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Katie Baker and the Secrets of Succession

Katie Baker and the Secrets of Succession

Released Thursday, 4th May 2023
 1 person rated this episode
Katie Baker and the Secrets of Succession

Katie Baker and the Secrets of Succession

Katie Baker and the Secrets of Succession

Katie Baker and the Secrets of Succession

Thursday, 4th May 2023
 1 person rated this episode
Rate Episode

Episode Transcript

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0:17

Hey, and welcome to What Future. I'm your

0:19

host, Joshua Tapolski, and

0:22

I have to tell you something. I have been

0:24

watching the show's succession, and finally,

0:26

after four seasons, I've decided

0:28

that I'm enjoying it. I don't

0:31

know about you, the listener. If

0:33

you're watching Succession, if you're not a member

0:35

of the media elite the way I am. If

0:38

you're not a member of the blue chech mafia

0:40

from Twitter, the old one, not the new

0:43

shitty one, then you

0:45

maybe don't know about Succession. Maybe you're not watching

0:47

it because you're not a member of the coastal elites

0:49

that define and shape all news

0:52

and culture. But as a member of that elite

0:54

squad of soy

0:57

boys and I don't know, whatever the fucking

0:59

I don't know people call them, but anyhow, as a member

1:01

of the squad, not the political

1:04

one, but the elite squad of TV

1:07

watchers, to show about

1:09

a very rich family that runs a media organization,

1:12

perhaps the only remaining successful

1:14

media organization that any of us have ever seen.

1:16

I sort of hate watched the first three seasons. To be

1:18

honest with you, I didn't love it. I didn't dislike

1:21

it, but I wouldn't say I was in love with it

1:23

or even totally liking it. And then the

1:26

season things have really taken off, and unfortunately now

1:28

it's ending. But I have been

1:30

following and reading a great writer at

1:33

The Ringer named Katie Baker, who's a senior

1:35

staff writer there who writes about

1:38

Succession, amongst other things. She also writes about

1:40

sports and all sorts of really interesting stuff.

1:42

And I wanted to talk to somebody

1:44

about Succession because I

1:46

think Laura is tired of me

1:48

talking about it with her, and I

1:50

thought Katie would be fantastic because she's in

1:52

the guts of this stuff in a way that a normal

1:55

person would not be. And that's what I'm looking for is

1:57

and have normal conversation about

1:59

a normal topic, which is the television

2:02

show Succession, which airs

2:04

on HBO Max, which

2:06

now I guess is called Max. Anyhow,

2:09

Katie's here and we're going to talk to her, so

2:11

let's get into it. Baker,

2:29

Is that how you say that?

2:30

Yep, Katie Baker.

2:32

Have you ever had anybody mispronounce that just out of

2:34

curiosity? No?

2:35

But I had a funny story back when

2:37

I worked in finance, when I was an intern

2:39

where you know, my big boss

2:42

said, Katie, how do you spell your last name?

2:44

You know, because he didn't know my last name? And I was, right,

2:46

that's smart, that's smart Baker b

2:48

A k R. And he was so busted and everyone

2:51

started making fun of him. You know, I felt

2:53

cool because then that was that was the whole joke for the

2:55

rest of the summer.

2:56

So he used the classic. Yeah, this was like a

2:58

pickup thing. I think like when I used to go to bars,

3:00

like if you were talking to somebody you

3:03

forgot what their name was, you would say something like,

3:05

your name is so interesting, how do you spell that right? And then it

3:08

was always like a real problem if their name was like Jill,

3:12

that's not that Yeah, you

3:14

know what, but that's so funny

3:17

the idea that it was done in a work contact,

3:19

and couldn't he have just like looked at your file or

3:21

something.

3:21

I know, I'm surprised you knew my first name to

3:24

be able to even ask me.

3:25

So strange. Where was this? Where was this?

3:26

This was it Goldman Saxon Company down

3:29

at one New York Plaza at the time.

3:31

You worked at Goldman.

3:32

Yeah, the first seven

3:34

years out of college worked at

3:37

Goldman and yeah.

3:39

Really, I didn't know this. I

3:41

didn't know. Okay, wait, you worked at Goldman and

3:43

then for seven years

3:45

is that what you're saying? Yeah, okay, and

3:48

then what happened?

3:49

Well, I'd say,

3:51

let's see what year was it that I got a that I

3:53

finally got a laptop at home and

3:56

started a tumbler. That was probably

3:58

in like two thousand and seven or something

4:00

like that or two thousand and eight.

4:02

Time. That's a great time to get online. I

4:04

literally last week we were talking about this. That was when

4:06

I started blogging at en Gadget was two thousand

4:08

and seven, So that was that

4:10

was a real online time in my recollection.

4:13

Yeah. So, I mean, like, my online story

4:16

is kind of funny in that it started

4:18

way back when with e World,

4:20

which used to come if you bought

4:22

an Apple computer, you got this. It

4:24

was like an AOL disc, except in this case

4:26

it was for the Apple only AOL

4:29

that they shut down e World, and

4:31

so I put in the disc. I remember I got

4:33

my dad's like wallet out of he kept

4:36

it in the side of his car, you know, and like the side

4:38

console right in his credit card

4:40

dialed up on the modem, joined e World,

4:43

started an account I was probably

4:45

in you know, I don't know, sixth grade

4:48

or something like that, right, And that led

4:50

to me being like a teen moderator in

4:52

a chat room on e World, which led to

4:54

me working for an IRC

4:56

company called talk City when I was a teen.

4:58

Oh my god, yeah, wow, it's

5:01

funny, Like, I know, you're a veteran of Business

5:03

Week, and they had an article

5:05

in Business Week at the time about

5:08

talk City and they took a picture of me, and so

5:11

anyway, the whole thing was so funny. But then I was kind

5:13

of like not online for a while, well

5:15

with some like you know, hockey and Dave

5:18

Matthews band usenet in between.

5:21

I always liked computers and the

5:23

Internet, and I you know, had

5:26

met people from the Internet when it was really

5:28

weird to do that. It's kind of moulnerable now.

5:31

I remember I lived in New York City at the

5:33

time. I lived really close to Tom and Jerry's

5:35

bar down in off Houston Street,

5:38

and that's where a lot of bloggers hung out back

5:40

in the day. And I remember,

5:43

you know, I read, I've read a lot of blogs, and so

5:45

I started a tumbler and I just would would

5:47

tumble from work at Goldman, and yeah,

5:50

I was kind of started writing a little bit while I was

5:52

still working there, sometimes using

5:54

pseudonyms, but often just using the fact

5:56

that my name is so common,

5:59

even in the New York media world. It's

6:01

common. But

6:04

there's another and there's another. Yes,

6:08

yeah, so anyway,

6:10

YadA YadA. So like one thing led to another, and

6:13

I was kind of doing random blogging

6:16

and Bill Simmons, you know, who was of ESPN

6:18

at the time, read something that I wrote on the

6:20

site media which gives you place

6:22

as I was writing for Yes.

6:25

I didn't know all this. This is so good.

6:27

Yeah, so that's how I got,

6:30

you know, into that job. But you know, Tumblr

6:32

at the time was like my big outlet. And then

6:34

I started meeting people in person, often at Tom

6:36

and Jerry's, you know, in the New York blogging

6:39

scene, and that was a really just fun

6:41

moment for me where I really realized that, you

6:44

know, you start to kind of meet your people. And I

6:46

remember I would go back to work at Goldman and feel frustrated

6:48

because no one knew what the New York Observer was. It's

6:51

like, you know, but

6:53

but you know, but I'd beel like, you should know what that is?

6:55

You know, you're it's part of the culture

6:57

in the city in which you live.

6:58

So that's so interesting. So

7:01

this was so you're saying you were at Goldman. You're

7:03

saying you started doing the tumbler around two thousand and seven and

7:05

two thousand and eight, is that correct.

7:07

Yeah, I'm trying to think what year would have been to probably twousan

7:09

and eight. It was right around the like

7:11

when the financial crash was like in the midst of

7:13

happening. So it was just a crazy time

7:16

to be watching that unfold

7:18

while also going on Tumblr and seeing

7:20

you know, sad photos of traders at tumblr

7:23

dot com and sort of it all

7:25

happening at the same time.

