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1:04

on the home stretch now, episode 46. This

1:06

was a big one for us at the time. We, I

1:10

guess we were still kind of green as

1:12

comedians in New Zealand. And we have

1:14

on to the kings

1:16

of New Zealand comedy, Diahinwood and Josh

1:18

Thompson. And

1:21

I remember not

1:23

being totally present with the movie because

1:25

I was still kind of starstruck these

1:27

guys were at Tim's apartment

1:31

watching grownups too and doing the show. It's

1:39

longer by the standards of the season, 42 minutes. And

1:44

here it is. ["I

1:46

Feel That I'm Orient"] Hello

1:57

and welcome. Hello

2:00

and welcome to the worst idea of all time

2:03

episode 46

2:06

with myself Tim bat and me guy

2:08

Montgomery and this week. We're joined by

2:10

not one but two Yes

2:13

We've got die him would thank you

2:15

very much. Good night, and we've also

2:17

got Josh Thompson. Hey guys Two

2:20

of the funniest people in New Zealand for my money after

2:22

me and guy Yeah, it goes

2:24

third and fourth. This is gonna be

2:26

so hard to coordinate us by talking

2:28

into one microphone guy So let's just

2:30

smash our heads together. This is weird. I

2:33

feel like if you've got nits I've got nits

2:35

now Yeah But having watched this movie with you

2:37

you guys are on the same page now very

2:39

much one mind I want mine and four eyes

2:41

if he's gotten it I want him and if

2:43

I've gotten that he should get him so we

2:45

remain on the same level That's teamwork. It's about

2:47

cooperation communication Josh

2:49

Thompson, can we start with you? What'd

2:53

you think of the movie brah? I didn't like

2:55

it, but I it's an awful boy. I'll tell

2:57

you what I liked it but

3:01

It's an awful movie. It's it's

3:03

really weird like at the end. I was just

3:05

going why What's

3:08

going on? It's just people doing things

3:11

and I don't know what's going on. Okay, that's not the best explanation No,

3:13

that's kind of a good you're

3:15

heading on to Listen, I've

3:18

got a very important priority here and that's that I

3:20

don't want to color your opinion of the movie by

3:22

the one That I've built up over watching it for

3:24

46 times because it's an unread I knew it would

3:26

do a movie you're both to be commended for watching

3:29

this 46 times I appreciate you

3:31

saying that I can't possibly agree, but you

3:33

could have spent that time doing something else

3:37

You mean before it's like strong Tiger

3:40

Woods who says you have to do 10,000

3:42

hours of something and you're the

3:44

guy right blank. Yeah Malcolm. Well. Yeah Yeah,

3:46

oh, yeah, said 10 They'd

3:50

be visually very different people but I

3:52

had the same philosophy The

3:55

thing for you'll be 46 hours

3:57

into becoming a professional golfer Josh Rick

3:59

and we could have built a house by now.

4:01

I reckon he could have built a house, yeah. No,

4:03

I saw, I was next to a McDonald's in

4:06

Japan that got built in 48 hours. Really?

4:08

And I thought, yeah, I don't know, they're just,

4:11

they're coordination. Much like the stunts in this movie.

4:13

Oh, well you tell me more about the stunts

4:15

I would. Well,

4:17

I, Josh has given his,

4:19

um, heartfelt thought. Look

4:22

at this movie. I enjoyed it. I

4:27

must say anything, what I found intriguing

4:29

was starting with the most sane. Right?

4:33

I may throw it, die. There's a moose or

4:35

a deer. It's a deer. What are you, a

4:37

deer? It's a

4:39

skinny moose, isn't it? It's

4:41

quite a bit of an elk. Yeah, you've got

4:43

an elk, you've got a massive deer in the room. It wasn't

4:45

an elk, you can tell by the horns. It

4:48

looks like an elk. No, elks have those, they have

4:50

like wide-brim sort of horns. All right, you think of

4:52

a moose, you think of a moose there? What

4:55

does an elk look like? It looks like this

4:57

thing that's at the start of the movie.

4:59

Yeah, well, a little bit. Yeah, sorry, a

5:01

moose has feltier horns. They say it's a

5:03

deer. They consistently refer to the animal on

5:05

screen as a deer. Okay, you've got a

5:07

day. Go on about it being an elk

5:09

and a moose then. Sorry,

5:11

carry on. It's a deer. Sorry, we're talking

5:14

about the deer. So the deer's in the

5:16

room, you've got no build up, you've got

5:18

nowhere to go. Right, so

5:21

first of all, you'd know the deer

5:23

was in it, you'd smell the deer.

5:26

So in real life, you'd smell a deer.

5:28

I'm going to challenge you on that point,

5:30

brother, because when you're asleep,

5:32

your sense of smell switches off,

5:34

your olfactory functions are rendered moot

5:37

when you're asleep. No, but that's maybe in the

5:39

deep of a sleep, but in the morning, when

5:41

you're still on the fringe of waking up anyway,

5:43

you know, like there's often this bleed in between

5:46

the end of your dream and the beginning of

5:48

the day. If you have a little deer snuffling

5:50

around your snacks next to your bed, the Adam

5:52

Sandler keeps there or... Sigh, no, I'm going to

5:54

stop you there, guys. Thank you, has the joint?

