Episode Transcript
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0:04
There are No Girls on the Internet. As a production of I Heart
0:06
Radio and Unbossed Creative, I'm
0:12
Bridget Todd, and this is there are no girls on the
0:14
Internet. As
0:17
a woman of a certain age, I've gotten to my fair
0:19
share of weddings over the years. I'm
0:22
also getting married myself, or at
0:24
least I was until COVID and now who
0:26
even knows. But that means
0:28
I have seen no fewer than a dozen wedding
0:30
websites listing outdated wedding
0:32
cliches to avoid things like
0:35
serving drinks in Mason jars, which I'm sorry
0:37
to say, I still think it's kind of charming, A
0:39
sort of a five thousand married adults
0:41
by the Wedding Inbox found that certain
0:43
old fashioned wedding traditions are now falling
0:46
out of favor in our evolving world. Take
0:48
the expectation that a bride's dad will always
0:50
pick up the tab. Not only is
0:52
this totally heteronormative, but
0:54
it's also a norm that a lot of people do not stick
0:57
to anymore. Today, more than
0:59
four out of ten couples share the cost of weddings
1:01
between both families, and take throwing
1:04
rice at the happy couple after the ceremony.
1:06
Even though Snopes found the whole birds, eat
1:09
rice and die thing as a myth, rice
1:11
can be annoying to clean up. So now many
1:13
couples have turned alternatives like blowing bubbles.
1:16
So, just like anything else, wedding traditions
1:18
evolved over the years, which
1:21
brings me to one wedding element
1:23
that definitely needs to be left in the past,
1:26
and that is the plantation wedding. I
1:29
know what you might be thinking, who would actually
1:31
want to have a wedding on a plantation a
1:33
side of brutalization and torture of black
1:35
enslaved people. But I'm from
1:37
the South and I can tell you it happens.
1:40
A list celebrities, Blake Lively and Ryan
1:43
Reynolds had their two thousand and twelve wedding
1:45
at Boone Plantation in South Carolina, the
1:47
filming location for the film The Notebook. It
1:50
was also the site where, according to one record,
1:52
eight five enslaved black people were brutalized
1:55
while being forced to harvest cotton, pecans
1:57
and producing brick. Here's an
1:59
upbeat tour video from the website Southern
2:01
Weekend. It also has
2:04
breathtaking grounds, which are a popular
2:06
wedding venue. And it features a truly
2:08
spectacular home built in the nineteen
2:10
thirties. I mean they could have at least put the music
2:12
in a minor key right now.
2:14
At the time, Blake Lively and Ryan Reynolds
2:17
their wedding got so much positive
2:19
press for being romantic and beautiful.
2:22
Blake Lively and Ryan Reynold's married where the
2:24
notebook was filmed. Us Magazine gushed.
2:26
People Magazine's headline added at
2:28
the couple tied the knot in a super romantic
2:31
location, but now the couple
2:33
regrets it. They've since had another
2:35
ceremony and donated money to the a CP.
2:38
It's impossible to reconcile. What
2:41
we saw at the time was a wedding venue on Pinterest.
2:44
What we saw after was a place built on devastating
2:46
tragedy. Ryan Minnold said in an interview,
2:49
it's no surprise the couple say they fell in
2:51
love with the venue on Pinterest. For
2:53
most people, the first step in planning a wedding
2:56
is searching websites like Pinterest, Zola, and
2:58
Wedding Wire, and up until last year, these
3:00
sites allowed plantations to be advertised on
3:03
their platforms as charming in nostalgic
3:05
landmarks of a genteel, bygone era instead
3:07
of somber reminders of the brutality of
3:10
slavery. That is, until the civil
3:12
rights organization Color of Change stepped in.
3:14
They worked with popular wedding platforms
3:16
like Pinterest, The Not and Wedding
3:18
Wire to develop new guidelines to
3:21
stop the promotion of wedding content that romanticizes
3:23
former slave plantations. And this
3:25
fits squarely within Color of Changes understanding
3:28
that part of making change involves sparking
3:30
cultural shifts in people's minds, in this
3:32
case, getting them to stop thinking about
3:34
slavery from a white centered lens. It's
3:37
worked that Jade to spend her entire young adult
3:39
life getting ready for My name
3:41
is Jade Magnus Ogenaki. I'm the senior
3:44
director of the Media, Culture and Economic
3:46
Justice team at Color of Change. So
3:48
how does one get a job that involves getting wedding
3:50
websites to rethink plantations? First?
