Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:00
This Day in a History classic production of My Heart
0:02
Radio.
0:12
Hello, and welcome to This Day in History
0:14
Class, a show that gives a quick
0:17
look. It's something that happened a long
0:19
time ago. Today I'm
0:21
Gabe Lousier and in this episode,
0:24
we're talking about a monumental moment
0:26
in TV history, the launch
0:28
of the world's first all day music
0:30
channel. The
0:38
day was August one.
0:42
MTV went on the air for the first
0:44
time at twelve oh one am.
0:47
It was the first cable channel devoted
0:49
entirely to music videos, which
0:51
had aired around the clock seven.
0:55
That programming concept had been developed
0:57
through a joint venture between Warner
0:59
Commune, Occasions, and American Express.
1:02
The idea was to copy the format
1:05
of Top forty radio stations by
1:07
having on air hosts here known
1:09
as video jockeys or VJs,
1:12
introduced music videos and then
1:14
banter about music related topics
1:16
in between the clips. Not
1:18
many people saw the channel when it first
1:21
launched, as it was originally available
1:23
only to households in certain parts
1:25
of New Jersey. The channel was
1:27
picked up by cable operators in Kansas
1:29
City shortly after its debut, but
1:32
larger markets like New York City and
1:34
Los Angeles didn't carry the channel
1:36
until considerably later. Despite
1:39
that slow start, MTV or
1:42
Music Television went on to shake
1:45
up the entire music industry, driving
1:47
record sales and creating new ways
1:49
for audiences to find and fall
1:52
in love with music. It's
1:54
a little surprising, then, that MTVS
1:57
broadcast began now with a music
1:59
video, but with a countdown played
2:01
over footage from a Space Shuttle launch
2:04
and the Moon Lady. As the footage
2:06
played and the rockets began to blast
2:08
off, a voice announced the channel's
2:11
arrival, saying, quote, Ladies
2:13
and gentlemen, rock and roll.
2:16
At that point, the now iconic MTV
2:18
logo filled the screen and the network's
2:21
original theme song, called Man on the
2:23
Moon began to play. A
2:25
moment later, viewers were introduced
2:27
to Mark Goodman, one of the networks
2:29
first VJs, against
2:31
the background of a studio made up to look
2:34
like a cozy loft style apartment.
2:36
Goodman gave a brief description of the
2:38
channel's concept and what had hoped to
2:40
achieve. Take a listen, this
2:44
is it. Welcome to MTV
2:47
Music Television, the world's first
2:49
twenty four hour stereo video
2:51
music channel. Just moments
2:53
ago, all of the VJs and the crew
2:55
here at MTV collectively hit our
2:57
executive producer su Steinberg over the head
3:00
the bottle of champagne, and behold, a new
3:02
concept is born. The best
3:04
of TV combined with the best of
3:06
radio. Starting right now,
3:09
You'll never look at music the same way again.
3:11
We'll be right back to introduce the other VJs
3:14
and the other folks who are gonna be with us on MTV.
3:17
After a short commercial break, the
3:19
other four VJs introduced themselves.
3:22
Nina Blackwood and j J. Jackson
3:25
both had backgrounds in radio, as
3:27
did Mark Goodman. The other two
3:29
VJs were Alan Hunter, a struggling
3:31
actor and waiter, and Martha Quinn,
3:34
a recent graduate of n y U who
3:36
had worked at the campus radio station. All
3:39
the VJs hoped the gig at MTV
3:42
would be their big break, but some of
3:44
them knew it was a long shot and kept their
3:46
day jobs for several months just in
3:48
case the network fell apart. That
3:51
seemed like a plausible outcome, as
3:53
the channel's success was hardly a sure
3:55
thing. According to MTV studio
3:58
producer Robert Morton, part
4:00
of the problem was that many people didn't
4:02
even know what a music video was, including
4:05
potential investors. And advertisers.
4:08
Music videos had existed in some
4:10
form for more than four decades, but
4:12
they weren't a top priority for artists
4:14
or record companies, as there was no reliable
4:17
way to distribute them. That
4:19
started to change in the late nineteen seventies
4:22
has more established cable channels like HBO
4:25
and USA began to dedicate
4:27
single programs to the airing of music
4:29
videos. However, a channel
4:32
that played nothing but music videos
4:34
was a completely different story, and
4:36
it was tough to get people on board with the concept,
4:40
but the creators of MTV had
4:42
faith in their medium. In fact,
4:44
the first music video ever played
4:46
on the channel was for the Buggles song
4:49
video Killed the Radio Star. The
4:51
track was already two years old at the
4:54
time, but it was a fitting introduction
4:56
to a channel bold enough to believe that
4:58
video really was the of the future.
