The director has finished editing their film, and you have to deliver as the film composer.

Follow along with SESAC composer Dana Solomon, as he gives at least 5 options and several common situations when tackling your first soundtrack.

Get some insight into the dilemmas a film director may deal with, and the solutions you can use to help finish the score.

If you have no prior knowledge about the director/composer relationship for a film project, are curious how film composers approach directors, or maybe just want to learn the ropes as a beat maker turned soundtrack composer, then this show is for you!