3:53
I went to Howard University UM,
3:55
which is, you know, sort of
3:57
like hogbed for discussions
3:59
around political activism and
4:02
black identity. I went to Howard
4:05
UM, and you know, I was at Howard
4:07
during what I call like the Black youth movement
4:09
of the tent. You know, this is when Trayvon
4:11
Martin was killed. It was such a big turning point
4:13
for so many of us UM.
4:16
And this is when you have organizations like I
4:18
P one hundred and Dream Defenders UM
4:22
UH coming to the forefront UM.
4:24
And so I was a founding member of BYP one
4:27
hundred UM. I think, I don't know. I
4:29
was a junior in college, or maybe
4:31
the summer between my junior and senior year
4:34
UM. And immediately after UM,
4:36
I wanted to get an organizing job. And you
4:38
know, quite a few people that I respected
4:41
UM had worked in the labor movement UM.
4:44
And so I went to go work in labor organizing
4:46
low wage workers for two years UM,
4:49
which was you know, the best sort
4:51
of education that you can get UM
4:54
and the strongest organizing training
4:57
possible UM. And you know, I was getting
4:59
married at the end of those two years.
5:01
And with labor you're required to do such a lot of
5:04
travel UM. And so I
5:06
was looking for a job that didn't require as much travel
5:09
UM and had a friend who worked at Color
5:11
of Change. It happened to be UM
5:14
sort of interviewing at the same time I was looking
5:16
for a job, and it fell into place.
5:18
UM. I started Entry Local a Color of Change
5:20
four years ago, UM as a campaign
5:22
manager, and I've been here
5:25
ever since. So you mentioned getting married
5:27
earlier. That was one of the reasons why I wanted to talk to
5:29
you. I happen to know from social media
5:31
that you had a big, beautiful wedding
5:33
not that long ago. Congratulations. Uh
5:35
did you use wedding planning websites
5:37
like Zola and Pinterest And what was that experience
5:40
like for you planning your wedding. I
5:43
got engaged and married actually
5:45
quite young for the
5:48
current modern era that we're in now, UM,
5:50
And so yeah, I was totally overwhelmed. You
5:52
know, first of all, I was quite
5:55
you know, I didn't have a lot of money when I was planning my wedding,
5:57
and so you know, you're looking at all of these wedding
5:59
websites, buying all the magazines,
6:02
listening to all the podcast you know
6:04
about how to plan a wedding. UM.
6:07
And you know, actually, during this
6:09
sort of wedding planning was the
6:11
first time I'd ever heard of a plantation wedding. UM.
6:14
I'm from Los Angeles. We don't
6:17
have relics to American slavery in the
6:19
same way that you might have and like the
6:22
South or the East. Um. And
6:24
I went to college in d C, so you
6:26
know, they're not a ton of plantations in d C,
6:28
although there are some and you know the sort of broader
6:31
DMB area. Um. Yeah,
6:33
that was sort of the first time I had ever kind of seen
6:35
the plantation weddings thing, and I thought it was just,
6:38
you know, above all super duper weird.
6:40
Um. But I know now that it's sort of like a it's
6:43
a cultural touch dome for a lot of people in the
6:45
South. So yeah,
6:48
I grew up in the South. I'm from Virginia and
6:50
I've never attended a wedding on a plantation,
6:53
but I definitely bedn't been invited to them. Um.
6:55
I do think there's this sort of unstated
6:58
norm that, like you, if you're from the health what
7:01
like, it's a thing that happens. I think
7:03
that people don't really question
7:05
it that much. It's just kind of becomes part
7:07
of Southern culture
7:09
and it becomes one of those things that people don't kind
7:12
of making themselves ask any kind
7:14
of critical questions about it, be critical of because
7:16
it's just part of being raised
7:18
in the South. It shouldn't be terribly
7:20
surprising that when some people think of plantations,
7:23
they think of romantic tree line paths, elegant
7:25
porches, and hey, this would be a great
7:27
place for a wedding. We've
7:29
removed these sites so far from their
7:31
actual histories and the legacies of the enslaved
7:34
people who lived and died there, and
7:36
a lot of people in the South grow up not really
7:38
thinking critically about the legacy of slavery
7:40
and the way it's built into the landscape in the
7:42
South. Visiting my parents in Virginia
7:45
involves a drive down a highway still named
7:47
after Jefferson Davis, the former president
7:49
of the Confederacy, and to get to my high
7:51
school, I drove down Monument Avenue every
7:53
single day, line with statutes of Confederate
7:56
soldiers like Roberty Lee and Stonewall Jackson,
7:58
and I never even really have to think about it. Until
8:00
I was an adult, I learned about a sanitized,
8:03
friendly version of slavery and the Civil War.