5:56

Salma Hayek is out cold. We know this. She keeps

5:58

trying to get back. to sleep she

6:00

she keeps telling Lenny let me sleep

6:03

she's gone bro if you're out cold

6:05

you're not saying let me sleep she's

6:07

some higher goodness movie is you sent

6:09

a candle type she could see she

6:12

smelled good like what do

6:14

you know good that she smells good her

6:16

room smells good you notice that what it

6:18

was like

6:22

she smells good herself or she

6:24

snips other things that are smells

6:26

good okay her room smells good

6:28

right she wears a lot

6:30

of breathable fabrics in this and so

6:32

she smells good right that yoga mat

6:34

would be a thing of beauty like

6:36

in a koiya candle oh but yeah

6:38

I'm in Japan have your brother all

6:40

I'm saying always that

6:43

with a deer in the room yes you'd

6:45

smell a deer and you've started you know

6:47

it could have upset the very special fragrance

6:49

that she has going on in the room

6:51

at all other times exactly you

6:53

don't know where that deer's been but it's got

6:56

it's man the movie has massive gags that

6:58

some yay or nay funny but they're so

7:00

over the top you've got to laugh at

7:02

what they're trying to achieve like give me

7:04

an example give me two what were your

7:06

top two over the top gags that may

7:08

not have been there like

7:10

over the top regs but oh no well

7:12

they were at run that worked yeah I

7:16

wasn't a fan of the stone

7:18

bus driver next Watson yeah next

7:20

Watson slightly overplayed yet when the

7:22

bloody inflatable raft pops out

7:24

yeah yeah the

7:27

huge massive stunt and then when

7:29

the guy in the fight flies

7:32

over the roof when shacks throws

7:34

them over the roof they're these

7:37

huge stunts and

7:39

even even the changeable table

7:41

oh yeah we've been really talked

7:43

about the changeable time to work out the

7:45

physics of it Josh you were laughing sort

7:47

of it at various different moments in the

7:49

movie with you real meth and yeah can

7:51

you can you walk out through what was

7:53

going on there oh I mean there's

7:56

some funny but I can't remember what they were There

8:00

were some funny bits, there were some funny bits. I really, really laughed

8:02

hard at those. But I really laughed hard

8:04

at the bits that probably didn't work. And

8:07

yeah, and I think I just enjoyed

8:09

them because I kind of imagined being on

8:11

set and the guy

8:13

goes, oh so, hang

8:16

on. So he finishes his line,

8:18

turns at me, and then I

8:20

go, whaa? Is that right?

8:23

And you want me to just, a

8:25

bit higher? Whaa? And

8:27

really hold it. Okay, cool. I

8:29

think I'm good now. Let's go again. Sorry

8:31

team. Sorry, it's taken me a while during

8:33

the day, but I think I've got it.

8:35

Okay, let's go. Let's go. Make it a

8:37

good one. And the funny thing is about

8:39

your observation is that random dude you're talking

8:42

about is an SNL alumni, apparently, to Meadows,

8:44

who's like, legendarily funny. I know. And

8:46

like, that's him. That's him in the

8:48

movie. He nailed the first whaa? And

8:51

they could have reused that first whaa? But

8:54

it got a bit weird.

8:56

Hey, can I just jump back to hashtag

8:58

deer detail? Grab it, yeah, I'd go.

9:00

The bra on the deer's antlers.

9:03

We are in the first minute and a half

9:05

of the movie. No, but it is still there.

9:08

Yes. Maybe 13 hours later

9:10

at the party. That's so we know it's

9:12

the same deer, and not a different one.

9:14

Just in case. But was that when they

9:17

first tried to introduce sexyness in? Because I

9:19

was thinking, why did they put a bra

9:21

on? Okay. A lazy bra.

9:23

It is a raunchy bra. It's

9:26

a pink, see-through bra. It's not

9:28

like some wacky jocks. The movie

9:31

has got a confused, sexual

9:34

tone to it. Because the movie,

9:36

ostensibly, is a family comedy. But.

9:39

It's too much to have women

9:42

like that swinging their boobs around,

9:44

man. It is so intense. I'm sweating now. It's a

9:46

lot of skin. And if I was a few years

9:48

younger, I'd be sweating then. Well, that's

9:50

something we kind of posited during the

9:52

watch between us. If you're a young

9:54

lad about nine to 11 discovering

9:57

your own anatomy, and you've gone to this movie

9:59

with your parents, I'm sure it's happened. That's

10:01

the one in the store,

10:04

you're like, can we buy

10:06

this video so we can all hang out and

10:08

watch the video. Are you asking your parents for

10:10

that kind of material though? Not these days. That's

10:12

fair. How old are you now Josh? Oh I'm

10:14

older now, I'm mid 30s. Yeah.

10:16

So I had an awesome situation

10:19

where my dad was in a

10:21

film where a woman took her

10:23

top off and had her boobs out. Alright. Oh

10:26

we legitimately had the V8. But

10:30

then you're running that fine line of being

10:32

all cubbed up with your dad. Well if

10:34

that's what I was going to say, has

10:36

that led to any interesting kind of maybe

10:38

sexual? No luckily he was in

10:40

the film then he was out of the film. They're

10:42

not in the same way, they're never going to come

10:44

back. They're never at the same time. But there was

10:47

very sexual, but also the policeman cleaning

10:49

each other's nipples where you know the police partner goes,

10:51

can I get in on that? I'm

10:53

going to allow that one on the basis of if you're

10:55

a kid and you kind of don't get what

10:58

nipples do, it's sort of like, oh it's

11:00

silly. You know what I mean? It works

11:02

on a silly level. Yeah, I know. But

11:04

the yoga stuff. We're not having to

11:06

go at these specific people saying

11:08

they're not funny. I just assume that

11:10

they all turn out to work and they have to do

11:13

this crap. And they don't have a choice in the matter

11:15

because they're getting paid money for it to

11:18

sell stuff that came out. And they're like hey,

11:20

whatever the hell it says. That's not how I

11:22

really find it. Now this has got to have

11:24

garnered quite a lot of sponsorship dollars. Okay, this

11:26

is what I'm interested in because very early on

11:28

in the podcast we were talking about the accounting

11:30

practices and the money and that sort of thing.

11:33

So this movie had a budget of $80 million

11:35

and it grossed $230 million. I

11:37

don't know. I think that might just be Box

11:39

Office. Who knows how much? Adam Sandler's company

11:42

made. No, you've got all the phones that

11:44

knock here. No, it's not funny. No, it's

11:46

not funny. No, they're Sony. Sony Ericsson. It's

11:48

a Sony Pictures film. There's also Sony Ericsson.

11:51

There's also Sony Ericsson. Yeah. Two

11:53

brands that no longer exist. Evan James is

11:55

filming the ballet risotto with the Sony

11:57

Handicam. You've only got a Handicam. Well

12:00

yeah, his children aren't actually in the ballet

12:02

recital so it is a little bit worse.

