Episode Transcript
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preamble edition. You've got both the
1:14
boys. Yeah, it only feels appropriate
1:18
after what I think, I don't
1:20
really know how to describe it. Would you call it
1:22
a seminal piece of podcasting or a seminal piece of
1:25
drug taking? Yes, and.
1:27
Because I think, when I
1:29
was listening to this episode, we're talking about prawn salad, by the way,
1:31
which you've got to look forward to. I was
1:33
thinking about how difficult
1:35
it can be for artists of
1:37
all stripes to capture the experience
1:40
of being on drugs. Yeah. And
1:42
I was listening to this, and not to elevate us,
1:44
but I was thinking, well, one way
1:46
to do it is this, is
1:48
to create whatever it is you're doing on
1:51
drugs. And, you know, it's
1:53
incredible to me to think that we were, you know, umming
1:57
and ahhing about whether or not to squeeze the trigger
1:59
and put this one out into the world. Really? Because
2:02
I was fluttered back with hearing
2:04
it now, because I haven't listened to it
2:06
for a very long time. Hearing it now,
2:09
I was back to, maybe this shouldn't have
2:11
gone. Oh no, I mean I was
2:13
actually surprised. I've never listened to
2:15
it until now. And surprised
2:18
at our ability
2:20
to string several seemingly cohesive
2:23
thoughts together at all. I just thought
2:25
it was like 30 minutes of giggling.
2:27
Yeah. But I've got to say,
2:29
hearing us laughing like that really
2:32
made me want to, whoever bought those, I
2:34
think it was Jane, bought those weed brownies
2:37
over one afternoon. They were muffins. It was,
2:39
it's incredibly unassuming. It was late night and
2:41
I feel like maybe we'd had a party
2:44
at my flat or something and she'd hear
2:46
it from something else and was just like,
2:48
had you guys want these hash
2:50
muffins? They were like, yes. They were
2:52
so perfectly weighted. Honestly, it
2:54
represents to me a high that I'm chasing off
2:56
and if I have an edible where I'm like,
2:59
is this going to make me laugh uncontrollably or
3:01
is this going to give me anxiety? Yeah, yeah,
3:03
yeah. It was perfect. To hear it, I was
3:05
just like, wow. And
3:09
yeah, I just, we had Nick there,
3:11
we were keeping like, can you hear Nick on the
3:13
mic? Yeah, it's so funny to me. Yeah, you can
3:15
hear him all right. And
3:17
also to hear the way we start the episode where
3:21
both of us have sort of lost
3:23
sight of how to talk or how
3:25
we normally talk. I had a flashback
3:27
of some conversations that happened during the
3:29
watch because I remember
3:31
we were trying to sort of recapture
3:33
some conversations, which is just the
3:36
stupidest thing to do when you're
3:38
that high from what we were talking
3:40
about during the record. And
3:42
there was like, we were having
3:45
conversations about teleportation and all of
3:47
this nonsense and trying to
3:49
re-get. Yeah. And I was like,
3:51
okay, so I'll try and bring that up again when
3:53
we get recorded by eight brother. No,
3:56
lay down your tools. Because Eight is not a wick. Me
4:00
in the record and in listen to it
4:02
again you have absolute that at the very
4:04
the run you got the stuff. I mean
4:06
we shouldn't hybrid too much did not rise
4:08
the idealistic say I owe them for people
4:10
around with until that's really awesome. Man.
4:14
Big. Loss on the day. Big. Laughs
4:17
on reflection I not a perfect episode
4:19
by an image via genuine I think
4:21
what I like of as it felt
4:23
earned having sites through the twenty eight
4:25
episodes proceeding the strobe. And I
4:27
also loved that we managed to get
4:29
sick and petty Schwartz off yeah, and
4:32
the face of seemingly insurmountable odds. Your
4:35
I'm I'm in. It's an iconic line New
4:37
Wave. We really do need to put on
4:40
a tissue that his face was das them
4:42
as probably a high point of the as
4:44
high a podcast series for me I can't
4:47
believe I got as soon as I think
4:49
you're holding it together a lot more than
4:51
me, it's the saying. The. Working
4:53
on them A about the
4:56
idea united, following along you
4:58
allowed. To getting. To the
5:00
place for it. Got to visit as into
5:02
a beautiful mind you're watching the equation get
5:04
written down on the board is exactly right
5:06
and what The app? Yeah I'm in a
5:08
spade a spade. So much fun to turn
5:11
revisit the episodes and into do this. We
5:13
did listen to get there but it tickets
5:15
had tame up for. You. Know what?