8:05
And I'm not kidding. Our elementary
8:07
school even had Civil War Day every year
8:10
for all the kids would either dress out as Confederate
8:12
or Union soldiers and recreate
8:14
a march on the schoolyard. Now
8:17
j grew up across the country in California,
8:19
and she grew up learning about the missions outpost
8:22
built by Spain and California in the late seventeen
8:24
hundreds where Indigenous people were forcibly
8:27
relocated from their traditional homes in
8:29
the name of colonialism and Christianity.
8:32
In California, we have like missions which
8:34
who are essentially like torture sites for Native
8:36
American in genious people. Right, And like in
8:39
school you go and visit the missions in third grade
8:42
in Los Angeles Unified School District? Do
8:44
you build a mission? Right? So there are all of these
8:46
sorts of ways that um,
8:49
human atrocities, UM like
8:51
slavery are sort of built into our
8:53
culture, built into our psyche, and you
8:55
know they're so um normalized
8:57
that it's you know, you don't think about it all
9:00
because just something you've grown up with. Yeah,
9:03
it's it's really really interesting. So
9:05
tell me more about how the idea to get wedding websites
9:07
to stop romance assassin plantations became
9:09
a reality. Yeah. So I
9:13
had just come back I had a baby in
9:15
what years at nineteen and so just
9:18
come back from maternity leave, um,
9:21
and was talking to some colleagues. Uh,
9:24
one of our researchers, Issha Ramana
9:26
John UM. You know, I was talking
9:28
about at shared an article I think about plantation
9:30
weddings UM, and so she
9:33
was, you know, she was like, you know what if
9:35
we targeted you know, obviously
9:37
this is something that's not right. You know what if
9:39
we targeted UM wedding planners
9:42
UM. And so you know, thinking
9:45
about like sort of the strategy
9:48
or you know, for like how we can really
9:50
affect change. Right, It's like we
9:53
could target wedding planners UM.
9:55
But there's not necessarily like a wedding planners association,
9:58
you know, that's like mandatory for
10:00
wedding parters to you know, be
10:03
a part of in order to plan weddings. From
10:05
my own experience planning a wedding, I knew
10:07
that sort of like the big engines in
10:09
wedding wedding planning UM,
10:12
where these like UM platforms, a
10:14
lot of them started as magazines,
10:17
print publications and then transitioned
10:19
to UM to online
10:22
digital publications UM.
10:25
And so I sort of I knew already,
10:27
you know, the big ones I knew
10:29
then. I knew Wedding Wire, I knew Zola
10:32
who had you know, begun doing this like
10:34
um uh, quite visible
10:37
publicity campaign on the New York subways at
10:40
the exact same time as this is happening about how
10:42
they're sort of like a non traditional modern wedding
10:44
platform um Martha Stewart's Weddings
10:47
Brides. And so I was like, I
10:49
love the idea around plantation weddings,
10:51
especially because this is something that you
10:53
know, we talked about in black community
10:55
all the time. I'm sure if you search plantation weddings,
10:57
you know on Twitter for the past ten years, there's
11:00
been sort of like cyclical conversations about
11:02
them like how crazy is this? Why is this allowed?
11:04
Etcetera. Um, And so I was
11:07
like, I brought together Easha and I brought together
11:09
our campaign manager at the time, a Monty Brown,
11:11
and was like, let's sit down and let's
11:13
target these wedding website platforms.
11:16
And they are the ones to go after because they're
11:18
the ones, you know, curating this vision
11:21
and this aesthetic around what a wedding
11:23
should be. Implantations are largely
11:25
a really really big part of that aesthetic.
11:27
And you know, the more we sort of went
11:30
into the research, you know, the darker it
11:32
kind of became. Um. So
11:34
yeah, that's sort of how I got started. We you
11:37
know what, we we sent out letters to
11:40
all of the platforms are just named. Um.
11:43
Two of them got back to us, uh,
11:45
the not On Wedding Choir and Pinterest
11:48
and so you know, I think the first meeting
11:50
we had was with Pinterest, with Ifoma Zelma,
11:53
who is an incredible She used to be at
11:55
Pinterest and you know they treated
11:57
her and other black employees really poorly, and
11:59
you know she left quite publicly this
12:01
year, um
12:03
um. And if Fomo, you know, was just such a
12:06
champion of this cause you know, she was like,
12:08
as a black woman, I you
12:10
know, it's not just about my
12:13
job, It's about like what is important for my
12:15
reputation and ethics and this is not
12:17
okay. It's not okay that we pushed
12:19
this sort of plantation aesthetic on the platform.
