joe Rogan's didn't
18:23
actually bother me that much because it was very clear
18:26
from listening to the podcast that he just kind
18:28
of had a producer pull out an example of
18:30
a white person doing slam poetry and that's
18:32
what he wanted to go after. So
18:35
I actually thought that it was an opportunity for me to
18:37
use that random coincidence as a way to
18:39
actually have a meaningful conversation
18:41
about the merits and spoken word poetry.
18:43
What does get under my skin is when
18:45
I feel like somebody says something very insightful
18:48
and well thought out. That is that you know, that unearthed
18:51
insecurities that I have, which
18:53
happens occasionally, although I'd say
18:55
nine percent of the time on the Internet, someone just writes
18:57
like gay lamb and you know
19:00
that's that's a lot easier to deflect because
19:02
it's it's not well thought out.
19:04
But yeah, I think I'm pretty good
19:06
at having a thick skin. And at this point,
19:09
you know, comments pouring and pouring and so
19:11
many, the overwhelming majority of them are
19:13
so positive that you know,
19:15
I'm I'm doing fine, comfortably,
19:18
But I can't say that I'm perfectly immune criticism.
19:21
I think that the best thing is to wait a while, Like
19:24
if somebody says something negative and you're heated
19:26
about it, just take a day, take
19:29
five hours, take ten hours, whatever
19:31
you need until you're not so emotional about
19:33
it, and then try and actually figure
19:35
out if there was some merit to it, because
19:38
sometimes you need to listen to criticism or
19:40
else you're just gonna go bloatally on a path
19:42
of thinking that you're all what you're doing is always
19:44
golden, And sometimes you need to be able to say,
19:46
you know, what that criticism isn't
19:50
is merit lists and I don't need to listen to it.
19:52
And there's a balancing act between
19:54
taking in criticism and actually being
19:56
able to internalize it when it's appropriate and being
19:58
able to brush it off and what
20:00
you're doing is right, and it's
20:03
coming from somebody who doesn't know what they're talking
20:05
about. So back to you,
20:07
back to your letter to yourself as a sixteen
20:10
year old you. There's another part
20:12
in here that I love where you talk about you know, you
20:14
don't remember people's names, you're at the center
20:16
of attention for all the reasons, and spend roughly
20:19
six hours a night on your side watching Boy Meets
20:21
World reruns. That
20:23
was that a phase in your life? I watched
20:26
a lot of TV. Watched a lot of TV,
20:28
and the reason that I like to pick on specific
20:30
examples that I think illuminate trends,
20:33
and to me that speaks
20:35
to an era and nostalgia
20:37
for people who were in that era
20:40
of growing up, but also just the idea of
20:43
TV being medication, the way
20:45
that technology is medication. Now, when I didn't
20:47
want to think about stuff, I would just turn the tube
20:49
on and I wouldn't have to think about it. So
20:52
that was a way for me to distance myself
20:54
from the things that I was afraid of and didn't want to think about.
20:56
Was just constantly distracting
20:58
myself with stimuli. Yeah,
21:01
and that the great part that follows that is
21:03
when you say you're capable about growing
21:05
that bullshit all right on?
21:07
Yeah, yeah, and everyone is. Everyone
21:09
is. Do you still did you
21:11
find for yourself that you hit a certain
21:14
point where you started to uh
21:17
work and make some progress and
21:19
and it you got momentum
21:21
that made it easier to keep doing that stuff
21:24
or is it just sort of a constant battle for you
21:26
to stay productive and do
21:28
the things that matter. I had
21:30
a real crisis, a
21:33
real existential crisis around the time when I was seventeen,
21:36
where I
21:39
I felt like I had these fears
21:41
of growing up and of mortality that we're bubbling
21:43
underneath the surface and I can't I was pushing them
21:45
down with distractions, and
21:47
they bubbled up to the surface in a way that I couldn't ignore
21:50
anymore. When I was a junior in high school, and
21:52
I became depressed, not
21:55
because I was sad about anything specific, but just because
21:58
all these things that I was afraid of they really hit me like
22:00
a ton of bricks, and I was like, and
22:03
they they were very present for
22:06
me, And so I went to therapy
22:08
and I started talking to therapists and they were like, well,
22:11
these are just things that all humans have to deal with, and you're
22:13
kind of making me depressed right now, So can we talk about
22:15
girls or something, and you know,
22:17
I wasn't getting the answers from anywhere. My parents were just like,
22:19
oh, don't think about that. That's not for a long time.