5:17
Is it? A beach manic episode?
5:19
Us By Than Twilight History? Yeah.
5:21
I'm. He. Has been great. I mean
5:23
I hope we have been overhyped. It's I we have
5:26
been in. It's not a great I mean you know
5:28
and I. Enjoy it for what
5:30
it as as exactly exactly exactly
5:32
I think our our my perception
5:34
is elevated because I'm. Never
5:37
listen to it before. Suddenly
5:39
been sort of very hazy memory
5:41
of my mind. Also love that
5:43
we don't explain. why
5:46
we so good we have it is transparent
5:48
year there was we were playing coy i
5:50
think that this couple years of the podcast
5:52
and let you were high as possible i
5:54
did our thing that plausible deniability with her
5:56
what you were hired your code this immigrant
5:58
know who the hell I
6:02
don't know why we're denying it but like no no
6:04
no no no no no no no no no no
6:06
no no point to where we said it No
6:10
no, unmistakably so so high so
6:12
enjoy that Yeah Because we did
6:15
Absolutely Welcome
6:35
to the worst idea of all time A
6:37
podcast with myself Tim Bat And
6:39
me Guy Montgomery Which is
6:41
now in it's 29th episode
6:44
ever And
6:46
it's a podcast where me and
6:48
Monty watch grown ups too Every
6:51
week for a year once a week And
6:53
then do a podcast about it Yeah And
6:56
here it is Here it is and couldn't be happier to be here
6:58
Tim Very excited,
7:00
very excited to talk about the movie Obviously
7:02
the movie and to which
7:04
I'm referring to is grown ups too Which we've just watched
7:06
for the 29th time And
7:10
in fact I enjoyed
7:12
myself this evening Look it was a
7:14
movie two halves Monty From being
7:16
honest And while
7:18
being a little bit shy on the literal
7:21
thinking well out in the field You go
7:23
to my brute force of
7:26
just throwing a gag at you once every 15 seconds That you
7:28
can't GPM gags per
7:30
minute definitely By the end of the
7:32
game You're so destroying your attention with
7:35
the sheer volume of content It
7:38
is a bit of a thrown at you It's
7:40
such a small, constant amount of
7:42
time You fucking shit spinning
7:44
and they're counting on that That's what they
7:47
were going for Brute force attack onto your
7:49
sex and humour This is sophisticated about the
7:51
play with the weather You just kick, cram
7:53
and gag at them I
7:56
don't want to them fucking wax I
7:58
didn't you got them I'll do you Fucking God.
8:01
They're gonna buy the merchandise, they're gonna buy the
8:04
fucking DVD when it comes out. They'll
8:06
upgrade to Blu-ray when they get themselves a PlayStation
8:08
3. They are buying every
8:11
single movie in the franchise off
8:14
the basis of
8:16
one joke that one of you 10,000 monkeys
8:19
will have to write this joke. They
8:29
win a lot longer than they do with the The
8:55
hell of a get on the you'll
8:59
think that maybe even woke it up and get
9:01
so quiet for a bit and
9:03
then it's like a fucking trains coming
9:05
through a tunnel. The deep gnarling yawn.
9:09
It's quite regal. Aristocratic
9:11
sort of legit. A
9:14
1920s Britain sort of snore. Like
9:18
from a brass. Not
9:20
just from one source but like a quartet. A
9:24
roaring brass quartet sort of
9:26
snore. No, so we
9:28
look for. To
9:31
fuck the best. Sorry,
9:35
I'm closing to my side. You
9:37
may hear so much story. That's
9:40
all that was. That's all I needed to
9:42
say. Oh
9:47
Jesus. Okay.
