Episode Transcript
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tftimemachine.com/iron filings. Here we go, here
1:03
we go, here we go, here we go. This
1:05
is it. This
1:08
is Top Flight Time Machine. I am Andy Hotbody Dawson,
1:10
pow, pow, pow. I am Sam
1:12
Nifty Delaney, so what? And
1:15
we begin. I
1:17
just said that before we started recording and I liked the
1:19
sound of it. So I thought I'd use it in the
1:21
episode. Begin the podcast. Yeah,
1:23
you think I could catch on? Activate
1:25
podcast record. Something like
1:27
that, yeah. Did
1:31
we ever talk about you getting a
1:33
giant lever? Like, you know,
1:35
that suddenly you push forward. It doesn't
1:38
have to actually be really connected to
1:40
anything. It can just be cosmetic, but
1:42
it would make you feel powerful and
1:45
it would make me and just the whole
1:47
thing seem like really sort of
1:49
pro. Like if you had a handle
1:52
and it was sort of a lever and you just like,
1:54
pushed it forward quite heavy. Like a
1:56
hyperspace, hyperspace kind of thing. in
2:00
Star Wars when they go into
2:02
hyperspace they always on the Millennium
2:04
Vulcan they always shout punch it!
2:08
Don't they punch it!
2:10
The lever's gonna have to have plenty
2:12
of resistance. It
2:15
should be heavy, it's a pneumatic sort
2:18
of system. There's got to be some
2:20
effort to go yeah yeah not like
2:22
power steering yeah yeah part
2:24
of them yeah all right and something
2:26
to think about
2:31
in it. We've got the 14th
2:34
of July 1984 issue of
2:36
Royal the Rovers to look at it is
2:38
of course the Melchester Odyssey Phil I mentioned
2:41
that. Sign please in
2:44
the middle pages they're not they're not giving
2:46
clues anymore you just look at it just
2:48
says to you Liverpool's John Walk. Walkie.
2:53
Great player Scottish player it
2:56
was around for a long time John Walk because it was
2:58
Ipswich then Liverpool then back to Ipswich
3:00
and I think he was still in Liverpool the early
3:02
90s kind of when Grim
3:04
Soonness was there. Nah he went to
3:06
Ipswich because he went he was I
3:10
remember him sort of playing up front for Liverpool
3:12
for a while and then he was a midfielder
3:15
and then I'm pretty sure in his
3:17
second spill at Ipswich he kept going backwards and
3:19
ended up as a sweeper. He
3:22
was a sweeper in the end yeah and what I liked most about
3:24
him. 75 to 84 Ipswich 84 to 88 Liverpool 88
3:30
to 90 Ipswich, 90 to
3:33
91 Middlesbrough, 91 to 97 fucking Ipswich
3:35
again. Fuck
3:38
me. I can't believe that
3:41
in 1997 John
3:43
Walk was still playing in
3:46
the Premier League actually because Ipswich
3:49
I think by that stage were back in
3:51
the Premier League. I can't
3:53
believe that throughout the Britpop era
3:56
the Cafferies era the Hoots era John
3:59
Walk a man sort of almost synonymous
4:01
with the early 80s was still
4:04
active but
4:07
it's nice to think about it. The one
4:09
thing about him is that and we've touched
4:11
upon this many moons ago is that he's
4:13
one of those footballers that you don't get
4:15
anymore, a footballer who looked like a monster.
4:18
He was obviously, he was almost the main
4:20
one. When you think of footballers who look
4:22
like monsters, John Walk is almost like he's
4:25
the benchmark isn't he? John Monster.
4:27
John Monster looked also really
4:29
like my mate Billy Gallagher,
4:32
his old man who was
4:34
a pretty nuts Glaswegian
4:37
really looked like John Walk.