7:26

People don't remember this era. I mean,

7:28

this is like Katie Natopolis, my sister in

7:30

law, had a tumblr. I want

7:32

to say it was a tumbler. Sorry I missed your party, which was

7:34

like really weird, bad, like people posted

7:37

horrible photos of like weird shit going on at their

7:39

parties. And I don't know if you remember that, but.

7:41

Oh yeah, it was like a thing that.

7:43

Whole like electroclash, like New York people

7:46

who had like turned into like last Night's party or whatever,

7:48

which was like the Cobra snake or whatever.

7:50

That was the whole thing, but media meshing. But

7:53

then there were all these tumblers that people just make like I

7:55

had one. I had one called Bag

7:58

of Bags, which was just patures

8:00

of bags that I liked, and then like like you

8:02

know, like shoulder bags. I also had one called

8:04

I think it was Guilt Models tumbler dot co. Do you

8:06

remember Guilt the service Guilt I

8:08

do.

8:09

I've made many a transaction on that.

8:11

Yeah.

8:11

Well Guilt Guilt had really depressed

8:14

looking models. I don't know if you remember, but they had

8:16

like very unhappy looking

8:18

models, and so I just started like I would just pull

8:20

the people who looked most unhappy, and I

8:22

would just post, it's still there somewhere.

8:24

I think, like, yeah, they're all They're all

8:26

there somewhere.

8:27

Yeah. Okay, so you were a nerdy

8:29

kid. You got online using something

8:32

called eWorld, which I honestly I'm trying

8:34

to search my brain bank here to

8:36

figure out if I can even remember what E World

8:38

was. I'm getting nothing,

8:41

so like it was.

8:41

I think it was a brief flash in the

8:44

pan. It came bundled with an apple, like

8:46

I when I finally got my parents to get me my

8:48

first computer of my own. Yeah

8:50

that wasn't just the kind of DOS

8:53

computer that my dad got from work that he never

8:55

touched once in his life. Oh wow, So

8:58

I got my own, like, you know, I think it was some

9:00

sort of power PC desktop

9:03

computer.

9:04

It was a Macintosh.

9:06

It was a mac And this was kind of in the still

9:08

in the first Steve Jobs era, like I went

9:10

to like I went to Macworld a few

9:12

times. I mean I was

9:15

I was in I was in deep like as a young

9:17

tween.

9:18

Wow, it's so interesting we have It's

9:20

interesting because your story is so familiar

9:23

to me, but only because of my experience.

9:25

I was online really young. My dad took

9:27

me to CES when it was in Chicago. I was probably

9:29

twelve years old, because I was like, this is where

9:31

all the game stuff is and where all the computers

9:34

are or whatever, and you know, just super nerdy.

9:36

But that's interesting.

9:37

First of all, like, props to parents who bring

9:40

their kids to these weird places and understand

9:43

that they there's a reason

9:45

they're asking to go. May I may

9:47

I have that spirit with my kids, you know, continue

9:49

to have those seriously. Okay, so E World

9:52

was very friendly. It was sort of

9:54

the anti AOL.

9:55

Okay, I'm looking at the Wikipedia

9:58

entry now, just yeah, and.

9:59

It's a great graphics. It was this little a

10:02

little mail truck and it would say yeah

10:04

mail wow, and you go

10:06

to these different little houses that were different, Like

10:08

there was like an arts pavilion and that's where

10:10

you go to the movie chat rooms or the

10:12

movie.

10:13

You know.

10:13

It was like it was like AOL like graphical

10:16

boards of things and pictures that took forever

10:18

to load.

10:19

And yeah, I'm just looking at it now. It's

10:21

like, welcome to e World. There's

10:24

a little guy who's or a

10:26

person who's like talking

10:28

to you. There's an arts and leisure pavilion,

10:30

learning center. So it was like yeah,

10:32

online, but not online.

10:34

Basically, it was it was like, yeah,

10:36

there was so in a later version of your world

10:38

that you can't see in this picture. It was the same

10:40

interface except basically next

10:42

to the mail truck there was a little

10:44

off ramp to like the Information super

10:47

Highway, and that's when you could go on like the unfiltered

10:49

Worldwide Web.

10:50

Oh wow.

10:51

Yeah. So anyway, like I got in these chat

10:53

rooms, but then they closed it down

10:55

like Apple, I'm sure it wasn't profitable

10:58

in any way. Or whatever it was, So I

11:00

remember it so clearly, like I thought, I've thought about

11:02

this a little bit with Twitter sort of being

11:04

in a weird twilight phase, but I

11:06

mean they literally pulled the plug one night

11:08

at like midnight Pacific time, and

11:11

so everyone.

11:12

Did everybody know?

11:13

Yeah, everyone knew, and we were all up in the chat

11:15

room, like I was on the East coast. So I remember, I think,

11:18

I don't think I could stay up all the way, but we

11:21

might have done like a fox goodbye at midnight, but

11:23

I think I stayed up or I was set an alarm and woke

11:25

up and was kind of there for like the final

11:27

It was just like a lot of people being like goodbye forever,

11:30

right, and then it just like a little window appeared

11:32

that said like goodbye,

11:34

like thank you, like it. And

11:37

it's a really crazy kind of experience to

11:39

have gone through.

11:40

God, first off, such a vivid and depressing

11:43

scene you've set like where the services

11:45

everybody's there waiting. It's like, you

11:47

know, the end of the world, right like were you're waiting for the for

11:49

the asteroid to hit and you're kind of like everybody's

11:52

holding hands or i'man drinking I don't know

11:54

what people would be doing.

11:54

But yeah, and you don't know like what's going to actually happen at

11:57

the moment, What if there's a what

11:59

if there was a it doesn't go or whatever

12:02

that has happened.

12:02

I think we're like things just kind of hobble

12:04

on, you know, indefinitely.

12:06

Right.

12:07

So you said you were working in Goldman and said, this is

12:09

going way back to the stuff we were just talking about. But you

12:11

were working in Goldman. You had been there for seven

12:13

years? Is that correct? Is that number accurate? You

12:15

started like doing a tumbler, that's

12:18

right, yep. And at what point did you

12:20

go from like I'm doing a tumbler on

12:22

the internet too, Like now I'm writing

12:24

something for a blog or

12:26

for like a publication, Like what was that transition

12:29

for you?

12:31

I think the first paid work

12:33

I did was for Mediaite, and

12:36

I remember it was if I wrote seven articles,

12:39

they would pay me five hundred dollars. But

12:41

I had to do the seven articles first. And

12:44

then I was writing for Gawker.

12:47

I was doing a New York Times

12:49

wedding Like I wasn't the first

12:51

person to have done the column in which

12:53

they called altercations, but I sort of took over

12:55

the mantle of it, and was you

12:57

know, kind of rating New York Times wedding announcement

13:00

and.

13:01

So were you like trashing wedding announcement.

13:03

Yeah, you know we're reading them. I

13:06

liked to think of it as celebrating the absurdities.

13:08

But yeah, for sure it was like that, right,

13:11

that early aughts snark.

13:13

Yes, it's like classic Goker. I mean the wedding

13:15

announcements were like in the New

13:18

York Times are always like the

13:20

people are not normal,

13:23

and like, you know, they're either like fabulously

13:25

wealthy or have some really insane jobs.

13:27

It's very rarely.

13:28

It's always been punching down, that's for sure.

13:31

No where it's like he's a garbage man and she worked

13:33

retail. Like that's not you don't read about those

13:35

in the New York Times. Like nuptials

13:37

or whatever. They're always like he's a

13:40

vagabond software developer and she's an

13:42

heir to the to this like chicken

13:44

fortune or whatever. And then you know they got

13:46

married.

13:47

Exactly like a lot of Mayflower Society

13:49

references. And yeah,

13:51

so many people that have the

13:54

grandmother's house in Maine where they get married, and.

13:57

Right, all these people have a comment, no offense,

13:59

but the rich or whatever. I mean. Okay,

14:03

so it was Mediaite and then Gonker, did you remember

14:05

the first thing you wrote, like the first article? Man?

