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Weekend at Bergman's

Forever Dog

Weekend at Bergman's

A weekly TV, Film and Film Reviews podcast
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Weekend at Bergman's

Forever Dog

Weekend at Bergman's

Episodes
Weekend at Bergman's

Forever Dog

Weekend at Bergman's

A weekly TV, Film and Film Reviews podcast
Good podcast? Give it some love!
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Episodes of Weekend at Bergman's

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WORK-LIFE BALANCE! Our 1999 series rolls on with three movies about getting sucked into your job and struggling to get out again. Representing the arthouse it's Charlie Kaufman and Spike Jonze's Being John Malkovich and Martin Scorsese and Paul
ARE YOU LISTENING TO MOVIES BABYYYYY? This week Brett and Joe review Challengers and The Beekeeper! Plus Box Office Predictions for this weekend's big releases! All that and more!!! WATCH MOVIES BABYYYYY:https://www.youtube.com/@moviesbabyyy
WELCOME TO THE DARK SIDE! Representing the arthouse, it's David Fincher's Fight Club! And representing the mainstream it's George Lucas's Star Wars: Episode 1 - The Phantom Menace! Which will win and enter the canon? Which will lose and we can
WIPE THAT SMIRK OFF YOUR FACE! Because we've got a head-to-head showdown between two high stakes thrillers made by two masterful American auteurs. Representing the arthouse, it's Steven Soderbergh's The Limey starring Terence Stamp, Peter Fonda
It's our first triple feature! And we've got precocious kids running wild! Representing the arthouse... I guess it's Wes Anderson's sophomore feature RUSHMORE? And representing the mainstream it's CRUEL INTENTIONS and THE SIXTH SENSE? Although
Wicki-wicki Wild Wild STRESSED! We’re stressed because we have to pick between Cronenberg body horror and Sonnenfield steampunk this week. That’s right, our 1999 series rolls on with two sci-fi oddities from the best movie year ever - Barry Son
We're considering the male form this week with two movies about masculinity. Representing the arthouse, it's Claire Denis's BEAU TRAVAIL (1999) and representing the mainstream, it's the breakout movie for Rob Schneider and Happy Madison Product
The horror! The horror! Our 1999 series rolls on with the biggest arthouse horror movie of the year THE BLAIR WITCH PROJECT vs the biggest popcorn horror movie of the year THE MUMMY! Which one will win and enter the canon? Which will lose and d
Our 1999 series kicks off with two movies about effing! Representing the arthouse, it's Stanley Kubrick's final movie EYES WIDE SHUT. And representing the mainstream it's the movie that revived the teenage sex comedy AMERICAN PIE. Which will wi
Brett and Joe are back! And they've got thoughts on the Oscar nominations and all the best and worst movies of 2023. Plus... a big announcement!!NEXT WEEK:Eyes Wide Shut vs American PieVIDEO EPISODES & AD-FREE EPISODES & MORE ON PATREONht
Today's episode of Weekend at Bergman's is the season one finale, baby, and it's a battle of the trash canon titans! The two best movies currently in the trash canon face off and only one can make it out! Representing the arthouse is Sight and
Why don't we get drunk choose the better movie??? This week, Joe and Brett watch two cinematic celebrations of booze! Representing the arthouse, it's Alexander Payne's 2004 wine country, buddy-dramedy, Sideways. And representing the mainstream
We're all gonna die someday, baby - but what was it all about? Did I matter? Did I make a difference? Did my endless devotion to immersive theater leave behind the legacy I envisioned? Did I spend a little too much time fixated on my dog's sexu
An eight hour livestream in honor of Brett's 40th birthday. Part 2. With special guests Jaida Essence Hall, Heidi N Closet, magician El Ropo, 9 to 5 writer Patricia Resnick, Joe and Jenah Silver, working actor Andrew Block, and Andy Warhol (Bre
An eight hour livestream in honor of Brett's 40th birthday. Part 1. With special guests Julie Klausner, Tom Scharpling, Forever Dog's Alex Ramsey, working actor Andrew Block, and Andy Warhol (Brett Davis). Representing the arthouse, it's Andy W
Horror month concludes with a couple of grizzly slashers about the horrors of American city planning and murder weapons that you can get at your local hardware store! Representing the arthouse is Abel Ferrara's new wave, grindhouse nightmare, T
Doctors, islands, cabinets, oh my! Horror month ramps up with a battle between two heavyweight flicks that both use the same sort of syntax! Representing the arthouse is the German, expressionist classic from 1920 The Cabinet of Dr. Caligari. A
Boil, boil, toil, and double trouble! Horror month turns witchy with two flicks about the occult. Representing the arthouse is Robert Eggers' debut feature film for A24, The Witch. Representing the mainstream is the 1996 movie that made the joc
Your teachers are trying to kill you! Horror month rolls on with two movies about cutting class and getting cut by knives. Representing the arthouse, it’s Dario Argento’s 1977 Italian giallo cult classic, Suspiria. And representing the mainstre
We're kicking off spooky season with two of the biggest baddest monstars in the cinematic universe! Xenomorph vs Yautja! Representing the arthouse, it’s Ridley Scott’s 1979 Alien starring Sigourney Weaver. And representing the mainstream, it’s
BOYS just wanna have fun??? The co-hosts of the Everyone is Hot! podcast Shelley Brooks and Michael Stevens join us for two films about men behaving badly. Representing the arthouse, it’s John Cassevetes 1970 Husbands with Ben Gazzara, Peter Fa
PATTON OSWALT JOINS US! Yes chef! Representing the arthouse, it’s Peter Greenaway’s 1989 Jacobean Thatcher-era ultra-repulsive ultra-beautiful satirical black comedy, The Cook, The Thief, His Wife, and Her Lover. And representing the mainstream
Big City Balls vs Small Town Pageants! 1980s vs 1990s! Documentary vs Mockumentary! Guest co-hosts Big Dipper and Meatball (Sloppy Seconds) join Brett for a battle of the stars. Representing the arthouse, it’s Jennie Livingston’s 1990 documenta
BACK TO SCHOOL! We're watching two movies about teachers and students and politics on campus. Representing the arthouse, it’s the 1969 Maggie Smith tour de force The Prime of Miss Jean Brodie, based on the novel by Muriel Spark. Representing th
Car culture, counterculture, subcultures, give me the nitrous baby!!! Representing the arthouse, it’s Alex Cox’s 1984 cult classic Repo Man. And representing the mainstream, it’s the one that started it all, 2001’s The Fast and the Furious. PLU
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