12:05

Really? Yeah and also you both are making

12:07

noises and it's true because that ballet teacher

12:09

is trying to have stuff on stage and

12:11

there's a lot of younger

12:13

women around so very awkward.

12:15

Not younger women, tiny girls. They're like... You're

12:18

like the adult. That's bad. What are they

12:20

trying to achieve? You know when you go

12:22

out as a director for any scene

12:24

you're trying to achieve an emotion from the

12:26

person watching it. What are they trying to

12:29

get to and don't? Guilty arousal I think.

12:31

Crueball, there's eight year olds in the shot.

12:33

Guilty arousal could be a good

12:36

name for this film. Now listen

12:38

I want to catch this next

12:41

bit because we've got something we'd love

12:43

to do with our guests and Guy

12:45

do you want to explain it to them? Oh yeah so

12:47

more or less we'll do a little roleplay. We are

12:49

the executive

12:52

producers. You two have

12:54

penned the script for Grown Ups

12:56

2 and you're pitching

12:58

it to us. We're in the office. You've

13:00

come in. You're money hungry. Unplug

13:06

that mic Josh and plug it back in. There

13:08

we go. Alright so

13:12

in your own time come to the office. Okay.

13:16

Have you guys seen Star Wars? I

13:18

actually haven't. No.

13:21

Okay well there's a very Star Wars themed

13:25

running through this a lot. My name is Mr. Bat. This is Mr. Montgomery. We're

13:30

from the studio. This is my

13:32

cousin. Josh is it? Cousin Dye.

13:34

He's touched. But I'm

13:36

so excited about this film. No you take it

13:38

away. So I've brought him along

13:41

to you know help him see how men

13:43

talk. Okay. Josh is the one

13:46

we need. Alright. Josh let me

13:48

throw it over. Let me take you back in time.

13:51

I'm there. I'm throwing this. Let's harken

13:53

back 30 years to the 80s. Okay.

13:55

We've got big here. Yeah. Bright

13:58

clothes. Oh yeah. Damn

14:00

fine music. Now that

14:03

is part of what we're selling.

14:07

We're taking people back. You take your hope for health

14:09

family and go, look children, that's what I was doing.

14:12

That's a really positive memory for me. Yes.

14:14

Good. So that's really interesting that you've

14:16

got. We've got. I've

14:18

got. Do you guys like black stereotypes? What?

14:25

Sorry, die of that. My

14:27

wife is African American. There's

14:29

an African American wife in this.

14:32

Strong woman characters. Very strong woman

14:34

characters. She's got a

14:37

big honky nose and the thing is,

14:39

the kids like Steve Urkel. You like

14:41

Steve Urkel. Everyone loves Steve Urkel. Fresh

14:44

Steve Urkel. Imagine Steve Urkel and

14:46

Bobby Brown. Okay. Tell

14:48

me more. Tell me more. We've

14:51

got an experience for you where you can take. We've got the

14:53

big four. We've got over 25

14:55

male. We've got over 25

14:57

female and under 25 female. Those

15:02

are our four main demos. That's everybody. I

15:04

guess my main concern at this point in

15:06

the conversation, fellas, and don't get me wrong,

15:09

I'm very excited by this. I love the 80s.

15:11

You've got. I love stereotype. And do family. Is

15:14

there any sort of story to this? I

15:16

mean, what's the thrust? What's

15:18

the hook for my family? Give us the

15:21

characters and show us their journey. The thrust

15:23

is, I don't know if you remember a

15:25

show called Airplane. It's Gags, a movie airplane.

15:27

It's Gags, Gags, Gags. The storyline can take

15:30

a back seat. We want Gags, Gags,

15:32

boobs. Let me make sure I've got you

15:34

right here. Die of it. It's a family

15:36

movie, though. You can't put boobs in a

15:39

family movie. You can't concentrate. You can't follow

15:41

a script while your children are on their

15:43

phones and your wife's cooking

15:46

and you're trying to

15:48

watch a movie. You can't focus on that.

15:50

You need just a constant, Hey, there's something

15:53

happening over here. There's something happening. I just

15:55

want to... That's all you need. But

15:57

Make sure I understand what you're

15:59

suggesting. Film you have to threaten. As

16:02

the next airplane. Yes

16:04

yes what I'm also suggests thing

16:06

as some people. Don't

16:08

like films. They like wrestling so

16:11

we're gonna put. A. Champion Wrestler

16:13

and have you got her you think

16:15

it code stay badly that I speak

16:17

my language. Stone Cold Steve Austin The

16:20

rocks. Hazel wakes in space all buff.

16:22

He's not comedy. This is Stone Cold

16:24

Steve Austin. Soft Assad's say bring then

16:27

move the Higher The had a woman

16:29

and. He. Has say the wrestling fans the

16:31

woman who like a man with a bit of

16:33

lay the why scared about him as the suit

16:35

will win a lot of will is very appealing

16:38

the media hadn't a lot of my view that

16:40

allies the here at Sony by less than of.

16:42

Also sorry before you talk are right before you

16:44

tube. You. Don't have to pony

16:46

up all the money while they with my cayman.

16:49

Dirt. Track on board Those guys The

16:51

hemorrhaging love spinning big I know I

16:53

don't know as I make the drinks

16:55

but Rock Star on board. Another thing

16:57

that will sound. So.

17:01

I love you Affirm and Josh is the

17:03

technical side. Or. Another

17:06

newfound as that. We're.

17:09

Not going to have actors. That.

17:12

You follow in a movie. Was.

17:14

Just got heaps of well known some people

17:16

the ago as the going to seek into

17:18

them ago as the guy from the satellites

17:20

the slightly from has your votes. And.

17:22

Amazing film so reason there will be

17:24

engaged. The whole yes didn't say doing

17:26

different way but on a me some

17:28

what you're saying has at least plot.

17:30

What's that No one knows that's where

17:32

the plots going but we're gonna. we're

17:34

going to make movies. it's gonna hold

17:37

the attention of all. Actually demise under

17:39

another twenty five men. Under Nine

17:41

Twenty Five woman. Why?