14:07

I remember I wrote a few things for

14:09

a blog called Young Manhattan Nite. One

14:12

was about like the US Open I went to the US Open.

14:15

And another was about you

14:17

know, not using any real names, but a little bit

14:19

about like Lehman Brothers collapsing and

14:22

sort of the experience of some of my friends.

14:24

You did some like reporting, no, not even

14:26

it was like one guy that

14:29

I'll call Peter said da da da,

14:31

and you know, and they were real quotes, but it wasn't

14:33

you know, I hadn't gone out and talked to them. It was just relaying

14:36

conversations, right. It was like a little bloggy

14:38

essay. Yeah, but I remember that being

14:40

like a big thing that like when I wrote that, like

14:43

a lot of people, you know, people in the New York blog

14:45

scene read it.

14:46

And oh yeah, no, that sounds like really

14:48

juicy shit, like you know, that's the kind of stuff

14:50

where it was like, what is this right?

14:53

Is this journalism? Is it like hearsay? Is

14:55

it you know, is it defamatory

14:57

or whatever? You know, it's like nobody really knew

15:00

what it was because it was just something that was like

15:02

it's part diary, it's part like somebody's

15:04

like thoughts, it's part reporting.

15:07

It's you know, like what an amazing time.

15:10

Anyway, Like I was writing about kind

15:12

of like ESPN personalities

15:15

or I remember there was like a

15:17

some kind of Serena Williams scandal

15:20

at the time where she had you know, told

15:23

like a ball a ball woman she was going to

15:25

like shove the ball down her throat in a moment of

15:27

anger or whatever it was. So I was writing I

15:30

would write a piece about how ESPN

15:32

covered that, you know, just kind of right

15:35

whatever it was. And so yeah,

15:37

I wrote, I wrote a few things like that, and that was

15:39

what got the attention of Bill Simmons,

15:41

who's you know, kind of my boss

15:44

now and.

15:45

Kind of your boss. I

15:48

haven't met that many people, or

15:50

maybe I haven't talked to that many people who've had such

15:52

a similar experience where you were so online,

15:54

so young, and you were doing things that were not

15:56

even really online, not the internet

15:58

the way it is now, And it's

16:01

just interesting to hear because you did

16:03

a similar thing that I did, where you had a job that you

16:06

were doing, that you'd done for a long time, and then you were like, no, I'm

16:08

going to blog, which is an

16:11

interesting move. Like I don't know a lot of

16:13

people that did it, but there are a handful of

16:15

people that did it. You had a

16:17

real job, though My job was like making music

16:19

and chasing people for money. Your job was like.

16:21

At Goldman chasing people for

16:23

money.

16:24

Though, well sure, but like

16:26

they're much more successful than I was. I can tell

16:28

you that we're

16:40

going to talk about Succession, that the HBO

16:42

TV show and not HBO, I guess I call

16:44

that anymore the Max TV show about

16:47

a media family. And we're

16:49

probably going to have spoilers. So if you haven't caught

16:52

up to Succession, I wouldn't

16:54

turn this off, but I would just really

16:56

quickly watch all those episodes and then turn

16:58

this back on. So anyhow,

17:01

you you recently read about the Old People in

17:03

Succession and that that was based round episode

17:05

four.

17:06

Yeah, yeah, so episode four has

17:08

a lot of great wrangling between

17:11

you know what they call the quote, the Old

17:13

Guard, the Gray Beards, the ember are penguins,

17:15

yeah, the Emperor penguins, the

17:18

you know, the inner circle of Logan, the intercorporate,

17:21

but also because Logan had no real

17:23

life outside the corporation, also his maybe

17:25

the closest things he had to personal friends too,

17:27

in a twisted.

17:28

Them in The Bodyguard.

17:31

There's so many things all about succession, but one of

17:33

them is that next

17:35

layer around the family, and

17:38

just all these people who you

17:40

know are are important to the family, because

17:42

there's a layer beyond them of people who are

17:44

probably big deals in their worlds. You know, the

17:46

investment bankers, all the people that write

17:49

the hundred or whatever. You know,

17:51

it's supposed to be happening there.

17:52

It's the hundred, that's that's their startup.

17:54

Right their startup. You don't even see

17:56

those people. You see them in the smallest glimpses, and.

17:58

So they show a lot of the heads.

18:00

Actually I've noticed of some of those people where they

18:02

barely even acknowledge there,

18:04

and I think that's probably purposeful.

18:06

But yeah, so, you know, I've

18:08

always loved those characters, and I've written before about

18:10

some of the women in Succession and Jerry being

18:12

one of them, and she's always just been

18:14

such an interesting character in terms of her you

18:17

know, succession doesn't tell you

18:19

that much about people's backgrounds, but they drop little

18:21

nuggets here and there, and so, yeah, you learn

18:24

that she's known Logan for so long,

18:26

and her kids wonder if they've you

18:28

know, ever been romantically involved, and I don't think

18:30

we will ever know the answer to that. But yeah,

18:33

So it was after episode four that

18:35

I spoke with some of them, you

18:37

know, with the actors who play Carl

18:40

and Frank, and you know, just about

18:42

what it's like to be in

18:44

that role of you know, you're kind of managing

18:46

up you're but you're also managing a lot of

18:48

shit all the time. What keeps

18:51

them there in their minds? Like is it the

18:53

money or is it the proximity to power?

18:55

And right?

18:56

So, yeah, so it was really fun to talk to them. And you

18:58

know, one thing that stuck out to me is that those

19:01

actors, as many people in

19:03

succession do, have such a like rich theater background,

19:06

and it's kind of made me watch

19:08

the show a little bit like

19:10

like it's this play and it's been

19:12

fun since I spoke to them to watch it, you know in

19:14

that context.

19:15

Right, it's actually I mean it's funny

19:18

that hearing you say that now makes me realize

19:20

how many scenes on that

19:22

show are like, yes, people are traveling to in

19:24

from places, but like they are ultimately

19:26

are often sort of almost trapped in

19:29

places. Right. There's like I can't remember

19:31

what season is when when Logan is like sick and he's

19:33

supposed to give some big speech at like an investor

19:35

conference or whatever, and they're like can he

19:37

go on? Like is he with it? Like he was like mentally

19:39

out of it, but they're like basically trapped in

19:42

the building, right, like everybody's there and trying

19:44

to like solve it. Like the episode from

19:46

This Sunday, which in my opinion,

19:49

well, I'll just say this, I mean, I think the latest

19:51

episode it was the first time that I kind

19:53

of I would say I warmed up to the

19:55

show. It took me a while to really warm up to it,

19:57

and I do believe, like I have a

20:00

I think it's tough because where you know, my viewpoint

20:03

on a lot of it is like I'm so close

20:05

to people that are like these people not like close

20:07

like I like them or we're buddies. But I

20:09

have spent so many I've spent

20:11

so much time in rooms with people like those people,

20:14

or at least adjacent to those people

20:16

that Like it's tough because it's like very

20:18

realistic, but it's also like, okay, like I know what they're

20:20

doing, you know. It's like sometimes you're kind of like, I know what they're doing.

20:22

Yeah.

20:22

But the episode

20:25

this past Sunday, which was perhaps

20:28

I would say one of the top five most uncomfortable

20:31

TV viewing experiences I've had, like

20:34

ever, and uh, and I've watched

20:36

a lot of Curb Your Enthusiasm, so I think, like

20:39

that's saying something made

20:41

me feel like I would like to watch like another five

20:43

years of Succession. Like it

20:45

was the first time that I think

20:48

I was like, I don't want the show.

20:50

I mean, I'm not ready for this show to not be

20:52

doing this, Like, and there is something that's interesting

20:55

to to happen, like following again

20:57

spoiler alert, the death of Logan that

21:00

obviously this is on purpose and obviously they're leading

21:02

to a conclusion because this is the final

21:04

season, right, this is really going to be the final season. Do we

21:06

think there's any chance there?

21:07

No, I think I think i'd

21:10

be surprised if if they were, if this is a big

21:12

fake out. Sadly, Yeah, they

21:14

had always said the like for a long time, they said

21:16

they had five in mind and so I was like, all right,

21:19

this is the penultimate season. That's great,

21:21

right. So I was taken aback because I really

21:23

thought they would do the five. But I guess, yeah,

21:25

you know, yeah, it's sad.

