Episode Transcript
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0:05
He's a sexy sexy man, sexy
0:08
sexy plan because he ain't
0:11
no stuck us looking so flighty. You could
0:13
try like a trucker, clean like a plank,
0:15
just solim yunger fool wheel try
0:17
so we never gets to play
0:20
so far, ticking up a lot of band winds.
0:23
And he's a guy. Ye he ain't no stand
0:25
and he doesn't have cheese on a nighttime sandwich
0:27
because everybody knows he's the Fergens. He bandit
0:30
the Ron Burgundy podcast
0:35
Largo and how they want Tafarta
0:38
put your han stick out of the Ron burgo
0:59
right here. Thank you so much.
1:02
That is that
1:07
is lovely.
1:10
That is nice to hear. I'm
1:13
joined by Carolina, of course, my wonderful
1:16
co host. And
1:20
let me guess, were you applauding for
1:22
me or for her? Give
1:24
me both. I think it was predominantly
1:27
me, though I'm
1:30
just teasing. Oh
1:34
that felt good, though Daddy
1:37
needed that. I
1:39
was changing a tire on the four oh five
1:41
in the suppu to pass less
1:44
than fifteen minutes ago, and
1:47
I'm like, I'm not going to make the show,
1:51
and the car collapsed on me, but
1:54
luckily Oh
1:57
bushed it off me and got here and
1:59
then you gave me that wonderful ovation, So thank you, thank
2:01
you so much. We
2:06
also just want to tell you, guys that all
2:08
the proceeds to tonight's ticket sales are
2:10
going to the International Medical Corps, which
2:12
is a great charity that's helping families
2:14
in the Ukraine right now. And thank you to Larger
2:17
and thank you to Largo for evening to
2:19
Largo because Flanny
2:22
here, he's not getting his grubby paws on it. So
2:26
it's going to charity
2:32
and it goes all to charity, right. I don't get like a
2:34
little nothing, just a sweet little,
2:37
a little morsel. Do you want me to
2:39
ask for that five maybe? Oh
2:41
no, no, no, no, I don't
2:43
get none, nothing, nothing nothing.
2:46
I thought we've been just saying that. No,
2:49
No, I
2:53
feel like you're upset. Can
2:56
I have twenty bucks? Look
2:59
what I found next stage? And abba
3:01
Zaba, you guys remember Abbasaba's.
3:05
It's a delicious little treat and I think
3:07
I'm gonna gonna pop one
3:09
in my mouth. We just want to stand
3:11
by everyone. For those listening at
3:13
home, I'm opening is Abazaba
3:16
Rapper right now. M
3:20
hm m hmm. Is
3:26
it going to be a little bit of a second. Yeah,
3:31
it's in the toffee family of confession,
3:36
injected with a peanut butter, right,
3:40
really dragging me back. You
3:43
need a second, not
3:47
swallow bal yet not all
3:51
right? There she goes right
3:54
into the cup. That is a terrible piece of candy.
3:56
The Appasaba. And I
3:58
hope the Abbasaba company listens to this podcast
4:00
and they know how I feel. We're
4:03
not scared. Abba zabbas can suck
4:05
it, Okay, I hope they don't steal
4:07
that as a like a slogan. Oh that is that
4:09
a good slogan. Aba you can
4:11
suck it, can suck it, meaning us
4:13
are candy. It's too long, we'll
4:15
figure it out. Hollywood,
4:19
California. Where's
4:22
everyone from
4:25
Chicago? Hello? Oklahoma
4:28
City? Out
4:34
of car Cot
4:38
car Not that many
4:40
people. No, Oh
4:47
Santedro a
4:50
thriving Greek community in San Pedro
4:54
from what I remember. H
4:57
Mexico. Oh
5:01
do you wanna Okay, you don't have to
5:03
be so cocky about it, jeez, do
5:05
you wanna
5:10
Australia, Well,
5:12
don't struga well
5:19
boom England.
5:24
The English are blue arts, they really
5:26
are. I
5:31
hate the British. I just do no.
5:33
I do. I don't hate the strong
5:35
word, but I hate the
5:37
British. We
5:40
have stop what's going
5:42
on? I don't know, it's
5:44
just what you're feeling. This is the way I'm feeling. So
5:48
but those of you in Hollywood probably
5:51
we have to address the elephant in the room.
5:54
I mean Sunday night,
5:57
Oh boy got
6:00
dying? Oh what
6:09
did I? Oh
6:15
murder? Say what? That
6:21
was the craziest thing I've ever seen.
6:24
Which and I and You've seen a lot of
6:26
crazy. I've seen crazy.
6:29
I've seen you take an elevator. Yes,
6:33
I just saw you spent that Abbasaba and crystal
6:36
glass. You've seen me throw
6:38
a housecat off a bridge in San
6:40
Pedro. That
6:43
was um,
6:47
I can't believe. I just yea strike
6:49
that from the record, but I
6:51
hate house cats, ate the British. Yeah,
7:00
we're just gonna tell it like it is. But I mean that
7:02
we all witnessed. Most of us
7:05
slept yard. But I have a bit of good news that's
7:07
slightly related. I
7:10
think I'm hosting the Oscars next year. I
7:15
don't know, I
7:17
said, I think who
7:19
told you that you're hosting that? Well, they've reached out to
7:21
my people. I'm your people.
7:24
I know have they reached out to. Okay,
7:29
but they too,
7:33
I'm hoping they're going to reach out to. They start
7:35
with a shortlist and I'm figured I'm probably
7:37
on it and they have
7:39
to whittle it down and
7:41
it might happen. Um,
7:43
but I'm just gonna prepare
7:46
and hope and pray every
7:48
night that I get it. Uh,
7:50
but I want to be prepared when I get that phone
7:52
call. Uh. So I've been
7:54
working on some stand up um
7:58
for the Oscars, and if
8:00
you'll indulge
8:02
me, I'd love to try it out on you,
8:06
if that's all right, I want
8:08
to yeah, okay, Um,
8:10
and keep in mind this is a work in progress. I'm not
8:12
a professional stand up comedian. Uh
8:16
but uh
8:18
but anyway, you gotta
8:20
jump in the pool, right. Um.
