June 19 - 25, 1953

This week Ken welcomes professor, writer, producer and director Jack Solder (Nightmare on Elm St. 2, By Dawn's Early Light, The Hidden, 12:01, Alone in the Dark) to the show.

Ken and Jack discuss growing up in Philly, growing up playing trumpet, being a classical musician, realizing you're good but not GREAT at something, becoming an editor, the rhythm of cuts, working at New Line Cinema, Caroline Biggerstaff, poses vs pauses, editing The Burning, learning by doing, creating suspense, revival art house cinema, the genius of Buster Keaton, exploitation films, Ed Sullivan, Uncle Milty, 1950s music shows, the cultural scene of the 1950s, Uncle Pete Boyle, Chief Halftown, kids shows, Life of Reilly, Magnavox, The DuMont Network, newspapermen, The Big Story, The Big Picture, the strangeness of modern day network TV, the personal nature of TV, working with Harvey Keitel, swapping India for Eastern Europe, the fake Indian word for "Roll 'em" Easta Sasusaway, never being Mr. Wizard, Big Top with Jack Sterling, Wrestling, boxing, You Asked for It, Fearless Ed, Variety Shows, New York Socialites and Intellectuals, Dinah Shore, representations of gay people on TV, Ernie Kovacs, Red necks, Farmers, how your car key fob is more powerful than the computer that sent men to the moon, the world after cell phones, Alan Funt, Candid Camera, Kids Say the Darndest Things, UHF stations, Dragnet, American Bandstand, 12:01, The Hidden, the gayest Nightmare on Elm St film, Robocop, working with Jake the Dog, and the strangeness of The Omen The Series pilot.