21:26

But this episode, it was so full of

21:29

just the worst of the characters

21:32

and also in some way the best of them. And

21:35

but you got to see the Emperor Penguins as they're

21:37

described or whatever. You got to see the kind of older characters.

21:40

They're much more unbridled in that episode,

21:42

and they're like to the point where it was so interesting.

21:44

There's an interaction that Kendall has with Carl,

21:47

who I didn't actually, for some reason,

21:49

never I never really fully understood what their roles were.

21:52

There's actually like a little bit of like a lack of clarity

21:54

about what they do. For a lot of the show. I

21:56

was like, oh, he's the CFO, okay, And

21:58

it made me think a lot about like CFOs

22:01

I've known and he there's something about

22:03

the way he plays that character that

22:06

is so CFO, like if you've met you

22:08

know, and this is both like an insult and and

22:10

and a sort of prop to that to him as an

22:12

actor into CFOs. Generally, there's just a

22:14

vibe that CFOs have and

22:17

one of the things I've actually struggled with it. I'm curious

22:19

to know if you what your take on this is

22:22

is like, do normal people watch Succession

22:25

like I've had for a little bit of I know, I've

22:27

talked for a while. I'm gonna let you get in here, but I've

22:30

had a sneaking suspicion for a while that

22:33

the only people who really are invested

22:35

in Succession are media people. And

22:37

because we decide what's

22:40

going on the blogs and in the papers

22:42

and in the magazines, like, we have

22:44

over indexed tremendously on the importance

22:47

of Succession as a TV show. What

22:49

is your what is your what does your take on that?

22:51

Well? I think you know, the classic comparison

22:53

that people have made lately is, you know, when

22:56

you compare the viewership of Succession

22:58

to like Yellowstone, which is kind of of you

23:00

know, yeah, Succession out West and

23:03

and a lot like Dummer. And I

23:05

say that as someone that's that's seen all the Yellowstones

23:08

and all the spinoffs and is it good? Yes?

23:10

But now no?

23:11

Yeah, okay, my septic guy yesterday,

23:13

I'm the guy. We have a guy comes up because we have a septic tank

23:16

here to make sure we are sept tank isn't getting getting

23:18

blow up on us. He literally was

23:20

like talking to me about Yellowstone,

23:22

like and I was like, Oh, I've never seen it.

23:25

You know, the most recent season is absurd,

23:27

but it you should watch it. It's

23:29

really good. It's really

23:32

silly. And if you start to

23:34

if you do watch it and you start to like tally

23:37

up the family's you know, death count and

23:40

body count of like or just all

23:42

the weird things that you're like, how would this actually

23:44

happen in the world, Whereas I do think succession

23:47

does give sort of real world consequences

23:49

to things, even when those consequences are a little like

23:51

absurdist or like.

23:52

Not right rich people consequences, Yeah,

23:55

exactly.

23:55

But anyway, like the Yellowstone

23:57

spinoffs are really good, by the way, and I

24:00

really don't think you need to have seen Yellowstone

24:02

to watch them. They're called eighteen eighty three and nineteen

24:04

twenty three.

24:05

Oh yeah, somebody really, somebody really

24:07

great is in one of those. I would like, I want to say, it's like

24:09

Harrison Ford or something is in one of these.

24:11

Is that Kristen He's in nineteen twenty three?

24:14

Eighteen eighty three is strangely

24:17

Faith Hill and Tim McGraw, but it works.

24:21

God, this is like so American. What

24:23

you're describing is like, yeah, the ultimately

24:25

it's like the show's Yellowstone. I think Kevin Costners

24:28

is he in the main one? Yeah? Okay, maybe

24:30

he's dead. I don't know.

24:31

I mean I got I got for my for

24:33

Christmas. I got my dad the

24:35

Blu ray set complete

24:37

set of Yellowstone. And I

24:39

don't think eighteen eighty three was out yet, so

24:41

that'll be. That'll be next Christmas. And

24:44

sometimes I get them these things, and I don't know if he ever

24:46

really watches them or you know, and

24:48

he like he and my mom watched every

24:51

episode like every day. We're

24:53

fell asleep to it, Like oh my god, keep

24:55

asking me what the like when they can watch the new season?

24:57

So wow, okay, interesting.

24:59

I think they would like fall asleep during succession.

25:01

Like honestly, I think, if you sure, I get

25:04

it. And I find that I love

25:06

watching every episode the second time, like I

25:08

love watching them the first time too, But man,

25:10

that second watch, you're just like you

25:12

notice so many things, you know, But

25:14

it's like, should someone have to watch a show twice?

25:17

To appreciate it, sure, but I

25:19

think that I think that not everyone will.

25:22

And you know, you kind of always hear from people that

25:25

try to watch it from the beginning. You

25:28

know, it can be slow to get into, you

25:30

know, I know a lot of people don't really love

25:32

like the first few episodes.

25:34

I mean, I liked it from the start, but I remember when

25:37

I first started writing about it in the first season, it was

25:39

kind of like people didn't know

25:41

what to make of it or understand

25:43

what it was trying to do. I think a lot

25:46

more people do now, right, And you know, when

25:48

you watch it, like with that in mind, it's it's great.

25:50

But if you're going into it thinking it's going to be either

25:53

really overtly funny

25:56

or really dramatic

25:58

and soapy, like you're not going to find and either

26:00

one in the way that you're expecting.

26:02

I guess.

26:03

Yeah. I mean, there are some dramatic moments,

26:06

some dramatic beats, certainly in some of the seasons,

26:08

but like it is a show of

26:10

micro aggressions. It's like kind of the you

26:13

know what I mean, like the things that happen

26:15

that are I mean, Shiv,

26:18

who is the actress that plays her name I'm blank, amare

26:20

Yeah, Sarah Snook, who is

26:23

just like one of the most expressive

26:25

actors and so has done so

26:27

much with so like with so little,

26:30

such like these little tiny expressions. Like in fact,

26:32

there's some scenes with her and her husband

26:35

Tom, who is played by the actor

26:37

another British actor.

26:38

What is his name, I'm blank, I'm kindly gonna mispronounce

26:40

it. It is like Matthew McFadyen. I think, sure,

26:42

why not, I'm

26:45

such one of those people that reads and writes and

26:47

can never pronounce names.

26:48

But yeah, all the time, I'm like, oh right, these

26:50

people are not like these American these

26:52

totally American characters. They are so perfect to playing.

26:55

But there's just like so much going on between

26:57

them. But it is nothing like in the grand scheme

26:59

of like TV drama or whatever,

27:01

or just drama generally. It's so so subtle.

27:04

But that's what I'm asking, is like I think like the

27:06

show feels like I feel like everybody

27:08

talks about it that I know, and I feel like it's been

27:10

written about a ton and like Jeremy

27:12

Strong is this character he's like become this

27:15

meme because he's like a method

27:17

actor and everybody thinks that's hilarious, which

27:19

you know, I think it probably is. But like,

27:22

what is the viewership of Succession? Like, well,

27:25

I know they.

27:25

Recently had I think this season,

27:28

let's see,

27:30

it's like two million or something, setting record. Yeah

27:32

exactly, it's like in oh actually, oh whoa,

27:34

this is actually like way more than I thought. It's

27:37

now averaging eight point four million.

27:38

Okay.

27:39

I feel like it was originally like way

27:41

lower than that.

27:42

I'm from one point two or something like.

27:44

Yeah, this says season four premiere of Succession

27:46

was up sixty two percent compared to season

27:48

three.

27:49

Wow.

27:49

Yeah, season three premiere viewership was one

27:51

point four million. Yeah, so it's kind of

27:53

that's that's actually really interesting. I wouldn't That's

27:56

not something I would have like expected.

27:58

It kind of shows how much is like created

28:01

the culture that like now people are

28:03

probably watching because everyone's talking about it

28:05

and they're like right.

28:08

No, there you go. But you see that's the media once

28:10

again, the media's narrative

28:12

pushing you know, people towards a story

28:15

that maybe wasn't a story to begin with.