22:22
And none of those answers were satisfying to me.
22:25
And the one thing that did
22:27
actually kind of give me some relief
22:30
was reading books by this guy named Tiq not Han
22:32
who's a Buddhist philosopher,
22:35
and very simple, basic Buddhist
22:38
message messages of living in the present
22:40
moment and of realizing that if
22:42
you're afraid of something, the only
22:44
thing that you can do is face that fear head on
22:47
and actually allow yourself to be afraid. And
22:49
actually it's something that Louis c Ka talked about in
22:51
his recent clip that went viral and conan
22:53
about just like allowing yourself to feel
22:55
shitty things sometimes, and if you feel
22:58
fear and your fearings feel anxiety. Terror
23:01
is a natural human thing and if you allow
23:03
yourself to feel it, then what's
23:05
going to happen is your
23:07
body is going to accept it, and then you're going
23:10
to have this wave of actually
23:12
positive emotions that come after that. And so
23:14
um, when I was around seventeen,
23:17
I had that kind of realization and I
23:19
think trended Buddhist a
23:21
little bit, and I think that helped me a lot. And
23:24
since then, I you know, I've been a very hard worker my
23:26
whole life. Since then. I think the last ten years, I've
23:28
just, if anything, worked
23:30
too hard. I think that the bat the battle
23:33
for me is really trying to prioritize my personal
23:35
life and love and family. Uh,
23:38
and working on my career comes
23:40
naturally to me, and it's making sure that I'm feeding
23:42
the other things. That is something that I
23:45
need to do and remember to do all the time. You
23:47
were talking about in in tiny glowing
23:50
screens to uh sort of
23:52
meaninglessness, and you know, the
23:55
the universe is so huge, how could
23:57
we possibly matter? There's
24:06
seven billion, forty six million people on the planet
24:08
and most of us have the audacity to think we matter. Hey,
24:11
you hear the one about the comedian who croaked. Someone
24:14
stabbed him in the heart, just a little poke,
24:16
but he keeled over because he went into battle wearing chain
24:18
mailmated chokes. And then you went on
24:20
to say that you've found a way to find meanings
24:22
sort of within that. Can you share a little bit
24:25
about that. I think
24:27
that that you know, humans
24:29
have been thinking about this forever. It's like almost every Shakespeare
24:32
poem is about it's how are you going to exist
24:34
beyond your short existence? And
24:36
for me, the answer isn't trying to build
24:38
up a legacy that's so huge
24:41
and unavoidably awesome
24:44
that people are gonna be talking about you for centuries.
24:47
It's finding meaning for yourself. It's
24:50
it's finding joy. You know. One of the things that
24:52
gets talked about a lot in these Buddhist
24:54
texts is you can't just
24:57
find joy and pleasure in the fireworks
24:59
that life as you which are you know, weddings
25:01
and babies being born and you
25:04
know, hooking up with the person that you always wanted to
25:06
be with and seeing you
25:09
know, the sunset. Those are
25:12
explosive moments that life gives you. But also being
25:14
able to be excited about the
25:16
feeling of washing your hands and of
25:18
sipping on a cup of tea and
25:21
just the breeze blowing on
25:23
you. You know that that you have to be able to
25:25
marvel at the life that we have
25:27
just for the sheer reason
25:30
that it's amazing that we even get to be alive
25:32
and to be able to be in awe of life on a
25:34
daily basis, is really important. And
25:36
I profoundly believe that that, like this
25:39
life is amazing and it's for you know, we
25:41
we don't. We get used to things. We
25:43
get used to technologies that are given to us,
25:45
and we stop being amazed by them. But
25:48
technology is amazing, and our
25:51
bodies are amazing, and the birds
25:53
flying through the air is amazing, and we
25:55
don't take enough time to actually realize
25:58
those things. And so that
26:00
that's what I work on the most, is trying to actually
26:02
let myself be in awe of little things.