9:53
What to say. What
9:56
to say. I'm
10:03
just
10:05
a guy at the party in a
10:07
blue shirt that's kind of unbuttoned at
10:09
the top and he's in the background,
10:11
he's a background actor. That's
10:14
a thing, an extra I think they're
10:16
called. A
10:18
background actor. The movie's full of them. I
10:22
got my name for a movie. If we
10:24
call them extras, the union answers, we've heard
10:26
them union right. Background
10:29
actors, okay? And that goes for all
10:31
of our text returns as well. I
10:34
give this a fucking break for
10:37
there. Like we're on a lower
10:39
text right. It's their background, it's
10:42
a different category. They're
10:45
non-unionized. And that
10:47
goes for all the
10:49
franchises, all the other movies, we've gone up
10:52
three, all the merchandise. So
10:57
that guy, which is my
10:59
point to that, he's doing some
11:01
real good background acting. You only
11:03
see him in probably four
11:05
or five shots and that
11:08
thing. But he's reacting to something. I can't
11:10
remember exactly the line. Similarly
11:12
Braden Higgins, David's best son, who's doing some really
11:14
good acting in there. His face
11:16
was telling a thousand stories. It was like
11:18
a body. His face was like the body
11:20
of a dancer that was telling a story
11:22
through dance. His face
11:24
was dancing. Oh my shit. Have
11:33
you thought there was a little bit humorous to
11:35
hear? You
11:37
should have been saying guys,
11:39
fans with the convention, they're
11:42
delivering right up the door
11:44
dancing. The
11:47
fucking lyrical visual
11:50
journey you took me on, forcibly. Oh
11:53
yeah. God, it's just
11:55
in Braden's goddamn dancing face
11:57
gives me a big time.
12:00
Yeah, who couldn't be swayed
12:02
by Braden Higgins? Can't
12:04
be! Alright.
12:12
Neck cut off so lightly by going to
12:14
sleep man. But you can imagine what's going
12:16
through his head right now. Look,
12:20
he is in a room where the normal
12:22
parameters don't get you bringing you back down
12:24
to ground. It's like, well, if a neck
12:27
right now and gravity doesn't exist, it doesn't
12:29
need to be an issue. Because in his
12:31
dream, there's no gravity. That's right. Nothing's a
12:33
problem. Or
12:37
it could go way worse. Like it
12:39
goes either way. Because it's like the
12:41
level of stability we get. But you can't
12:43
just make it up in its side as we all
12:45
see. The
12:48
stability that affords is, you don't have the
12:50
crushing, terrifying loads of like, oh, you
12:53
know how you grow up and thinking
12:55
everything was normal. And then all of
12:57
a sudden the ground turned into a
12:59
dragon. Now... You're
13:04
talking about a song called Do
13:07
Not Understand. Ross!
13:15
You know, like, everything's normal and
13:17
then the ground just turned into
13:19
a dragon. What
13:23
I'm saying is, wouldn't that be so much more terrifying
13:25
than shit that happens for
13:27
us because we're in the real world,
13:29
not in the control. I
13:32
see. So it could go way worse for
13:34
you, is my point. That's
13:36
also true. Thank
13:39
you for considering the point. I
13:42
appreciate it. Very
13:44
well, I keep thinking the movie. What
13:46
did you enjoy
13:48
the film grown-ups do? Guy?
13:55
I enjoy your company, you know. It's
13:58
been a really good... Nice! Oh
14:01
that's good, that's nice. Oh it's... I
14:05
thought it was... Down
14:08
right, hilarious and fashion. Yeah.