4:41
Most footballers now,
4:43
they're all quite good looking aren't they? You
4:45
don't get many of them. Oh yeah. It's
4:48
weird isn't it? You know what, I tell you that's a
4:50
bit like a monster and I don't mean this in a
4:52
mean way but I think that
4:55
Harland looks a little bit like a sort
4:57
of a monster. I don't think Harland's a
4:59
human because he's a sleepless though. His gait
5:01
is monster like, do you know what I
5:03
mean? Not just his face which is a
5:05
very unique face. I'm not saying he's unattractive,
5:08
I'm just saying it's a unique, it's a
5:10
distinctive, he has distinctive features but it's more
5:12
like, you know he's got that kind of
5:14
lumbering gait. It's like a monster that
5:16
he sort of hunches forward doesn't he when he runs
5:19
and it's like how he runs exactly
5:21
like, if you look at the opening
5:23
titles of Scooby Doo, there's one particular
5:25
monster who chases them across the screen one
5:27
way and then back across the screen the
5:29
other way. Looks
5:31
just like Harland. Look
5:34
at Elle Neesh reference. Yeah. Did you see
5:36
when Harland let his hair down the other way at the end
5:38
of that match? I think they won the league or something. That
5:40
scares me. He looked like Jar Jar Binks. It
5:45
was fucking unsettling. Yeah, he's not
5:47
off as well. But I don't think he's looking
5:49
at some kind of hybrid or
5:52
possibly from the future like prints
5:55
and possibly sparks. Yeah. I think Harland
5:57
could be also a friend. the
6:00
future which is this fine it's legitimate you
6:02
know in the future of cochlear gonna have
6:05
a time machine but if you couldn't yeah
6:07
the ultimate crossover for you just forgot
6:09
to tell you this but you know who
6:11
loves spark Susanna
6:13
hoff's they're from the
6:16
same neighborhood whoa
6:20
I can't be chattering that I've been to
6:22
see sparks didn't I yeah cuz
6:24
she was talking that I've sorted you with a ticket
6:26
she was talking it wasn't your idea imagine
6:30
that I
6:33
still owe you money for that as well
6:35
I didn't sell her that either yeah Andy
6:38
sorted it out who was Andy didn't
6:40
answer that yeah I just remember I
6:42
still having money actually yeah you couldn't
6:44
lend me a bit could you see
6:46
that you must be doing all right
6:48
yourself your fucking husband's and still knocking
6:51
out the blockbuster movies don't
6:54
tell my husband I checked I
6:56
did I checked in because she was talking about the Albert Hall
6:59
and I just chapped in hours at the elbow
7:01
they have day watching sparks I
7:04
love sparks Brentwood
7:06
that's where she's from but not
7:08
in Essex Brentwood California yeah
7:10
the pudding rig should be yeah so we're going
7:13
from John
7:17
walk to Susanna hoff's way of
7:19
weirdly yeah weirdly indeed
7:22
but John walk is 39 when
7:24
you retired legend so
7:28
there you go that's John walk for you
7:30
John walk yeah he looks like what he
7:32
looks like most of all is he looks
7:34
like one
7:38
of the warriors in Braveheart doesn't he
7:41
the mustache the shaggy hair
7:43
the fearsome face you
7:46
will you will want to meet John walk
7:48
on a dark night as they used to
7:50
say they don't say that anymore do they because
7:52
it's got conversations mason mount yeah there's no there's
7:55
no footballer who did so you would want to
7:57
read him down a dark alley They'll...
8:01
sadly not. They don't say that
8:03
about fucking James Madison. You
8:06
might be able to hear Oscar barking in the background. Ah,
8:09
and he stopped. Okay. Ah,
8:12
so yeah, I have my left hand. It's
8:14
the 14th of July 1984 issue of Roy
8:16
the Rovers. We've, uh, fannied
8:18
about far too long. Let's get stuck
8:20
into it. Yeah. It's, uh,
8:22
that K.P. Skips free comics offer
8:25
is still running. But
8:27
of course you need to collect a lot
8:29
of packages of skips and a lot of
8:31
talkings for that. So obviously they're not just
8:33
giving that one week. But,
8:36
um, yeah, anyway, Roy
8:38
suspected that Carford City's brilliant
8:40
midfield player, Carl Hunt, had
8:43
lost his old dynamism, uh, following
8:47
a tackle, which had put another
8:49
player in hospital. But Roy
8:51
himself was in top form
8:53
against Redstoke during a
8:56
six-a-side tournament. And
8:58
there we see Roy, uh, just
9:02
pinging the ball. PING! Oh.
