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Replay S01E29: Prawn Salad

Replay S01E29: Prawn Salad

Released Wednesday, 13th March 2024
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Replay S01E29: Prawn Salad

Replay S01E29: Prawn Salad

Replay S01E29: Prawn Salad

Replay S01E29: Prawn Salad

Wednesday, 13th March 2024
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Episode Transcript

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preamble edition. You've got both the

1:14

boys. Yeah, it only feels appropriate

1:18

after what I think, I don't

1:20

really know how to describe it. Would you call it

1:22

a seminal piece of podcasting or a seminal piece of

1:25

drug taking? Yes, and.

1:27

Because I think, when I

1:29

was listening to this episode, we're talking about prawn salad, by the way,

1:31

which you've got to look forward to. I was

1:33

thinking about how difficult

1:35

it can be for artists of

1:37

all stripes to capture the experience

1:40

of being on drugs. Yeah. And

1:42

I was listening to this, and not to elevate us,

1:44

but I was thinking, well, one way

1:46

to do it is this, is

1:48

to create whatever it is you're doing on

1:51

drugs. And, you know, it's

1:53

incredible to me to think that we were, you know, umming

1:57

and ahhing about whether or not to squeeze the trigger

1:59

and put this one out into the world. Really? Because

2:02

I was fluttered back with hearing

2:04

it now, because I haven't listened to it

2:06

for a very long time. Hearing it now,

2:09

I was back to, maybe this shouldn't have

2:11

gone. Oh no, I mean I was

2:13

actually surprised. I've never listened to

2:15

it until now. And surprised

2:18

at our ability

2:20

to string several seemingly cohesive

2:23

thoughts together at all. I just thought

2:25

it was like 30 minutes of giggling.

2:27

Yeah. But I've got to say,

2:29

hearing us laughing like that really

2:32

made me want to, whoever bought those, I

2:34

think it was Jane, bought those weed brownies

2:37

over one afternoon. They were muffins. It was,

2:39

it's incredibly unassuming. It was late night and

2:41

I feel like maybe we'd had a party

2:44

at my flat or something and she'd hear

2:46

it from something else and was just like,

2:48

had you guys want these hash

2:50

muffins? They were like, yes. They were

2:52

so perfectly weighted. Honestly, it

2:54

represents to me a high that I'm chasing off

2:56

and if I have an edible where I'm like,

2:59

is this going to make me laugh uncontrollably or

3:01

is this going to give me anxiety? Yeah, yeah,

3:03

yeah. It was perfect. To hear it, I was

3:05

just like, wow. And

3:09

yeah, I just, we had Nick there,

3:11

we were keeping like, can you hear Nick on the

3:13

mic? Yeah, it's so funny to me. Yeah, you can

3:15

hear him all right. And

3:17

also to hear the way we start the episode where

3:21

both of us have sort of lost

3:23

sight of how to talk or how

3:25

we normally talk. I had a flashback

3:27

of some conversations that happened during the

3:29

watch because I remember

3:31

we were trying to sort of recapture

3:33

some conversations, which is just the

3:36

stupidest thing to do when you're

3:38

that high from what we were talking

3:40

about during the record. And

3:42

there was like, we were having

3:45

conversations about teleportation and all of

3:47

this nonsense and trying to

3:49

re-get. Yeah. And I was like,

3:51

okay, so I'll try and bring that up again when

3:53

we get recorded by eight brother. No,

3:56

lay down your tools. Because Eight is not a wick. Me

4:00

in the record and in listen to it

4:02

again you have absolute that at the very

4:04

the run you got the stuff. I mean

4:06

we shouldn't hybrid too much did not rise

4:08

the idealistic say I owe them for people

4:10

around with until that's really awesome. Man.