14:11
Do you know what Ed and Zendler's gonna do? Because
14:15
he'll release like tons more movies. As
14:18
soon as this podcast comes out, it's
14:21
hilarious. Guy Montgomery
14:23
will be on all the Blu-ray
14:25
comments of Dronaster. And he's
14:28
quoting you. Like now in
14:30
the podcast. I've just quoted him in the movie. I've
14:33
floated it out as bait to Ed and Zendler. I'm like
14:35
Trojan Horse. It's
14:37
sort of all a bunch. No, Trojan
14:39
Horse, right? He'll
14:41
take it. He
14:45
hears the quote out of the car from the
14:47
agent, right? And he just goes, so he's Guy
14:49
Montgomery. Oh he won the fucking Billie T. In
14:52
New Zealand. That's a big thing in Hollywood. Yeah,
14:54
no, I'm good with that. Huge watch, huge honor. So, yeah, I
14:57
don't know why
14:59
I was going for that one. They sneak
15:01
it in there and they put it on
15:03
the posters. Oh yeah, they do. I didn't
15:05
like the movie. And now
15:07
I'm on your poster. In your
15:09
face Ed and Zendler. I
15:12
got you good, you motherfucker. Ah
15:18
shit. Oh damn it, you know what I
15:20
didn't do. What didn't you
15:22
do? Nevermind. Oh
15:25
yeah, there it is. I forgot to put the
15:27
pop shield on the mic. It's okay. Such
15:29
a technical thing, but it makes it sound heaps
15:31
better. Well now, we'll do a
15:33
test to see how the podcast will now be brought
15:35
to you by the pop shield on the mic. How
15:40
long has this been going? Whoa, okay.
15:42
How long has it been going? Only nine
15:44
minutes. Oh, it looks good because we've
15:46
got lots to talk about. We've been on a
15:49
real journey in those nine minutes. That felt like the reason
15:51
I looked out of the car we were talking. I'm
15:55
terrified of the prospect of 25. Oh
15:57
mate. You've got plenty of time.
16:00
Thanks for all the effort you
16:02
take. There
16:05
was a line in the movie which caught our
16:07
attention tonight which
16:09
was Chris Rock when
16:11
Kevin James was about to do Suicide 35 off
16:13
the top rock. 35
16:15
feet above water, my mum did that jump when she
16:17
was pregnant with me. Yeah, we don't even issue it
16:19
with anyone. We've got a bit of water for us
16:21
when you're pregnant, that's fine. That's none
16:23
of our business quite frankly. Yeah, we're not qualified
16:26
to comment on it. Guess
16:28
what, we're white middle class males, we understand where
16:30
we're at and we're not going to comment on
16:32
shit that we're not supposed to. So you know,
16:34
just chill out. Broads.
16:38
What? Um...
16:42
Good point. However...
16:46
I was going in the direction. I
16:48
know, but you weren't mean about it. We were
16:50
just like, yes, yes in the north. And
16:53
then drag back in your point. And
16:56
then drag and teach it without a question to the
16:58
class. Then you put your hand over your face and
17:00
you're like, yes. And also...
17:04
Well, you've seen this fucking ridiculous, but they just don't want
17:06
to like break it. Don't destroy
17:08
the stars. Nick's picking up
17:10
a little bit of noise. I
17:12
don't know if you're giving that on the microphone. It's
17:15
the signs of life. Yeah. Life
17:19
finds a way. That's
17:22
my picture. Life
17:25
finds a way. I
17:28
don't know. No, no, no.
