Stafford cartographer and entrepreneur David Kulbeth on reviving old map aesthetics with his digital-to-copperplate-to-print-to-watercolor technique, the (costly) difference between copperplate etching and engraving, finding a custom papermaker, keeping his art affordable, finding style inspiration in 12 moving boxes of cartography books, and making high-craft maps of “modern places in an antique style.” See his work at columbuscartography.com

• North America: copperplate etching printed on custom-made cotton rag paper, finished with watercolors
• Caribbean
• Virginia
• Texas

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