28:17

Yeah, I mean, I also think it's a show that's

28:19

fun to watch in the context of like,

28:22

you know, it's not about any certain family.

28:24

There are obviously lots of influences

28:27

about many families that we've heard of, and so

28:29

it's fun when you you know, recently there was that big

28:32

Rupert Murdoch Gabriel Sherman peace about

28:34

kind of just what's what's the latest in his life,

28:37

and you know some of his relationships

28:39

with you know, women ranging from Jerry

28:41

Hall to this you know, dental hygienicist

28:44

who thinks Tucker Carlson is somehow the

28:46

Messiah. And so when you start

28:49

to see that and then you start to kind

28:51

of put these things together, you realize that,

28:53

like, yeah, this show is weird, and all

28:55

these people are you know, on

28:57

the surface bad, but like that's

29:00

baby, and it's you know, I

29:02

love the character of Roman Roy and I love Karen

29:04

Culkin, and I'm like, oh, Roman,

29:07

he you know, he's poor guy. Here's

29:10

a there's a good guy in there somewhere trying to come

29:12

out. And then they show him on that studio

29:15

Hollywood golf cart and just

29:17

hit looking at the people and

29:19

with this look on his face, like with utter disdain,

29:21

and you just realize that's the asshole that

29:23

goes through the set and is mean to

29:26

everyone and those are the same person

29:28

and I love that tension, but some people hate

29:30

that discomfort, like you mentioned this right, so

29:33

it was like very cringe but very.

29:35

Good, like well, one of the problems with the show

29:37

that I think for for like people to get I mean

29:40

not problems, but one of the challenges. And again

29:42

I sort of took me a while to warm up to it. I would

29:44

say this season is by by

29:46

far my most enjoyable watch, but I

29:48

think that you know, the characters are detestable.

29:51

There's not a likable character, to be honest, I mean there's

29:53

they have likable qualities. There are moments

29:55

of extreme likability, like the character

29:57

of Roman Roy played by Karen Culkin, as

30:00

you mentioned, is super funny

30:02

and also in very endearing

30:04

in parts like but ultimately

30:08

is a callous, horrible, shitty

30:10

person with who is really pretty

30:12

dumb and like That's I think one of the things

30:14

of this season that I've enjoyed

30:17

is this kind of exploration

30:19

of how sort of inexperienced

30:22

and stupid the kids of the family

30:25

are, and just how so out of their depth

30:27

they are in so many of their whether it's

30:29

interpersonal relationships or professional relationships

30:31

or ideas about you know, who they are

30:34

and what they're supposed to be doing. Like it's I

30:36

think there is. It seems to me like the

30:39

writers have taken a bit of joy

30:41

in like exposing the

30:43

emptiness of these characters, because

30:46

like, you know, these these people are so present

30:48

in our lives and in our minds, like they're so they

30:50

occupy so much, they suck up so much air and have

30:52

I mean, Rupert Murdock as an example, has

30:55

like altered the shape of politics.

30:58

Not just an American by Baker in the world,

31:00

I mean like globally. His power

31:03

to wield the media as a weapon

31:05

is you know, it's kind of like demonic,

31:08

Like it's pretty crazy. And so

31:10

there's something that's really intriguing about

31:13

trying to understand or get a glimpse inside

31:15

of, like what their lives are. Like Yeah,

31:17

but again, like I think, like a big I

31:20

don't know what Yellowstone is, Like I haven't seen it. My guess

31:22

is there are pretty likable characters, and some of the characters

31:24

must be pretty likable, like it can't

31:26

all be back. But

31:29

yeah, okay, okay, I gotta watch it, But

31:31

like I don't know, this is a show where where you know,

31:33

it's hard to you know, I'm not rooting for anybody.

31:36

I kind of like, I'm like, I hope they all fail.

31:38

Like that's my my overarching

31:41

feeling of it is not like, boy, I hope Kendall

31:43

pulls this off. It's like, you know, I'm

31:46

like it's hard to watch, but like I don't

31:48

want him to win. Basically, you know, we're

31:51

all projecting something you know about reality.

32:04

Well, what's interesting to me is like when

32:06

I worked at Goldman, I was in wealth management,

32:08

and there's been these studies

32:10

done in the in the field where they talk about

32:13

how when you have a you know, big,

32:15

big source of wealth, it doesn't take

32:17

very many generations to like really fuck

32:20

that up, you know, basically

32:22

takes like two generations by the time you get to

32:24

the grandchildren where really you know, they

32:26

just don't have that connection. Yeah, like it's

32:28

faster than you'd think beyond. But

32:31

I just remember working with people

32:34

where we would refer to them as

32:36

the children. We'd say, oh, well we're having a meeting

32:38

with the children today, and then the children

32:40

would come in and they'd be like fifty years old, and

32:43

I'm like, oh, I was like assuming that they were not.

32:45

You know, this is when I was in my twenties, and like

32:47

these are like grown adults, but

32:50

and yet they're the children to all these

32:52

institutions that have sort of already been

32:54

involved with like their father and that

32:57

wealth. And you don't want to always

32:59

believe in these like birth word or things or whatever

33:01

the you know, but there is always a lot of these.

33:04

If you have enough kids, like one of them is going to

33:06

be a hippie. And if you have enough kids, one of them is going to

33:08

like really want to go into the

33:10

father of the mother's footsteps in a way that maybe

33:13

becomes pathological or you know whatever.

33:15

It is right right now? Yeah, yeah,

33:17

I mean so much of the show is like is like adults

33:19

acting like babies and yeah.

33:21

And you know a line that I just always come

33:23

back to, I think from like

33:26

the first season is Marcia says to Shive,

33:28

like your father built you a playground and you think it's

33:30

the world. And it's kind of interesting because

33:32

so much of that, like you were saying in succession, like

33:34

they go to these amazing places and

33:36

then they never leave like the hotel or the

33:39

yacht dining room or whatever

33:41

it is, right and it doesn't

33:44

look very fun, and I always

33:46

wonder, like, you know, Shive doesn't

33:48

have any friends, Like you know, none of these

33:50

people have like these real support

33:52

structures almost and so that's why you know they

33:55

they turn to, you know, the closest thing

33:57

they have is like you know, Frank,

34:00

who is also actively trying to you know,

34:03

caring about this, the shareholders and that

34:05

sort of thing.

34:06

Yeah, no, I mean, it's it's definitely like, you

34:08

know, if they were sympathetic characters, I would say,

34:10

like I feel bad for them because they seem isolated.

34:12

But I feel I maybe

34:14

I'm being cruel in my sort of estimation

34:16

of the family. But like I think about

34:19

those characters and I think about the real people, I'm like,

34:21

you have so much wealth, you have so much opportunity.

34:23

There are so many things a person could do. Like I

34:25

think a lot of what like kind of has driven the drama

34:28

between the father and the kids is like he

34:31

wasn't, as far as I can tell, did not come

34:33

from wealth. I think his backstory is that like he's

34:35

sort of a he is actually like a self made man,

34:37

like a person who kind of fought for everything he had or

34:39

whatever. And the kids who've just been handed

34:41

it, and it's like, well, you have all this opportunity and all this wealth,

34:43

and like what you do with it is like amounts to almost

34:46

nothing, Like you don't have an idea, you

34:48

don't have like an impulse. It's all

34:50

just like kind of surface. They

34:52

do seem very isolated, and they are in these very isolated

34:55

situations, which I kind of to me, there's always

34:57

remind me of a horror film, like I always think of like

34:59

a lot of the places they're in, like

35:01

when they went to the retreat Matson's

35:03

like retreat that's a very horror film

35:05

setting, like inside of offices,

35:08

trapped inside of offices, very horrific, you know, like

35:10

hotels kind of a horrific vibe to

35:12

them sometimes.

35:13

And I did love what you talked about, like when they were

35:15

at one of the shareholder meetings, I think the

35:17

one where Logan goes like quote piss mad.

35:20

Yes, yes, you know.

35:21

I loved like as anyone that's ever been

35:23

to like a you know, a Macworld

35:26

or a CS them sort

35:28

of half running through these long corridors

35:30

at these expo centers where you know, to get

35:33

from place you.