12:21
And so what they did was they removed
12:24
keywords. Um, you were unable
12:26
to search a list of plantation related
12:29
key words. And then we met with the Knot and Wedding
12:31
Wire and you know that was a longer
12:33
set of conversations. Um
12:36
uh. But you know we also came to sort
12:39
of uh an agreement which
12:41
we developed some guidelines around
12:44
what was able to be put on the website, so you
12:46
know, they agree to no longer feature
12:50
um, you know they'll do like listicles
12:52
or features of weddings. They would no longer
12:54
do original content featuring plantation weddings,
12:56
which I thought was you know, a big deal.
12:59
And the second piece that they did, which I thought was
13:01
really really important,
13:04
was they went they had a team who went through
13:06
the directory and sort of cold
13:08
descriptions. You know, they removed
13:11
words like antebellum, they removed
13:13
towards um that sort
13:15
of played on the history of slavery.
13:17
You know, they're probably the most disturbing
13:20
part of this whole thing is that what
13:23
we found was that, um,
13:25
it's not only that uh, slavery
13:28
was a part of this sort
13:30
of project, right, It's like and
13:32
some of the cabins they would advertise slave
13:36
cabins that had been there since the sevent hundreds,
13:38
And to me, I'm just like, so, why on earth would
13:40
you want to get married, you know, next
13:42
to places where people were beaten and abused
13:44
and tortured and enslaved and sexually
13:47
assaulted. Jade's team
13:49
found that wedding websites used terms like romantic,
13:52
charming and elegant to describe plantations,
13:55
but obviously any romantization
13:57
of plantation life, it's just artifice
14:00
to make it seem more charming and less like
14:02
a torture site, and even weirder,
14:04
like a copy of something that never really existed
14:07
in the first place. Some wedding venues
14:09
in the South were built well after
14:11
slavery ended, but we're designed to look
14:13
like plantations and call themselves plantations
14:16
even though they were never actually working plantations.
14:19
What do you gain from calling your wedding venue
14:22
that never housed enslaved people a plantation?
14:25
And what exactly are you trying to capitalize
14:27
on by using that word to sell
14:29
your venue to prospective couples. BOBBYA.
14:32
Sorrow owned Southern Oaks Plantation in New
14:35
Orleans East. It has never been
14:37
a real plantation, built only in
14:39
the sixties to look like one. The
14:41
lighting, the pillows, the sofas,
14:43
We did all of that to give it a more updated
14:46
look. It just goes to show how deeply
14:49
the marketing around the fantasy of plantations
14:51
and slavery as symbols of nostalgia
14:53
and elegance is intertwined with the American
14:55
South. What we found was there were
14:58
quite a few venue who
15:01
actually had never taken part.
15:03
There had never been you know, enslaved people
15:05
on the grounds. But they were also marketing
15:08
this plantation fantasy, which you know,
15:10
I hadn't realized was such a big part
15:12
of so many American psyche And
15:15
it's this idea that you
15:17
know, in the Antebello himself for the
15:19
Civil War when black people were enslaved,
15:22
this was a great time of gentility
15:24
and grace, right, And so that is the aesthetic
15:26
that these wedding website platforms
15:28
were playing on, and that you know, so many people
15:31
plan um weddings around.
15:33
For me, when I hear about you know, pre
15:36
Civil War, I think of pain, I
15:38
think of great I think of abuse,
15:40
I think of torture. Um. But for a lot
15:42
of people, that's not what they think of. They think
15:44
of a better time um.
15:47
And so that part and that piece was
15:50
you know, it was quite jarring to realize
15:52
that, you know, a lot of what these plantations were doing
15:54
was they were marketing slavery um
15:56
as sort of a draw for a romantic place
15:58
to get married. Um.
16:01
Immediately after, you know, we had an exclusive
16:04
with buzz Feed that came out around uh
16:06
the NA and wedding Wire and pinterest. You
16:09
know, making these big changes would
16:11
have been so interesting. Was that you know, we sent
16:13
when we initially sent a letter to Zola, for example,
16:15
we had sent a list of examples, UM.