8:23
So let's
8:26
see here. Get my cheaters
8:28
out, Oh, wear contacts during the Oscars,
8:30
don't worry, and
8:35
I'm not gonna belied looking like this, Just so you know, I'll
8:37
probably be in a golden maid jumpsuit.
8:43
Okay. Uh
8:45
alright, So please
8:53
welcome Ron Burgundy. Huh,
9:01
thank you, thank you. It's it's a pleasure
9:03
to be here hosting the h
9:09
I don't know what you're do they'll
9:11
they'll tell me it's
9:16
a pleasure to be here. We got a lot. How's
9:19
how's everyone doing tonight at the Oscars? Pretty
9:21
good? Yeah?
9:24
Uh, I see there's a category
9:28
for for best hair and makeup
9:32
and the winner is not g
9:34
I Jane two. No,
9:38
it's okay, it's okay. No one's good,
9:40
No one's here. It's okay, it's
9:44
okay. No one's gonna fight you, it's
9:46
okay, it's
9:49
all right. In
9:58
fact, there wasn't any hair and make up.
10:01
Everyone had shaved heads.
10:07
Okay. It
10:10
reminds me. I went to my barber
10:13
and I say, take a little off the top,
10:15
Pete. And he says how
10:17
much? And I say, not
10:19
as much as g I Jane too? Know
10:22
what? Okay, it's okay, it's okay.
10:25
No, no, it's here. You're
10:28
shadow boxing. It's fine,
10:32
No, I kid. G I Jane two is a great
10:35
movie.
10:39
Everyone loves it, unless
10:41
you happen to be headlines because
10:49
there's no hair I got we got and
10:52
they need an environment to thrive
10:54
in and has to be like feast
10:57
and yeah, m
11:01
okay, what else do I got here? M
11:04
hmmm, um
11:08
hey uh.
11:11
For our viewers at home,
11:13
there here in California. There's a place
11:15
called the Central Valley. Great,
11:23
why do they call it Sacramento? Do
11:27
they make sacred mentos there? You
11:36
guys remember mentos? Right? Those
11:40
old commercials they were weird. What
11:43
about kid Cat bars? Huh? Do you remember
11:45
kitcat bars? Yeah? What
11:48
if Bob Dylan did the
11:50
kid Cat Bar song? It
11:53
would go something like this, give
11:56
me a break, give
12:00
me a break, bring
12:04
me up a piece. Then it get
12:07
bad.
12:13
So circle that one. That's applause break
12:15
on that one. You'll
12:21
remember if I forget right for next
12:23
year's Oscar, will you be able to be on stage with me?
12:26
Oh? Because you're quite a security blanket.
12:30
What else? What else? What's in the news. Have
12:32
you heard about these self driving cars? Yeah?
12:39
Do you think they've not heard about him? Okay,
12:42
okay, um,
12:46
they have these cars now that drive
12:48
around without a driver. What
12:50
if you're Adam driver and
12:54
you're in the backseat of a driverless car and
12:56
a cop pulls you over he says,
12:59
are you the drive? Ever? How
13:02
confusing would that be? Okay?
13:14
That was that was like a seven Governor
13:20
rhn de Santis is at it again. Yea
13:24
yeah, oh
13:26
that would be great if they react that way.
13:31
That guy is so weird they should call him
13:33
Ron Dementos, right, I
13:38
called back Sacramento. Yeah,
13:42
anyway, he doesn't want teachers to say
13:44
the word gay in the classroom, like it's
13:47
a dirty word. The
13:49
only word dirt in the
13:52
only the only word, the
13:54
one hold
13:57
on, the only flirty
13:59
dirt in. God damn it fulls
14:06
together on. He
14:09
looked like a ass. Right now, you've
14:12
come this far, you're almost at the top of the mountain.
14:21
Bring it home, you coward with
14:23
nothing but a coward and a quarter a jacket
14:26
and look like a You got your ass
14:28
blowing in the wind. Just pull it together. The
14:34
only dirty word in
14:37
the state of Florida is the
14:39
santis.
14:43
Thank you. On with the rest
14:46
of the show. Um,
14:48
here's John Travolta and uh uh
14:53
uh Grrie
14:56
Mulligan. I don't know, I
15:01
know, I'm a big carry Amelegan fan. Well,
15:05
very great, that was great. That was
15:07
very valuable. I
15:09
feel like the message we wanted to give after
15:12
the Oscars on Sunday, And
15:14
if you guys are so inclined, you can stay it
15:16
with me. Hug it out, hug
15:19
it out, say it sincerely,
15:21
though, like, hey, hug
15:24
it out one to three
15:27
huge out. That feels
15:31
good. Well, do
15:33
you want to turn to your neighbor and just tug them
15:35
quickly? It's COVID.
15:38
Oh that's nice. People are doing it, doing it for
15:40
the listeners at home. There's
15:43
four people. People are now,
15:45
people are really getting into it. Shirt
15:48
answer, keep your shirt disgusting.
15:55
Well, uh, we should get
15:57
on with our show. Um,
15:59
you said that you were guessed. All
16:02
you said was personal and I didn't
16:04
want it, so I didn't want to ask because I didn't want to like overset
16:07
my Well, someone is
16:09
in town, a relative of
16:11
mine, and he asked to come on
16:13
the show. Yeah,
16:17
Um, are you okay? I'm
16:19
okay, Yes, I'm fine. In fact, it's
16:22
good. We haven't seen each other a while. Um,
16:24
it looks bad, but no, it's he's
16:27
fine. You know what, Let's just get him out here. Would
16:30
you please welcome my brother Billy
16:32
Burgundy?
16:45
Hi? Yeah, right,
16:49
Billy, wonder you have a seat all
16:51
right? Yeah? Yeah, I
16:54
don't know. I'll sit down right
16:56
now. He's
16:58
a little too high, if I'm honest,
17:01
right out of the gate, I
17:04
feel like I'm still kind of standing. Honestly,
17:07
it's a regular. It's just a club chair. It's a regular
17:10
chair cheer kind of playing a prank
17:12
on me, like, ha, you thought you sat down,
17:14
but you're just squatting and your thighs are doing
17:16
a lot of the work.
