0:10

Alright , the

0:12

Shrem Show we

0:15

just finished watching 7

0:17

. I got my special

0:20

friend over here . His

0:22

name is Bee . We got

0:24

our own little John Doe over here , who

0:27

shall remain nameless

0:29

and going under the

0:31

pseudonym Bee .

0:32

I'm actually not going to go talk until

0:34

the very end of the podcast and then just reveal

0:36

myself .

0:37

Yeah , so I'm going to cut this in post . This

0:40

is going to be cut because you already broke the rule

0:42

.

0:45

Damn . What are we going to do for an hour ?

0:48

I don't know .

0:49

So now we have to actually have a conversation and talk about it .

0:51

This feels like a kid show . This

0:53

is terrible . This is a terrible way to start

0:55

a kid show .

0:56

So down and have him watch 7 .

0:59

By the way , that's a pretty

1:01

messed up children's program I'm

1:03

going to watch the first 6 .

1:07

Thanks for everybody laughing at that . That would

1:09

be really awkward . I thought about making

1:11

that joke and I went

1:13

I trust him . I trust him . He's a good friend

1:16

and he'll give me something .

1:17

Wait , in the boys is it 6 or 7

1:19

? It's the 6? .

1:22

Oh , the 7? . Yeah , is

1:24

it the 7? .

1:26

The 7 deadly sins . Maybe all

1:28

of them are different deadly sins .

1:30

I feel like 7 is pretty . Maybe

1:32

I don't feel like

1:34

we're grasping at stress here , but I don't think we're

1:37

on the money per se . Maybe

1:39

, yeah , anyways

1:41

, we just finished watching the 7

1:43

. The 7 . The 7 movies

1:45

. We just finished watching 7.

1:48

, 7 times .

1:49

By David .

1:49

Fincher 49 .

1:51

49 times .

1:51

Morgan . Freeman One of the best . Yes

1:54

, brad Pitt , one of the best .

1:57

And what were your first thoughts

1:59

?

2:01

Well , my first thoughts is I've seen it years ago , but

2:03

I haven't seen it in . You know

2:06

about 15 , 16 . Yeah , my father showed

2:08

it to me really , really young , so

2:10

I grew up perfectly , but

2:14

that's where I needed the chuckle . I needed like a little

2:16

like you know . No , I'm

2:19

just going to squeeze it

2:21

out of your head .

2:22

Man's telling me with a laugh Okay , oh

2:25

man , but impressions .

2:27

I noticed a lot of things that I

2:30

didn't before , and

2:33

I actually noticed a lot of David Fincher's films

2:35

, as he leaves a lot of Easter eggs

2:37

and you know a lot of cute clues

2:40

, you know really rewards the viewers

2:42

that you know pay attention to

2:44

second viewing . So I mean he's

2:47

one of those . He has one of those movies where

2:49

every

2:51

movie that you rewatch again

2:53

, your score is going to bump up .

2:54

Yeah , the rewatch ability on this

2:57

is definitely there . I mean same with you

2:59

. I watched it when I was a kid . Probably

3:02

shouldn't have and

3:04

I remember . I remember

3:07

not really grasping a lot of the ideas

3:09

with the seven deadly sins , like

3:11

whole . Yeah , Lore , you

3:14

know what Dante's Inferno was , girl

3:17

like at the age of 10 , like you know

3:19

exactly . So

3:21

the rewatch ability on it was great

3:23

for that purpose . The fact that I got

3:26

older and I got I understood

3:28

more of the ideas

3:30

or philosophy behind it . Also

3:33

, I knew what happened at the end

3:35

of it . So , seeing the Easter

3:37

eggs and the what is it Like ? The

3:39

foreshadowing of the

3:41

impending what's in the box situation

3:44

was was pretty

3:47

interesting , to say the least .

3:49

Yeah , yeah . By the way , is there a spoiler ? Do we put

3:52

spoiler warnings on this ?

3:53

If you're listening to this , you've already watched this movie

3:55

and if not , then don't

3:57

listen to this podcast , and you've already known

4:00

that at this point . Terrible advertising we're doing

4:02

great yeah .

4:06

I will say yeah , because you and

4:08

I were watching it and clearly we know what

4:10

has . I mean , it's one of those like it's

4:12

one of those most famous , even though if you haven't

4:14

seen the movie , you know what's already happening . However

4:18

, I will say we

4:20

saw every time she popped up on

4:22

screen . We're trying to look for clues

4:25

and stuff and we saw

4:27

one clue where she

4:30

invited detective over for dinner

4:32

and she was prepping dinner in the kitchen

4:34

, that little area , and this little window and

4:36

her head was in a box and

4:39

just chills down my spine .

4:41

Yeah , there was like a little box in the kitchen

4:43

to see what's going on in there . We mean , mean

4:45

you just looked at it and go foreshadow

4:47

Check symbolism

4:50

. Yeah , we were like um , okay

4:52

, so when he was

4:54

talking with the lawyer , with

4:57

John Doe's lawyer , we

4:59

were looking at him and we're like he kept saying

5:02

I want you to see

5:04

it , I want you to see it , but every time

5:06

he said it he was looking directly

5:08

at Brad Pitt .

5:10

Yeah , yeah , and that was at the end , at the

5:12

beginning .

5:13

Yes , yeah , yeah .

5:17

At the beginning , when the seven deadly sins were revealed

5:19

and it's , you know , being listed one by one

5:22

, the last sin was

5:24

, you know , revealed or when he

5:27

said it , morgan Freeman , he said it to Brad Pitt's

5:29

character , he said it directly to him

5:31

.

5:31

Envy right , yeah , envy yeah .

5:35

So Envy bam , eyes locked in and we're like okay , there you go , that's perfect

5:37

. You know it does actually speak

5:40

to you know such good direction

5:42

that he has where he guides his actors

5:45

really , really well . I

5:47

think that he does a great job of

5:49

making them seem natural , because

5:51

a lot of times in movies , when you know try to like force

5:54

someone to say a line in a certain place

5:56

, I mean it's acting but I

5:58

feel like it's kind of like a play . It's really

6:00

very performance , but they're yeah

6:02

yeah . I mean , it may just be

6:05

to those .

6:06

foreshadowing is definitely . The foreshadowing

6:08

is definitely on the director because the set pieces

6:10

, the you have to

6:12

be able to understand the

6:15

chronological thing because they're not filming

6:17

chronologically and on top

6:19

of all that you have to be able to

6:21

give these subtle things . So , unless

6:23

it's saying in the script , when you

6:26

say Envy , nod

6:28

towards Brad Pitt's character , which

6:30

you probably didn't say that in the script , that's

6:33

on the director to tell hey , morgan

6:35

, morgan Freeman , look

6:38

at Brad Pitt when you say Envy .