16:18
And so I had just happened
16:21
to be checking up on the website, you know, just
16:23
one evening and went to Zola's website
16:25
and they had pulled all of the mentions of plantations
16:27
from the website, but they hadn't
16:30
replied to us at all. And you know, that was a problem
16:32
for a couple of reasons. The number one thing is
16:35
that we're actually not interested at color
16:37
and a color of change and people sort
16:39
of just like pulling things and you
16:41
know, doing like quick fixes. We want people to make
16:43
commitments and change policies and rules
16:45
moving forward. So yeah, it's great
16:47
that you couldn't search plantation at the time that
16:49
I was on Zola's website. But
16:51
the problem actually is is that you
16:54
know, there's no policy around it moving
16:56
forward. So if someone puts if a
16:58
plantation, then you put something up the next day it could
17:00
be featured. UM. And as
17:02
I said earlier, I had was taking the subway
17:05
to work every day and noticing that Zola had these
17:07
all of these ads about how they were so progressive
17:09
and modern and a you know, a
17:11
wedding platform for a new sort
17:14
of partners, and yet they were totally
17:16
you know, they were totally unwilling to make
17:19
you know, they were unwilling to respond to us um
17:22
and make these sort of policy changes, which is just you
17:24
know, a way that things are. You know, companies are so
17:26
incongruent in marketing and the actual policies
17:28
that they enact. Um. And so when
17:30
the BuzzFeed article came out, so I said,
17:33
yes, we're not taking anything down. You know, we're not making
17:35
any policies. You know, we agree that
17:37
this is you know, we agree that people should be able
17:39
to put up whatever they want. A couple
17:41
hours later, the New York Times in an article around
17:43
it, and then that few hours zola
17:45
Um made a commitment in the New York Times
17:48
article to no longer feature them. So you
17:50
know, that was sort of a full circle moment.
17:52
Brides and Martha Stewart's weddings
17:54
also made these commitments as well, um
17:57
to you know, when the articles came out to no longer
17:59
future plantation weddings content. So that
18:01
was a big deal. You know, it was a really
18:03
meaningful moment. It's interesting to see that
18:05
it took that kind of high profile
18:08
public pressure. That's originally they were sort of
18:10
not responsive, but in the New York Times
18:12
right to that they seem to have changed there
18:14
too pretty quickly. You
18:17
know. It just shows you know, what
18:20
we've seen, I think even since the George Floyd protests,
18:22
is that outward communications
18:24
are one thing. What a corporation puts out to the world
18:26
is one thing, and what they do behind the scenes with their
18:28
own employees with the content that they
18:30
push out is a totally different thing. You
18:32
know, we saw so many corporations, you know. Color of Change
18:35
also has a sort of camp ub called Beyond
18:37
the Statement, which is about how we've seen so
18:39
many corporations say, oh, black lives not all
18:41
right. But you know, when you look at their
18:43
companies, they're paying their low wage workers who
18:45
are disproportionately black, you know, ten
18:47
dollars an hour. It just doesn't add up, you know. And
18:50
so for you know, the plantation, weddings content
18:52
um as well as just beyond the statement stuff. It's
18:55
important that black people
18:57
matter in life um as much
18:59
as they matter in death. You know, it's
19:01
important that um our ancestors
19:05
um the pain and the torture that they went
19:07
through is respected, you know, And that
19:09
was a big piece of this plantation weddings campaign
19:11
is that these are sacred sites.
19:14
These are sites where human atrocities
19:16
took place. Planting more
19:19
trees and you know, pointing
19:21
to the beautiful architecture does not change
19:23
the fact that these are places. There's not
19:25
like slavery just happened there. They
19:27
have put the plantations were built
19:29
to how slavery. You know, it's very
19:32
intentional what was happening. Let's
19:34
take a quick break center
19:43
back wedding websites. Not
19:45
romanticizing plantations may seem
19:47
like a small change, but sometimes
19:49
a small concrete action can lead to a wider,
19:52
more meaningful cultural shift and individual
19:54
people's attitudes. And even if
19:56
you've never really thought about why having a wedding
19:58
on a plantation is a a great idea, platforms
20:01
like Pinterest, not romanticizing plantation weddings
20:04
can create a larger shift and how everyone thinks
20:06
about slavery and the way it shows up in our culture. This
20:09
is not new work for Color of Change. In
20:11
addition to more traditional activism around
20:13
social change, they also work to create
20:15
change using popular culture in
20:17
the wake of protest around police killings. For instance,
20:20
they work to have television shows that glorify
20:22
policing as an entertainment device, like
20:25
Cops and Life p D taken off
20:27
the air. You mentioned some of the other
20:29
work that Color of Change is involved in, and
