Wes was the beginning of indie for us. He deserves discussion. We are joined by hometown friend (and hero) Matthew Gossett as we cover last year's French Dispatch and the full array of our favorite Wes Anderson films, not limited to but with certain focus on The Life Aquatic with Steve Zissou. Is Tim's theory of his slump correct, that he's abandoned good characters and become "dollhouse" in his later works? Will no Renaissance arrive? Tune in for the controversy, for quoted lines, and more.