35:33

Can pay you know, you know what the carpet feels

35:35

like like you know, like you know how the floor vibrates

35:38

like in those places. I guess like as a person

35:40

who's you know, covered these things and gone to them and

35:42

been a part of them and whatever, like, I understand

35:44

those environments in a way that when I see it, I mean

35:47

again, that's like I think watching it from me and a

35:49

lot of people in media, it

35:51

is different than if you're just a regular person. I

35:53

like hotels, I like hotel bars. I

35:56

think there's something like very enjoyable

35:58

about them. But it is like a very very

36:00

specific kind of anonymousness

36:02

that can exist there that this like weird

36:04

like all these people from all these different places

36:06

and like you kind of like, yeah,

36:09

nothing there is permanent. It's like this very

36:11

strange sort of you know what would have been referred to

36:13

as a.

36:13

Temporary national waters.

36:15

Yeah, there's this concept of the temporary

36:17

autonomous zone, which I'm blanking on

36:19

the writer who sort of coined it. But it's like airports

36:22

and hotels and these places where they have their

36:24

own rules, they have their own like all the people that

36:26

are gathered but not for like to be in that place,

36:28

but usually like to go between some other from there

36:31

to some other place and anyhow. But like, but

36:33

that's the show. It lives in a lot of those spaces

36:35

that are maybe I'm getting too philosophical

36:37

on it, but like I think you know about it, but no.

36:40

I totally agree. I mean it's like, you know, even

36:43

when they were just in la you know, and this is the

36:45

classic alley experience, but they're just like in a car

36:47

for so much of it. If they're not right, you know,

36:49

you're in a room and then you go from the room

36:51

to the car and then from the car to the next

36:53

room with all the same people in each place.

36:56

Yeah, it's interesting to me. There is like just a there's

36:58

a dread, a feeling of dread that had over the whole

37:00

thing, and that I think this season and

37:03

obvious for obvious reasons, perhaps like it

37:05

has come forward more in a

37:07

way that makes me feel engaged and excited

37:09

about it. There are some plot points

37:11

that are brewing that have yet to be

37:13

really brought to the surface that I think

37:15

are you know, as

37:18

far as the drama goes, Like I make this joke every

37:20

time Shiv and Tom are in a scene, I'm

37:22

like, ah, the greatest romance of our time

37:24

Shiv and Tom like because there

37:27

is like an enormous amount of attention

37:29

paid to their relationship and its

37:31

struggles and their defeats

37:34

and sort of you know, the

37:36

possibility of reconciliation, and

37:38

yet like they're again very unlikable characters

37:41

that don't even seem to like each other, and you're

37:43

sort of like, this is

37:45

not a great romance, but it is an interesting

37:47

one at the very least. But yeah, you

37:49

know, Shiv is again spoiler alert, for

37:52

the love of God, spoiler alert, Shive is it last

37:54

we heard?

37:54

I think pregnant, we believe, So,

37:57

yeah.

37:57

It hasn't come back up. And since the episode

38:00

of like the Wake or whatever, I guess like the day after

38:02

her dad died, I think is when that was supposed to have

38:04

taken place.

38:05

Yeah, they talk about scheduling like the you

38:07

know, the twenty week scan, so she's kind

38:09

of still in that like fifteen weekish

38:11

probably area.

38:12

And just to be clear, in this season, I

38:15

was a little confused, but these episodes are moving like almost

38:18

day to day, like they're not there's not

38:20

a huge amount of time that's gone on, right, Like, he

38:22

dies and then the next episode they're flying to

38:24

Sweden or wherever they're going, and that's like the next

38:27

day, right, like literally or close to the

38:29

day after.

38:30

Yeah. Like at one point, it like people

38:32

were kind of wondering if it was going to

38:34

be each episode was basically a day, and I think

38:36

like that's gotten a little like just given the

38:38

travel times between some of these

38:40

continents, you know, I think there might be

38:42

a little bit of fudging, but it does seem like they're from

38:45

what we can see so far, they've

38:47

really been kind of putting all this stuff in a really

38:50

compressed period of time. And I think, what

38:53

the election is a few days away or whatever,

38:55

right.

38:55

And they keep talking about the election and yeah, nothing

38:58

has happened, So it's like, yeah.

39:00

Yeah, so I think that. I mean my understanding

39:02

is, you know, and we still haven't even

39:04

had Logan's funeral, which

39:07

I assume will be the setting of

39:09

something.

39:10

Right.

39:11

You see the prediction here we are prediction.

39:13

Yeah, this is all a prediction. I haven't I haven't seen in the

39:15

head.

39:15

Yeah, okay, so we have four more episodes left,

39:18

Yeah, many unresolved. What do you think where

39:20

are going to? What are gonna be the big points that we see?

39:22

Have any any character development, any arcs, any

39:25

moments that you predict.

39:26

You know, I always think about like what Jesse

39:29

Armstrong, the showrunner, talks about, how you

39:32

know, his decision on when or

39:34

whether to have Logan die, And it

39:36

does seem like the kind of thing that a lesser

39:38

show would have done in you know, the second to last

39:40

episode or something like that, or you know, right at

39:42

the end and that's the end or whatever, right, And

39:45

so I love the fact that they did it pretty

39:47

early on. To me, I just am

39:49

trying to think, like put myself in Jesse Armstrong's

39:51

head, like what is he trying to what story is he trying

39:53

to tell about this, because he's always been obsessed

39:56

with the idea of what happens

39:58

when you have this big thing, what's the succession

40:01

that that happens, and how does

40:03

it play out? So I don't know. For me, I

40:06

don't think this is like necessarily going to be the big

40:08

thing, but like it would

40:11

be realistic to have you

40:14

know, this company that's the

40:16

heart and soul of its family, for better and worse,

40:19

mostly worse probably you know, be

40:22

purchased and kind of like sold for parts

40:24

and assets, you know, spun

40:26

off and like cause that's kind of sometimes what happens

40:28

in the real world, and that's capitalism and it's not

40:30

very exciting, but right, I

40:33

sometimes wonder if there's going to be that just sort of

40:36

dismantling element, Like

40:38

on a personal level. There

40:40

is an interesting shot that a lot of people

40:42

have picked up on. You know, people pick up

40:44

on all sorts of things. I don't think it necessarily

40:47

means anything more, but when Kendall

40:49

takes Shiv's seat and she has to sit

40:51

in another chair at the table, they

40:54

have a shot where she's shot from behind, kind of

40:56

like in the Logan Roy shot in

40:58

the opening credits where he's at the table behind.

41:01

So a lot of people are like, ooh, Kendall

41:03

took her spot, but as a result, she ended

41:05

up in that seat. Maybe that's a sign.

41:07

Okay's kind of thinking about.

41:09

That ever since. But that's I'm stealing

41:11

from Reddit theories there, like very blatantly.

41:14

But yeah, I don't know enough about Jesse Armstrong.

41:16

Just is he the kind of you know, creator

41:18

who would put that kind of easter egg in

41:20

there? Like has that happened before?

41:22

Like I don't know, is that like that feels like a not

41:25

a stretch but no, totally.

41:27

I know, you mean, I

41:29

feel like, yeah, like I'm more so

41:31

when I'm writing, I'm I'm going back to old episodes

41:33

and looking at like sometimes you

41:36

see old things in old episodes of

41:38

the script where you're like, wow, there's just a

41:40

remarkable amount of like continuity. Not

41:43

in an easter egg way, like it doesn't feel

41:45

like they're like trying to plant some like seed

41:47

that is not hacky, but but it

41:50

is interesting to see like the things that kind of carry

41:52

through. And I'm like, just even

41:54

in the context of like the Frank

41:56

Jerry Carl stuff like you when you go back,

41:59

you realize, oh wow, it was pretty

42:01

early on that. You know, they try

42:03

to like appoint her CEO like in episode

42:05

two and it's when Logan has just

42:07

had like a brain hemorrhage and she's like the

42:09

job that makes people's head explode, Like I don't

42:11

want that. Yeah, interesting, and you just start

42:13

to like realize these things have kind of been in motion

42:15

for longer than you'd like realize, right

42:18

right, Yeah, I mean, like I

42:20

don't know, I could also see it being

42:22

that Kendall really does sort of win,

42:25

but what is winning even mean, and

42:27

that he sort of just continues on like his

42:30

father's ways. It's

42:32

like, is that even a good thing? You know, Like it's

42:34

just kind of depressing.