17:20
I don't know if you can really, I don't think you can
17:22
smoke up right now, I'm
17:26
doing it. I'm doing.
17:30
Just sit back in the sit
17:32
back in the chair, please, Yeah,
17:34
a little baby brother, Roddy
17:37
hot shot? Hot shot? Can
17:39
we curse? It's
17:42
too late now I'm
17:45
saying, I'll change my tone, like I'll
17:47
I'll like, I won't curse. I don't want
17:49
to have to call the fire marshal if you're
17:52
call them, call
17:54
the you know the number of the firemark
17:57
every people say that all the time. I all want
17:59
to call fire my call him? What do
18:01
you got his number in your phone? Oh?
18:03
I don't having you, but I have you.
18:06
I would get it quickly and Carolina
18:09
would call you it
18:11
doesn't have it, I have
18:14
it. Tell me what it is and I'll tell you.
18:17
You better tell him. You better tell
18:19
him right now? Your fire don't embarrassing? Okay,
18:23
what's his number? How
18:25
do we know that your number is the accurate
18:27
number? I got it from
18:29
a bunny mind. My buddy
18:32
is a fire. Marshal alright,
18:36
Oh I almost dropped my cigarettes. You can't imagine
18:38
what would have happened. Fire,
18:41
Probably a fire. I'm
18:44
sorry. There's a huge gap between
18:47
your two sensibilities. This
18:52
is what we're like, oil and water. We're
18:54
different. Ronnie, you know, Ronnie went
18:57
off and became you know, a little
19:00
shot? Is that me? Am I doing that?
19:03
I think that's yours? Is
19:07
is that me? Yeah? That's your
19:12
everybody? You go the
19:14
way? Now you go? Alright,
19:16
my turn. It
19:19
does seem like they was
19:21
always very good in audio visual
19:23
class. Didn't work.
19:27
It's okay, you
19:29
gotta relax, Billy.
19:33
It's just a microphone to talk it to go.
19:38
I know, you gott
19:41
if you're gonna stay here, you gotta take it down
19:43
or not. She just brought you a night. She's
19:47
you're like a hair trigger. You've always been that way.
19:49
I didn't know what it was. I was freaked
19:51
me. The didn't look like you that.
19:54
She's like, you take this dough. She
19:57
did all day dil though, and she wanted
19:59
me helper do. She didn't say a
20:01
word, I know, but it just felt
20:04
this looks like a dildo to you people, it's
20:06
a microphone vote. We vote
20:08
on it. No, we don't vote. We
20:12
all right vote that, we don't vote on it.
20:14
Fine, fine, But to
20:16
me, I felt in that situation
20:20
a lady was running to me, go and hide this
20:22
dildo. I stole it. That's
20:25
the story I concocted within
20:28
sec darn it, gosh,
20:32
darn it. Come
20:34
to think of it, last Easter, you did give me
20:36
a microphone shape dildo. Got
20:39
the wireless microphone shaped dildo.
20:43
They exist. That's a fun word, dildo.
20:50
Right. We haven't laughed like that in a long time.
21:08
I got a big question for you, billy. What
21:11
what What are you doing here? You
21:14
mean when I'm doing do
21:17
the What do you want? Do you think? Do you
21:19
want money? Do you want money? Do you want a place
21:21
to stay? What? What's I mean? I'm
21:23
not here to Do you have money?
21:26
Do you have some cash? Got probably
21:28
some cash on me. I'll take some money. That's
21:31
not why I'm here. But if you're saying you
21:33
throw the money around, they'll
21:35
take some money. I'm here to be interviewed.
21:37
Isn't that what you do? You
21:39
really want to be interviewed by me? Yes, that's
21:42
why I'm holding this still though, so I can forget
21:45
the interviewed. I came out
21:47
of here. You know, you got all these people here, Ronnie
21:49
the hot shot, hot shot Ronnie
21:52
Burgundy that nobody gives it
21:54
about his big brother, Billy Burgundy.
21:57
So I'm out here to be interviewed. Let these people
21:59
know. Maybe I influenced
22:01
you in some way, all
22:05
right, fair enough, but you never
22:07
expressed an interest in my life this way. So what
22:11
would you say? This
22:15
is what you do in a podcast? What is a podcast?
22:17
By the way, Like, what is this actually?
22:21
Like? What do you do with it? I
22:23
still couldn't tell you. I
22:27
don't understand it. From a technical standpoint.
22:30
I initially thought we
22:33
recorded on a bunch of cassette tapes.
22:35
We had to drive him to
22:37
everyone's house, kind of like the old Netflix
22:39
model. That's what I thought, and
22:41
you pop them into a cassette and you listen to
22:43
him, and you you just hope, you pray to God
22:46
that enough people have boom boxes at home.
22:48
Still, that's what I
22:50
thought a podcast was. I get it. The fact that this
22:52
doesn't have a wire, I can't even knowing.
22:55
I don't trust it. I'll never use a chordless that's why
22:58
I go, I go wire, I
23:00
go, uh
23:03
do that as well? This
23:07
feels better. For some reason, this just feels
23:10
better. I don't know, like I'm plugged into
23:12
a system.
23:15
Billy, let me. I'll start by asking
23:17
you this. We we both we grew up
23:19
in Iowa.
23:22
Why do you have a Brooklyn accent? Why?
23:32
Why? And why is the question?
23:35
Look like we're from Brooks
23:37
We're from Brooklyn, Iowa. All
23:40
Brooklyn's of Brooklyn. It doesn't matter which
23:42
the state. It's in Brooklyn, Iowa's
23:45
Brooklyn. You look. You look like the Fons.
23:48
I love the Funds. I've always
23:50
worshiped the Fons. Every
23:52
time I would watch Happy Days, I was like, that's who
23:54
I'm gonna be when I grow up. And
23:56
I don't care. I don't care if the settings
23:59
and out of disappropriate. Don't care
24:01
if it costs you employment. I
24:03
don't care. Care if you can't.