6:39

Yeah , and also you know , to

6:41

add on to that , it's a

6:44

good job to Brad and Morgan like

6:46

yeah . I know their first names like I've been hanging out

6:48

but the boys

6:50

the boys . But

6:53

you know they seem so natural to have , you know

6:55

such good camaraderie between them so they

6:57

can land those lines without having it

6:59

seem so specific

7:01

, you know so he turned over and made direct

7:04

eye contact . It was just so natural and

7:06

you know natural . And he landed , you know

7:08

he's marked perfectly .

7:10

Yeah , I feel like he didn't have to direct

7:12

Kevin Spacey all that much on being a creep

7:14

, because he's

7:16

already won . He's just

7:19

so ready yeah he nailed that part . Yeah , he nailed

7:21

that part and I feel like that's always his character

7:23

.

7:23

Really he's still in character .

7:24

Yeah , he's always he's always playing the

7:26

perfect creep . I wonder why

7:28

. Incredible actor , incredible

7:31

acting Quote . Unquote Wink

7:36

wink , nudge , nudge .

7:39

Oh God .

7:43

If you don't get that , you're living under a rock people

7:45

.

7:46

Yeah Well yeah , and

7:48

also but that's that you

7:50

.

7:50

You said that perfectly , that that

7:52

that villain reveal . Yeah

7:55

, that was yeah , that's one of my favorite

7:57

.

7:57

Maculant villain reveals

7:59

they're chasing down the entire

8:02

time . He shows up bloody

8:04

, you know , just casual detective

8:06

, and then screen to attack that

8:08

like and gets the entire

8:11

. He gets the entire room

8:13

, he gets the entire theater . You know , this was

8:16

what 1995 .

8:18

Yeah , yeah .

8:18

Yeah , so this is shortly before we were born . I mean

8:20

, I would love to just see this in theaters

8:22

. I wonder what it would be like just to sit

8:24

there and just feel it . I feel like the air

8:27

gets sucked out of the room . It's very stagnant

8:29

.

8:29

I would love it's one of those theater moments that

8:31

you know , I remember

8:33

a weird clip from the butterfly effect where

8:36

one of the kids

8:38

is , he goes back in the time

8:40

item or whatever he goes back in his past

8:43

and they're watching seven

8:45

in theaters . Yeah , I don't

8:47

know why that made me think of that

8:49

. So off topic , but I'm like great

8:52

movie first of all . Yeah , I like Ashlyn

8:54

Kutcher in that movie is great , but

8:57

that was a villain reveal

8:59

of a lifetime , oh yeah , and

9:01

the fact that he's in the

9:03

staircase taking photos of Brad Pitt

9:06

and then later

9:08

on you see his his

9:10

photograph the red one , yeah , and

9:13

you see all those things . You're like , oh my God

9:15

, he's been in front of their faces several times

9:17

, like a couple of times before

9:20

they actually grab , they

9:22

get them or whatever . He confesses

9:24

so crazy , what a cat

9:26

and mouse . It's a perfect cat and mouse movie

9:29

. Yeah it reminds me , in a sense

9:31

, of the departed . For

9:33

different reasons , I feel like I

9:36

tend to love cat and mouse movies

9:38

, where it's somebody going after

9:41

somebody else and they're playing

9:43

each other and it's perfect .

9:46

Yeah , I love those , yeah , yeah

9:48

, I mean , I would say , this one is more one sided

9:50

. Yeah where you know . Yes , he

9:52

is playing with the detectives , 100% .

9:54

But we only see their point of view .

9:57

Yeah , yeah , and it was stated

9:59

that he was showing off

10:01

in a sense , but it was more

10:03

so out of yeah

10:05

, because he had the photos of the guy from

10:08

a year in advance . Yeah

10:10

, yeah , he was showing up . Even in the phone call . He

10:12

just you just hear in his voice , you know

10:14

his character , you know Brad Pitt's character . Afterwards

10:17

he just said , yeah , he's definitely

10:19

, you know , very proud of what he

10:21

did . So , yeah , the definitely is

10:23

a cat and mouse game over there

10:25

, but it's not so like , oh , you can catch me , it's

10:27

just , this is my

10:31

, this is the work and I'm so proud

10:33

of this work . And that's kind of the

10:35

cat , the driver . Yeah , and that

10:37

you know the other side would be the mouse .

10:39

So it's interesting

10:41

because this also happens to be

10:43

a film where the villain

10:45

wins . He won , yeah

10:47

, he got exactly what he looked for . And

10:51

it's kind of crazy because a lot of these films

10:53

you're always rooting for

10:55

the heroes , obviously , and

10:57

even though you're

11:00

kind of ending the movie with , oh , there's

11:02

closure , okay , cool . No

11:04

, the villain won . Like

11:07

there's something unsettling about

11:09

that ending , yeah , and

11:11

I think that's so interesting . Yeah

11:13

, yeah , I mean , you know it's not a lot

11:16

of films are able to take that

11:18

like risk of like all right villain

11:20

one .

11:21

Yeah , yeah , you know , as long as they close the story

11:23

, I know that's obvious to say

11:25

I'm okay with out

11:28

closure , you know , from like another character

11:30

, or if I don't really understand it , it's okay

11:32

with being ambiguous , at least to myself

11:34

. I'm okay with that . I can think about it

11:36

, I can Google a little

11:38

bit and then you'll think about on my own . I like to figure it

11:41

out a little bit more myself before delving

11:43

into , you know , articles and stuff like that . But

11:46

a lot of films I find

11:49

have difficulty finishing

11:52

or answering the questions that they set up , because

11:55

then you can have really intriguing questions but you know

11:57

they don't really quite answer or satisfy

11:59

all the points or really allude to it . And

12:01

David Fincher , he just doesn't

12:03

not do that . He delivers every time .

12:05

Yeah , I feel like he pretty much answers a lot

12:08

of the . He answers the necessary

12:10

questions and leaves out

12:12

what he leaves out

12:15

, just enough for you to keep

12:17

watching the movie over and over

12:19

again to see oh , did I miss

12:21

that ? Oh , did he know this ? Aha

12:24

, I find that the rewatch

12:26

ability on a movie like this is

12:28

good and I think he does that

12:30

awesome in this and I think he did it phenomenal

12:33

in Fight Club . You could rewatch

12:35

Fight Club like every single day . That's like

12:37

one of those good fellas as

12:39

well .