17:32
I edited it like a Brooklyn accent joke. Is
17:34
that for Brooklyn? I
17:36
actually don't mind. It's more like... It's
17:40
not like Brooklyn. It's like neutral,
17:42
crazy American. So it's like
17:44
neutral American. You know how they
17:47
have not too much of an... It's not too
17:49
southern. It's not too West Coast. Neutral American. And
17:52
then just the absurdity turned out by life
17:55
finds a way. That's
17:58
the best one, yeah. having that
18:00
was pretty good I don't honestly I
18:02
can't in my mind conjure the idiosyncrasies
18:04
of Jeff Goldblum speech patterns enough
18:07
to be confident I've not on the fly
18:09
don't you have it embedded in my
18:12
memory say I can't really
18:14
comment into what was sort
18:16
of you know life for her find away
18:20
incredible fuck it no I'm
18:22
abandoning show no
18:25
it doesn't be
18:27
a good bit Chris Rock anyway to Kim
18:30
James about this big jump into the water
18:32
and Chris Rock is like yeah yeah you're the
18:34
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you're fine that's what we just made it
20:00
up because this is real people this shit
20:02
is real so to set up better the
20:05
guys walking up to the cliff to
20:07
jump off suicide city fires and
20:10
they're all kind of cajoling Kevin James
20:12
about jumping in and
20:16
Kevin James I think is making out he's like oh
20:19
he's like I'm scared he's making out that he's
20:21
scared though oh
20:23
no I lost the tip the
20:25
dog shit is it in draft
20:27
no it's not even in draft
20:29
okay well Chris Rock to boost
20:32
them up says fuck okay
20:34
I hope I remember you're
20:36
the hang off the
20:38
rope no you're the rope off the
20:40
tree you're the rope off the tree
20:42
triple flip oh no triple
20:45
bird triple flip bird don't go
20:47
no it's back club
20:49
is in there so barely we've really bought this one
20:51
up guys we're gonna revisit
20:57
that little bit of the movie
21:00
next week we've got the
21:02
creek the corresponding night the
21:04
corresponding night you move
21:06
on okay I'm
21:11
gonna go little sort of the water there
21:13
let me let me do care let me do oh yes
21:16
big big so okay
21:19
so we had a lot of ideas with where
21:21
we could go with the idea is our days
21:23
when we're watching say and one of them was
21:25
that we guy and
21:27
I script a
21:29
dramatic two-hander we're
21:31
we get all of the starting points
21:34
of the scenes from the starting points
21:36
have grown up to scenes and
21:39
so we get the starting point we get that script we act
21:41
that out and then we
21:43
see we're going away as writers can
21:45
take where that would lead I think
21:47
I think we don't Even
21:50
provide the context of the setup. I'd like
21:52
to just do it. Oh My. God. they don't
21:54
even have a ramp into it. Don't you don't
21:57
need a ramp? because it's not that, it's
21:59
just. The same with
22:01
and on the higgs. Got
22:03
ten in just. Broken. Up by.
22:06
The. Slivers of Audi I. From.
22:09
Taken from the movie yeah, let's
22:11
Sexy Wanna stage blacks out and
22:14
we change costumes or assume a
22:16
new positions of. His
22:18
eyes and shield us. Industry secret
22:21
is. Over
22:23
how I would like and you've already had
22:25
behind bicycle with asthma and side by side
22:27
with a some fun with my bring back
22:29
seat of the puppet show. And.
22:34
Deal. With blackout say is a cell
22:36
either secret as of the blackout as
22:38
of the exit they can move around
22:41
freely and assume musicians and educated bicycle
22:43
visitors and using a threat of the
22:45
line is is and uses it as
22:47
a man new had no idea what's
22:50
happening because what one does notices like
22:52
ten was no. Issues
22:54
you lasted killed the light sources for
22:57
know that's it. That's. So
23:00
often the the actors will assume a
23:02
decision and as as result is a
23:05
so dramatic in the who rapes and
23:07
as them a blackout and and your
23:09
build asean him and then dip the
23:12
actors. they could go and change the
23:14
costume the lady for to put on
23:16
a different dress was and that says
23:19
the man. Good food on some funny
23:21
shows and and try to come back
23:23
of an astounding been completely different
23:25
positions and you'd have no idea how
23:28
they got their. Oh
23:30
I'd say it's. took
23:33
over. The magic of
23:35
the blackouts, Blue
23:38
Suit as uses secret boy that we are
23:40
you referring to the stare at the front
23:42
desk. I feel like it's a sense instead
23:44
of the as many of us like in
23:47
the head of them. I live isn't very
23:49
upset. Because if
23:51
it said. Other
23:54
things better for the terrorists, his
23:56
father. ah shit we didn't explain
23:58
the a month ago that. We
24:00
the discretely that was outselling most
24:02
is in Patrick's Your Accomplish your
24:05
bedroom Sure and in Mckellen and
24:07
Extras. When.