24:07
I don't care if the settings and the people change
24:09
around me. I'm gonna be the Fauns
24:11
when I grow People feel awkward around
24:13
you constantly. Yeah, this makes
24:15
a statement. When I walk into a room, people are
24:17
like, even when I walked out here, people are like, this
24:20
guy's got something to say, look
24:23
at it, Look at this guy. This guy gets it?
24:27
Is that what people is that what you think people are
24:29
thinking? Did anybody
24:31
did anybody here think that? When I walked out,
24:36
some people clapped how one guy,
24:40
that young woman clapped the gates
24:42
and then the distinct voice was just a definite
24:45
declarative no, no, no,
24:47
no. Doing
24:49
of the audience says no, ye, some
24:52
people did clap, not as many numbers
24:54
as I was hoping, maybe three, maybe
24:57
three people possibly three one
25:00
distinct No. I
25:05
probably hate cigarettes. That's your thing. You're
25:07
like, well, I'm against you because most people
25:10
hate cigarettes. They do. It's
25:12
when since thirty
25:15
years ago, twenty years ago. I don't. I don't
25:17
know. You can't smoke anywhere. I
25:19
do it all the time. I know that walking
25:22
about what he says anything, They just let it
25:24
happen. They're like, I don't know. This guy looks like he knows
25:27
something. No,
25:29
No, this
25:33
is fun. I like this is fun. You like do this?
25:35
This is cool. This is a cool got
25:38
gig? You know? Is that what it's called a gig.
25:41
It's called a podcast. And we're
25:44
you know, we're just we're lucky enough to be doing it in front of a
25:46
live audience, and that's what's happenings, and
25:49
this is kind of this is one of
25:51
the things I do in my life. Well,
25:53
I wouldn't know. I wouldn't know because you don't call.
25:56
You know, right, let us
25:59
in high school. When you left town and
26:01
you didn't talk to anyone in the family for twenty years,
26:03
what happened? That's
26:06
your question. I come out here and you say,
26:08
why did I leave home? I
26:10
was eleven when I left home. I
26:13
was eleven, Ronnie,
26:16
I was I was
26:18
four. I was eleven, and I
26:20
was in high school. Was an accelerated class.
26:23
You were an accelerated student. I
26:25
didn't understand anything, but
26:28
I already had a mustache, so
26:30
they pushed me through, and I was You
26:34
think it's easy to be around them when people will
26:36
look at you only eleven, and look at
26:38
your brother's holding four and he's got a man's
26:40
mustache and he's in these
26:44
he's in these accelerated classes.
26:48
Don't take me back there, because
26:51
all I would do was squigger with
26:53
crayons, and they loved They kept
26:55
moving, loved me. I kept moving.
26:57
They were like this guy's like a
27:00
passa RANI was in college
27:02
by ten years old it was. I
27:07
left at eleven. I'm the youngest kid to
27:09
ever leave his house at the youngest age.
27:11
I looked it up. You
27:14
looked it up where the
27:17
library. I went to the library. And I
27:19
went to the library, and there's a book. There's
27:21
a book that chronicles how
27:23
early children leave their houses.
27:25
Yes, in the youngest before
27:28
me was twelve. I left it eleven. So
27:30
I got that. So you broke the record. I broke the
27:32
record
27:34
after all, for Billy Burgundy.
27:39
What kind of smokes are those? By the way,
27:44
That's okay. I'd rather do that than get it on these nice
27:46
chairs to make you stand up when you don't want to. Yeah,
27:52
I left home at eleven. I lived on trains.
27:56
I lived on a bunch of trains trains.
27:59
Yeah, you know what I did with fellow
28:01
hoboes. Yeah. And I had a stick
28:04
with a sack on the end of the kerchief.
28:06
And I gotta tell you can't put a lot of clothes
28:09
in there. You can maybe
28:11
put a half of sandwich. You can put half of sandwich
28:13
in, half of pair of jeans, one
28:16
leg of a g It's not like you can
28:18
put a wardrobe in the little chrischief. That's
28:21
a kerchief. You know. It signals
28:23
everyone that you hoped trains. Yeah,
28:25
I have trains and I'm eleven. People like that. Kids
28:27
shouldn't be hopping trains. Trains
28:29
for how long? And twenty years? Hopped
28:32
trains for twenty years until
28:34
you were thirty one? Yeah, I just kept
28:36
doing it. You know, once you're caught up in the
28:39
game of hopping trains, it's not a
28:41
game. You can't just get out. You
28:43
can't get out. You could get out anytime you want.
28:45
How was that a comfortable life? It wasn't.
28:48
I was. I'm a grizzled man
28:50
because of it. Mcgrizzled
28:52
Brooklyn Knight go
28:56
uh go hu Husky Huskies.
28:58
Who are the corn Huskers? What is
29:00
it? How? Guys? That's what
29:02
I said.
29:04
Guys, Yes, Iowa hack guys. In
29:07
Brooklyn we were the New
29:09
Jersey Nets hot guys.
29:12
Remember that high school where the New Jersey
29:14
Nets. We were the
29:16
Brooklyn Nets
29:19
guys. That's right, that was our high
29:21
school. And remember our fight song. Of course,
29:23
I do
29:26
breathe music
29:30
Net eyes Nets. We're
29:34
coming from your
29:37
throats out and what you bleed
29:40
on the floor. It
29:45
is our dest today
29:47
to prevail New
29:50
Jersey
29:51
nets nets.
29:55
Of course I remember it pretty again. Of
30:00
course I remember I fight song. I sing
30:02
it every night on those trains. Taught
30:05
all the hoboes. I said, listen to this and
30:07
I get to the pot about ripping out the throats
30:10
and the blood on the floor, and they loved
30:12
it. I'm still
30:14
confused. Who's they? My
30:17
hobo friends, Charlie,
30:21
mostly just me and Charlie. Look,
30:23
here's the reason I'm here. You wanted to do the truth.