12:40

You know what's also rewatchable about him . He

12:45

delivers information and exposition

12:47

where just people are just

12:49

talking in a room . Very

12:52

well , not just one person

12:54

has a conversation and then

12:56

the other person answers and then you kind of wait

12:58

for the next scene where hopefully something will be exciting

13:01

In the scene . The

13:04

way he shoots people , the

13:06

way he cuts the camera

13:08

, pushes up or pulls back

13:11

. He does a really good job

13:13

. I mean , take note of it Next

13:15

time you watch a Fincher film . Just

13:18

notice how those everyday

13:20

talking scenes are actually just a bit more

13:22

interesting .

13:23

Oh , I totally noticed that . So one of the scenes

13:25

I noticed that in was in the car

13:28

driving up to the last

13:30

two sins . I

13:33

was wondering to myself whenever he

13:36

had Brad Pitt talk or

13:38

he had John Doe's character talk

13:40

, it was behind the

13:43

grading in the car

13:45

, so behind the cage . I was

13:47

wondering what was the purpose of

13:49

Fincher filming , because

13:51

obviously you could film Brad Pitt talking

13:53

without the cage being in front

13:55

of you and you could do the same with

13:57

John Doe . So I was wondering

13:59

about it and while I was watching the movie , that separation

14:02

idea of prisoner

14:04

to detective needs

14:07

to be there and you could do that

14:09

well with the cage behind each one

14:12

. And the real question there that

14:14

I think he was alluding to or

14:16

I'm looking too much into this is who

14:18

is behind the cage ? At

14:21

that point in the movie you

14:23

think John Doe is in

14:26

the cage with

14:28

the detectives in charge . They have

14:30

the upper hand . In reality

14:32

it was John Doe

14:34

, was the was the one

14:36

looking at Brad Pitt and Morgan Freeman

14:39

in the cage he created

14:41

. So I think it's

14:43

just very interesting how he was . He

14:46

didn't do it . He didn't do it like when Brad

14:49

Pitt was talking to John

14:51

Doe . It was from the viewpoint

14:53

of the cage . The cage was first

14:55

, and then Brad Pitt .

14:57

Yeah , yeah , absolutely so . Yeah , it reflects him

14:59

. It kind of reminds me of Watchmen , and this

15:01

isn't too much of a spoiler .

15:03

I love that movie .

15:04

Oh God , you know , when Rorschach goes to prison

15:06

and then the prisoners gang

15:08

up on him and then Rorschach gets the

15:10

better hand and I can't even begin

15:12

, so I don't have the lung

15:14

or I can't rip out my vocal

15:16

cords to use his voice , but he

15:18

says you know , when are you going to realize that

15:20

I'm not locked in here with you ?

15:22

You're locked in here with me yeah , wow

15:24

, no , that really embodies this

15:27

John Doe character . Yeah , yeah

15:29

, he knows what he's doing from the

15:31

beginning . He knew from a year

15:34

in advance . Now I

15:36

think his plan had to get sped up

15:38

because the fact that they found his layer

15:40

in a sense he didn't expect

15:42

, but it didn't stop him

15:44

. And this guy's IQ has to be

15:46

out the wazoo .

15:48

Yeah , yeah , I don't know

15:50

.

15:51

I think that that this movie

15:53

happens to be first

15:55

impression like getting

15:58

older it is one

16:00

of the most grittiest films I've ever watched

16:02

in my life . There's no other film

16:05

I've ever watched where it's as

16:07

gritty as this . I mean I've heard

16:09

Requiem for a Dream is very

16:11

much like that , very excited

16:13

to watch that . Haven't seen it yet

16:15

. But as of now it's

16:17

way more gritty than Fight Club . But Fincher

16:19

is great with making that gritty noir

16:22

vibe .

16:23

Yes .

16:24

We were talking about the word noir

16:26

mid movie . Is that

16:29

like a term people just use every

16:31

day now ?

16:32

We mentioned that , noir , is it

16:35

just feels good to like you feel

16:37

good saying it ?

16:38

It makes you feel like a film , a hire class

16:40

. I mentioned the other A film buff , yeah

16:43

, even this .

16:43

look at it like wrists are kind of just like

16:45

presenting the war . I felt like a glass

16:47

of whiskey Noir . Noir

16:50

Just yeah , I don't even smoke , but like I would

16:52

love to just have a lit cigarette , cigar , cigar

16:55

with a whiskey yeah , just what

16:58

are you doing this weekend ? I'm

17:00

watching a noir show you don't

17:02

say yes .

17:04

Yes , quite indubitably , that's

17:07

great , yeah . By

17:14

the way , this is coming from a guy who probably

17:16

does not understand the definition

17:19

of what a noir film is .

17:21

Any of our advice probably

17:23

going forward .

17:25

Um , okay , who is your

17:27

favorite actor in this movie ?

17:30

And why it's two part . Oh

17:33

my God .

17:34

And show your work and why ?

17:36

Uh , uh , uh , boom , I'm

17:40

gonna . I'm gonna split

17:42

the question or I'm gonna say what's

17:44

more interesting to me is my favorite

17:46

the dynamic between them , cause it's a

17:49

toss up between Brad Pitt

17:51

and Morgan Freeman , but my favorite

17:53

part , or my favorite character

17:55

, is just them together . They

17:57

really just oppose each other . You know

17:59

, one veteran takes his time very slow , the

18:02

other one very trigger

18:04

, friendly wink wink towards

18:08

the end of the film .

18:08

I got , I got you , I got you .

18:11

You just didn't , you know . I mean , like you looked

18:13

at me and you , you know , you frown .

18:15

But I really need like a solid no , I nodded , I

18:17

need like a deniro frown where , like you

18:19

know how , like you , truly a deep understanding

18:21

.

18:21

There you go , your eyes like flip up .

18:23

For people that obviously can't see because

18:25

there's no camera .

18:26

Yeah .

18:28

I did my famous deniro phase that no one's

18:30

ever seen .

18:30

So it's not so famous , yeah , yeah

18:33

.

18:34

I can't do an impression of him , but

18:36

I can make his face to a T .

18:40

He's crushing it right now . I just want to let you know

18:42

just talking to me is

18:45

nobody else . You're missing

18:47

a lot .

18:48

We just watched a good fellows like two . Two

18:50

movies Okay , but now if you could choose

18:52

one of those actors when they were solo , who

18:54

was better ? That sucks .

19:01

I'd say I'm more gravitated towards

19:03

Brad

19:06

Pitt's character for the fact that I'm

19:08

very interested to see if

19:11

he's going , if he's going

19:13

to go explode at any single moment . He's

19:15

you know , he can kind of go off the rails

19:17

. He's kind of indecisive and that can

19:19

take the movie in every which direction

19:21

If you have a character .