4:14

Big. Loss on the day. Big. Laughs

4:17

on reflection I not a perfect episode

4:19

by an image via genuine I think

4:21

what I like of as it felt

4:23

earned having sites through the twenty eight

4:25

episodes proceeding the strobe. And I

4:27

also loved that we managed to get

4:29

sick and petty Schwartz off yeah, and

4:32

the face of seemingly insurmountable odds. Your

4:35

I'm I'm in. It's an iconic line New

4:37

Wave. We really do need to put on

4:40

a tissue that his face was das them

4:42

as probably a high point of the as

4:44

high a podcast series for me I can't

4:47

believe I got as soon as I think

4:49

you're holding it together a lot more than

4:51

me, it's the saying. The. Working

4:53

on them A about the

4:56

idea united, following along you

4:58

allowed. To getting. To the

5:00

place for it. Got to visit as into

5:02

a beautiful mind you're watching the equation get

5:04

written down on the board is exactly right

5:06

and what The app? Yeah I'm in a

5:08

spade a spade. So much fun to turn

5:11

revisit the episodes and into do this. We

5:13

did listen to get there but it tickets

5:15

had tame up for. You. Know what?

5:17

Is it? A beach manic episode?

5:19

Us By Than Twilight History? Yeah.

5:21

I'm. He. Has been great. I mean

5:23

I hope we have been overhyped. It's I we have

5:26

been in. It's not a great I mean you know

5:28

and I. Enjoy it for what

5:30

it as as exactly exactly exactly

5:32

I think our our my perception

5:34

is elevated because I'm. Never

5:37

listen to it before. Suddenly

5:39

been sort of very hazy memory

5:41

of my mind. Also love that

5:43

we don't explain. why

5:46

we so good we have it is transparent

5:48

year there was we were playing coy i

5:50

think that this couple years of the podcast

5:52

and let you were high as possible i

5:54

did our thing that plausible deniability with her

5:56

what you were hired your code this immigrant

5:58

know who the hell I

6:02

don't know why we're denying it but like no no

6:04

no no no no no no no no no no

6:06

no no point to where we said it No

6:10

no, unmistakably so so high so

6:12

enjoy that Yeah Because we did

6:15

Absolutely Welcome

6:35

to the worst idea of all time A

6:37

podcast with myself Tim Bat And

6:39

me Guy Montgomery Which is

6:41

now in it's 29th episode

6:44

ever And

6:46

it's a podcast where me and

6:48

Monty watch grown ups too Every

6:51

week for a year once a week And

6:53

then do a podcast about it Yeah And

6:56

here it is Here it is and couldn't be happier to be here

6:58

Tim Very excited,

7:00

very excited to talk about the movie Obviously

7:02

the movie and to which

7:04

I'm referring to is grown ups too Which we've just watched

7:06

for the 29th time And

7:10

in fact I enjoyed

7:12

myself this evening Look it was a

7:14

movie two halves Monty From being

7:16

honest And while

7:18

being a little bit shy on the literal

7:21

thinking well out in the field You go

7:23

to my brute force of

7:26

just throwing a gag at you once every 15 seconds That you

7:28

can't GPM gags per

7:30

minute definitely By the end of the

7:32

game You're so destroying your attention with

7:35

the sheer volume of content It

7:38

is a bit of a thrown at you It's

7:40

such a small, constant amount of

7:42

time You fucking shit spinning

7:44

and they're counting on that That's what they

7:47

were going for Brute force attack onto your

7:49

sex and humour This is sophisticated about the

7:51

play with the weather You just kick, cram

7:53

and gag at them I

7:56

don't want to them fucking wax I

7:58

didn't you got them I'll do you Fucking God.

8:01

They're gonna buy the merchandise, they're gonna buy the

8:04

fucking DVD when it comes out. They'll

8:06

upgrade to Blu-ray when they get themselves a PlayStation

8:08

3. They are buying every

8:11

single movie in the franchise off

8:14

the basis of

8:16

one joke that one of you 10,000 monkeys

8:19

will have to write this joke. They

8:29

win a lot longer than they do with the The

8:55

hell of a get on the you'll

8:59

think that maybe even woke it up and get

9:01

so quiet for a bit and

9:03

then it's like a fucking trains coming

9:05

through a tunnel. The deep gnarling yawn.