24:09
The to him any moment Petty certain
24:11
has. That same. In
24:13
Macau I am different services wasters
24:16
right? And
24:21
I speak and then some. Hello space. but
24:23
it's what was happening. my mind. I
24:26
should have explained that the truth is
24:29
empty. Well the System series they don't
24:31
have. You can hear that actor South
24:33
South the duet. Is
24:36
in the than less to sleep. I.
24:39
Envy him. And.
24:41
His early on comfy money wise up as
24:44
Nico backend his knee who. Live
24:46
On A Live On A Have Hogarth
24:49
commence. namely. Barry. Schwartz
24:51
is bad as well as part
24:53
of their budget. I am I
24:55
the said this is the second
24:57
petty was fi time includes we
24:59
pay homage to the son of
25:01
the tennis heard of him I
25:03
know I'm as the governor because
25:05
he was once the Governor of
25:07
the third largest economy in the
25:09
United States of America that it
25:11
And gentlemen will you please welcome
25:14
to the says his leg different
25:16
frame of mind The father of
25:18
Patrick Swords. The yes
25:20
in a chair height advantage of
25:22
us an idea who these insights
25:24
patron Schwarzenegger or pretty sure he
25:26
has a high messiah they got
25:28
confused Physicist: there are a room
25:30
with a. Group
25:34
of Control if I'm Susan Cooper said
25:36
at. His house.
25:41
On. My
25:48
billie emphasis on God's. Earth.
25:53
Summit of was. the
25:58
scissors to it's by the time Did
26:00
you hear that snort? Oh shit, I just mixed them up.
26:02
I banish them. I like, fucks
26:04
phone roll. What? What? Isn't
26:08
that talking in the sleep? No, no, you just
26:10
did a big snort. We didn't actually get to
26:12
the paddy shorts paddy time. Which,
26:15
for me, we
26:17
can see by the fact that the clock's now
26:19
up to 18 minutes. Look at that, I feel
26:21
like it was at 9 minutes, about a minute.
26:26
I don't think we've covered a whole lot of ground here, dude.
26:28
This is a very distant journey, but a hard run. Like
26:32
we're struggling up a mountain. Fucking
26:34
gradient, we never expected. Oh,
26:39
it is steep, my baby. You're
26:45
not gonna get too far, because it is steep. Oh.
26:51
What? Fuck this. Nick
26:56
has taken a piss without that. I
26:59
don't know, he remains
27:01
as like, awesomely funny as
27:04
sleep. And the end
27:06
of the story's a white. It's
27:08
a great burn. He's like, oh, are
27:11
you guys recording up here? A shit
27:13
burnt down. Fucking brilliant. Fucking
27:16
brilliant. And he'll deny all knowledge when he
27:18
wakes up, but he knows what he's doing. He's
27:20
on fire. He's putting the place up.
27:24
One motherfucker in the house ready to party. My
27:30
page, what's party time on it? Yes,
27:32
sir. As
27:35
I was. Step right up. It
27:39
was his
27:42
background work when Taylor Lautner
27:44
is challenging the grown-up
27:49
on the cliff face. They're like
27:51
wolves, like the young adolescents, snipping
27:53
at the hills. Lots
27:56
of great base work from Patty.
28:00
body movement and a lot of good
28:02
head movement from side to side. He
28:04
got total coverage. He was
28:06
very, he agreed a lot with Taylor in
28:09
his face. I want to say it was
28:11
dancing. Billy Wilson,
28:14
Prayton Higgins. Billy Wilson, Prayton Higgins
28:16
at the Showdown, I'll tell you that. It
28:19
was pretty, it was pretty sure it was having a party.
28:21
It was pretty much what it was. It was good acting
28:24
in the context of the film as I saw it
28:26
tonight. Oh
28:29
my gosh. You tried to worm
28:31
your way back up to some sort of like,
28:33
you're writing the justification
28:36
to accept it. I
28:38
got it on the
28:40
segment. You committed there,
28:42
bro. You committed big time. Yeah,
28:44
I didn't really, I wasn't really feeling
28:46
that. I felt like, I went in
28:49
steep and interesting. I felt like you better keep going.