42:35

Right, I mean, so much as this last episode was them

42:38

trying to imagine, like clearly

42:40

it's like trying to imagine what their father

42:42

would be doing or what he'd be like or

42:45

and and trying to execute in a totally

42:48

shitty, stupid, like misguided

42:50

way. Right. Yeah, I mean,

42:53

the Kendall thing is so interesting because like this

42:55

last episode was triumphant for him. He

42:57

seemed like he was like you know, on

42:59

draw Uggs and was like hatching

43:01

these crazy schemes and was going to like tank the company

43:04

and tank the deal and blah blah blah. And but then everybody's

43:06

like, oh, look, people really like this, Like you did a great he's doing

43:08

a great job, Like this is really good, and it's

43:10

sort of like, oh, he's emerging as a

43:13

capable leader or whatever. I

43:15

mean. One thing I did respond to, I have to say, is in

43:17

the scene where he does his like keynote speech

43:19

or whatever, where he starts talking

43:21

about living plus, which incredible, by the way. Whoever

43:24

is responsible in that writing writer's

43:26

room for the concept of Living

43:28

Plus as a real I mean to me, it feels

43:30

exactly like something that one of these companies would introduce,

43:33

no question, Like it is directly

43:35

from the playbook.

43:36

And like it's so perc how Manton is just like

43:38

cuts right through the right through it. But even

43:41

after he's done that, you're still watching the presentation

43:43

like huh and yeah, like I could

43:45

see that this is like.

43:46

Actually kind of a good Like it's like it's

43:49

yeah, I mean, I can see a large

43:51

company going like we're creating these like amazing

43:53

homes that they're going to be like high security.

43:55

I mean, think about like these gated communities in

43:57

all these different places. Like if you could sell that package

43:59

that like an apple product or whatever, I think

44:01

there is a one hundred percent of market for that and

44:04

so yeah, and so they captured that perfectly. But then

44:06

he starts going into like all this weird like I don't

44:08

know, like life extension stuff, and

44:10

then you know the part of that scene is they're

44:13

like, oh, like you know what it's The response

44:15

is pretty good, like we're seeing some good tweets about it

44:17

or whatever, and it's like you've been to

44:19

events like this, if you've been to one of these like corporate

44:21

events when the like when the Elon musker

44:24

whoever gets on stage, it starts talking shit. Like

44:26

whatever they're talking about, they

44:28

are just so full of shit most of the time, just

44:30

absolutely whether it's made

44:32

up on the spot or it's from a script or

44:34

whatever, Like there's so much of it that is just complete

44:36

horseshit, and it is you know, often sort

44:39

of bought by the public, you know, hook line

44:41

in synchro. And I was like, oh, this is like they're

44:43

really capturing both

44:46

the fakeness of the whole thing and

44:48

also how easy it is, Like that's

44:50

you were saying, Like even though you heard him

44:53

like hatching this stuff at like two in the morning

44:55

or whatever, you can see how you

44:57

can so easily be drawn into it as a concept.

44:59

You go like, yeah, like that seems workable, Like that

45:01

seems doable, Like I believe in that.

45:04

Yeah. And it's like meanwhile, I'm there and it's

45:06

like, why can't we cancel this precision

45:08

because it's already on the calendar. It's just one more

45:10

product. And then like to

45:12

your point, it's whoever is coming

45:14

up with this stuff, it's like the same that

45:17

we here for you in the last

45:19

season, like exactly the same

45:21

example. It was so perfect of just

45:23

like.

45:23

That yeah he is, Oh

45:25

my god, it's it's incredible

45:28

writing. And also I think like that one

45:30

of the talents of the people who write this show, you

45:32

know, not to just like hit

45:34

them with so much praise, but like they

45:37

just are really good at picking up what

45:39

is very real about this stuff and kind of

45:41

like just putting that unvarnished

45:43

on display. And that's what I find I think why

45:45

I'm so drawn into, like particularly the season, because there's

45:47

so much of the window dressing that they're kind of showing

45:50

so much of like the products

45:52

and the way that these companies actually

45:54

sort of like present their image to the world.

45:56

Like the whole thing about like you know, doing like bad

45:59

press about his dad. Now he wasn't really like

46:01

you know, in with it, and they were kind

46:03

of leading, you know, secretly or whatever. I think

46:06

that just feels like all the artifice kind of pulling

46:08

back and seeing how the sausage is made

46:10

for lack of a better term,

46:22

Okay, so is she going to

46:24

keep the baby?

46:26

Yes? I think so. One

46:28

thing I was trying to figure out is like if

46:30

Tom even knows that

46:33

she was trying, like, I mean, obviously,

46:35

I guess I don't know, Like, what does Tom

46:37

think is happening?

46:38

Right? Is it Tom's? Do we think it's Tom? It

46:40

could not be Tom?

46:41

I guess that is some people, Yeah, some people do

46:43

think that, like.

46:44

Right, maybe Also people were talking about

46:46

the fall, like maybe something's going to happen, like

46:48

because she fell at the at the wake

46:51

or whatever. So a bunch of people mentioned that to me,

46:53

Like I was talking about it with maybe Laura said

46:55

something about it, and then somebody else I was talking to said something about

46:57

it, like and I was like, oh, yeah, I hadn't

46:59

thought of it. I thought it was just like she was just flustered

47:01

and tripped or whatever. But I don't know, it's

47:04

start Yeah.

47:04

No, And I guess what's weird is that

47:06

if it is, if they really,

47:09

if there really are just a few days that have gone by,

47:11

like it could still like that ball

47:13

was only a couple of days ago, which right.

47:15

I mean a lot's happened in five

47:17

days or whatever, right, Like her and Tom were

47:19

total enemies like five days ago, and

47:21

now like they're back in some kind of weird

47:24

you know, death biting like romance.

47:27

Yeah, Bidey. I don't know that game I'm not familiar.

47:30

With, but they Yeah,

47:31

I grew up doing a lot of weird

47:33

you know, rope burns and all that, but Bidy was not

47:35

in the in the arsenal.

47:37

Yeah, Biddy's very strange. It's interesting you

47:39

mentioned like how they have no friends and stuff. The

47:41

thing with Kendall has a family, like this is the thing

47:43

that I every once in a while, I'll remember

47:46

Kendall has like several children, like

47:48

at least two, right, and like a

47:50

for an ex wife, and

47:53

they don't exist in his world like at all. I

47:55

know, like they're not there.

47:57

And it's strange because we have seen them

47:59

existing in his world, Like it's

48:01

not like I don't know if you're familiar with

48:03

sort of the Roman, like in season one

48:05

he had there was a woman named Grace

48:07

who watching it at the time

48:10

you kind of thought was maybe his wife. And there's a daughter,

48:12

but you know they've said, oh, it was just a girlfriend

48:14

and their daughter. But then he's also wearing a wedding

48:16

ring, so real storyline. Yeah, if

48:18

you go back to season one, like the first couple episodes

48:21

and that storyline kind of got written.

48:22

Out, Oh wow, Okay, I remember

48:25

vaguely like a girlfriend or something.

48:27

But yeah, and like I always just assumed

48:29

it was a girlfriend that had that had a child

48:31

and it wasn't his child, and I and I sort

48:33

of think that's what they have, like

48:36

like RT cond it into. But people

48:39

have pointed out, no, they're wearing wedding rings.

48:41

And but I say that to say

48:43

that, like, I think they sort of pushed

48:45

that away and obviously

48:47

did it well because I think a lot of people haven't

48:49

really thought about it since in order to

48:51

give Roman like more freedom

48:54

to you know, develop his

48:56

character, and you can kind of see

48:58

the constraints or black theo with

49:00

Kendall in the sense of that you do sometimes

49:03

think about, well, wait, wait, what about when he

49:05

was kind of hanging out with his kids a lot and taking them

49:07

to birthday parties?