9:05
He's done a back-heeled shot. Yeah,
9:09
but what he's done is... He's
9:12
really... No, he hasn't. No, he's not. It's
9:14
a five-a-side goal and Roy is on the
9:17
edge of the D, which, let's be honest,
9:19
is about five yards away from the goal.
9:21
It's the club you can get, yeah. Fucking
9:23
whacked it. It's like me playing against my
9:25
son, but when my son was four. Do
9:28
you know what I mean? Yeah. When the
9:31
kids are still young and you're fucking pigging
9:33
them in from all sorts of angles, just
9:35
to make yourself feel good. That's what Roy's doing here.
9:39
That clip of Michael Owens scoring that goal against
9:41
the kids. Oh, yeah, with Neville Southall, yeah. Well
9:44
done. He's 13. A
9:49
few people sent us that clip after
9:51
our lording of Neville Southall
9:53
the other day. Did they? Oh,
9:55
good. Have you
9:57
seen this? Sorry. Yes,
10:00
we have. Everyone
10:02
has been offered by what has.
10:07
Ah yeah so that yes could see the
10:09
by the nanny where it's hard to tell
10:11
whether it was wrist. Basilio.
10:14
Not. As much as
10:17
much. Sway. With
10:19
credit said yes right they
10:21
did for to there's no
10:23
hope for read step down
10:25
Another losses Rovers have club
10:27
top of that group. Look
10:30
at Roo have way to celebrate in
10:32
in this makes people. That
10:35
you go wrong you does have
10:37
some of daily to roy. sometimes
10:39
looks really fucking different from one
10:42
place to the next. Never
10:44
thera their remit there were like is
10:46
like the twelve faces of Roy. You.
10:50
Know I'm giant. I knew that A.lie in
10:52
this eat. his body looks different. his face.
10:54
He said he looks like. It's
10:58
not Bruce Forsyth. He suddenly gotten
11:00
enormous protrude in. And
11:03
the behind the buzzing Chinese heads too big
11:05
for his body. It's fucking whiskey. must have
11:07
been pace when he drew this. Him
11:09
if he had like an apprentice who helped
11:11
out from. To. Sort out job
11:13
know our that subsystem business as he
11:16
thought okay watch out to draw idea
11:18
of just try sick. Coffee
11:20
or four months for fans no nos
11:23
are going on Thursday. his the for
11:25
obvious trained as a classic. I'm fucking
11:27
Pine Sol. This is just popped in
11:30
counseling. Probably. Not be
11:32
reduced to it probably. The drink
11:34
have a dog was simple our
11:36
to the Royal Society of our
11:38
schools are are did oil pipe
11:40
is allowable awful I was gonna
11:42
bring the next fourteen Rembrandt a
11:44
more am I. The.
11:46
Next coffin owes a blue did Fred
11:48
Baset while at library was on the
11:50
next one of a bit. of
11:53
not i don't tell you what robbed i
11:55
would as good as it does dogs are
11:57
actually quite out to draw a lot of
11:59
skill as it was the second artist
12:01
thing to draw a basset hound after a
12:03
hand, a human hand is almost impossible to
12:05
draw. And
12:09
I tell you what else is done, a horse and
12:11
that is why if you look back through all the
12:13
back issues a horse will never feature him while the
12:15
rovers because even my professor
12:17
at the Royal Society of Art
12:19
School he said never
12:21
ever whatever you fucking do try
12:23
to draw a horse not if
12:26
you're working for a climb and to deadline. If
12:29
you're in a real one if you're in
12:31
a tight spot you can draw around your
12:33
thumb and that actually does
12:36
look quite like a horse's head. The
12:39
thing about me is I don't even like football, I've
12:41
never ever been to a football match, I just
12:44
draw what I think it looks like and I seem to get
12:46
away with it so it's part of me
12:48
genius I suppose. It's your first
12:50
day, it's your first day, I
12:53
understand that, I understand I'm leaving
12:55
you with a lot of responsibility
12:57
and pressure but the key thing
12:59
is relax, remember what I
13:01
told you. Relax the hand. Relax,
13:04
if in doubt trace, avoid
13:06
horses and
13:08
if you're worried about hands just do
13:11
what I do and draw the character
13:13
with the hands behind his back, you
13:15
see. Over
13:19
the pitch. Yeah Roy does
13:21
look slightly different this way. There's
13:24
a close up of the
13:26
top of the second pitch which is just odd. His
13:30
face gets thin sometimes and then it
13:32
fills out again on the next side.