20:31
I like that. In addition to sort of some
20:34
of the more traditional things that we think of in terms of
20:36
demanding accountability, Color of Change
20:38
also tries to create change through leading
20:41
on these cultural things. So you know,
20:43
like the plantation weddings. I guess why
20:45
is that so important in conjunction
20:48
with some of the more traditional ways that you might think
20:50
of as getting justice. Um, also
20:52
pushing forward these cultural changes
20:55
and getting people to sort of rethink their own
20:57
attitudes around how they understand
20:59
and that you know, deal with black
21:01
black both. Yeah. You
21:04
know, culture
21:06
is a really really big piece of
21:09
of Color of Changes in work. It always has
21:11
been, you know, from us sort of like getting
21:13
Glen Beck, um,
21:15
getting Glenbeck Show advertisers to pull out
21:17
years ago to you know, our work
21:19
this year to get Cops in Live p D off the
21:21
air. Um. The culture work
21:23
is is really important and you
21:26
know, black people, uh,
21:28
we are you know, the culture
21:30
creators in this country, right, Um,
21:33
And I you know, I really view our culture work
21:35
as like not only uplifting and centering
21:37
and claiming black culture, which we do through a
21:39
lot in our like Hollywood work and
21:41
our storytelling work, but it's also
21:43
about supplanting like the white centered
21:45
cultural symbols that really harm
21:48
us. You know. Um,
21:50
I'm sure so many of you know this like plantation
21:52
weddings thing leads into like such a larger
21:54
problem, right, which is the way that slavery
21:57
is taught in schools
21:59
and the ways that people think about it. I mean, we had
22:01
a few years ago, um, a
22:03
textbook company you know, put out a textbook
22:06
that said slavery is was essentially
22:08
like compared to being an intern. Right. And
22:10
so because um, the true stripe
22:13
slavery has been neutralized in so many
22:15
ways. Um. You know, I think
22:17
if people were really new in
22:19
detail the sort of things that happened on plantations
22:22
outside of like you know, maybe
22:24
viewing twelve years a slave, you
22:26
know, we're seeing glory, I think
22:28
they would really think twice
22:31
about revering these sorts of symbols,
22:33
you know. Um. Yeah,
22:37
it's the cultural work is incredibly important
22:39
because UM, culture shapes
22:41
policy. Right. And you know, we see the movement
22:44
of the past ten years, you know, as I said,
22:46
the Black youth movement, UM.
22:48
Um, we see how over
22:51
time, you know, black
22:53
organizers and black groups shifted the
22:55
culture where you know, you're
22:57
and it's it is no longer contraver
23:00
or should say black lives matter, right, you couldn't
23:02
say that though, in it
23:04
was quite a controversial thing to say.
23:07
UM. And so we see that culture like you know,
23:09
prime the environment UM
23:12
for you know, the policies
23:14
and changes that need to happen. UM.
23:16
And you know, culture work is also it's important.
23:19
And you know material, you know, the work that
23:21
affects the material conditions also matters a
23:23
whole lot too. UM. And what I
23:25
love about CC is it's not one of the other.
23:27
We're definitely concerned with both and moving
23:29
campaigns on both on both uh,
23:32
in both areas. Definitely.
23:35
Do you feel that the work that you did getting
23:37
these wedding websites touch touch changes the
23:39
way they talk about slavery was a successful,
23:42
um, a successful example of that kind of
23:44
cultural shift that you're describing. Yeah,
23:46
And you know, I think it's also what's so important
23:49
about having you know, black
23:52
leaders, you know, at a at a powerful
23:54
organization. You know, black organizations
23:56
really matter, UM. And this is
23:58
something that we took up because we knew how
24:01
important it was. We you know, so many of us
24:03
maybe have been invited to a wedding UM
24:06
or you know, or been on
24:08
a plantation tour as a
24:10
child, you know, in school and sort
24:12
of felt deeply uncomfortable with the ways that our ancestors
24:14
were disrespected UM and the pain
24:16
and the torture that they went through was not respected
24:19
UM. And so yeah, I think it was
24:22
an incredibly meaningful moment. Did
24:24
the website who changed their policies around plantations
24:26
faced any kind of criticism or blowback. One
24:29
of the most interesting things, honestly
24:31
that I found was that, you know, there was quite a
24:33
bit you know, I think a lot of people love to play
24:35
the devil's advocate and sort of comments on articles
24:37
and things. But when we were talking to the
24:39
not in Wedding wire UMU
24:42
the following January. This all happened in November.
24:44
So talking to them the following January, I
24:47
asked, have you have you all received any
24:49
like blowback or criticism? They said
24:51
none at all. Right, So this none
24:54
no one has said anything wrong. We haven't had
24:56
our inbolx. You know, no one's anything in our inbox.
24:59
It has been a decision that people like totally
25:01
agree makes sense um.