9:09

It's quite regal. Aristocratic

9:11

sort of legit. A

9:14

1920s Britain sort of snore. Like

9:18

from a brass. Not

9:20

just from one source but like a quartet. A

9:24

roaring brass quartet sort of

9:26

snore. No, so we

9:28

look for. To

9:31

fuck the best. Sorry,

9:35

I'm closing to my side. You

9:37

may hear so much story. That's

9:40

all that was. That's all I needed to

9:42

say. Oh

9:47

Jesus. Okay.

9:53

What to say. What

9:56

to say. I'm

10:03

just

10:05

a guy at the party in a

10:07

blue shirt that's kind of unbuttoned at

10:09

the top and he's in the background,

10:11

he's a background actor. That's

10:14

a thing, an extra I think they're

10:16

called. A

10:18

background actor. The movie's full of them. I

10:22

got my name for a movie. If we

10:24

call them extras, the union answers, we've heard

10:26

them union right. Background

10:29

actors, okay? And that goes for all

10:31

of our text returns as well. I

10:34

give this a fucking break for

10:37

there. Like we're on a lower

10:39

text right. It's their background, it's

10:42

a different category. They're

10:45

non-unionized. And that

10:47

goes for all the

10:49

franchises, all the other movies, we've gone up

10:52

three, all the merchandise. So

10:57

that guy, which is my

10:59

point to that, he's doing some

11:01

real good background acting. You only

11:03

see him in probably four

11:05

or five shots and that

11:08

thing. But he's reacting to something. I can't

11:10

remember exactly the line. Similarly

11:12

Braden Higgins, David's best son, who's doing some really

11:14

good acting in there. His face

11:16

was telling a thousand stories. It was like

11:18

a body. His face was like the body

11:20

of a dancer that was telling a story

11:22

through dance. His face

11:24

was dancing. Oh my shit. Have

11:33

you thought there was a little bit humorous to

11:35

hear? You

11:37

should have been saying guys,

11:39

fans with the convention, they're

11:42

delivering right up the door

11:44

dancing. The

11:47

fucking lyrical visual

11:50

journey you took me on, forcibly. Oh

11:53

yeah. God, it's just

11:55

in Braden's goddamn dancing face

11:57

gives me a big time.

12:00

Yeah, who couldn't be swayed

12:02

by Braden Higgins? Can't

12:04

be! Alright.

12:12

Neck cut off so lightly by going to

12:14

sleep man. But you can imagine what's going

12:16

through his head right now. Look,

12:20

he is in a room where the normal

12:22

parameters don't get you bringing you back down

12:24

to ground. It's like, well, if a neck

12:27

right now and gravity doesn't exist, it doesn't

12:29

need to be an issue. Because in his

12:31

dream, there's no gravity. That's right. Nothing's a

12:33

problem. Or

12:37

it could go way worse. Like it

12:39

goes either way. Because it's like the

12:41

level of stability we get. But you can't

12:43

just make it up in its side as we all

12:45

see. The

12:48

stability that affords is, you don't have the

12:50

crushing, terrifying loads of like, oh, you

12:53

know how you grow up and thinking

12:55

everything was normal. And then all of

12:57

a sudden the ground turned into a

12:59

dragon. Now... You're

13:04

talking about a song called Do

13:07

Not Understand. Ross!

13:15

You know, like, everything's normal and

13:17

then the ground just turned into

13:19

a dragon. What

13:23

I'm saying is, wouldn't that be so much more terrifying

13:25

than shit that happens for

13:27

us because we're in the real world,

13:29

not in the control. I

13:32

see. So it could go way worse for

13:34

you, is my point. That's

13:36

also true. Thank

13:39

you for considering the point. I

13:42

appreciate it. Very

13:44

well, I keep thinking the movie. What

13:46

did you enjoy

13:48

the film grown-ups do? Guy?

13:55

I enjoy your company, you know. It's

13:58

been a really good... Nice! Oh

14:01

that's good, that's nice. Oh it's... I

14:05

thought it was... Down

14:08

right, hilarious and fashion. Yeah.