13:35
The third panel at the top where Roy's
13:37
doing his boot, they're taking his boot off
13:39
and he's just looking down, he looks like,
13:42
fuck knows who he looks like, he looks like a... A
13:46
prize camp. He does look like someone but I can't remember who
13:48
it is. Oh
13:51
never mind. He
13:53
says, hey Roy, what a great
13:56
chance of winning the tournament. So
13:58
why so serious? That's
14:01
how you win tournaments Blackie, serious this.
14:03
Serious this, no fucking about. No funny
14:05
about and win tournaments. He
14:08
said I've just spotted Alec Amor talking
14:11
to Carl Hunt, Blackie. Alec
14:13
Amor it says was the Robress temporary chairman. It's
14:15
been in that job for a while now, for
14:18
temporary. Roy says
14:20
he must have obtained Carford's permission to
14:23
approach him about transfer
14:25
terms. The
14:27
director see Hunt as the
14:29
driving force behind our European
14:31
Cup Winners Cup campaign next
14:33
season. But
14:37
you don't say Roy. Says
14:40
Blackie, perceptive as ever. Not
14:46
at the moment. Despite the way
14:49
Carl is playing in the tournament, I'm
14:51
convinced he's scared to commit himself to
14:53
a full-blooded tackle. So Roy's got
14:55
this theory about Carl Hunt, which Carl
14:58
Hunt is right now disproving
15:00
by the way he's playing football. So
15:03
I don't know where that leaves Roy to be honest. He's
15:06
haunted by what he did to Les Anderson.
15:09
Accident or not? What's
15:12
he suggesting now? It was deliberate.
15:16
And as Roy and Blackie leave this
15:18
six-a-side tournament, which seems to be going
15:20
on for fucking weeks, there's
15:23
a gang of Carford fans all
15:26
shouting, Carl Hunt, Carl Hunt, Carl
15:29
Hunt. I'm
15:31
sick of Carl Hunt. I mean, the whole
15:33
summer is just full of Carl Hunt. It's
15:35
become the Carl Hunt. It's called Roy the
15:37
Rovers, not Carl of the Rovers. It's driving
15:39
me mental. I'm surprised Roy's standing for it
15:42
as well, this focus on another individual. Is
15:45
they going to bring other characters in, like that
15:47
Australian bowler who was his
15:50
fucking nemesis? Or Artie Merrick, who
15:52
was also, I think, from Australia?
15:56
Whenever they interview a Bet
15:58
Noir, it's very off. and
16:00
Aussie, whoever like
16:02
I was, what's the opposite of
16:04
a dignified English man? I'll tell
16:06
you what it is, it's a
16:08
loud, brash and all too often
16:11
drunk Australian yob. Well
16:13
that's how we saw them back then, they were still
16:15
seen as the other, weren't they? The Australians, they hadn't
16:18
infested our culture in neighbours and in
16:20
excess. That's what a traditional Englishman would
16:22
have seen them as, but
16:25
they didn't know any better. And then we got
16:27
neighbours and realised that actually they
16:29
were just like us. They were nice, they
16:31
were a good laugh and all the women
16:33
were bang fit. And then we
16:35
sort of gave them to it. Even Helen Daniels. Even
16:38
what? Even Helen Daniels.
16:40
Oh yeah. Even
16:45
Mrs Mangle. What's happening? Even
16:47
Mrs Mangle. Yeah. You
16:51
know like if you look up
16:53
Mrs Mangle was actually at the
16:55
time when she
16:57
was in her Imperial phase. 36.
16:59
Yeah, she was like much younger than we are now.