25:04
And so for me that was such like a validating
25:06
moment um. You know, for a lot of
25:08
corporations, don't you know, they make or don't
25:11
make decisions um
25:13
based on perceived what people
25:15
what will people say? Right, and you
25:17
know, they have this idea in their minds sort
25:20
of the same way that you know, UH,
25:22
candidates for office had this idea in their mind
25:24
of like the standard American right, which
25:26
is you know, an extremely white
25:28
conservative person um, when
25:31
the truth of the matter is that you know,
25:33
people have diversity of thought. The past ten years
25:35
has shifted the way that people think um
25:39
around issues of justice, and in such
25:41
a large way that you know, this was sort
25:43
of a needed next step more than
25:46
you know, an earth shaking you
25:48
know, Brown versus Board of Education decision.
25:51
So I read a lot of angry comments saying that
25:53
you all were trying to have plantations destroyed
25:55
or burned down or closed, and
25:57
there's really no truth in that literal
26:00
only we never said that, you know, like that's
26:02
me was the most shocking thing. I'm like, oh my gosh,
26:05
Like we we literally didn't say
26:07
anything to plantations at all. We're not trying
26:09
to. You know. What we have found through talking to
26:11
quite a few black historians and curiators
26:14
who actually work on these plantations is
26:16
what we really need is for federal
26:18
and state governments to invest money um
26:21
in these plantations and and
26:23
keep them as like museums. Right,
26:25
they need to be designated as designated
26:28
as historical places and
26:30
places of note, and so they can get funding
26:32
so that they can be kept open. What we want is for
26:34
people to hear the actual history of what happened. What
26:37
we don't want is someone uh
26:39
dancing a baby got back on
26:41
the grave of it. It's like, you know, that's what
26:44
But we want these we want
26:47
plantations to stay open as as
26:49
memorials to the pain and
26:51
suffering that that the American
26:54
people in the American government, Black Americans.
26:57
That is what we want more after Okay,
26:59
right, let's
27:08
get right back to it. So how
27:10
should we think about plantations still standing
27:12
today? Jade says. Part
27:14
of the process involves reimagining
27:16
our current understanding of how plantations are
27:19
used and the role they should play in our culture
27:21
going forward, and some plantations
27:23
are doing that kind of work already. At
27:25
Belle Mead Plantation in Nashville, tour
27:28
guide Bridget Jones realized the tour
27:30
focused mostly on wineries and the
27:32
lavish weddings that took place there, so
27:34
she left her job, went to grad school to
27:36
get a master's degree, and became the plantations
27:39
first ever director of African American Studies.
27:42
She now works to uncover never before seeing
27:44
histories of the plantation and incorporates
27:46
them into the plantations stores. Once
27:51
I got promoted, I was like, this is the
27:53
moment for the
27:55
snarrative the slaves to really come
27:58
to the full for it now an abs and of
28:00
the kind of government funding Jade was describing
28:02
earlier, a few plantations
28:04
still need to do weddings and events to make
28:06
money to fund the kind of turation work that Bridget
28:09
Jones does a bell Mead. There are
28:11
a lot of black historians on
28:13
plantations who are doing really really incredible work.
28:15
UM. But what we, like I said, what we found from talking to
28:17
them is that UM,
28:20
in order to pay their salaries, a lot of time
28:22
they the plantations do have to be open
28:24
for events right, and so um,
28:27
I would say that's in the minority, right,
28:29
Like, not every plantation is trying to do
28:31
this, like you know, incredible
28:33
truth telling history. That's that's not
28:36
the reality for most of them, But there are a
28:38
few where black historians and curators
28:40
are on the premises and maybe
28:43
you know, in order to to sort of keep the plantation
28:45
open forward to tell this true history, they
28:47
do need to have um, they need
28:49
to have weddings in order to bring
28:51
in income. And this is why reimagining
28:54
the role that plantations plan our culture is so
28:56
important right now, plantations
28:59
santata or at least compartmentalize
29:02
the history of what actually happened on plantations
29:04
in order to appeal to couples looking for a romantic
29:06
wedding venue. And for a small number
29:09
of those plantations like Belle Meade, that
29:11
money goes into paying for curation that
29:13
tells the truth about slavery. But if
29:15
we were able to designate and preserve plantations
29:17
as historical landmarks, they'd be funded
29:19
as such, which means they wouldn't need to rely
29:22
on sanitizing the legacy of slavery
29:24
and the literal song of dance of the wedding
29:26
industry to stay open, we could have a
29:28
real chance at using plantations to properly
29:31
educate people about and memorialize
29:33
slavery. The Whitney
29:35
Plantation and Museum in Louisiana is
29:37
the only plantation in the state with an exclusive
29:40
focus on the lives of enslaved people. Here's
29:43
their current founder, John Cummings. You
29:46
can't rewrite history, but
29:49
we can correct some of the evils of history,
29:53
and the number one tool that we have education.