14:11

Do you know what Ed and Zendler's gonna do? Because

14:15

he'll release like tons more movies. As

14:18

soon as this podcast comes out, it's

14:21

hilarious. Guy Montgomery

14:23

will be on all the Blu-ray

14:25

comments of Dronaster. And he's

14:28

quoting you. Like now in

14:30

the podcast. I've just quoted him in the movie. I've

14:33

floated it out as bait to Ed and Zendler. I'm like

14:35

Trojan Horse. It's

14:37

sort of all a bunch. No, Trojan

14:39

Horse, right? He'll

14:41

take it. He

14:45

hears the quote out of the car from the

14:47

agent, right? And he just goes, so he's Guy

14:49

Montgomery. Oh he won the fucking Billie T. In

14:52

New Zealand. That's a big thing in Hollywood. Yeah,

14:54

no, I'm good with that. Huge watch, huge honor. So, yeah, I

14:57

don't know why

14:59

I was going for that one. They sneak

15:01

it in there and they put it on

15:03

the posters. Oh yeah, they do. I didn't

15:05

like the movie. And now

15:07

I'm on your poster. In your

15:09

face Ed and Zendler. I

15:12

got you good, you motherfucker. Ah

15:18

shit. Oh damn it, you know what I

15:20

didn't do. What didn't you

15:22

do? Nevermind. Oh

15:25

yeah, there it is. I forgot to put the

15:27

pop shield on the mic. It's okay. Such

15:29

a technical thing, but it makes it sound heaps

15:31

better. Well now, we'll do a

15:33

test to see how the podcast will now be brought

15:35

to you by the pop shield on the mic. How

15:40

long has this been going? Whoa, okay.

15:42

How long has it been going? Only nine

15:44

minutes. Oh, it looks good because we've

15:46

got lots to talk about. We've been on a

15:49

real journey in those nine minutes. That felt like the reason

15:51

I looked out of the car we were talking. I'm

15:55

terrified of the prospect of 25. Oh

15:57

mate. You've got plenty of time.

16:00

Thanks for all the effort you

16:02

take. There

16:05

was a line in the movie which caught our

16:07

attention tonight which

16:09

was Chris Rock when

16:11

Kevin James was about to do Suicide 35 off

16:13

the top rock. 35

16:15

feet above water, my mum did that jump when she

16:17

was pregnant with me. Yeah, we don't even issue it

16:19

with anyone. We've got a bit of water for us

16:21

when you're pregnant, that's fine. That's none

16:23

of our business quite frankly. Yeah, we're not qualified

16:26

to comment on it. Guess

16:28

what, we're white middle class males, we understand where

16:30

we're at and we're not going to comment on

16:32

shit that we're not supposed to. So you know,

16:34

just chill out. Broads.

16:38

What? Um...

16:42

Good point. However...

16:46

I was going in the direction. I

16:48

know, but you weren't mean about it. We were

16:50

just like, yes, yes in the north. And

16:53

then drag back in your point. And

16:56

then drag and teach it without a question to the

16:58

class. Then you put your hand over your face and

17:00

you're like, yes. And also...

17:04

Well, you've seen this fucking ridiculous, but they just don't want

17:06

to like break it. Don't destroy

17:08

the stars. Nick's picking up

17:10

a little bit of noise. I

17:12

don't know if you're giving that on the microphone. It's

17:15

the signs of life. Yeah. Life

17:19

finds a way. That's

17:22

my picture. Life

17:25

finds a way. I

17:28

don't know. No, no, no.