30:26
There's another question I have for you
30:28
because our brother Lonnie, I saw
30:30
you in a pornographic movie. Talk
30:34
about that. Talk
30:36
about that. That's not I mean, what was what was
30:38
that period of your life? What was going on? Okay,
30:41
it's one thing that maybe I was or
30:43
was not in a pornographic film. It's another
30:46
thing that Lonnie's watching stuff like that.
30:49
What was he doing watching the thing? That? I
30:51
was a fair question Back
30:54
then, it was still old. Real to real, it was
30:56
real to real. You had to you had to
30:58
get a sixteen metal made a projector you
31:01
had to want it. You had to want it, but you had to
31:03
want it. You had to get it.
31:05
Didn't get it, didn't know pop up. It
31:08
was like I bought a ticket to see it
31:11
loop it through. Yeah, yeah,
31:13
that I need. I
31:16
needed some money and there was no sound. There
31:19
was no sound of corn A Kolani. I
31:22
didn't see it. So
31:24
you needed some money. I needed some money and I
31:26
did a little porn ated
31:28
by any chance. Yeah, that's how I got discovered.
31:31
Remember how Edward Furlong got discovered
31:33
for Terminator two. That's what happened
31:36
to me. But it was for a pornographic film.
31:39
I don't have that, that's the analogy.
31:43
I don't have some sort of play on the title
31:45
Terminator too. I just know
31:47
that that's how I got discovered. Someone said
31:49
you have a camera, and I said, hey,
31:52
I live on trains. That
31:54
was enough. That was enough to get me in the
31:56
door. So there
31:59
was a young enterp rising pornographic film
32:01
maker scouting for
32:03
his next actor
32:06
in a train yard. Yeah,
32:09
okay, you've been surprised. A lot of actors
32:11
come from train yards in
32:14
every in every genre. It's true.
32:16
I know Gene Hackman came from a train yard. I
32:20
know he also did a stretch of time at Joliet
32:22
Prison. What
32:24
was that for? Why do you got to tell people about that? We're
32:26
doing an interview you wanted me to ask you about your
32:28
lives in Joliet, Joliet prison,
32:30
because I had I had signed up
32:32
for a kid's birthday party to do like clowns,
32:35
and I was doing the balloon animals type
32:37
stuff and I didn't know how to do it and
32:39
the dad. I I
32:41
got into a little scuffle with the dad. I was drinking
32:45
and think a lot of the kids are crying at
32:49
kids party. They were like eight,
32:51
and I thought these kids are too whole for him clown
32:53
and one of the kids like just made me a bluon
32:56
animal. I shoved, shoved the kid. Uh,
32:59
you can never it was the dad's kid. It was
33:01
the dad's kid, which I guess is always it's
33:04
always the dad's kids, and
33:06
whatever scenario, whoever the kid is, it's
33:09
always gonna be the dad's Still, it's
33:11
still a fairly low stake setting
33:15
to end up with Juliet. So continue.
33:18
Well, So I shoved the kid. I
33:21
shoved the kid. He pulls, he
33:24
pulls what I thought was a switch blade.
33:26
It was one of those crazy straws. I
33:29
thought it was a switch blade. So I pulled my
33:31
switch blade. Now we're
33:33
dancing, you know what I mean. He's
33:36
got a crazy straight yell out in another kid.
33:38
I go, tie our arms together, right,
33:41
tie our arms together? And the kid did
33:43
it, and another kid did it. Yeah.
33:47
The dad looks over. I'm trying to knife fight
33:49
his kid. He's got a crazy straw. I gotta
33:51
switch blade I had made
33:53
for giraffes. I don't know how to do the balloon
33:56
animal bullet and
33:59
I cut the kids. Billy
34:02
what it was a sanctioned fight?
34:05
He agree with that? Sanctioned by who?
34:08
Me and the kid who had the wire? Why
34:11
he had used the wire? Yeah,
34:13
he had a crazy shot. But the other kid had a wire
34:15
to tie our wrist together so that
34:17
he couldn't escape the fight. We
34:20
don't fight as much as you know. So this
34:23
is all I do it all the time, so
34:25
still to this day, to this day, I'll
34:27
go I'll go to a bar. I don't even. I
34:29
used to go to a bar and drunk and did insurable
34:34
Yeah no, no, no, Connie,
34:36
look at me, look at me. Is
34:38
the fons insurable? Obviously
34:42
not unless you go to a
34:44
Geico. Maybe. I don't
34:46
know. I've never had insurance. I don't know what it
34:48
takes. I wish and I don't know what it is. Look,
34:52
it's not all it's cracked up to be. I've never been
34:54
insured fine
34:57
all these years. Right, they
34:59
just rolled of dice. That's
35:01
what I do. I rolled the dice. I see
35:04
where it end where I end up. And so I got the
35:06
town tonight, and I said, I'm
35:08
gonna go down to Ronnie's things
35:13
up and
35:15
awkwardly stare this crowd down. That's
35:19
exactly right. Are you thinking
35:22
about that? No from section whatever?
35:24
That section him alone,
35:26
Leave him alone. You have a fight
35:28
anybody, No from
35:32
theies, because I
35:34
assure you it's not like fighting now, buddy,
35:37
don't dignify him, sir with
35:40
a response. You know
35:42
him, You know the guy that's saying that's saying
35:44
it in general. Okay, I'm protecting our
35:46
audience member from getting in a
35:48
fifties style gangster fight with
35:52
you. Let it be
35:54
known. I have a switchblade. Let
35:56
it be known. And not the cool kind where like you hit
35:58
the button and a comb comes No,
36:01
no, like a real knife,
36:04
A real knife comes out.
36:07
One time I thought it was a comb. I started
36:09
cutting my hair accidentally. True
36:16
story, yea, I that
36:19
one I believe, right,
36:22
Why are you really here? Why do you why
36:24
don't you tell everybody what you did?
36:27
I don't know what you're talking about. Eleven years
36:29
old. Before I left home, he's
36:31
and I left. Why did I
36:34
leave? Ronnie? Why did I leave?