28:52
Yeah. Such
29:00
a rich tapestry. I gotta
29:03
say this is certainly gonna be
29:06
one of the more interesting episodes
29:09
of the podcast. Yeah. Yeah.
29:16
It's good to make. I
29:21
have an interesting theory. Could
29:24
be out of my mind. Not just as
29:26
podcast is human
29:28
beings, members of society who are
29:30
able to be given the choice to
29:32
pay tax and participate. No, no, we're going
29:34
straight to jail. No collect guy. No collect
29:37
$200. We're going to jail. It
29:40
turns out I feel bad this episode of
29:42
the podcast is. I don't think the criminal
29:44
offense. I think there's
29:46
been, I, I, it's because no one's ever
29:48
started this bad. I,
29:51
I, um, I
29:53
think there's been some sort
29:55
of, there was an undulating episode,
29:57
some sort of soaring highs. some
30:02
dizzying lows. Usually
30:06
an adjective reserved for hyphens. They
30:08
even have flipped that off to
30:10
tethered cliche in my head and
30:12
made poetry. I didn't deliberately do
30:15
that. That was
30:17
an accident. Oh I know. We all
30:19
know, that was a joke. I was
30:21
struggling for another adjective.
30:24
I can only think one adjective. That's clear. I
30:26
just repeated it. I didn't
30:29
notice. But you
30:31
didn't notice. Do
30:35
you have a shining light separate to everything else you've
30:37
said? Yep.
30:41
Officer Dante and Shaquille
30:43
O'Neal when Officer Dante
30:46
goes to hold Shaq's
30:48
hand after the tie scene. I
30:50
remember you
30:52
when they have a nice touch. That's not
30:54
at the front of the scene. That's background
30:57
action. That's
31:00
obviously a character choice that he's invested in the character
31:02
and he commits to it. Shaquille
31:06
O'Neal reacts organically. Sorry to paint you
31:08
a picture folks. It is as you
31:11
mentioned at
31:15
the back of frame. It's in sharp. It's
31:17
not where your eye is drawn. But
31:19
the shot goes to the two cops and
31:22
Peter Dante is trying to hold the hand
31:24
of Shaq. Shaq's left it
31:26
away. It's left his hand away. It's an interesting dynamic
31:29
to have with your relationship. If
31:33
you could
31:35
see this face. If
31:37
you could see the dancing face
31:40
of Guy Montgomery, it really
31:42
does. Fucking paint a
31:44
picture. That was my shining
31:47
light. Did you
31:49
have one? So many. So
31:51
many to choose from. Can
31:55
I say my favourite bit? Not in
31:58
the movie but of us talking about it. about
32:00
the movie and shit during when it was on. It's
32:02
kind of negative but I'm appreciating the negativity of it
32:04
is when they're at
32:07
the party and they're
32:09
setting the scene of the party for
32:11
ages. This is what I was
32:13
getting into, I was like, okay sweet. So in
32:15
any other movie you kind of need to, you
32:18
were doing establishing shots, right? Like it could be
32:20
less than a second, just a sweeping painting shot
32:22
of what, okay so what's the setup here? I
32:24
mean the house, there's tons of people, it's a
32:26
party, sweet as. And then you get into the
32:28
drama but in grown-ups too they don't do that.
32:30
That what should be like 7 tenths of the
32:33
second is about three
32:35
minutes. There's no furthering of the
32:37
story, there's no drama or tension
32:39
with anyone, it's just people enjoying
32:41
a party that we know
32:43
exist for ages. This
32:46
is constantly setting the scene, the payoff's
32:48
great. What
32:53
is it for that? The
32:56
fight? Yeah I guess you're
32:58
right. I was being facetious. Ah I
33:00
see. Oh yeah, sarcastic. Yeah.
33:03
You're looking at it very suspiciously.
