Dealing with scheduling of the festival during covid-19
Getting positive pressure from Martin Stewart to do the festival in 2016
The folks involved in working on Sound and Fury
Booking the festival in non-ticketed venues vs ticketed
Buying pre-sale tickets to shows now vs. yesteryear
Downtown LA becoming gentrified and having shows
Booking venues owned by LiveNation vs venues not owned by LiveNation
10,000 people attending a hardcore show
3 Bands that Riley was personally excited to book on SaF
Having Hardcore music and culture help give confidence to be creative
How gratifying it is throwing Sound and Fury
Sound and Fury being more focused on modern bands releasing music opposed to reunion bands
Harley Flanagan still writing new hardcore music and still being awesome