17:02
But like you regarded her as like an
17:05
elderly battle axe didn't you? No
17:08
Mangle first appeared in
17:10
1986. Fucking hell she was
17:12
on here for two and a half years. Wow, what
17:14
an impact she had. What an impression she
17:16
left. Yeah, Vivian
17:18
Gray who played Mrs Mangle. Well,
17:24
she was 62. Oh, okay. Okay,
17:27
I got that wrong. I thought it was one of
17:29
those ones. She was like, did you know that Mrs
17:31
Mangle was in fact 20? Yeah.
17:48
That's right. episodes
18:00
without the ads. I'm
19:01
looking now at a list of notable
19:03
people of Kleeathorps as well on the Wikipedia.
19:19
Michelle Detrice who played Frank Spencer's
19:21
wife and some others do. Betty.
19:24
She was a bit fit. Yeah, Betty. I
19:27
am. Patricia Hodge, the actress. Oh, Sheila's
19:29
around here. I see her
19:31
about. Does she? Oh, you wouldn't know she's from Kleeathorps.
19:33
She's very nice and great. Oh, oh no. She's
19:35
fucking very la-di-da. I see her down the
19:38
media half-mate. You're shaking. Yeah. I
19:41
will next time. I'm sorry. I've never heard of
19:43
Kleeathorps. You must have made that mistake. I don't know what you
19:45
mean. I was born in Kensington. I know your fucking words. You've
19:47
mixed me up with someone else, I'm sure. Fucking hell. I'm
19:50
not a fan of Kleeathorps. I'm not a fan of Kleeathorps. I'm not a
19:52
fan of Kleeathorps. Yeah,
20:01
that's pretty much it. You know the
20:03
woman who plays Betty from Some
20:06
Mothers Do Have Them? My
20:08
family, one of the many things that
20:10
they tease me relentlessly about in my
20:13
house is that I'm
20:15
always getting words and names incorrect.
20:18
Like really basic level stuff but
20:20
they absolutely find it hilarious. It's
20:22
not funny. Like just little things
20:25
like I keep calling this show we like Race
20:27
Across the World. I call it Race Against the
20:29
World. I don't know why, it just comes
20:31
out of the way and people find that very funny.
20:34
A lot of it goes back to that
20:36
time when I thought the wifi password at
20:38
that hotel was Uncle Harrington which
20:41
I do admit was quite funny. Do you remember
20:43
that? Uncle Harrington and
20:45
they always bring everything back to that
20:47
now. Right, they go, oh he's done
20:50
another Uncle Harrington. Right. I
20:54
mean that was funny because the actual
20:56
password had no relation to that whatsoever.
20:58
I still don't know where the term
21:00
Uncle Harrington came from. But
21:02
I was telling, I don't
21:04
know, Len about Some Mothers Do Have Them
21:06
and how it was really funny. One
21:09
of them. I don't know who it was.
21:12
My wife was overhearing this and
21:15
I was going, yeah he was really funny.
21:17
He was explaining some of his stuff. It's
21:19
about a fucking idiot. It's about an idiot
21:21
who was always breaking everything in his house,
21:23
that's it. And
21:26
he wore a beret and a map, no one
21:28
knew why. He was a fucking
21:30
clown and his wife
21:33
was surprisingly attractive and extremely
21:35
tolerant. And his cat's
21:37
rays, his cat's rays, his
21:39
wife was caught. He goes, what was his wife
21:41
called? And I don't know why I said it
21:44
but I said Wendy. And
21:48
then Anna overheard this, my wife overheard it and
21:50
she went, oh yeah, what was his cat's face
21:52
then? Because she'd heard me say Wendy.
21:54
And I went, oh it was, ooh
21:57
Wendy. And only when
21:59
I see it. Did I
22:01
realise how silly I had been?
22:03
Ooh Wendy just doesn't trip off the ton
22:05
like Oobetty does it? No,
22:08
it doesn't. I might get t-shirts printed
22:10
with Frank Spencer's face in the speech
22:12
rubble saying ooh Wendy. Ooh
22:14
Wendy. And Michelle Dutrice is actually
22:16
a widow as well. She was
22:19
famously married to Edward Woodward of
22:21
the equalizer. Edward Woodward, the
22:23
man whose name sounds like doing a fart
22:25
in the bath. Yeah.