19:22

Is it every man yeah ?

19:25

If you have someone that's that's , you know , very stoic

19:27

and grounded , you can kind of maybe understand

19:30

their intentions a little bit more and understand

19:32

that the scenes are going to , you know , sequentially

19:34

, going to flow about the same . But if you have

19:36

, you know , a monkey wrench

19:38

in every scene or like a powder gag , you

19:41

know the film can go any place

19:43

. So yeah that's kind of interesting to me . I

19:46

do like that .

19:46

Yeah , I definitely . I definitely gravitated

19:49

towards more towards Brad Pitt's character

19:51

, and I'm going to tell you why . The

19:54

scene that did it for me , with his acting

19:56

, was obviously what's in

19:58

the box . You know , it's

20:01

such an overplayed scene that

20:03

you almost , whenever you see you

20:05

don't you don't feel the gravitation of

20:07

that emotion .

20:09

Yeah .

20:10

But rewatching it and getting into

20:12

the character , into the movie , and

20:14

watching it not from a scene

20:16

, randomly on the internet

20:18

or whatever , but getting into the character

20:21

. His indecisiveness

20:23

of letting him win first , killing

20:25

him for doing that horrible

20:28

thing to him , he

20:30

makes you feel that , yeah

20:33

, and that scene where he's what's in the box

20:36

and his , his

20:38

going from shooting

20:40

him to looking down to shooting him to looking

20:42

down , really makes you question

20:45

what this man is

20:47

going through . I think that that was seen

20:49

like Morgan Friedman didn't

20:51

wasn't able to have a scene where

20:54

he was doing something like that , and

20:56

I think that's the difference in the acting

20:58

was obviously Morgan

21:01

Friedman's a phenomenal actor . I

21:03

just think that they gave Brad Pitt

21:05

more meat on his bones to

21:07

work with .

21:08

Yeah , yeah , I think the specific

21:10

scene you could just see it , and

21:13

I'm not even going to tell you exactly where , but you could

21:15

just see him swallow just that

21:17

. You know he's faced with that decision . He

21:19

knows he's faced with that decision that comes

21:21

to him and then you just see him internalize

21:24

all of that and he has no idea

21:26

what to do but just break

21:28

down and then the decision comes

21:30

clear to him and , like I said

21:33

, you know he is just a , you know he's a powder guy

21:35

, you know he's very trigger , friendly per se

21:37

and his personality , and you know that

21:39

.

21:39

That that I

21:42

have a good question for you . Go for

21:44

it . Okay , go for it

21:46

. If you were one of the

21:48

seven deadly sins , which

21:52

one would you be ?

21:54

If , if I'm the if you're one of them

21:56

.

21:56

If you're one of them like I had to go introspectively

21:59

look upon yourself and tell

22:01

me which deadly sin , you'd be

22:03

Okay .

22:03

So I'm not like facing the characters Fate , you're just

22:05

telling which one .

22:06

Yeah , no , no , yeah , because

22:08

no one wants lots , God , I'll pay them

22:11

.

22:11

I'm good . I'm good , I'll take , I'll

22:17

take . I wouldn't say it's lost , I wouldn't

22:19

say it's greed . You

22:21

know the kind of like Vince Vaughn when he says in

22:23

dodgeball , you know if you

22:25

all have a goal , a goal or something

22:27

, you can't , you know you can't miss your marks

22:29

. I wouldn't say I have no goals in

22:32

life .

22:32

This is so , greed , he's not , he's not

22:34

, he's not greed .

22:35

So I'm just trying to stay safe here

22:37

.

22:38

Okay , what do I have ? I see it's not

22:40

lustful women . Even

22:45

though you don't know his name , because he's a John Doe

22:47

.

22:47

I want to say I'm lustful though I am , I

22:52

don't have the words for that one though . I don't

22:54

, what am I ? I am , you

22:57

know , it might be clueless

23:00

, that's what I am . Oh , clueless . Yeah , that

23:02

was the eighth one . That's what I'm saying

23:04

. There's an ass first , clueless .

23:07

Like the movie or like the , oh , just in general . Just in

23:09

general , not the movie .

23:10

Yeah , gosh , I

23:12

know , I know , I

23:15

know Envy

23:17

as as much as I don't find myself

23:19

a jealous person , but I do find

23:22

myself . Yeah yeah

23:24

, but if I'm honest with myself , you know , I

23:26

think we all measure ourselves through other people's eyes . Oh

23:29

so technically that it might be envious

23:31

. You know , if you want to be above someone Then

23:34

, or if you want to get to a certain place , and that's your reference

23:36

point . It's kind of hard , if you're

23:38

truly looking into yourself , to see that there might just be

23:40

a bit of envy in

23:42

there . At least , this is the answer that's coming to me at

23:44

the moment . Wow , yeah .

23:47

Um , yeah , I like food

23:49

. So I'm just gonna say I

23:52

like food .

24:00

Seven jokes in seven seconds . I

24:02

have to search with inside my soul and just

24:04

confess this .

24:06

Hey , listen , I never . I never told you to

24:08

give this . Okay , I did tell you to go

24:10

introspectively into yourself . No

24:13

I mean listen , I definitely think that I'm gluttony

24:15

for not just cuz I eat . I

24:18

think that when I indulge in things

24:20

, I fully indulge in them .

24:22

Yeah , I'm very , very go .

24:24

I very go into . I love

24:26

the enjoyment and if I see a benefit

24:28

from it I totally want to get

24:30

the . I go for the extreme

24:33

benefit of that thing . That makes

24:35

sense and is it a problem ? Yeah

24:37

, but you know , I'm working on myself every day .

24:39

I feel like a lot of everything in moderation .

24:42

I've been learning . I've been learning that

24:44

idea of everything in moderation and

24:46

I think that's been helping me get to a place

24:48

of healthy Lifestyle

24:51

, whether it's food , whether it's doing

24:53

activities . Going

24:55

out every single night is too much , even

24:57

though Is it fun to do . Yeah , it's a

24:59

hell of . Yeah

25:03

, but it's fun to go out and do

25:05

all those things , but , mm-hmm

25:07

, it is taxing on you .

25:10

Yeah , yeah . So yeah , that's

25:12

one of those phrases . I love the phrase too , because that's something

25:14

that you can just Tack on to a conversation

25:17

if you kind of don't know how . No , this not in this

25:19

conversation . You're doing great .

25:21

What are you ? What are you telling me right now ? What are you trying to

25:23

say ? What are you trying to say ?