36:38
Why did I leave? I
36:40
honestly don't know what
36:42
you're I was sports swings, sports swing.
36:46
I don't remember two homeworks that I had out.
36:51
I had to write an essay on Jane Eyre. I
36:55
think you know what you did with the porch swing. Dad
36:58
came out of the porch swing. The porch swing was
37:00
broken? And what did you say? As
37:02
a four year old kid, what'd you say? What do
37:05
you say? Ronnie? What'd you tell Dad?
37:07
What'd you tell Papa? I
37:11
said, bi wee?
37:13
Did it? Bai
37:16
boked the porch swing? Did
37:19
I? Did I break it? Or
37:21
did you break it? No?
37:25
That's right? And
37:30
then Dad said, Billy, did
37:32
you break this porch swing? And
37:35
I said, no, Ronnie
37:37
broke this porch swing? And he said, Billy,
37:39
you're a liar. Yes, all
37:42
you e a gonn amount to is a guy
37:44
who hops trains. Why don't
37:46
you get started on it? Now? So
37:53
I did. I'm
37:56
so sorry. I just panicked.
37:58
I oh is looked up to you? What I did.
38:02
I didn't want to. I knew you'd take the heat for
38:04
me. And but you really mean
38:06
now you really look from you? You really
38:09
don't you
38:12
mean when you say you take as much time
38:14
as you take us to
38:16
tell me, do you mean
38:18
that when you say used to look up to me, that you you
38:21
didn't used to look up to me. You didn't
38:23
look up to me. You you
38:26
were my son, you
38:30
were my moon, you
38:34
were my Saturn, my
38:36
Jupiter, my venus, my mercury.
38:40
You're gonna make me smoke this whole pack of cigaretos. Oh
38:45
I ever wanted. I was just known as Billy
38:47
burg and his younger brother, and
38:50
then you were God. And
38:52
I didn't know what to tell people. I didn't
38:54
know where you went, and no idea you were hopping trains,
38:58
those hopping trains. Hug
39:02
out, hug out,
39:05
hug it out, hug
39:07
it out, hu hug
39:11
it out. I don't think we could do this.
39:14
We're Burgundies. Don't
39:16
ever make hug
39:19
it out. Hug
39:24
How do you want to do? You
39:27
go high? I feel
39:29
like we're both going high. Oh,
39:37
thank you, you
39:41
heard me, Ronnie, Ronnie Hugny
39:44
trying to hurt your huck
40:07
I'm stuck
40:09
into your house. Wait
40:12
what, I'm stuck in the hoss before
40:16
I stuck in the house years ago, and
40:18
I jacked off in all your socks. Well,
40:22
I never told you, Okay,
40:25
I guess that could happen. I
40:28
don't hold it against you, at least, is that the only
40:31
thing you ever did to me? No,
40:35
So I jacked
40:38
off in so many different types
40:40
of clothes than you have. Okay, okay,
40:43
but it happened a long time ago though, right, it wasn't
40:45
recently. The socks were alonged like
40:48
two years ago, and then that
40:50
shirt was earlier today.
40:55
I'm sorry, Brian, I thought I
40:58
never thought we would hug like that. That's
41:01
okay, it's actually good for the shirt. Yeah,
41:09
yeah, yeah, Rayon
41:11
fibers respond to bodily.
41:15
Yeah. I think I read that somewhere. Also.
41:18
Discharge is good for them every now and then, any
41:23
sort of discharge, human or otherwise. All
41:27
right, I'm gonna thanks
41:29
for coming by wait for
41:31
me after the show. Of course, somewhere will get that money
41:33
you were talking about my
41:36
brother, Billy Burgundy. Everyone, thank
41:38
you, Billy
41:45
Burgundy. Everyone. That
41:52
was a lot to take in. I
41:54
did not expect to go there tonight. Honestly,
41:57
I feel like a lot of the situation I
41:59
blame on your dad, Yes,
42:01
thank you. The Portswing thing, like
42:04
he shouldn't have kicked Billy out of the house at
42:06
eleven for that, and he was so specific
42:09
with his plan. Yeah, for
42:12
Billy, it feels
42:14
like that was It's like it was premeditated, like
42:17
I want to get this loser out of my house and
42:19
on a train, trying to get him to train
42:21
hop for the rest of his life. Well,
42:40
this was such an amazing show, and oh
42:42
well, we're not done yet because
42:44
I planned something pretty
42:46
special. I
42:50
didn't tell you about this because you're
42:52
going to love it. I
42:56
don't know you people, but I
42:58
love spicy food. I just
43:01
love it. Um. Oh
43:04
good moving some things on
43:06
stage to create a little area. And
43:08
this guy is I
43:11
mean, he has created a special genre
43:14
genre that is uh,
43:17
very unique and super
43:20
exciting. Um
43:25
And I've been wanting to do an interview with this guy
43:29
for a long long time.
43:35
Please welcome Mr
43:38
Sean Evans with Nott once ha
43:43
a good Sean,
43:47
Thank you so much. Oh my god,
43:50
this is gonna be fun. Sean
43:52
Everts, everyone, thank you, thank
43:55
you. Should we move this a little
43:57
closer, we say
44:00
just a little there we go, Hey,
44:04
Chicago, is
44:07
that you're from Chicago? From Chicago? I
44:09
just didn't know if randomly yelling that
44:11
out, because I sometimes I'll do that,
44:14
just shot out Chicago. No, no, just any
44:16
city. I'll just walk into a place and go Houston.
44:21
It works, it works, no one. I'll
44:25
get my bagel and go. You know, Um,
44:31
this is pretty fun. So is
44:33
everyone familiar with hot ones? For?
44:37
For our our audience and our listeners
44:40
kind of described your the premise here. Sure.
44:43
So the show, what we do is we interview
44:45
celebrities. But the little twist in there is
44:47
that we have them eat increasingly spicy
44:50
chicken wings over the course of the
44:52
interview. So typically on the show
44:54
will do a ten wing lineup right today,
44:57
sort of a miniature version wings.