17:32

I edited it like a Brooklyn accent joke. Is

17:34

that for Brooklyn? I

17:36

actually don't mind. It's more like... It's

17:40

not like Brooklyn. It's like neutral,

17:42

crazy American. So it's like

17:44

neutral American. You know how they

17:47

have not too much of an... It's not too

17:49

southern. It's not too West Coast. Neutral American. And

17:52

then just the absurdity turned out by life

17:55

finds a way. That's

17:58

the best one, yeah. having that

18:00

was pretty good I don't honestly I

18:02

can't in my mind conjure the idiosyncrasies

18:04

of Jeff Goldblum speech patterns enough

18:07

to be confident I've not on the fly

18:09

don't you have it embedded in my

18:12

memory say I can't really

18:14

comment into what was sort

18:16

of you know life for her find away

18:20

incredible fuck it no I'm

18:22

abandoning show no

18:25

it doesn't be

18:27

a good bit Chris Rock anyway to Kim

18:30

James about this big jump into the water

18:32

and Chris Rock is like yeah yeah you're the

18:34

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19:58

you're fine that's what we just made it

20:00

up because this is real people this shit

20:02

is real so to set up better the

20:05

guys walking up to the cliff to

20:07

jump off suicide city fires and

20:10

they're all kind of cajoling Kevin James

20:12

about jumping in and

20:16

Kevin James I think is making out he's like oh

20:19

he's like I'm scared he's making out that he's

20:21

scared though oh

20:23

no I lost the tip the

20:25

dog shit is it in draft

20:27

no it's not even in draft

20:29

okay well Chris Rock to boost

20:32

them up says fuck okay

20:34

I hope I remember you're

20:36

the hang off the

20:38

rope no you're the rope off the

20:40

tree you're the rope off the tree

20:42

triple flip oh no triple

20:45

bird triple flip bird don't go

20:47

no it's back club

20:49

is in there so barely we've really bought this one

20:51

up guys we're gonna revisit

20:57

that little bit of the movie

21:00

next week we've got the

21:02

creek the corresponding night the

21:04

corresponding night you move

21:06

on okay I'm

21:11

gonna go little sort of the water there

21:13

let me let me do care let me do oh yes

21:16

big big so okay

21:19

so we had a lot of ideas with where

21:21

we could go with the idea is our days

21:23

when we're watching say and one of them was

21:25

that we guy and

21:27

I script a

21:29

dramatic two-hander we're

21:31

we get all of the starting points

21:34

of the scenes from the starting points

21:36

have grown up to scenes and

21:39

so we get the starting point we get that script we act

21:41

that out and then we

21:43

see we're going away as writers can

21:45

take where that would lead I think

21:47

I think we don't Even

21:50

provide the context of the setup. I'd like

21:52

to just do it. Oh My. God. they don't

21:54

even have a ramp into it. Don't you don't

21:57

need a ramp? because it's not that, it's

21:59

just. The same with

22:01

and on the higgs. Got

22:03

ten in just. Broken. Up by.

22:06

The. Slivers of Audi I. From.

22:09

Taken from the movie yeah, let's

22:11

Sexy Wanna stage blacks out and

22:14

we change costumes or assume a

22:16

new positions of. His

22:18

eyes and shield us. Industry secret

22:21

is. Over

22:23

how I would like and you've already had

22:25

behind bicycle with asthma and side by side

22:27

with a some fun with my bring back

22:29

seat of the puppet show. And.

22:34

Deal. With blackout say is a cell

22:36

either secret as of the blackout as

22:38

of the exit they can move around

22:41

freely and assume musicians and educated bicycle

22:43

visitors and using a threat of the

22:45

line is is and uses it as

22:47

a man new had no idea what's

22:50

happening because what one does notices like

22:52

ten was no. Issues

22:54

you lasted killed the light sources for

22:57

know that's it. That's. So

23:00

often the the actors will assume a

23:02

decision and as as result is a

23:05

so dramatic in the who rapes and

23:07

as them a blackout and and your

23:09

build asean him and then dip the

23:12

actors. they could go and change the

23:14

costume the lady for to put on

23:16

a different dress was and that says

23:19

the man. Good food on some funny

23:21

shows and and try to come back

23:23

of an astounding been completely different

23:25

positions and you'd have no idea how

23:28

they got their. Oh

23:30

I'd say it's. took

23:33

over. The magic of

23:35

the blackouts, Blue

23:38

Suit as uses secret boy that we are

23:40

you referring to the stare at the front

23:42

desk. I feel like it's a sense instead

23:44

of the as many of us like in

23:47

the head of them. I live isn't very

23:49

upset. Because if

23:51

it said. Other

23:54

things better for the terrorists, his

23:56

father. ah shit we didn't explain

23:58

the a month ago that. We

24:00

the discretely that was outselling most

24:02

is in Patrick's Your Accomplish your

24:05

bedroom Sure and in Mckellen and

24:07

Extras. When.