25:24

There's just these phrases that I find myself

25:27

saying , not just taxing

25:29

, just anything , like you know , fuck

25:32

now . Like

25:36

.

25:37

Think of it . Go ever floats your boat , like I just

25:39

find myself saying these phrases in conversations

25:41

just to tie a nice bow around .

25:42

I'm like I don't need to have these

25:45

different strokes .

25:47

One foot in front of the other .

25:50

Take your time . Hey , you know who's to say

25:52

. I say that all the time . I don't know where

25:54

that comes from .

25:55

God bless you .

25:58

God bless .

25:59

That's the over here doesn't like it if you say God

26:01

bless .

26:02

No cuz , I just asked because somebody

26:04

somebody .

26:05

We were talking to instinct that he goes . How

26:07

is he there ? He goes Instinctively

26:09

, he just goes .

26:10

God bless and you got angry how you

26:13

have a conversation with someone . How's

26:15

it weekend , god bless ? What we

26:17

almost hit by a bus was your

26:19

village about to be raided . Like what

26:21

, what required

26:24

?

26:24

a guy just meant to say

26:26

it was a good day , just say it's a good , it's

26:28

good , that's fine .

26:29

You could just say that give that Pete Davis . Yeah

26:31

, yeah , you know . I

26:34

like special just goes on and on . It's fine

26:36

, you know it's another mundane weekend .

26:39

I don't know , for anything you got like these

26:41

weird things . You know different strokes or you

26:43

get . You get angry , maybe maybe a rat , maybe

26:47

that's what you are fine

26:49

, you see it's coming a bit more .

26:50

But you know what is , maybe like two weeks , like three weeks

26:52

ago and this is nothing might take a

26:54

religion , none of that we can . Just , we

26:56

just put a parentheses around that . It's just

26:58

socially , or it was just a

27:00

couple of customer service a couple weeks ago and

27:03

you know , it's just off

27:05

the gate . I'm like , oh

27:07

, how's it going ? She's like God is good . I'm like I don't

27:10

okay , I mean listen not just

27:12

good .

27:12

It's a little different than God bless , that's

27:14

true . But I feel like that , when you thought

27:16

about that when you were like Somebody's

27:19

gonna ask me how my day is young , and

27:21

every time they asked me I'm gonna go .

27:23

God is she said

27:25

, yeah

27:28

, just finally got some on the phone .

27:29

That's Kathy from Oklahoma .

27:32

God Is just like what can

27:34

I do for you ? I'm like uh , well , how are you ? God

27:36

is good , you know . She said you know I

27:39

you know . And then again , I

27:41

would be nice to have one of those phrases

27:43

, you know , like , yeah , go the flow , you know .

27:48

Yeah , hey , listen . Different

27:50

strokes or different folks , oh , that's

27:52

my favorite one . I say that all the time . I

27:56

always find myself getting into an issue

27:58

with somebody and there's . So they

28:01

always just want to go with their

28:03

own Idea . And then I

28:05

just be like I'm not fighting this battle , all

28:07

right , different strokes for different

28:09

folks , and for some reason , nine

28:11

out of ten times they go . I mean

28:13

yeah , you're right , yeah , sure , and I'm like

28:15

yes .

28:17

I got it out , it's so . It's

28:19

so general . It doesn't apply

28:22

to anything you can't just it's

28:24

that I agree to disagree . When

28:26

you know , you know agreed to disagree

28:29

.

28:29

Then nothing changed .

28:31

Yeah , it's kind of like when someone says maybe

28:33

yes , maybe no , just say

28:35

maybe it's . What are you splitting

28:38

hair ? It's just , you're good the glass

28:40

half full .

28:40

Mentality over here .

28:42

Yeah , I Didn't notice recently

28:44

that when someone says I

28:48

like if you're up for something or if you're down for something

28:50

, it means the same thing you

28:52

want to hang out yeah , I'm down . Or you want to hang out , yeah

28:54

, I'm up for it .

28:55

I had a question for you . What

28:58

was your favorite scene of the entire

29:00

movie ?

29:02

I mean , the boxing is iconic , that probably

29:04

stands out , but ooh that was

29:06

your favorite one scene . I think that's

29:08

my favorite , but I like to tack this on

29:11

. I think this scene that stood out to

29:13

me the most Is

29:16

Morgan , is the dinner scene

29:18

, and I know that really wasn't like it's such a heavy

29:21

scene or nothing seemed like

29:23

too much happened . But again

29:25

, we're talking about characters where Morgan

29:27

Freeman's characters are very controlled . He doesn't

29:29

really seem too excited by everyday thing

29:31

. Brad Pitt , you

29:33

know a dog ? Could you know he's playing with dogs

29:35

on the floor . That that's amazing . But the thing about

29:37

it is Morgan Freeman

29:40

left and If

29:42

that just shows a testament

29:44

or you know , to someone who

29:46

doesn't really laugh as much , he's

29:48

a big personality and some people and not

29:51

to say that you know one , someone who radiates

29:53

, you know , a lot of happiness , is

29:55

, you know , not the better or worse

29:58

, but some people don't as much . So

30:00

when you finally get that laughter , it's

30:02

, it's a big thing , you know , you could just tell he

30:05

holds the room Really

30:07

, cuz you know it wasn't even a funny joke . He laughs

30:09

and then Both

30:12

you know , gwyneth and Brit Pitt

30:14

, just you know there

30:16

is the entire room Explains .

30:17

It really changes when I killed it for the few scenes

30:20

she was in . I think what was awesome

30:22

about that scene , too , going

30:24

off , what you're saying right now , mm-hmm

30:26

, is there was such a human aspect

30:29

to it . Yeah , we're living

30:31

in a fincher world of grit

30:33

, mm-hmm , disgusting . Everyone's

30:36

immoral , everyone's a murderer

30:39

, everyone's a killer . And then you get this

30:41

dinner scene and there's

30:44

a person who's real . Yeah

30:46

, all three of them are real and it's

30:48

a breath of fresh air . You get to

30:51

see a husband and a wife moving

30:53

into a new town With it , with

30:55

a whole nother perspective to it , with

30:58

boxes Everywhere because

31:00

they just moved in . What

31:02

a foreshadow . And

31:04

you get to humanize Morgan Freeman's

31:06

character . Prior to that scene

31:08

, they weren't so many

31:10

, they weren't fans of each other , so no

31:13

, yeah , it's just great to just finally see them coming

31:15

together .

31:16

It's it's a buddy cop movie really

31:18

, I think it's a hilarious buddy

31:20

. Yes , if you it's

31:23

a major undertones that

31:25

you'll catch there .