33:06
No, I was just noticing
33:09
I have a dry mouth. It
33:11
was quite a revelation. It was slowly
33:13
registering my mind behind the dead
33:16
eye. Okay,
33:18
well we should probably, probably put a
33:20
bow on this one. It
33:25
was honest, this is like a
33:27
Roype sort of the podcast. Yeah,
33:29
you're seeing into the, look
33:32
past the flesh and seeing your enemies both. This
33:35
is the raw truth of the Matrix. If
33:40
you could read code you would understand where we're at.
33:47
Matrix code, not normal human
33:49
code, cascading, display shit. Alright.
33:53
It's about another month. Thank
33:57
you so much for listening, like us on Facebook. We'll
34:00
be back next week. Ah, before we go, I
34:02
have to mention Luke
34:04
and Sam, we're two people who came up to
34:06
me at a bar and said, hey,
34:09
are you turned bad? Which I was like,
34:11
yep. And I figured,
34:14
because I've got such a terrible memory, they were like someone
34:16
who I'd met, an old friend or something,
34:18
that I momentarily had lapsed in the recording.
34:21
From the worst day of all time, we
34:23
were like, what? They
34:26
were on a date. They recovered. We
34:28
were like, huge fans of your posies. Like,
34:31
what the fuck are you talking about? They
34:33
were like, yeah, yeah. It's like the funniest thing. And the
34:35
guy was like, yeah, it's my favorite day of the week
34:38
when I go to work in this new episode. I put
34:40
it on while I'm working. That's
34:42
freaky, man. Oh my god. We're fucking
34:44
brightening up someone's day, man. Hey, that's
34:46
touching. Oh, that's
34:48
my shining white folks. I wasn't
34:50
in the movie, but it came as an adult of
34:52
the movie. That was very sweet. Yeah.
34:55
Ah, made me feel good. So to
34:58
Luke and Sam, Sam's the girl,
35:00
Luke's the boy. Luke
35:03
and Sam, guess which one's which? I'll give you
35:05
a clue. Luke's the boy. And
35:07
Sam's the girl. All right. That's it
35:10
from us. Please do try the
35:12
prawn salad. Delicious. Delicious. You'll
35:14
absolutely love the prawn salad. We're dressing
35:16
every day. We're driving you out. The
35:18
chef likes to experiment. Everyone's
35:20
been raving about the prawn salad. Between
35:23
you and I? Are
35:25
you prawn salad? Sorry,
35:28
everyone. We're
35:30
going to get a favorite prawn salad, but we're going
35:32
to get another one. For free. We've
35:35
got so much prawn salad. We can't possibly get
35:37
rid of it all. Come
35:40
down and try out 12 prawn salad. It's
35:43
just funny about this. I don't even
35:45
have prawn salad except. Chicken
35:48
salad, I'm familiar with. You get like
35:50
teriyaki-based salad except. Prawn
35:52
salad? I'm not sure. All right. Is it like
35:56
seafood salad? I don't
35:58
know. Anyhow, just let this plug out here. This
36:00
is Hindenburg King. Badly.
36:04
At least some
36:06
people got out of the Hindenburg. Did you know
36:08
that? People on Hindenburg. Did I know that? Dude,
36:12
people walking away from Hindenburg. That's amazing. There's
36:15
hope for us. I don't know
36:17
if he died recently or whatever. And it was like, yeah. He was the
36:19
youngest surviving member of the world. I
36:23
was like, what? He just rode
36:25
it to the ground and demurged. Did you
36:27
see the Hindenburg? You're skilled at uncovering that.
36:29
You know what I mean? There's
36:32
a lot of people who tell you that.
36:35
You know, it's just an interesting story for
36:37
me. I
36:39
don't know what to say about it. Are
36:48
you kidding me? You're
36:51
skilled at uncovering that. You're
36:54
a comedy to survive, second
36:56
to none. I'm
37:01
getting a hero to all of us. Holy
37:03
shit, okay. You didn't get any prags,
37:06
son. I'm just soaring high.
37:09
We're out of here. Thanks for listening. Have
37:18
a good day. I'm
37:21
gonna love you. I'm gonna
37:24
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