24:09

The to him any moment Petty certain

24:11

has. That same. In

24:13

Macau I am different services wasters

24:16

right? And

24:21

I speak and then some. Hello space. but

24:23

it's what was happening. my mind. I

24:26

should have explained that the truth is

24:29

empty. Well the System series they don't

24:31

have. You can hear that actor South

24:33

South the duet. Is

24:36

in the than less to sleep. I.

24:39

Envy him. And.

24:41

His early on comfy money wise up as

24:44

Nico backend his knee who. Live

24:46

On A Live On A Have Hogarth

24:49

commence. namely. Barry. Schwartz

24:51

is bad as well as part

24:53

of their budget. I am I

24:55

the said this is the second

24:57

petty was fi time includes we

24:59

pay homage to the son of

25:01

the tennis heard of him I

25:03

know I'm as the governor because

25:05

he was once the Governor of

25:07

the third largest economy in the

25:09

United States of America that it

25:11

And gentlemen will you please welcome

25:14

to the says his leg different

25:16

frame of mind The father of

25:18

Patrick Swords. The yes

25:20

in a chair height advantage of

25:22

us an idea who these insights

25:24

patron Schwarzenegger or pretty sure he

25:26

has a high messiah they got

25:28

confused Physicist: there are a room

25:30

with a. Group

25:34

of Control if I'm Susan Cooper said

25:36

at. His house.

25:41

On. My

25:48

billie emphasis on God's. Earth.

25:53

Summit of was. the

25:58

scissors to it's by the time Did

26:00

you hear that snort? Oh shit, I just mixed them up.

26:02

I banish them. I like, fucks

26:04

phone roll. What? What? Isn't

26:08

that talking in the sleep? No, no, you just

26:10

did a big snort. We didn't actually get to

26:12

the paddy shorts paddy time. Which,

26:15

for me, we

26:17

can see by the fact that the clock's now

26:19

up to 18 minutes. Look at that, I feel

26:21

like it was at 9 minutes, about a minute.

26:26

I don't think we've covered a whole lot of ground here, dude.

26:28

This is a very distant journey, but a hard run. Like

26:32

we're struggling up a mountain. Fucking

26:34

gradient, we never expected. Oh,

26:39

it is steep, my baby. You're

26:45

not gonna get too far, because it is steep. Oh.

26:51

What? Fuck this. Nick

26:56

has taken a piss without that. I

26:59

don't know, he remains

27:01

as like, awesomely funny as

27:04

sleep. And the end

27:06

of the story's a white. It's

27:08

a great burn. He's like, oh, are

27:11

you guys recording up here? A shit

27:13

burnt down. Fucking brilliant. Fucking

27:16

brilliant. And he'll deny all knowledge when he

27:18

wakes up, but he knows what he's doing. He's

27:20

on fire. He's putting the place up.

27:24

One motherfucker in the house ready to party. My

27:30

page, what's party time on it? Yes,

27:32

sir. As

27:35

I was. Step right up. It

27:39

was his

27:42

background work when Taylor Lautner

27:44

is challenging the grown-up

27:49

on the cliff face. They're like

27:51

wolves, like the young adolescents, snipping

27:53

at the hills. Lots

27:56

of great base work from Patty.

28:00

body movement and a lot of good

28:02

head movement from side to side. He

28:04

got total coverage. He was

28:06

very, he agreed a lot with Taylor in

28:09

his face. I want to say it was

28:11

dancing. Billy Wilson,

28:14

Prayton Higgins. Billy Wilson, Prayton Higgins

28:16

at the Showdown, I'll tell you that. It

28:19

was pretty, it was pretty sure it was having a party.

28:21

It was pretty much what it was. It was good acting

28:24

in the context of the film as I saw it

28:26

tonight. Oh

28:29

my gosh. You tried to worm

28:31

your way back up to some sort of like,

28:33

you're writing the justification

28:36

to accept it. I

28:38

got it on the

28:40

segment. You committed there,

28:42

bro. You committed big time. Yeah,

28:44

I didn't really, I wasn't really feeling

28:46

that. I felt like, I went in

28:49

steep and interesting. I felt like you better keep going.