17:43

Is he viewed you a this draw

17:45

people in. Whether. From story

17:47

or you draw the men with hot

17:49

the a person the don't despise us,

17:51

we're going the latter. Heard I've heard

17:53

anything about as Yes and Euro Positively

17:55

breath of fresh air. Ah I love

17:57

with this is that an hour on

17:59

Raising. My that how much would you

18:01

like Sixty mil, eighty mil M same level as

18:03

well. I. De

18:06

mille it is. I'm soldiers. Mr.

18:08

Montgomery. What's the you? The As as

18:10

guys. I'm really thought about Islamic that

18:12

I don't see any why this movie

18:14

could go wrong. Swing. Includes

18:18

the road by part of the

18:20

a cast iron. Without it just

18:22

I could work. We were pretty.

18:24

We were pretty sort of flexible.

18:26

Sort of Marley And financially even at least

18:28

who are he had swung from know noted

18:30

definitely years as a clear either as there

18:33

is, my story was even on one Ninety

18:35

one. Haven't I want to drill into this

18:37

Josh? They're like to don't tell me. Take

18:40

me along as the movie when on where

18:42

you were at a Motion Lanes and kind

18:44

of intellectually. So

18:47

we are we. I've been on a dia. this

18:49

a deer amended the Ds. Arnott you

18:51

guys have rat race dear with your hands

18:53

or I have I've had dear on the

18:55

fans. Very dangerous and very diverse animal on

18:58

I have a stairs but they are very

19:00

very strong so maybe maybe dig of susie

19:02

skirts? Doj don't do is get a d

19:04

it comes down to seize you don't touch

19:06

your entire family behind a very dangerous deer

19:08

and a big. House. Because.

19:11

Dynasty children. Were.

19:14

You not read such So you're saying that

19:16

grown up so should not be a tattoo

19:18

gods of baron thing as what is it

19:20

and I got very harmless and then he

19:22

broke his kids league. The amount of advisory

19:24

a failure as someone is brought up decks

19:26

of always wondered about the physics of this

19:28

in the biology. don't put their the A

19:30

run up and or downs the is where

19:32

I didn't think it was Then does it

19:34

stay up the safe as is too small

19:36

for India. While. That's true. Mozilla

19:38

Reagan own that Los de Boer far

19:40

too much blue pint and then had

19:43

to do again so that was switched

19:45

around and on. What What have I

19:47

found that they pull the gags of?

19:49

Amazingly that soda car half with blue

19:51

pine scent. none of that leaking out.

19:54

The. dude doesn't do right by i reckon if i

19:57

went up to my car before i opened the

19:59

door I'd know that it was half full of

20:01

blue paint. He's driven there with it in hasn't

20:03

he? And then he opens the door and it

20:05

all comes out. I never thought about that. The

20:07

guy that you ever considered, the dude's driving around

20:09

in his car with the blue paint. He

20:11

might have, you know, he might have had to walk home the night before

20:13

he did his churchful day at the office. He drank some of that stuff.

20:15

No, no, he went into the office and the kids filled it up in

20:17

the car boat. Well, that's

20:20

right, he walks up to it because it's

20:22

up to school. No, it's the beginning of

20:24

school. Huh, okay. Yeah, it's the beginning and then he

20:26

gets, no, he gets blue painted at the end of

20:28

the day, eh? Yeah, when he's doing

20:30

the announcement over the PA. Now, I pulled

20:33

the old prank at school, taking

20:35

a keg of blue paint into

20:38

the principal ceiling and

20:40

removing the asbestos square quietly enough

20:42

to pour it perfectly over him

20:44

and him going, Ah, every

20:47

year. Every

20:49

year I thought, why doesn't he get

20:52

those trouble markers? Why doesn't he seal

20:54

the ceiling? Yes, because that would really

20:56

ruin every year. I

21:01

mean, and the ridiculous thing is that he's actually wearing,

21:03

you will have heard his favorite shirt. He wears his

21:05

favorite shirt on that last year. That's even 12.

21:07

And if he's knowing that every year they're going to

21:09

pour blue paint on him, why would you wear your

21:11

favorite shirt on the one day? Listen, we've got to

21:13

wrap up this part. He's a bit clean. We've got

21:16

some transportation to catch. Oh, I just wanted to tell

21:18

you, how come he's got a dry shirt after he's

21:20

being pissed on with a deer? I've got to say,

21:22

you two dudes both noticed that. And I have, did

21:25

you even notice that before a guy in the 40s?

21:28

It hadn't occurred to me to think

21:30

about it. Where's the deppist gone, bro?

21:32

It's all over his face. Adam Shammer's

21:34

working his tail off to get that deer

21:36

out of the house. His energy and sort

21:38

of the rate at which his brain and

21:41

heart are going have sort of, they've heated

21:43

him up to the point that any clothes

21:45

that will get on him sort of 10

21:47

seconds prior are now dry. I reckon he

21:49

did. He scotched guard it as t-shirts. I've

21:51

always thought about doing that. You see them,

21:53

that's a capital idea, by the way. Capital

21:57

idea. but

22:00

he didn't do it because they're definitely wet.

22:02

You see, anyway, you sidetrack me, bro. Yeah,

22:05

so where do we want to go to next,

22:07

guy? What's our first destination? I'd ask Josh and

22:09

Di if you could please get aboard the bus.

22:12

You on the bus? Yeah, I'm on the bus. I mean,

22:14

I'm a bit stressed out because who's driving? Bop, bop,

22:16

bop, bop, bop, bop, bop, bop, bop, bop, bop, bop,

22:18

bop, bop, bop, bop, bop, bop, bop, bop, bop, bop,

22:20

bop, bop, bop, bop, bop, bop, bop, bop, bop, bop,

22:22

bop, bop, bop, bop, bop! Do

22:35

you love anime, gaming, movies, and discovering

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24:02

Hey everyone, I'm Craig Robinson,

24:04

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Your home might be worth more than

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how much at airbnb.com/post.