31:26

Yeah , totally for that . One scene in

31:28

about five minutes out of a two

31:30

hour long movie .

31:32

Yeah , but absolutely . I mean , there are people

31:34

you know , I've seen or

31:36

know that you know , really

31:40

, if they radiate some sort

31:42

of , they have such a heavy presence . So

31:44

when they laugh , the room laughs . When they

31:46

don't , they they can bring the room in

31:49

like Dampen

31:51

it down , not in you know an unhappy way

31:53

. Not that's better , worse , but it can definitely change

31:55

the tone . So you can

31:57

just definitely tell you know how

31:59

revered he was amongst

32:01

the detective , how you know quote-unquote veteran he

32:03

was . Yeah , and you know it

32:06

just plays throughout the dinner table how they

32:08

see this man as being a such a revered

32:10

man and you know

32:12

when they laugh , when he laughs , everyone

32:14

laughs when you smile , the world smiles

32:16

with you . The sun is

32:19

shining . I don't know where it's going with that different

32:21

shows for different show . Yeah , Look

32:25

when you know , you know when you know you

32:27

know , that's

32:29

great .

32:31

I think it was interesting

32:33

to see that Kevin Spacey's

32:35

name wasn't in the opening credits

32:38

and I

32:40

found that insane that

32:42

Fincher was able to do that and keep

32:45

the mystery of

32:47

who this Person

32:50

, this killer , is . Yeah

32:53

, cuz the first thing I do when I hear about a new

32:55

movie Go right to

32:57

IMDB . I go right to

33:00

the acting . I go who's in this movie ? Is

33:02

it gonna be interesting ? Is it gonna be big

33:04

actors ? And To keep

33:06

that a secret , I think was awesome

33:08

.

33:09

Yeah , yeah , they did a good job . I

33:11

also believe he didn't go on

33:13

, you know , clearly didn't do any press as well

33:15

. Oh so that is

33:18

pretty well . I mean it's , it's , it's 1995

33:20

, so of course you know

33:22

it is , you know , pretty difficult to

33:24

keep it a secret . But you know those

33:27

kinds of reveals can't happen today

33:29

. No , yeah , I mean also just the speculation

33:32

around movies is most of the advertisement

33:34

.

33:34

Yeah , trailers , like even

33:36

when spider-man came out . Spider-man

33:39

, what was it ? The ?

33:41

No , no , no , no . The third one .

33:42

Yeah , what was the third one called no

33:45

way home .

33:46

No , it

33:48

was homecoming and it was far from home

33:50

. And then no yeah

33:52

.

33:55

Why are you doubting your first try ?

33:57

come on when you know it's

34:01

hard to stop saying .

34:07

So I think when Tobin McGuire was

34:09

rumored to be on it it's like

34:11

bro there were photos of him at

34:13

the airport and people

34:15

were like Religiously trying to find

34:17

out who is gonna make an appearance . Already

34:20

the the Deadpool things ruined

34:23

.

34:27

No , what are they ?

34:29

But why can't they just keep this stuff

34:31

?

34:32

Everyone has a phone and the camera . It's so

34:34

annoying .

34:35

They like that's the thing about Deadpool from

34:38

the beginning that I didn't like . I'm

34:40

going on a tangent . I don't even care right now . I

34:42

don't watch trailers . I got sick

34:45

and tired of trailers and Deadpool one

34:47

was the reason I stopped watching trailers .

34:48

Oh , that was your that was .

34:50

That was the prime . I'm

34:52

done with trailers . Reason I

34:54

watched that trailer and then I watched him over there

34:56

. Huh , that's funny . I

34:59

think I laughed more at the trailer than

35:01

I did Because , by the way

35:03

, for that movie that had 17 trailers

35:05

yeah , I watched all the trailers

35:07

. I was such a fanboy back in the day

35:09

with I want to , I want to go look

35:12

into the theories and what's gonna

35:14

happen and all that . And then I realized I'm

35:17

just ruining the film for myself . When

35:19

I watch these things , my idea

35:21

is if I know I'm gonna go see the movie , there's

35:24

no point in watching a trailer .

35:26

Yeah , yeah , yeah , I mean also

35:28

, you know , I know I'm gonna watch that .

35:30

Scorsese movie , the one with Leo

35:32

and that new one , whatever right , I Do

35:35

not need to watch a trailer to

35:38

convince me to watch a movie I already

35:40

know I'm gonna watch . Yep , yeah

35:43

, and they rune have to have this stuff . They

35:45

room .

35:46

It's not even about watching . You need to play active

35:48

defense just to Keep

35:50

spoilers down from

35:52

. Yeah , yeah , unbelievable .

35:54

Just a yeah , it's not even yeah , and then you

35:56

go on YouTube and you watch a breakdown of

35:58

the trailer and you're like , what the hell am I ?

36:00

doing . Even if you're on YouTube and you're not

36:02

googling it , you get like a thumbnail and

36:05

then , uh , you know the title description

36:07

.

36:08

Also , they can get by the way , like Marvel

36:10

tried to make a trailer when

36:13

they had , I think , hulk in

36:15

one of the Avengers Endgame

36:17

or one of those movies . They had

36:19

Hulk in one of the fight scenes

36:21

in the trailer . Yeah

36:24

and then that never happened , because we

36:26

know what happened with yeah , we're

36:28

running it all in slow motion in the forest . They

36:30

got sued for that .

36:32

Really . Yeah who's suing like

36:34

who ?

36:34

because for false advertisement .

36:37

Yeah , but spoiler my every , every friend that I

36:39

know , just like did you watch

36:41

the trip ? They don't even ask me , they are in there .

36:43

Yeah , it's like what I have . So many friends

36:45

are like oh Elliot , here we go

36:47

again with this trailer talk .

36:49

I wouldn't mind watching the first 10 seconds . That's what I

36:51

do .

36:51

I just like get the tone , the feeling the

36:53

first 10 seconds can capture you know , no

36:56

, no , even if I see an actor like

36:58

I'm like oh , brad

37:00

Pitt's gonna be in this movie , all

37:02

right , I'll watch it . Margot Robbie's

37:05

in that , I'll watch it Like

37:07

mm-hmm , that's it . Yeah

37:10

, it only for me it takes like oh , oh

37:12

, this actor , oh , that director is doing it

37:14

like recently . By

37:17

recently I mean like last night I

37:20

watched that West Anderson

37:22

short film with Ben

37:25

and the Cumberbatch Literally

37:27

just came out .

37:28

I don't know what tell me .