5:01
If you've never heard the song before, here's
5:03
a taste wine
5:20
We've gone to. After
5:25
its flashy debut, MTV
5:27
struggled to find an audience for its first
5:29
few years. One major hurdle
5:32
was a lack of fresh content. The
5:34
videos that played had been supplied for
5:36
free by savvy record companies who
5:38
had already invested in the medium.
5:41
However, many executives were
5:43
wary of producing new videos
5:45
for the network since it was still an unproven
5:48
model. That left MTV
5:50
with only a small library of videos
5:52
to pull from, reportedly just two
5:55
hundred and fifty or so. Almost
5:57
half of that collection was shown on the channel's
6:00
very first day on the air, with many
6:02
of the videos being played multiple times.
6:05
For example, April Windes Just
6:07
Between You and Me, The Who's You
6:09
Better You Bet? And Phil Collins
6:11
in the Air Tonight, where each played
6:14
five times during the first twenty
6:16
four hours. Luckily
6:18
for music fans and for employees
6:20
of MTV, record companies eventually
6:23
came around to the idea of producing new
6:25
music videos to be played on the channel.
6:28
This change of heart was due to an increase
6:30
in album sales for artists who weren't
6:32
being played on the radio but did air
6:35
videos on MTV. As
6:37
the industry began to realize MTVS
6:39
potential, music promoters invested
6:42
in the creation of increasingly creative
6:44
and elaborate videos to showcase
6:46
their acts. One of the first
6:48
to make a big splash with the public was
6:50
the three video for Michael
6:53
Jackson's hit song Thriller Clocking
6:56
in at nearly fourteen minutes. The
6:58
epic horror themed video boasted
7:00
detailed costumes and special effects,
7:03
and demonstrated the medium storytelling
7:05
potential. It also added some
7:07
much needed diversity to the channels otherwise
7:10
mostly white line up. The
7:12
promotion of artists like Jackson, Madonna,
7:15
Duran, Duran and Prince helped
7:17
keep MTV afloat during its
7:19
early years and also gave the singers
7:21
a nice career boost in the process.
7:24
Another turning point for the network was
7:26
the introduction of its famous slogan, I
7:29
Want my MTV. It
7:31
was first featured in a nine two
7:33
ad campaign and was meant to get
7:35
kids and teens to demand their cable
7:37
providers start carrying the channel. The
7:40
popular commercials featured rock stars
7:42
like David Bowie, Cindy Lauper, Mick
7:45
Jagger, and the Police joining in
7:47
the plea for MTV I
7:52
want my TV, I want
7:54
my MTV, I want
7:56
my MTV on
7:59
compa.
8:00
The ads
8:03
worked well to get the word out, an MTV
8:06
star continued to rise throughout the early
8:08
nineteen eighties. In fact, it
8:10
grew so successful that in the
8:13
network was purchased by Viacom, expanding
8:16
its reach to even more markets. This
8:18
change in ownership led to a shift in content
8:21
as well. Instead of airing a
8:23
grab bag of videos from all different
8:25
genres, the network started packaging
8:28
videos into single genre blocks
8:30
like alternative rock, heavy metal, and
8:32
hip hop. By the late nineteen
8:34
eighties, the network had even expanded
8:37
into non video programming, including
8:39
game shows, animated cartoons,
8:41
award shows, news, and of
8:44
course, reality shows. As
8:46
the years went by, MTV realized
8:49
that it's narrative programming, whether scripted
8:51
or not, earned better ratings than
8:53
its music videos. In response,
8:56
it continued to broaden its focus from
8:58
popular music to you targeted
9:00
pop culture in general. By
9:02
the early twenty one century, this transition
9:05
was all but complete, and viewers
9:07
were hard pressed to find any videos
9:10
in the network's lineup. MTV
9:12
may have strayed from its original mission,
9:15
but it's continued to have a profound effect
9:17
on the cultural landscape, both in the
9:19
US and abroad. In
9:21
that sense, the network has grown beyond
9:24
its original branding as music
9:26
Television. Just don't
9:28
expect the name change anytime soon.
9:31
Without the M It's just TV.
9:35
I'm gay, Bluesier, and hopefully
9:37
you now know a little more about history today
9:40
than you did yesterday. You
9:42
can learn even more about history by following
9:45
us on Twitter, Facebook, and Instagram
9:47
at t d I HC Show,
9:50
and if you have any comments or suggestions, feel
9:53
free to send them my way at this Day
9:55
at iHeart media dot com.
9:57
Thanks to Chandler Mays for producing the show,
10:00
and thanks to you for listening. I'll
10:02
see you back here again tomorrow for another
10:05
day in History class. I'm
10:18
I want my MTV al
10:22
right, I want. I
10:28
won't I MTV
10:31
Wow twenty five hours
10:33
a date on cable TV. I
10:35
wont md MTB. Yeah.
10:37
Too much is never enough
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More