28:52

Yeah. Such

29:00

a rich tapestry. I gotta

29:03

say this is certainly gonna be

29:06

one of the more interesting episodes

29:09

of the podcast. Yeah. Yeah.

29:16

It's good to make. I

29:21

have an interesting theory. Could

29:24

be out of my mind. Not just as

29:26

podcast is human

29:28

beings, members of society who are

29:30

able to be given the choice to

29:32

pay tax and participate. No, no, we're going

29:34

straight to jail. No collect guy. No collect

29:37

$200. We're going to jail. It

29:40

turns out I feel bad this episode of

29:42

the podcast is. I don't think the criminal

29:44

offense. I think there's

29:46

been, I, I, it's because no one's ever

29:48

started this bad. I,

29:51

I, um, I

29:53

think there's been some sort

29:55

of, there was an undulating episode,

29:57

some sort of soaring highs. some

30:02

dizzying lows. Usually

30:06

an adjective reserved for hyphens. They

30:08

even have flipped that off to

30:10

tethered cliche in my head and

30:12

made poetry. I didn't deliberately do

30:15

that. That was

30:17

an accident. Oh I know. We all

30:19

know, that was a joke. I was

30:21

struggling for another adjective.

30:24

I can only think one adjective. That's clear. I

30:26

just repeated it. I didn't

30:29

notice. But you

30:31

didn't notice. Do

30:35

you have a shining light separate to everything else you've

30:37

said? Yep.

30:41

Officer Dante and Shaquille

30:43

O'Neal when Officer Dante

30:46

goes to hold Shaq's

30:48

hand after the tie scene. I

30:50

remember you

30:52

when they have a nice touch. That's not

30:54

at the front of the scene. That's background

30:57

action. That's

31:00

obviously a character choice that he's invested in the character

31:02

and he commits to it. Shaquille

31:06

O'Neal reacts organically. Sorry to paint you

31:08

a picture folks. It is as you

31:11

mentioned at

31:15

the back of frame. It's in sharp. It's

31:17

not where your eye is drawn. But

31:19

the shot goes to the two cops and

31:22

Peter Dante is trying to hold the hand

31:24

of Shaq. Shaq's left it

31:26

away. It's left his hand away. It's an interesting dynamic

31:29

to have with your relationship. If

31:33

you could

31:35

see this face. If

31:37

you could see the dancing face

31:40

of Guy Montgomery, it really

31:42

does. Fucking paint a

31:44

picture. That was my shining

31:47

light. Did you

31:49

have one? So many. So

31:51

many to choose from. Can

31:55

I say my favourite bit? Not in

31:58

the movie but of us talking about it. about

32:00

the movie and shit during when it was on. It's

32:02

kind of negative but I'm appreciating the negativity of it

32:04

is when they're at

32:07

the party and they're

32:09

setting the scene of the party for

32:11

ages. This is what I was

32:13

getting into, I was like, okay sweet. So in

32:15

any other movie you kind of need to, you

32:18

were doing establishing shots, right? Like it could be

32:20

less than a second, just a sweeping painting shot

32:22

of what, okay so what's the setup here? I

32:24

mean the house, there's tons of people, it's a

32:26

party, sweet as. And then you get into the

32:28

drama but in grown-ups too they don't do that.

32:30

That what should be like 7 tenths of the

32:33

second is about three

32:35

minutes. There's no furthering of the

32:37

story, there's no drama or tension

32:39

with anyone, it's just people enjoying

32:41

a party that we know

32:43

exist for ages. This

32:46

is constantly setting the scene, the payoff's

32:48

great. What

32:53

is it for that? The

32:56

fight? Yeah I guess you're

32:58

right. I was being facetious. Ah I

33:00

see. Oh yeah, sarcastic. Yeah.

33:03

You're looking at it very suspiciously.