22:29
Edward Woodward? Pffft.
22:33
Please let's return to the right of the room. No we
22:35
don't like fart chat but Edward
22:37
Woodward being dead to shame isn't it? The
22:39
equalizer was good, my dude equalizer films are
22:42
even better. Yeah
22:45
he was f-f-fucking hell he was 79 when
22:47
he died though so you know. Had
22:50
a good run. You've done alright for himself. Alright
22:54
so yeah Carl
22:58
Hunt is addressing the Carford fans
23:01
and Royce
23:04
says hello Blackie says there anyway he
23:07
may have turned down Alex Offer. Why
23:09
would he turn down Alex Offer? Why would he turn
23:12
down the chance to come to Melchester? Blackie
23:14
says come by Blackie I'll check it out
23:16
with the chairman tomorrow. No
23:19
I should leave it till tomorrow you know you could
23:22
ring him tonight but don't. As
23:24
Roy headed for Alex home the next day always doing it
23:26
face to face. Fucking
23:29
hell. Darn it I clean forgot. We're
23:32
signing young Mark Butler this morning there's
23:34
a photo session at the stadium. What
23:37
who? Mark Butler? Who?
23:41
Roy appears
23:43
once at the pitch as Mark Butler
23:45
in an all yellow Melchester away kit.
23:47
Doing some keep the uppies for the
23:49
sort of gentleman of the press. And
23:53
who's that? Is that Ben Galloway? Is Ben
23:55
Galloway still there? Yeah he is isn't he? I think
23:57
that's Ben Galloway. And he says ah he is Roy.
24:00
Here's Roy ladies and gentlemen, we can get started now. Roy
24:03
doesn't like to get started until he's here.
24:06
Yeah. The last time I- You can start taking
24:08
your photographs now. Roy wants it
24:10
to be very clear that my role
24:13
here is entirely cosmetic and
24:15
that he is the real puller of strings and
24:17
I'm happy to admit that. The
24:20
last time I started a press conference
24:22
before he arrived, he later that day,
24:24
and this is classic Roy, he's such
24:26
a joker, he locked me in a
24:28
station recoupled and I don't mean a
24:30
station recoupled like a rum, I mean
24:32
an actual cabinet, very small dimensions. He
24:34
locked me in there for six
24:36
hours and I was boiling, I
24:39
was so hot that I passed out and
24:41
I also unfortunately
24:43
urinated in my
24:45
suit trousers. But that's
24:48
Roy, he's a stickler and
24:50
he loves a practical joke so I won't
24:52
be making that mistake again. He
24:55
was right to do it, we've never discussed
24:57
it since. Let's have
24:59
some good action shots Mark. This
25:01
is one of the photographers. The
25:04
youngster was about to sign as a
25:06
full professional after being snapped up from
25:08
Holverton. I've forgotten
25:10
his name already. Mark Butler,
25:12
alright there he is. And
25:14
he's weaving with a ball in
25:17
and out of some poles. Beautiful
25:19
control. One
25:22
of the press men and others says he
25:24
looks lazy but he's got deceptive speed and
25:26
control. And good touch
25:29
in vertical on the ball, it
25:31
can curl his shots like a
25:33
Brazilian. That's brilliant isn't it? In
25:37
that era, they
25:39
used to call it a banana shot because
25:41
it was so banana. But it
25:44
was literally still, even in the 80s,
25:46
it was considered like witchcraft. We
25:49
are British, we kick the ball straight,
25:52
straight lines only. Ideally,
25:55
straight ahead, that's vertical.