25:01

Thanks again for joining us today. In

25:04

this movie, you may have noticed one of the

25:06

co-stars is Patrick Schwarzenegger's son, who goes by Patrick

25:09

Shriver right now. As far as

25:11

we know, Patrick Schwarzenegger doesn't have a

25:13

son, Arnold Schwarzenegger. Oh yeah, sorry, Arnold

25:15

Schwarzenegger's son, Patrick, I beg your pardon.

25:18

Yeah, no, fair point. So

25:20

what we like to do every week is find

25:22

our favorite part of Patrick Schwarzenegger's

25:25

performance. Do you guys remember him

25:27

being in the film at all?

25:29

I'm thinking I remember Graffiti Cliff.

25:32

It was here around the Graffiti Cliff, eh? He

25:34

was in the main scene. And the quarry,

25:36

he went to a side 35. And

25:39

he gets out with the jocks. Yeah, he was

25:41

wearing a baby blue single with yellow trim. And

25:43

he was the beautiful man. He was beautiful. He

25:45

was beautiful. He had lips,

25:47

like the thing is I noticed. Salma

25:49

Hayek started the movie off with very

25:52

crusty, crusty lips. Like

25:54

they needed some lip balm. And Patrick

25:57

Schwartz gets out of the car. Been

26:00

cruz and and a thought for

26:02

an eye with his dunes odi

26:04

and his lips. Of our.

26:07

Beautiful. Like them, you are

26:09

right about they brought. I've noticed fetish boat

26:11

slips before their. The. Connor Majestic. They

26:14

like to time interiors united have been cooked

26:16

and the have the right taught mess and

26:18

I just before the skin is gonna brightly

26:20

as right to the maximum bird And at

26:22

the beginning of a movie film is Cheerios

26:25

been on the boil for them to. Tell

26:28

my exit I'd sit out of the scared my

26:30

got least our this the how i feel about

26:32

her lapses it's I didn't because otherwise you would

26:35

see which have gone is the reason why I

26:37

think this is seats had so much for me

26:39

as I feel everyone in this movie is overly

26:41

made up. Like. The costume and

26:43

hair and makeup as gone to town would talk

26:46

about out so well let's you can see the

26:48

makeup on everyone united of that was really well

26:50

let really early on which I am project as

26:52

you guys haven't heard the podcast vivid know the

26:54

most the my given my dog or on I'm

26:57

excited that we will not as is beautiful that

26:59

movie but what I'm going to need from either

27:01

one or both of us Yeah yeah the highlight.

27:04

Of. Your pet of Schwarzenegger experience the.

27:07

The. Let's can make up. The.

27:09

One of these awesome. The second time

27:12

is on a A's on a everyone

27:14

soda joker but he is like a

27:16

gazelle. A beautiful lies gazelle. What a

27:18

high school body just glistening through that

27:21

what are we die As A as

27:23

he's been on a workout on the

27:25

rig down at I Gold's gym on

27:27

our on really time bit I've I've

27:29

done the one thousand years or feel

27:32

sorry for the woman he makes loved

27:34

it because. You

27:36

know he'd be like a be like

27:38

a ball of twine. Read a

27:40

but that's wrapped in a beanbag as I

27:42

am I really did suck out yet by

27:44

they may run me through their like the

27:46

thing is it be cuddly but that once

27:48

he tensed eyes night we have any no

27:50

idea of his father. None. None

27:52

other Betty, Milan, or and and land

27:54

around of in been bad as they

27:57

said new labour hot but it's kind

27:59

of Athena lucky. He kind of just looked

28:01

dreamy. Yeah dreamy, like

28:03

a Don Stamen. He wasn't

28:06

stroking me as a very aggressively man. No,

28:08

he hadn't quite come into his own because when this

28:11

movie was shot he was 20 and he's very pretty

28:13

in the movie. Right, right. You've

28:15

seen the lips. And the eyelashes are huge. But I

28:17

tell you what, me and Guy both follow him on

28:19

Twitter. At Patrick, whatever.

28:21

But more importantly at Blay's Pizza. Yeah, he's

28:23

a good guy. And he's looking

28:25

more masculine now. He's got a beard. Yeah,

28:29

he's got, what he, what he, what he, what,

28:31

this is a great pizza joint on Venice Beach,

28:33

guys. I've got to say, if you're in Venice, if

28:36

you're in LA you find yourself hungry. You're hungry but

28:38

you're also in a rush. You've got to get to

28:40

a job interview, alright? Yeah, yeah, yeah. You've got the

28:42

big job interview because you need to make rent or

28:44

you're in your family, you're going to get kicked out

28:46

of your apartment. You've got a job interview because you've

28:48

just been to the greatest movie ever told. And you've

28:51

got to meet with these studios. You can't miss that

28:53

but you've got to meet with Mr. Bat and Mr.

28:55

Montgomery. You've only got about 180 seconds to get yourself

28:57

a snack to eat now. There's this little joint called

28:59

Blaze Pizza. Oh yeah? Yeah, alright.

29:01

What we're talking about. The ingredients are

29:03

hashtag artisanal. In two minutes,

29:05

no, just over two minutes. Three minutes. You've got to order

29:07

it though, surely. You've got to order it though, surely. One

29:10

to go, probably three minutes. 180 seconds. You had

29:12

the order time in there as well. I'm sorry. 180,

29:14

180 seconds. I don't mean to derail the

29:16

podcast. I just had to bring that. We are contractually

29:18

obligated obviously to bring up our Blaze Pizza. Hashtag howdy

29:20

you Blaze. Are they paying us out

29:22

of the wazbaz for this? We are receiving no

29:24

money from Blaze Pizza but we hope to back

29:26

and voice them for all the primer we've done.

29:29

At any rate, we

29:31

need to get into our second destination which

29:33

of course is... ...the

29:35

Steve Buscemi Mystery Tour. We

30:00

tried to forewarn you during the film. I don't know how

30:02

much of it you absorbed. What do you know about it?