44:59
That's the good news. The bad news though, Ron,
45:02
very steep ramp up. It's
45:06
going to eleven right out of the game, right
45:08
out of the gate. You know, I'll
45:11
start off in a comfortable place, but it'll get
45:13
very hot, very quickly. Okay, were
45:15
you ready to start? Yes?
45:18
Alright, let's make some and
45:25
so we'll start with the classic and this is very
45:27
important, Ron, You're gonna want to start at the handle
45:30
over there. Start at the handle. Start at
45:32
the handle. Boy, I wish I had a nickel for every
45:34
time I've heard that. And
45:40
then we'll dive right in. Have you
45:42
ever been over to sin right
45:44
across the street, Right across the street they
45:48
have start at the handle tuesdays. Okay,
45:57
says we dive in in. Mm
46:01
hmmm mm hmmmm.
46:05
And my my first question for you, Ron, Oh
46:07
good god, Okay,
46:10
oh my god. Oh
46:15
already it's
46:17
the first wing. No way, I'm not doing that,
46:19
Carolina. You gotta do it. You
46:22
have to do it. You gotta
46:25
do it, or I'm fired. You're fired. I'm
46:28
already fired. But you got God,
46:31
that is awful. Well, I did
46:34
have questions for for you, great
46:38
Carolina. She's a smart cookie. She can
46:40
handle it. She can handle it. You
46:44
gotta answer the questions. Okay, okay,
46:46
okay, but you didn't
46:48
just take a bite out of that wing. But I'll uh
46:52
continue. Okay, this
46:55
is all right, Carolina, thank
46:58
you, alright, alright,
47:01
alright, I can. I'm sure I can answer
47:03
your questions, so I'll ask.
47:05
I did have questions prepared for you, Ron,
47:08
So you're outsourcing not only
47:10
the wing eating, but also the answering of your
47:12
own questions. I
47:15
mean, I think this will be one of the one and one
47:17
and a kind of experience, you know, very different.
47:20
She can handle it. She's she who.
47:23
Okay, all right, let's start. We're doing
47:25
it. It's happening. My mouth is on fire.
47:28
That is like, I am okay, I
47:30
am doing this for the salary right now. That
47:32
is what I'm gonna tell you, which is cauldron
47:35
in my belly right now. I'm
47:39
awake to start things off. I'm
47:41
curious, Uh, why did you
47:43
decide to step out of retirement and start
47:45
a podcast? Go ahead,
47:52
I'm podcasting is fun. I
47:56
have a mustache. I like the
47:58
news. That's a dumb answer. I
48:02
am so sorry. This is crazy. Okay, okay,
48:04
I can do the next. I'll be more sophisticated
48:07
answers, I promise. All right, let's
48:10
let's pivot a little bit. What would you say, is
48:12
the biggest news story that you've ever covered?
48:15
Oh, this is easy. You
48:18
know this one. You know this one.
48:24
Yell
48:29
sprecka se Deutsche Hell.
48:40
Okay, okay, okay,
48:43
I think that was good. That was good. Okay.
48:45
And then let's let's shift to something maybe a little more
48:47
topical. You know, I'm curious your thoughts
48:50
on the current media landscape, Like when you
48:52
watch Anchorman on the cable news
48:54
channels, Fox News, CNN, what do
48:56
you think of them? What do you think them
48:59
on news channels? Are there for clickbait
49:01
headlines? And I delivered real
49:05
heartfelt news. That's
49:07
pretty good. Yes, yes, do
49:10
I do? I go the next wing. Yeah, that's
49:14
that's to move on to the next wing.
49:16
So this next one is Lose Calientes.
49:18
Typically in their lineup, it'll be the fifth
49:21
Sauce, but today going
49:24
steeping step towards the
49:26
peak of Mount Scoville onto
49:29
the fifth sauce, the Turning Sauce, the
49:33
Turning Sauce. It's the Turning Poor
49:35
all right, that's another featured
49:38
night. It's in turn
49:42
Sauce. Hello, okay, okay,
49:46
yeah, we are here at a party. Oh
49:50
my goodness. That is um uh
49:54
opening everything up. I'm
49:58
feeling that one. Huh. Okay, I'm
50:00
so glad I got out of this. What's
50:04
your question for Ron? Sure? Sure?
50:06
Um? Do you have an all
50:08
time favorite celebrity interview? Why
50:13
do you know this? God,
50:15
you're blowing it so hard right now? Uh,
50:23
I can't think I want
50:26
Russian, Russian head of state, the Russian
50:28
head of state in what year?
50:31
I don't know why I asked that. I don't know what Russian
50:34
head of state. Oh my gosh,
50:38
whoo whoo, whoo whoo. I
50:41
really want that milk. Okay, um, same
50:46
same first name as the current British
50:48
Prime Minister, Boris. It's
50:53
my most favorite interview, even
50:56
though I didn't have a translator that day. It's not just winging
50:58
it with the Russian Okay,
51:06
Oh
51:10
my god, y just race the
51:13
tiniest blossom milk I poured for myself.
51:16
It just started making me think how delicious
51:19
cold ice cold milk tastes.
51:23
Buttery ice cold milk. There's it's
51:26
so incredibly thirst quitch it
51:29
hits, especially after those spicy wings ron
51:32
I can only imagine. Okay,
51:37
one more, um, I'll take
51:39
this one. There is that enough?
51:42
It was perfect, Thank you so much. Okay, Okay,
51:44
I'm doing good. I'm alive. I'm here. You
51:47
were going good. Your question
51:53
okay, okay, if you could host a dinner
51:55
party from any time in history, who would
51:57
you invite? Uh
52:00
uh the the
52:04
Pam Greer. No, no,
52:08
no, Pam greer. Yes, yes, yes, yes. Um.
52:13
I'm going to think of the name and try to transfer
52:15
it into your brain. Evil kin evil good two
52:17
for two. Um.