37:32

Basically it's just a short film about a

37:34

role doll Book

37:36

. I don't know if I'm pronouncing

37:38

his name correct , but I'm I'm pretty sure it's the

37:40

guy that did BFG and Charlie and the chocolate

37:42

factory .

37:43

Oh , okay , yeah .

37:43

Mm-hmm . So he

37:46

made the short little film .

37:47

I'm not a West Anderson fan , I'm

37:49

not Personally him , and

37:51

Fincher are just you know .

37:54

They're just so similar they're almost Indistinguishable

37:57

except for the fact that Fincher

37:59

has linear stories that

38:02

make coherent sense . Yes

38:04

where West Anderson has

38:07

17 people talking at

38:09

you Expecting you to know what's

38:11

going on , while 17 things

38:13

are moving in the background , and

38:16

even though it's a beautiful shot , I

38:19

have no idea what just happened . And

38:22

Recapping for

38:24

my eyes , yeah the fact that it's pleasing

38:26

for my eyes Does not

38:28

take out the fact that I still have

38:31

no idea what the Grand Budapest Hotel

38:33

was about at all .

38:35

You need like video game , like

38:38

periphery , just to watch it

38:41

.

38:41

What's more confusing . Tenant by

38:43

Christopher Nolan . Well

38:47

, the Grand Budapest Hotel by Wes Anderson

38:49

, I don't know . I wish we could get

38:51

a director who was

38:53

able to do a film like

38:55

Nolan , with the , with

38:58

the narrative of , like Tarantino

39:00

Like

39:02

that . That would be insane that would be insane

39:04

.

39:04

That that's an all-center overload

39:07

, that is .

39:08

No , that would just be like a movie that's just

39:11

repeated violence at Nolan's .

39:12

No , I'm sorry , the narrative of Like

39:15

Nolan .

39:16

So like the conversational aspect

39:18

of like Jules and Vince talking in

39:20

a so you want , in a normal way

39:22

, dialogue with

39:25

. Nolan-esque

39:27

films , imagine

39:30

Batman , but like people actually had

39:32

normal conversations and

39:34

people didn't just talk like this

39:36

and every word they said mattered

39:38

, you know . Yeah , but

39:40

sometimes I mean yes , but don't you think , if

39:43

I wanted to go to 407 Broadway

39:45

Street , that I needed to be there

39:47

. And then like three scenes later

39:49

is at 407 Broadway Street

39:52

and you're like , oh , that's why he said

39:54

that , that's

39:57

why I like Tarantino . He has real conversations

40:00

about like burgers

40:02

from Amsterdam or something .

40:05

I love that . I love actually . That's why I like

40:08

Richard Linklater . He

40:10

has some of the best films for me or

40:12

I

40:15

mean right now . When I say for me , it's

40:17

like I'm in a space where I enjoy that , because

40:19

I just it's two people

40:21

hanging out in a room talking , it's

40:23

just he really captures that .

40:25

What movies has he done ?

40:26

Dazed and confused . Everybody

40:28

wants some . Those are just where you just hang out , you

40:30

relax , you relax

40:32

as an audience , but they relax and they're just talking

40:35

. It's just fun to see just a little slice of life

40:37

.

40:37

Well , as I'm saying this , I'm realizing that

40:39

a guy who's kind of doing that

40:42

thing that I literally just described is

40:44

Matthew Vaughn . Oh yeah , I

40:46

feel like he's been killing it with those Kingsmen

40:48

franchise

40:50

. I think those are very good with those . Okay

40:53

, let's have a normal conversation , but also

40:55

let's keep that high octane fun going .

40:58

It's normal conversation and

41:00

it's put on this .

41:03

He has a new film coming out , I think , with Henry Cavill

41:05

, cavill , cavill , cavill , cavill , cavill

41:07

, cavill , cavill .

41:08

Cavill , cavill , cavill , cavill , cavill , cavill

41:10

, cavill , cavill , cavill , cavill .

41:11

Cavill , cavill , cavill , cavill , cavill

41:14

, cavill , cavill , cavill

41:17

, cavill , cavill

41:33

.

41:34

Cavill . He's going

41:36

to start his life and I hope to see a new America Folk��ms with him

41:38

. I don't know about that , but

41:40

I'm gonna go with Bachata tomorrow . My

41:42

day will be dampened just a little bit maybe

41:45

, but just all the rain that you're just watching

41:47

it . But yeah , it's such a heavy movie that

41:49

it . But he does a great job of

41:52

making you feel things without you

41:54

even realizing it or being too aware of

41:56

it . He does a great job if

41:58

you ever just like pause the movie , just take note

42:00

of how you feel . You're like wow , I'm in this

42:02

space , in this place . That's just . I

42:05

not expect to be here .

42:07

He does a great job of making you feel things yeah

42:09

, and I feel like you sometimes could get too lost

42:12

in the gritty look of films

42:14

. And it's funny because I think I brought this up

42:17

while we were watching the film and I'm like I

42:19

don't understand how people even got

42:21

this film this high , because

42:23

how many people watch

42:25

this film ? And we're just like , okay , that's

42:27

a little too gritty for me , I gotta

42:29

turn this off , but it stands to show

42:32

. No , this movie is so much more than just

42:34

that grit . It's got

42:36

a story that's come

42:38

. It's got a story that's compelling . It's

42:42

got a story with great acting

42:44

behind it yep , I

42:46

mean , I would say it also has .

42:48

It's one of those things that I

42:50

love how you won't really tell what scene comes

42:52

next the movie . It's not a predictable movie

42:54

not at all it doesn't go by the box , it's

42:56

not cookie cutter and and you

42:59

know mixture it makes you

43:01

.

43:01

I think it's . I think it's awesome where you can

43:04

have a film that is

43:06

able to give you

43:08

exactly what you're looking for

43:10

, with

43:13

his own style to it , because that's

43:15

Fincher style yeah venture

43:17

style is I want you to believe that this

43:19

world is a horrible place you

43:22

know what ? yeah , and and that's that line at the

43:24

end . The line at the end of the movie was

43:26

perfectly the

43:28

exact definition that I think

43:31

Fincher lives

43:33

his life by , which is earnest . Hemingway

43:35

said that life is what

43:37

he said life is beautiful and

43:40

it's worth fighting for . Yeah , but

43:43

Morgan Freeman's character said but

43:45

I believe in the second part , yeah yeah

43:48

, how do I remember that ? but , stays

43:51

with you . Yeah , exactly because it stays

43:53

with you . It's a , it's an awesome line . Yeah

43:55

, and I think that Fincher lives his life

43:57

with that exact idea . Fighting

44:00

for it is the most important part . It

44:02

doesn't matter about that first part . That

44:05

first part doesn't matter yeah , the second

44:07

part that does it is great

44:09

.