30:04

What? So Steve Vucheme got

30:06

an injury in the first grown-ups film, which neither of

30:08

us have seen yet and we have to guess What

30:11

a bong! But the injury was there

30:14

for one seat. He said

30:16

when he was all year boy

30:18

flavor flavor. Yeah, he was far

30:20

because he implied he was injured from

30:23

the arms down What

30:25

really? No, it was more like... Well, does he

30:27

hold the arms up? He held the arms up

30:29

like he's a referee in football or something. I

30:31

thought he was being the goal post. Yeah, no,

30:33

so did I but he said I'm injured from

30:35

the arms down. Yeah, two years of

30:37

this with his arms up in a touch position and

30:39

only 40% feeling in his body. So

30:45

something happened in the first movie. It's

30:48

got to be the deer maybe. Maybe

30:50

he was wearing a Prink

30:53

bra because they went to a cross-dressing

30:55

90s party in the first movie. You're

30:57

on so deep man. And then the

31:00

deer came and whipped his bra off

31:02

and nailed him. And then

31:04

so that's what the bra is always on

31:06

the deer's antler because it's He

31:10

got the deer didn't have a bra when we first saw

31:12

it and I don't condemn

31:14

you for not knowing this after one watch.

31:17

The deer got it from someone

31:19

watching laundry saying which Adam Sandler and his kids

31:21

throw at the deer to try and slow it down.

31:23

I wonder how... The bizarre defence. Well,

31:26

I was assuming there were a few writers. Do

31:28

you know how many writers are in it? Three,

31:30

mate. I think there were three head writers. I don't

31:32

know if Adam Sandler was one of those but he was definitely collaborating. They

31:35

were all former Saturday Night Live

31:37

writers. Right. It's a bold move to start with

31:39

this deer. Okay,

31:41

well maybe it was just the integrity raping he

31:43

got from his agent when he sent the script

31:46

and they said do it. So if I

31:48

had two who? To Steve Bistemi. And

31:51

since I've read this I've got no feeling I'm

31:54

40% of my body but I'm here. I'm

31:58

going with the deer. I

32:00

did not follow the... The Josh

32:03

is a bit leading up to that Josh I felt

32:05

like you weren't entirely on board with dying through although

32:07

I think it's perfectly plausible and reasonable no I

32:09

wasn't making sense of it well what do you I mean what do

32:11

you think caused the injury oh? Hey,

32:14

you said that just dear chords the injury yeah,

32:17

this could work. Yes, where you been Josh?

32:20

Hey, talk about Tom. I thought the dear

32:22

the guy that thought the deer and Steve

32:24

you're saying deer and but Steve is seeing

32:26

me The same actor or something

32:28

at one stage and to make anything so no he

32:30

got hit by the deer in the food I have

32:32

your saying Steve is he was wearing a pink bra

32:35

yeah at a dress-up party And I got a male

32:37

but Rob Schneider is not the only one who was

32:39

in the first movie so was the deer but hang

32:41

on Oh, yeah, Rob Schneider's in the first movie by

32:43

the way that doesn't To

32:45

be honest I met him once I interviewed

32:47

him for 20 minutes. Yeah, he's

32:50

an interesting cat He seems interesting very

32:52

zen But in an intense

32:54

way which is kind of like something that

32:56

is it odds with itself I'm very surprised

32:59

that he isn't in this movie. It screams

33:02

Well some people say there was scheduling

33:04

errors, but we've read maybe there's a

33:07

Rob Schneider part of Adam Sandler stable

33:09

like he Yeah, yeah, yeah,

33:11

yeah, you look at and you look at the Rob Schneider

33:13

movies You look at the animal the hot

33:15

chick Adam Sandler's cameoing in those in the

33:17

same way Rob Schneider's cameo in just bigalow

33:21

I don't know. I don't think he is What's

33:25

your like when you guys watch it with people I?

33:28

Can't imagine What's wrong with

33:31

you, but like I can't imagine like so

33:34

Sometimes I'll have a YouTube clip that I'll particularly like and

33:36

I'll show someone and some people really respond to it really

33:38

well So people won't so what okay? Well,

33:40

yes, do you like the best from the moving

33:42

can't wait till you've let us seize a couple

33:44

of bits You've let us perfectly into the shining

33:46

light the first thing is is that? Guy

33:49

and myself don't have attachment to the film in the

33:51

same way because we're not vouching for it Do

33:54

you know what I mean? We've thrown ourselves into this pit We've

33:56

got to watch it over and over again, but if you put

33:58

on a YouTube video on your phone you like Hey check

34:00

this out, this is awesome. You've got

34:02

investment, you've got stock and then you've got skin in the

34:04

game. We don't have a lot of skin in the game

34:06

here. You guys don't need to love

34:08

the movie. I kind of associate the movie with you

34:11

guys now. Do you? I have this. It's terrifying.

34:13

I see. Is that what we're for car now?

34:15

Is that our career? Z-Dog,

34:18

Z-Dog. You said

34:20

Z-Dog too. Good memory, Guy. Good memory. I said

34:22

someone write that down. I'm gonna bring up the

34:24

Z-Dog thing. Cause someone brought it up on the

34:26

Facebook page. I just wanna say, Braden Haggins, David

34:30

Spied's son, the guy who comes here with

34:32

the switchblade knife. Someone

34:34

refers to him as Z-Dog once and there's

34:36

no explanation leading up to it or after

34:39

or any repeat of that name. So

34:41

I just wanna validate your concerns person who's seen

34:43

the movie once. I

34:45

always feel, I don't know. This might be unfair of

34:47

me, but I always feel like when, you know, you

34:50

take issue with the fact that they haven't referenced Z-Dog

34:52

earlier in the film. I

34:54

mean, you know, we could sit here for 46

34:56

weeks and make complaints

34:59

very similar in

35:01

terms of just like, just laziness.

35:04

I don't know what I'm saying. And in a later way. I

35:06

wonder what was his name. It was a

35:08

Zachary. Braden Haggins. Did you think it was Zachariah?

35:11

Yes. It's not, and I'll

35:13

do it again. To be honest, I didn't pay the best attention. I

35:16

wonder what got cut out of this

35:18

film. Like whether they filmed the whole

35:20

scene of Haggins trying to

35:22

work at the soup shop, right? The soup

35:25

kitchen. The soup kitchen. And then, and

35:27

then the son

35:30

finding out. It suddenly

35:32

gets referenced. And so many lines

35:34

in this film, random

35:37

throwaways, then had this

35:39

huge callback to it. I'll

35:41

throw over to Guy Montgomery to explain

35:44

why that wouldn't be the case. Specifically

35:46

with the soup. V's RV, the soup kitchen.