52:21
Who oh my god, oh my god,
52:23
oh my god. The person
52:26
you like that your next door neighbor who has all those
52:28
birds? Glenn? Probably
52:32
not Glenn. Okay,
52:35
let's go what's the last wing? Let's let's
52:37
let's gas pedal this. This
52:40
is the last ab. We call it the last Ab
52:42
Carolina because it's tradition around here to put a little
52:44
extra on the last wing. You don't have to, though, if
52:47
you don't want to do it. I wanted
52:49
that Christmas bonus, Christmas.
52:52
Do it, do it,
52:54
do it, last
52:57
wing, last wing. This
52:59
is gonna curl your eyelashes. Young
53:01
lady, that's gonna
53:03
pop your wig right off your head. Guy,
53:06
it's the craziest sauce I've ever had. Oh
53:12
where are you feel
53:14
it? In the cockles? That's all
53:16
in the cockles. Okay, what's the
53:18
question? Okay, by
53:20
the way, you know, this spring is gonna be a horrible allergy
53:23
season, one
53:25
of the worst on records. Let's get to the question. It's
53:29
a little, it's a little is there tech
53:32
on on hand? And it's
53:35
a little awkward as I as I wrote
53:37
the interview for Ron, but I'll ask the question.
53:41
I know that you're a very particular
53:44
Carolina. I know
53:46
that you're a very particular man. How
53:48
do you romance a woman? You
53:51
are nice, You're honest, you'd
53:54
take a nice places. Say here
53:56
the movies, but firs and jewels.
53:59
First jewel. You're
54:03
nice, story dad, You're nice to your mom. Play
54:05
a little jazz flute. You
54:10
play jazz flute. I
54:16
just went to a dark place, all
54:18
right, Mac, Mike drop,
54:22
let's make some noise. You're
54:24
to get it. Wow,
54:29
you are definitely getting a Christmas bonus this
54:31
year. I love
54:33
you. Guys who staying with me. You're
54:38
gonna have a little that milk too. Wow. And
54:42
you know that's Yak's milk, so everyone knows
54:46
we did not harm a cow. It's
54:49
pure Yak's milk, which
54:52
is the best kind of milk. Sean.
54:55
We can't thank you enough for coming out here. Ever,
54:59
everyone you
55:02
did awesome. You did awesome, Thank
55:05
you, sir, Ron, valiant efforts,
55:08
purgeous. Look it was not my
55:10
thing, ultimately, Carolina,
55:16
great John. I
55:23
thought you were gonna lay a tart on that one, but you didn't.
55:28
Don't forget backstage.
55:32
We're gonna have some of my special for
55:34
Alarm Chili. Save
55:37
room for that, folks.
55:41
We're at the end of our show. Um,
55:44
but I have one final segment I'd like to call
55:47
my take, So
55:50
if you indulge me, this is run
55:53
Burgundy with my take. So
55:57
should I just get out of here? Yah?
56:02
Yesterday I asked Carolina if she
56:04
had ever seen the movie Gone with the Wind.
56:08
She shook her head and looked confused, and then
56:10
said, what's a movie? It
56:18
got me thinking our movies
56:21
dead. I remember the first
56:23
movie I ever saw. It was called
56:25
Hot Boobs. But
56:30
I'm not going to talk about that movie. It
56:33
wouldn't be appropriate. However,
56:36
the second movie I saw was called
56:38
How the West Was One. Kevin
56:41
Costner had referenced watching How the West
56:44
Was Won and as a child,
56:46
he said, how transformative it
56:48
was. Well, the same thing happened
56:50
to me. Sitting there
56:53
in the dark. I was introduced to a whole new
56:55
world, a world of wondrous make believe.
56:58
And right next to me as
57:00
I looked over at the seat was
57:03
an old prospector named Gus Chickens.
57:10
He was a folksy old fellow who
57:12
had brought his mule into the theater, and during
57:16
the intermission he had turned to me and said, I'm gush
57:18
chickens. That's
57:21
the way he talked. He
57:23
said, I sure do love a Western.
57:27
It beats beans for breakfast, if you know what I
57:29
mean. I
57:32
didn't, so
57:35
I asked him why he talks
57:37
in that funny way, and he said, I
57:40
grew up in Compton, California, where
57:44
Kevin Costner came from. I
57:47
spent my whole life around them rascally
57:49
movie folk. Me and my
57:52
mule went to shin digs up there in
57:54
them Hollywood Hills. I
57:56
ate at them there, fancy restaurants, chewing
57:59
on meal and wet in my whistle on
58:02
bottles of wide. I
58:05
said that that didn't make sense. If
58:08
he grew up in southern California around sophisticated
58:10
Hollywood people, why did he talk
58:12
in such a folksy, down home way. He
58:15
looked at me and said, ah, finnel sticks,
58:19
And just like that, he grabbed his mule and left.
58:26
Carolina sits around watching TikTok
58:28
toes and YouTube's on
58:32
her phone like a lot of simpletons these
58:34
days. Maybe movies
58:36
are dead, or maybe like
58:38
the cultural around us, they're just changing
58:41
into something new, and it's scares
58:43
a lot of people. I'm not afraid
58:46
of change. I'm afraid of
58:48
Jello and
58:51
wild boars and
58:53
Canadians, but
58:56
not change. These
58:59
days, there are a lot of old men invoking the
59:01
past, mainly on Fox News.
59:06
The past was really good for me. I I
59:08
drank a bottle of scotch every day and woke
59:11
up naked in more city parks than I can remember.
59:16
But the past wasn't great for everyone. Once
59:19
again, our movie is dead. I
59:21
don't think so, but maybe
59:23
we can make them better. I'm
59:26
Ron Burgundy and that's my take. Thank
59:29
you everyone right,
59:32
thanks for every getting got
59:35
right, he says, because
59:37
he gets no stuck up to be so light.
59:40
He tried like a suck, seemed like a plank.
59:42
We solid younger will try
59:44
so we never getting the guy brank
59:48
so to get up a lot of band winds
59:50
and he's a god. He ain't no stand
59:52
and he doesn't have He's on a night sized
59:54
stand, which because everybody knows he's banded.
59:57
Ron Burgundy Podcast
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