25:58
Sometimes, if you're Ray Wilkins. horizontally
26:02
and for the very flamboyant although
26:04
I don't encourage this diagonally that's
26:06
for your Glenhodels of this world
26:09
but never ever attempt to curl
26:11
the ball because you don't know
26:13
what happened. Glenhodel
26:15
curled the shot once and he were banned
26:18
for three games. He accepted that,
26:20
he knew it weren't on. Now we
26:22
sometimes do play friendly internationals and you will
26:25
get the Brazilians of this world they will
26:27
curl the ball. The important thing is if
26:29
you see someone curling the ball do not
26:31
ever look directly at the curled ball because
26:34
it may blind you. Ring
26:37
your local council and they will sense them out
26:40
in a van and they will confiscate the ball
26:42
and destroy it humanely. And
26:44
they will imprison the
26:46
perpetrator of the banana shot until
26:50
he can produce certain
26:52
papers and documents. Until
26:56
he has produced a blood sample. They
26:58
will be put on a prison ship off the coast
27:00
of Kent. Of
27:04
course the banana shot was outlawed when
27:07
we joined the EU and we
27:09
all had straight bananas. Straight
27:11
bananas, straight shots. Wasn't that one
27:13
of the hot phrases of Farage
27:15
during the Brexit campaign? Straight bananas,
27:17
straight shots. Yeah
27:20
and now that we're out of the EU
27:22
that's what we've got. We haven't even got
27:25
fucking any bananas at the minute. Is
27:28
there a banana storage? How does that
27:30
what bananas don't even come from Europe?
27:33
I haven't got any in the house. Oh okay. That's
27:36
all I meant. I get some later on.
27:39
I wish you good luck. Thank
27:42
you. Roy
27:44
says okay Mark That's enough. Stop
27:47
fucking showing off your cunt. Alright
27:49
flash baller. Put that fucking ball away. Are you
27:51
fucking banana shots? I could do a banana shot
27:54
but I won't because I've got more respect than
27:56
that. He says that's
27:58
enough. It's time
28:00
for the great moment. What? Great
28:03
moment time. It's great moment
28:06
time. Da da da. Mark's
28:08
parents have come along to see their Sun Sider contract and
28:11
they're dressed as if they're going to a wedding. Look
28:14
at the state of them.
28:17
Mark's dad looks like Lord Lucan. His
28:19
mom looks like, let's say, Lady Lucan. They've
28:25
been interviewed, as was customary
28:27
back then. I don't
28:29
think. This
28:31
must be a very proud and happy day for you, Mr.
28:33
Butler. You bet. That's
28:36
Mr. Butler. We're all
28:38
going to be fucking raking it down. We're
28:40
all getting our powder flex out of this deal,
28:42
I can tell you. I
28:45
was aged as well, you know. Yes.
28:48
You bet, Mark. Couldn't be signing for a better club. And
28:51
his wife says, oh, plenty good, Drew Butler manager.
28:54
I got a banana shop cause, but it
28:56
is contract too. Roy
28:59
Race is well known for never reading the small
29:01
print. It means every
29:03
time he does a banana shop, not only will
29:05
he not be penalised, he'll get a bonus. So
29:12
he's signing on the dotted line on what is
29:14
a very, very shiny desk. Roy's
29:17
desk, I guess. And
29:19
that's Roy. There's Ben Galloway looking on. Welcome
29:21
to the squad, Mark, as Roy shakes his
29:24
hand. The rest is up to
29:26
you now. I know,
29:28
boss. I won't let you down, says
29:30
Mark Butler. At that moment,
29:33
in walks Alec Yemore. Ah,
29:36
just finished, eh? Sorry I'm late. Hello,
29:39
Alec. We've just signed our Suzz
29:41
and you right-sided midfield player. Ha
29:43
ha. Alright, cunt, look what
29:45
I just bought. Well,
29:48
should you have cleared that with the board first? Maybe,
29:50
but it's done now. Nope.
29:53
Oh well. Oh
29:56
well, temporary chairman. And
29:58
Alec Yemore says, oh, and we'll be back. While you're here,
30:00
there may soon be another new face at
30:02
the Rovers. I've been having a chat with
30:04
Carl Hunt and Roy says, What?
30:09
Yo, absolute fucking
30:11
con. Backpage.
30:15
Roy is furious. That's
30:19
another clash with the board of
30:21
Melchester. Don't worry,
30:23
Roy. Says here more. Petrified.
30:25
The final decision will be yours, of course.
30:29
Then I can give it to you now.