35:49

So when David Spade first meets his

35:51

son, Braden Haggins at the train station,

35:55

you'll both remember he sort of becomes afraid

35:57

because Braden cut the head off the teddy.

36:00

beer and he tells his

36:02

son because he doesn't want to spend the day

36:04

with him because he's nervous and you would be. He's trying

36:06

to just draw on a switchblade. He

36:08

says, I'd love to hang out. You've got to

36:10

go to school because I'm working late at the

36:13

soup kitchen today. And

36:15

then so Brayden, an obvious lie. Under

36:17

the movies. And unbeknownst to us, Brayden

36:19

actually sort of invests a level of

36:22

trust in that line. And

36:24

then somehow finds out. Yeah, well he finds out because

36:26

when he's down the quarry, you know, he would be

36:28

at the first day of the summit. I mean, everybody

36:30

swamps down the quarry and standing in Connecticut. We know

36:32

this. He sees

36:34

his dad jumping off the cliff. How

36:36

can you be working at the soup

36:38

kitchen? Yeah, see that's when I'm looking

36:40

at your neck is jumping into the

36:42

pool. Yeah, I don't know if this

36:45

is a normal thing that people do

36:48

overseas, but there's a lot of graffiti on that cliff. Yeah,

36:51

man. Yeah. Like the

36:53

entire quarry has been spray painted.

36:55

You're tagging nature. Yeah. Really

36:58

weird. I don't do that

37:00

here, eh Joshy? I don't think so. We don't do

37:02

it as usual. I used to hang out in the

37:04

Mungramob cave out at Piaa. Did you? And there's a

37:06

lot of, not while they were there, like just after

37:08

they'd left just to sort of sniff the vine. Okay.

37:11

But there's like, yeah, out at Piaa, and it's

37:14

closed off now. It's down the north end of

37:16

Piaa. There's a lot of Mungramob graffiti and so

37:18

forth in it. Was it the same? Very

37:21

different scene to the one and then. Was it

37:23

the same level of kind of layering and coverage

37:25

that they had at the quarry? Like it didn't

37:27

look like a perfect graffiti magazine like that cliff

37:29

look. I like them at the Pink

37:32

and White Terraces. Research them.

37:34

They're very similar. Google that. Very

37:37

different clientele however. Do you reckon that was art

37:39

department? Do you reckon they went and painted it?

37:41

No, why? They just, that's location. They found that

37:43

quarry, surely. You reckon? A little bit

37:45

of a column, I had a little bit of a column base. Do you think

37:47

that added to an already existing scenario? If

37:50

there was some on it, they would have said spread

37:52

it out so it matches this thing

37:54

because it was too perfect. For real, it would have been all

37:56

over lapped and there would have been a lot more cock and

37:58

balls on it to be honest. a

38:00

fair and biting justification for

38:02

why. There's something I mentioned while we were

38:05

watching this, and that was that

38:07

every scene seems to have

38:10

talking that phases out, then

38:12

there's a weird gag to get out of the

38:14

scene. Yeah, you mentioned, you articulated something that I've

38:17

always felt watching the movie, but I've never been

38:19

able to express in words, and that the people

38:21

making this film didn't know how to finish, they

38:23

don't know how to end a scene. Yeah. And

38:26

you're so right, that's what it is. At the

38:28

end of every sequence of scene, there's an odd

38:30

little joke that they're trying to launch as a

38:32

catchphrase or a gag, and then you

38:34

simply move on into the next random set of events.

38:37

But they don't use subtext at all,

38:39

because it's like, scene, say what you

38:41

need to in the first sentence, then

38:43

gag, gag. But the soup kitchen thing,

38:45

the dude comes up with, soup

38:47

kitchen my arse or whatever, tattooed on an arse.

38:49

The other thing we didn't bring up is that

38:51

he's a warlock. We don't

38:53

know, that's a theory I came up with once. What

38:57

does it mean? That

38:59

he's like a demon, because

39:02

I posited that he's got quite special powers

39:04

that make him a supernatural being. He looks

39:06

very young. He looks very young. Very young.

39:09

Young for a demon who's over 4,000 years old. Well,

39:11

I think they've got some sort of power of a time, from

39:13

my understanding. You've been

39:15

watching Angel. No, no, no. Did

39:18

you watch Buffy? Were you a Buffy fan, Tom? No. That's

39:20

my genre I can't handle. Oh, really? Zombies,

39:23

vampires, and warlocks and that sort of

39:25

thing. I loved Buffy, and I'm talking

39:27

original run Buffy when it was first

39:29

on the alley, not rerun. So

39:32

what was the movie? The movie. I saw the

39:34

movie. It was originally a movie

39:36

first of all. Yes, and it wasn't Sarah Michelle

39:38

Galler or someone else first, but Sarah Michelle Galler

39:40

took it and made it her own with that

39:43

guy who directed it, who's made amazing movies. I

39:45

read Cormac McCarthy's The Road and cried at the

39:47

end. We've all got stories. Cultural

39:50

touchstone. How'd you explain that? I was

39:52

just going to go with... What's the

39:54

name of it? Yes, Shrava. Shrava.