26:05
And when you step back, a lot of cool
26:07
stuff going on. It's
26:09
uh, it's great to hear you talking about Buddhism
26:12
and tick nott Han as you are framed in
26:14
a zen background. Where are
26:16
you? I I'm
26:19
actually in Indianapolis right now, in the
26:21
basement of a Shriner's club
26:24
where, um, we're having a show
26:26
tonight. We're playing a place called the Old
26:29
National in Indianapolis. Were on
26:31
tour um. But yeah, I mean,
26:33
these these things that I'm talking
26:35
about are are things that are addressed
26:37
in every major religion. Also, you know,
26:39
I don't mean to exclude it
26:41
to Buddhism. It's it's things
26:43
that you can find in Christianity. It's things that
26:45
you can find in Judaism
26:48
and Islam, and it's also things that you
26:50
can find in in atheist
26:52
thinkers too. You know, these these are not things
26:55
that are exclusive to one faith
26:57
or another. They are just things that I think,
27:01
you know a lot of smart people have jointly
27:03
realized over the years. Yeah, we've
27:05
had we've actually interviewed to Buddhist
27:08
teachers, uh so far for
27:10
this UM and we're interviewing
27:12
a guy coming up who's really fascinating.
27:15
He's I don't know if you know who Victor Frankel is. He
27:18
wrote a book called Man Search for Meaning. It's
27:20
very applical to what we're talking about because Victor Frankel
27:23
was in concentration camps. They
27:25
killed his family, they killed his parents,
27:28
and in there he came to the realization
27:31
that the last human freedom he had was
27:33
his ability to sort of choose
27:35
his attitude and to choose what
27:37
it meant. And he he formed a
27:40
form of psychotherapy called logo therapy, which
27:42
is all about making your own meaning.
27:44
That there is no meaning in life that is
27:47
um universal,
27:49
It is your you know, you kind of have to make your own meetings.
27:52
So this is interesting with this sort
27:54
of tie ties
27:56
into that. And I was actually thinking earlier
27:59
because I think a lot about that too,
28:01
that sort of all the religions, they're all
28:03
sort of saying the same thing, um,
28:05
which is to to give a hater a hug,
28:08
right, yeah, turn the other cheek. The
28:10
window dressing is different, but the core
28:12
is the same, so
28:30
that that covers. Is there anything you wanna you
28:33
think it's important to what we're discussing that we
28:35
haven't covered that you want to say, No,
28:38
not really, I don't think we covered some really interesting
28:40
territory. I mean, I think my main thing
28:43
that I would like to say is to that I don't
28:45
think I have any of the answers, you
28:47
know, I don't want to seem like I'm coming off like I
28:49
know exactly how
28:52
anyone should live their life. And I'm sure there's a lot of people
28:54
listening to this podcast who are from all walks
28:56
of life, different faith backgrounds and stuff.
28:58
And I used to perform at colleges and
29:01
universities all over the country,
29:03
which meant that when I was in college, I would
29:05
be going to a lot of Red states and perform And I'm from
29:07
San Francisco, so like that's from the other
29:09
end of the spectrum.
29:12
And I was actually very challenged to uh
29:14
communicate with people who grew up across
29:16
the political aisle from me, who grew up in
29:18
very religious households. And the main
29:20
thing that I came away with was feeling
29:23
like we're divided so much
29:25
as a culture, and there's so much opinion
29:27
based media that's going on right now, and it's being driven
29:30
by putting wedges between people and
29:32
creating these false um
29:34
flashpoints between different groups of people because
29:37
that's what sells and that's what
29:39
what drives clicks up. But everyone
29:42
is trying to do good. You know, this world is not red
29:44
or blue or black and white. And if
29:46
you're Christian or if you're agnostic or
29:48
atheist, you know we're all on the same team.
29:51
That is. That's the last thing that I want to say. You
29:53
know, perfect, that's
29:55
a great way to end it. Well, thank
29:58
you so much for taking the time. I know you got
30:00
a show to do in a little while, so um,
30:02
and thanks thanks Nils for me. Also
30:04
please for for helping get this set
30:07
up all
30:11
right. Take care, Thanks
30:25
for listening to the one you feed. You can
30:28
find out more about Watsky and his work
30:30
in our show notes at one you feed
30:32
dot Net slash Watsky
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