29:59
They went viral the summer for a social media
30:01
post explaining why they would never hold a wedding,
30:03
writing, our tour has always focused
30:06
on the brutal labor and stolen freedom of those
30:08
that created vast economic wealth for the
30:10
enslaving families. We do not glamorize
30:13
the big house or the grounds. In
30:15
addition to our mission to educate visitors
30:17
and the larger community about slavery and its legacies.
30:20
This is a site of memory and reference.
30:23
So what if that was the popular understanding
30:25
of the role of plantations in today's culture,
30:28
Not whitewashing them and selling them as romantic
30:30
sites of a bygone era for happy couples,
30:33
but an actual place to memorialize and
30:35
come to terms with the true legacy of slavery
30:38
until then, something we can all do
30:40
right now is spend time reflecting
30:42
critically about the ways the legacy of slavery
30:45
shows up in our culture and our lives. We
30:48
saw a very famous couple, Blake
30:50
Lively and Ryan Reynolds. They had a wedding on a
30:52
plantation. They later apologized for it
30:54
and donated money too, I think the
30:56
end of ACP and had a different, smaller
30:58
ceremony later on. What do you say
31:00
to someone who maybe had a plantation
31:02
wedding, maybe they didn't think about the implications
31:05
of doing it. What's what is your like, how
31:07
should they be thinking about their wedding going
31:09
forward or what? What would you tell them?
31:11
Well, first of all, the thing that's so strange about
31:13
the Blake light of your Brian reynoldson is he's Canadian
31:16
and she's from l A. So really
31:18
confused about like why they
31:20
want to have a wedding on a plantation. It's not a cultural
31:23
touchdone for either of them. Um.
31:25
Um, that thing, that piece has always
31:28
really kind of disturbed me, Like need
31:30
of them have ties, you know, to plantations,
31:33
So I thought that was really weird. Um,
31:36
you know, you know, and I
31:38
think reflecting on
31:41
the experience and taking something
31:43
away from it is enough. You know. I
31:45
don't think they need to renounce their wedding or
31:48
burn the photo books, right, Um.
31:50
But I think in general, um,
31:53
transformative reflection. Reflection can be
31:55
really really transformative, and I think undergoing
31:58
that process is import it in I'm not gonna
32:00
say, oh, now, make a donation of color change you
32:02
have the wedding all planet. I mean, it would be nice,
32:05
Uh, but you know that
32:08
that's not what we're looking for. We're looking, you know, we're
32:10
looking for people to really look deeply
32:12
and look inward about the ways that they
32:14
have you know, perpetuated,
32:17
um, the legacy of slavery, you know. And
32:19
that is one way, but there are plenty of other ways.
32:22
Um. You know, maybe you go to it, maybe
32:24
your kid goes to a high school where they
32:26
seeing Dixie. You know, like, these are the
32:28
things to be reflecting on and looking
32:30
for other ways that the legacy of slavery
32:32
shows up in your life, um, in ways
32:34
that maybe not may not be respectful
32:37
or reverential. When Blake
32:39
Lively and Ryan Reynolds first spoke out about
32:41
their wedding with regret, I have
32:43
to admit I was a little skeptical. How
32:45
could they only now be realizing this wasn't
32:47
a respectful thing to do, I wondered. But
32:50
honestly, it's never too late for anyone
32:52
to start thinking critically about the role slavery place
32:54
in our culture and history. Maybe
32:57
as individuals, we can't turn restill
33:00
Standing Plantation into a site for
33:02
respectful education about slavery, but
33:05
we can work to unpack our own roles
33:08
in honoring the legacy of enslaved people that
33:10
our country was built on. Got
33:16
a story about an interesting thing in tech, or just
33:18
want to say hi, You can be just at Hello
33:20
at tangodi dot com. You can also find transcripts
33:22
for today's episode at tangdi dot com.
33:25
There Are No Girls on the Internet was created by me Bridget
33:27
Tod. It's a production of iHeart Radio and
33:29
Unboss creative Jonathan Strickland as
33:31
our executive producer. Terry Harrison is our
33:33
producer and sound engineer. Michael
33:35
Amato is our contributing producer. I'm your
33:37
host, bridget Tod. If you want
33:39
to help us grow, rate and review us on Apple Podcasts.
33:42
For more podcasts from iHeart Radio, check out the
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