44:09

I would love to see , you know , like any sort of

44:12

and tell me if you're interested in this too to see

44:14

any sort of like regular cookie

44:16

cutter movie . You know , some Netflix

44:18

movie that you'll forget , you know , two days after it comes

44:20

out . Take that movie , copy and paste

44:23

it into a Fincher , a Tarantino

44:25

, a Nolan , like what would they do

44:27

with that movie ? It's , you know , just they

44:30

can keep it , the movie about the same , but

44:32

it's , wouldn't you be more interested in seeing

44:34

it because style goes a long way ?

44:37

style does go a long way , and I think that

44:39

the one thing growing up

44:41

I didn't understand about movies was

44:43

like , oh , oh , such-and-such actor

44:45

is in this movie , oh , that's awesome . Until

44:48

I got older I realized no , I

44:51

want to see a movie because of the director . The style

44:53

of the director is phenomenal , yeah

44:56

, and that to me now is the biggest proponent

44:58

of why I go see a movie yeah if

45:01

Tarantino is coming out of the movie , I'm

45:03

there opening night . Yep , if Scorsese

45:06

is opening a movie , I'm seeing it that week . Nolan

45:10

too . It's these heavy

45:12

hitters that are coming in and they're making

45:14

names for themselves . Matthew

45:16

Vaughan , another one he's great

45:18

.

45:20

I think that , like I said it before , one of

45:22

my favorite , greta Gerwig , she's great

45:24

. She's great too , but the style

45:26

of Fincher yes , it

45:28

has this dark overtone but that

45:30

takes time that takes time this is

45:32

stylistic , takes time .

45:34

Only the greats , only the greats , the

45:37

great directors knew their style

45:39

from before yeah , yeah

45:41

, I'd say Gowri has an incredible

45:44

style , you know .

45:46

Again , you can put them in a room . I

45:48

watch King Arthur and just

45:50

watch people come up with a scheme , kind

45:52

of like Soto Berg . That's also a great example

45:54

of them planning the heist and

45:57

you know , you know scene to scene

45:59

, and then they bring the information back . It has

46:01

a great way of tying it all together . I'd say

46:03

, if you're looking for movies that do a great

46:05

job of you know relaying information

46:07

with style , watch

46:09

Soto Berg , watch Guy

46:11

Ritchie , watch Fincher

46:14

, for sure well

46:16

, have you seen Mindhunters

46:18

? I haven't . Oh , he did . I

46:20

know he did that . I've not heard that was that

46:22

was awesome .

46:24

Well , I do like true crime , so it

46:26

was awesome to see David

46:28

Fincher kind of take these true

46:31

crime you know people yep

46:33

, turn them into characters on

46:35

TV and have people picking

46:37

at their brain . I felt like it gave like

46:39

a different second win to these characters

46:42

that I enjoyed a lot , yeah it's

46:44

also yeah , it's interesting to see it .

46:46

You know , of a true story . You know

46:48

, I could just imagine the people going

46:50

through it like , oh shit , that's David Fincher , he's directing me

46:52

, that's yeah , yeah so

46:54

, overall , I would I would say that this is definitely

46:57

of .

46:57

First of all , I think it's the first horror movie on the

46:59

top 200 , on the top 250

47:02

yes and I think it kind of ranks

47:04

in right now at number 20 and

47:07

I think it of

47:09

the horror slash thrillers . This

47:12

killed it yeah , yeah , this .

47:13

This also really leans into the thriller more

47:15

than the horror

47:17

. It is horror for sure . I mean

47:20

, the horror is a definitely broad definition

47:22

and it definitely hits it closer

47:25

to the center on this one . But if

47:28

, look , one of your friends say , hey , what's

47:30

a good thriller seven just

47:32

say 70 just such a great job .

47:34

Joe . Great movie , definitely worth it . Anyways

47:38

, this has been the Shrem show with

47:40

my guest . Be over here thank you for having

47:42

me it was awesome , awesome

47:44

having him , and we're

47:47

gonna do , we're just gonna

47:49

sign off .

47:50

I don't know . This is , this is a form

47:52

to sign off , or like sign out . Do

47:54

we take the pass and leave like ? Yeah

47:56

, it was it's great , absolutely

47:59

, absolutely all right listen whatever different

48:01

shows for different folks .

48:02

Man , what do you want for my life ?

48:03

look , look , I mean when , when ? You know

48:06

damn , I need more , I need more white guy phrases

48:08

you know , I mean , yeah , what's another

48:10

?

48:10

one

48:12

, you

48:16

know it is , you can just the buck

48:19

ends here . The buck ends here

48:21

, that's a good one .

48:21

Know what that means it just sounds

48:23

like something that it

48:26

sounds . I don't know , but it just sounds , I think

48:29

, a president yeah , yeah , maybe

48:31

, who knows , yeah , yeah the

48:34

buck ends here . That , yeah , that's an interesting one

48:36

. You know , when someone says like I'm under the weather or

48:38

like you know I have like us , you

48:40

know like my stomach is acting

48:42

up , you're like you know there's such a way to like

48:44

. You know , you know like

48:47

, just like people have a way with

48:49

words anyways , guys

48:51

, this has been seven with my guest

48:53

B .

48:55

You could follow him at social media

48:57

under B just

48:59

that you follow me on Twitter slash X

49:01

at B . Just

49:04

follow his podcast at

49:06

B yeah

49:09

that's not

49:12

him . You'll never find him . He's John Doe

49:15

, he's , he's the

49:17

reveal I was about to make

49:19

a messed up joke . All

49:22

right , thanks me for coming in today . That

49:24

was awesome , thank you , you're

49:26

awesome , absolutely .

49:28

Thanks for having me .

49:28

This is great , this is great

49:30

yeah plant to have you on for more of

49:32

these hopefully , I think they're

49:34

coming

49:38

out the seven , part two .

49:39

This is an obvious joke it's called

49:41

eight six

49:55

. No , there's a teaser , that's

49:57

the first , this two trailer one . This

50:00

four trailers a red trailer a red

50:02

trailer anyway

50:07

.

50:09

I'll have you again

50:12

and yes

50:14

listen , I don't know this

50:19

is amazing . All right , peace , bye

50:21

guys okay , this is your shrimp

50:23

show . Follow me . Subscribe rate . I

50:25

don't know . Whatever the hell , do it . Do it , patreon

50:28

, if it's up . I don't get me a patreon

50:30

yet , but if I did check it out

50:32

, peace .