33:06

No, I was just noticing

33:09

I have a dry mouth. It

33:11

was quite a revelation. It was slowly

33:13

registering my mind behind the dead

33:16

eye. Okay,

33:18

well we should probably, probably put a

33:20

bow on this one. It

33:25

was honest, this is like a

33:27

Roype sort of the podcast. Yeah,

33:29

you're seeing into the, look

33:32

past the flesh and seeing your enemies both. This

33:35

is the raw truth of the Matrix. If

33:40

you could read code you would understand where we're at.

33:47

Matrix code, not normal human

33:49

code, cascading, display shit. Alright.

33:53

It's about another month. Thank

33:57

you so much for listening, like us on Facebook. We'll

34:00

be back next week. Ah, before we go, I

34:02

have to mention Luke

34:04

and Sam, we're two people who came up to

34:06

me at a bar and said, hey,

34:09

are you turned bad? Which I was like,

34:11

yep. And I figured,

34:14

because I've got such a terrible memory, they were like someone

34:16

who I'd met, an old friend or something,

34:18

that I momentarily had lapsed in the recording.

34:21

From the worst day of all time, we

34:23

were like, what? They

34:26

were on a date. They recovered. We

34:28

were like, huge fans of your posies. Like,

34:31

what the fuck are you talking about? They

34:33

were like, yeah, yeah. It's like the funniest thing. And the

34:35

guy was like, yeah, it's my favorite day of the week

34:38

when I go to work in this new episode. I put

34:40

it on while I'm working. That's

34:42

freaky, man. Oh my god. We're fucking

34:44

brightening up someone's day, man. Hey, that's

34:46

touching. Oh, that's

34:48

my shining white folks. I wasn't

34:50

in the movie, but it came as an adult of

34:52

the movie. That was very sweet. Yeah.

34:55

Ah, made me feel good. So to

34:58

Luke and Sam, Sam's the girl,

35:00

Luke's the boy. Luke

35:03

and Sam, guess which one's which? I'll give you

35:05

a clue. Luke's the boy. And

35:07

Sam's the girl. All right. That's it

35:10

from us. Please do try the

35:12

prawn salad. Delicious. Delicious. You'll

35:14

absolutely love the prawn salad. We're dressing

35:16

every day. We're driving you out. The

35:18

chef likes to experiment. Everyone's

35:20

been raving about the prawn salad. Between

35:23

you and I? Are

35:25

you prawn salad? Sorry,

35:28

everyone. We're

35:30

going to get a favorite prawn salad, but we're going

35:32

to get another one. For free. We've

35:35

got so much prawn salad. We can't possibly get

35:37

rid of it all. Come

35:40

down and try out 12 prawn salad. It's

35:43

just funny about this. I don't even

35:45

have prawn salad except. Chicken

35:48

salad, I'm familiar with. You get like

35:50

teriyaki-based salad except. Prawn

35:52

salad? I'm not sure. All right. Is it like

35:56

seafood salad? I don't

35:58

know. Anyhow, just let this plug out here. This

36:00

is Hindenburg King. Badly.

36:04

At least some

36:06

people got out of the Hindenburg. Did you know

36:08

that? People on Hindenburg. Did I know that? Dude,

36:12

people walking away from Hindenburg. That's amazing. There's

36:15

hope for us. I don't know

36:17

if he died recently or whatever. And it was like, yeah. He was the

36:19

youngest surviving member of the world. I

36:23

was like, what? He just rode

36:25

it to the ground and demurged. Did you

36:27

see the Hindenburg? You're skilled at uncovering that.

36:29

You know what I mean? There's

36:32

a lot of people who tell you that.

36:35

You know, it's just an interesting story for

36:37

me. I

36:39

don't know what to say about it. Are

36:48

you kidding me? You're

36:51

skilled at uncovering that. You're

36:54

a comedy to survive, second

36:56

to none. I'm

37:01

getting a hero to all of us. Holy

37:03

shit, okay. You didn't get any prags,

37:06

son. I'm just soaring high.

37:09

We're out of here. Thanks for listening. Have

37:18

a good day. I'm

37:21

gonna love you. I'm gonna

37:24

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