30:31
I don't want anything to do with Carl
30:33
Hunt. I mean,
30:35
he kind of backpedals a bit. He's a nice
30:37
chap and a great player. What? Oh,
30:40
fair's fair. Don't get me wrong.
30:42
But, lovely fella. Let's be honest.
30:46
Carl Hunt by name, Carl Hunt by nature.
30:48
You see what I'm trying to say to
30:50
you, Mr. A-Maw? Work
30:53
it out. Go on, have a think. Cunt.
30:55
C-Hunt. Cunt. Carl Hunt. He's a
30:58
cunt. He's a cunt and so are you.
31:00
That's what I'm trying to say here. Sorry that
31:02
I've had to spell it out so brutally. But
31:04
that's the situation you put me in. He
31:08
says, he's a nice chap and a great player. But
31:11
he isn't as great as he used to be. He's
31:13
got a hang up about Les Anderson. And I think
31:15
it will find him out when he gets back to
31:17
first division football. Pressman.
31:19
Pig face. What
31:22
are you saying? Hunt is finished as a
31:24
world class player, Roy? Not
31:27
exactly. In time he
31:29
could stop blaming himself for wrecking Les
31:31
Anderson's career and they all run out the
31:33
door. They don't want to get the rest of the sentence.
31:35
Oh, well that's a nice way. That's Roy. Roy.
31:38
Race. I can see it now. Race.
31:41
He wrecked Les Anderson's... Hunt wreck... Can
31:43
we use the word cunt on the
31:45
cover? Hasn't been done before. He hasn't. But
31:49
we're all about pushing the boundaries of this newspaper.
31:51
It's what the people want. It's what our readers
31:54
want. It's what our readers say that word every
31:56
day. So why shouldn't we? Race.
31:59
That cunt really... Anderson's career what
32:01
a headline what a splash look at
32:03
the one running out of the door
32:05
because they've got what they need thanks
32:07
Roy what a story let's go we
32:11
can stitch him right up with that
32:14
half remembered quote it's
32:16
gonna be like when those scenes in a hotel for you
32:18
where there's loads of telephone running each
32:20
one and in airplane they all run in at once and
32:22
it falls over on the ground yeah
32:27
Roy goes oh now wait a minute
32:29
all this was off the record no what you never
32:33
said that right surely you're not
32:35
gonna quote me yeah fucking
32:39
up you have to say the
32:41
following is off the record before
32:43
you say it either that will
32:45
record all your conversations but
32:47
the following morning two back pages there one
32:49
on sport one on the
32:52
bugle Roy writes off call
32:54
hunt hunt haunted by
32:56
Anderson injury claims Roy race Roy
33:02
sitting at the breakfast table again
33:06
not looking like Roy race looking like someone else
33:09
and the state of penny first thing in the
33:11
morning Jesus oh
33:15
no I've been misquoted in the past but
33:17
this is ridiculous yeah
33:20
it looks as if I'm saying that hunt is washed
33:22
up penny
33:25
pouring a black coffee says there's something
33:28
tells me that he's good try prove
33:30
that he isn't Roy and you could
33:32
be the first to get the message right
33:34
it's about the play Colin
33:39
god damn pen I've
33:43
told you not to follow football it's
33:45
confusing and it it kind of
33:48
blurs the lines between my home life
33:50
and my work life which I really
33:53
don't like it's all it disconcerts
33:55
me so
33:59
stick See your ploddle but that's what I get
34:01
them for yeah And
34:06
you're knitting So
34:08
there it is, that's the end of that one I mean
34:10
Mark's out of 10, are you giving that? Oh,
34:13
erm I'll
34:16
give it a 9 Alright,
34:20
I'll give it a 9 as well I had a
34:22
lot going on Just tell us what's Yeah,
34:24
next week it just says Roy comes face to face with
34:27
Karl Hunt so Roy
34:29
might have dug his own grave a little bit there Against
34:32
the clearly mentally unstable Karl Hunt But
34:36
we'll find out what happens there next time Thank
34:38
you everyone for listening And that's it
34:40
and goodbye Goodbye That's
35:28
amazon.com/comedy ad free to catch up
35:31
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