39:58

Shrava. Um, he... said something

40:00

in it didn't they didn't have two words yeah he's

40:02

still a bit of activity

40:04

so I didn't quite what were

40:06

those words okay so Patty Schwartz's

40:09

lines yeah they're shaking he's

40:11

so my brother's shaking he's so mad

40:13

Taylor Lautner

40:16

says you you've

40:18

ruined what is that you've ruined our celebration

40:20

look at my hands

40:22

they're shaking I'm so mad yeah

40:25

my brother's shaking and

40:27

the rest of it it's a lot of

40:29

mouthwork I think just joining in online some

40:31

trying to scan through the rest of the

40:33

screen we revisit Josh's word

40:36

bumble there imagine that

40:38

Patrick Swayze oh

40:43

it wouldn't surprise me because

40:45

because so many time it

40:48

would would have surprised me if Patrick did

40:50

manage and instead of that weird bass line

40:52

that comes on when he first has an

40:54

appearance it's unchained melody that's starting back it

41:03

almost feels that almost actually feels

41:05

I'm better now even though it

41:08

doesn't reference any cultural things any

41:10

pop culture it feels in the

41:12

vein of a scary movie time

41:14

yeah yeah like a way and

41:16

send up my yeah like it

41:18

feels that it is mocking other

41:20

movies and other cultural cultural touchstone

41:22

I was never occurred to me

41:24

that grown-ups too was was sort

41:27

of taking a swing at any other genre

41:29

we've got to put a pin on this

41:31

there's one one real thing is there's nothing

41:36

to really follow that I didn't I

41:38

didn't know who was meant to be following

41:41

I guess it was Adam Sandler but then I thought it was the big

41:43

guy I don't know

41:45

what happened what this movie wants you

41:47

to say Josh is well

41:50

but what did

41:52

happen what happened to Adam Sandler

41:54

his kid wasn't there something that he woke up

41:57

to someone's yeah what you the question you're asking

41:59

is I think so much bigger

42:01

than you realize. And then we have

42:03

time for it. Because

42:05

what did just happen? Exactly, but

42:08

weekly, every week what just happened, you know? Why

42:12

would you do that? I'm going to throw over to Guy

42:14

Montgomery for a real quick shining light. Oh

42:16

okay, my shining light very early in the film. When

42:21

they do a cross from the Faders

42:23

house to Kevin James house, the first shot they've

42:25

got a stepping shot outside of it before we

42:27

meet Bean, he's struggling with his math homework. There's

42:30

a really cool female

42:32

extra with wrap around shades. She's wearing

42:34

a green singlet and blue jeans. I

42:37

like to think she wasn't hired for the film, she

42:39

was actually walking, maybe did

42:41

mechanics to pick up her car. And

42:43

she was just really rocking it right through that shot. You only get

42:45

to see her for one or two seconds, but she was really hitting

42:48

the straps. Love that. I've for

42:50

my shining light, which is the part of the

42:53

movie we legitimately enjoyed this week, because it can't

42:55

just be a non-stop hate fest in 52 weeks,

42:57

it's ridiculous. There's another extra, background

42:59

extra, it's a male who's in Tanya's

43:01

first appearance at the Ice Cream parlor.

43:07

And he clearly doesn't know he's in a movie or

43:09

how to act in a movie, and I really enjoyed

43:11

the authenticity of that moment. He's just looking around, he

43:13

doesn't know where to focus in, he doesn't

43:15

know what's going on. I've got a little shining light,

43:17

a brief one. There's

43:19

a guy, it's this gag, I

43:21

know out at, we're a holiday,

43:23

guys who pull this gag. It's

43:25

the Ice Cream guy committing

43:28

to the, alright Hollywood, you've

43:31

been in your film, now you

43:33

move back here. He knows he hasn't

43:35

been in any films, he hasn't even

43:37

been working in the entertainment industry, but

43:39

he's always, whoa there Hollywood, whoa there

43:41

California guy. When he vice waters. That's

43:43

how you do it in Hollywood. Yeah,

43:45

it's like wherever you go down south

43:47

and it's okay Auckland, filling

43:49

your gas tank up to full, are you? Oh, okay Auckland.

43:52

Does that touch a wee bit of a

43:54

nerve die as someone who's from

43:56

the heart and heart is still in the

43:58

heart? Well actually I'd have him from Timmy.

44:01

Timaru, I got this in Timaru when I

44:03

was driving through there. Tom's from Timaru. I

44:05

pointed out Tom's from Timaru. I was filling

44:07

my car up at the petrol station and

44:09

the guy was, oh, filling

44:11

it the whole way up. Oh, okay,

44:13

Auckland. And

44:15

it's like, dude, I'm driving the length of the island.

44:17

I'm filling my car up. I love it. I love

44:20

it. But no, it just touched the

44:22

stone with me. That guy, that spoke to you.

44:24

Yeah, and then I lost all credibility for the

44:26

movie when he was shitting out the ice cream.

44:29

Fair call. Mark, here's your highlight. Josh,

44:33

fuck. You don't have to have one of these. No,

44:35

but I really laughed at a whole bunch of

44:37

things. I can't remember what they were. Well, I'll

44:39

tell you what you laughed at, and it's the

44:41

same for Tom Corey. You loved Kid Dynamite. Yeah,

44:44

man. Ooh, that's cold. Yeah, I was imagining that

44:46

I was the age and I could've auditioned for

44:48

it and I could've been that kid from Granite's

44:50

Twitter, that little fuzzy head card. As a parent,

44:53

I found I never used to find

44:55

a character like that funny, yet I

44:57

find it a lot funnier now that I have to have that character.

44:59

That's what we're missing, bro. This is what I find weird. Dad

45:03

humor, I'm not fully

45:05

into it, but I'm understanding it

45:07

now. It's a smoothie for you.

45:10

It's getting close, man. It's getting close to me for

45:13

you. It's getting close. It's the only thing you can

45:15

do, dad. I'm a fucking dad. It's got boobs. It

45:17

seems like a perfect place to put a fire on

45:19

it. No, they play all the things of, oh, you

45:22

never go out anymore, only because it's true, man. You

45:25

end up drinking at kids' parties with people. You're

45:27

a grater. You're hardly even on. You're

45:29

a grater. Tune into episode 47 where

45:31

Guy Montgomery and Tim Beck get some

45:33

women pregnant to appreciate the movie a

45:35

little bit more. This has

45:37

been fabulous having you guys on. Josh Thompson and Dai

45:39

Hemwood, thank you very much. Thank you. Thank

45:42

you very much. I really like the movie. Guy, anything you

45:44

want to close out on? You guys are going to

45:46

go out there and live every moment. Love

45:48

every day. Catch you next week. Bye. Hey

46:09

everyone, Craig Robinson here. I want you

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