49:08

I mean he did I guess he took them to uh

49:11

he took them wherever they were in Rome or something

49:13

is when.

49:13

He yeah, they were like in the pool. Yeah,

49:15

he was like the poor kids

49:18

come to Rome and see their dad like floating face

49:20

down on the pool, and they were.

49:22

Like side character. I mean they're like you know, you

49:24

know, props or basically it's.

49:26

Seemed like his ex wife is doing well. She seemed

49:28

to have a you know, she seems like

49:30

she's kind of living her best life.

49:31

So okay, I don't I have no recollection

49:33

of what last time when you even saw his ex wife,

49:36

Like when do we see her?

49:37

It was I'm pretty sure last

49:39

season at the beginning, he has

49:41

like a like an operational

49:44

thing set up in her apartment.

49:46

Yeah yeah, yeah, right, like his like his like

49:48

social media team is there.

49:49

And I think she even has like a new man yeah,

49:52

because I think she kicks him out once because she's like her

49:54

I forget the guy's name. He has like a meeting early

49:57

in the morning or something. But I was like, okay, good,

49:59

she's doing well. There was a

50:01

time where I was thinking, oh, I could see it

50:03

ending with you know, shive whatever

50:05

it is like with this baby

50:08

being somehow important because it's the next

50:10

generation. And then I was like, wait, there already is a next

50:12

generation, right iverson,

50:15

He's right there, right there, yeah.

50:16

Right exactly. Oh god, the daming so perfect.

50:20

It's the Kendall construction of

50:22

that character is just like incredible.

50:25

You're writing on it, and the insight is just so interesting

50:28

and everybody should read your stuff. It's all all

50:30

of it's at the Ringer, right, there's.

50:31

Nothing nowhere else.

50:33

Yeah, and so you've got four more

50:35

episodes to watch and observe

50:38

and write about. Are you going to are you going to feel

50:40

like? Is there going to be a sadness when Succession

50:42

ends? Are you preparing for it?

50:44

I think you know what, I think there will be, like, especially

50:47

you know, because I've been writing about it, I've been going

50:50

back and watching these old episodes and

50:52

I I'm now starting to see it

50:54

as this sort of big work of art

50:56

as a unit, and it's just I

50:58

don't know, I love this and I just think it's brilliant.

51:01

That said, whenever someone says I don't like

51:03

it, I'm like totally get you. I'm not

51:05

going to even try to convince you. You know, if you haven't

51:07

liked it by episode six of season one,

51:10

like you're done right. Yeah,

51:12

I'm not going to start liking it, but anyway, like I

51:14

will be sad. I respect

51:17

and admire the decision to

51:20

stop it after four seasons, Like that's a pretty

51:22

cool creative choice. And Jesse

51:24

Armstrong has obviously shown

51:26

that he has you know, really good

51:28

tastes and really good sensibilities.

51:31

I was joking like they should do some sort of

51:33

procedural spin off where you know, there's

51:35

some investment banking firm that

51:38

you know, and all these people are coming through. That's

51:40

kind of like the Good or something like that. You've got

51:42

these recurring characters.

51:44

No, they should do a spin off with the Emperor Penguins.

51:46

They should be about those characters and

51:48

like their lives, like what's going on at home with

51:50

those characters? I have no idea.

51:52

Well, and it's funny because having interviewed

51:54

them, they say like they kind of have no idea

51:57

either, which is so funny. Like Peter

51:59

Friedman, who plays was saying that sometimes

52:01

when there's little nuggets in the script about Frank's

52:04

past, he doesn't know if it's real or not

52:06

because he doesn't know if it's just the characters like roasting

52:08

him or actually based on like the no

52:11

bable of who's he exactly, like, right,

52:13

who's Frank? Yeah?

52:14

Right, that's amazing, that's incredible. Yeah,

52:16

No, I mean I spin off potential. I mean that's

52:20

I don't know. I don't know. This feels like a CAP's

52:22

like a time capsule to me, like this feels like one of

52:24

those shows like that if it ends, you

52:26

know, it's season four and that's it. It's going

52:29

to be perfect. It's going to be like what it needs

52:31

to be. These aren't there's no like you

52:33

said earlier one time, there isn't some

52:35

big explosive drama that's happening. It's actually

52:37

like in the grand scheme of things, it's a small

52:40

story. It's like, who's going to run the

52:42

old man's business when he kicks the bucket? Is really

52:44

the question? Right, Like that's all it is.

52:46

It's funny, Yeah, the number of freaking investor

52:49

meetings they have had, you know that it's

52:51

which is true to me, Yeah exactly. It's

52:53

just funny that they just basically like mark

52:56

time through Logan's birthday and investor

52:58

meetings and like that's that's the whole life

53:00

cycle of succession.

53:01

These days, the show's called succession.

53:04

Do you believe we will witness a succession?

53:07

I mean we've sort of I guess we have this like co CEO

53:09

situation. So but it all feels

53:11

like it's very impermanent, Like everybody's

53:14

kind of like, well, it's just you're just kind of keeping the seat

53:16

warm. Until like Mattson shows up

53:18

to break the company apart or whatever

53:21

final prediction. Does Matson

53:23

buy the company, sell it off for parts that do the kids

53:25

ultimately keep it?

53:28

I'm going to say, like, I think he buys it and sells

53:30

it off for parts. I think I could see them going with

53:32

a a not neatly

53:35

wrapped up satisfying

53:37

conclusion. I don't know

53:39

if it'll be that particular one, but like,

53:41

but that idea feels

53:44

interesting to me in a way that I could see

53:46

them playing with it.

53:48

Interesting interesting. I'm

53:50

going to say, since you know, I might as well

53:52

answer question. I think,

53:56

you know, it's got a real kind of no

53:58

exit thing going on, Like I

54:01

think it's possible, like they're in a room in

54:03

hell together, you know, like that, and then and

54:05

that's the room they're going to be in for the rest of their lives,

54:07

like constantly warring over

54:09

this, like inconsequential bullshit that

54:12

only matters to them, and only matters for

54:14

reasons that are like this is the

54:16

kind of esoteric like sentimental

54:19

pride and shit, you know, just like weird sort

54:21

of like familial stuff,

54:23

you know, like or

54:26

cousin Greg is going to become somehow b CEO.

54:28

I think there's a possibility that just

54:30

for some reason, somehow, like

54:33

his dad is the actor's

54:35

still alive, right, who plays his dad?

54:38

Believe?

54:38

So so weird question to ask it. So yeah,

54:41

it's like James Cromwell,

54:43

yes, who is also has a great character

54:46

arc in Six Feet Under, one of the greatest television

54:49

dramas of all time.

54:50

So funny because I was just about to reference Six

54:52

Feet Under in the sense of I'm thinking

54:54

of the finale where you see Billy

54:57

and uh, what's the what's the

54:59

women's saying I forgot his sister Brenda

55:01

Billiam Brenda and it's like there, all

55:03

these years later, they're still together bickering

55:06

and he's just like talking at her and

55:08

she's so bored, and like I

55:10

love that. Yeah.

55:11

The Six Feet Under ending is I think iconic

55:13

and like just so over the

55:15

top and it's like taking it to

55:17

its logical conclusion, like just unbelievable.

55:20

Like Laura actually introduced me to that

55:22

show. She had watched it. She's like, oh my god, we have to

55:24

watch it, and I was like just absolutely devastating.

55:26

Made the crossover between the two shows, right,

55:29

Yeah, it would be funny to imagine the logan

55:32

episode of Six Feet Under. You know, the opening

55:34

scene of him in the aeroplane bathroom.

55:36

No, that's a great idea, that's amazing.

55:39

Well, his death is very six feet

55:41

Under. I mean a lot of that show is like people

55:44

dying in the most stupid or mundane ways,

55:46

because that is what happens, right, like, like, you

55:48

know, what is the story, Like Tom says, he was like trying

55:50

to fish his iPhone out of the toilet.

55:53

That Carl clogged. He says, by the way,

55:55

which I didn't even hear until I watched it like the third

55:57

time.

55:58

Such an unglamorous, sad,

56:01

little death for such a big man. And

56:03

that is like and that's sort of like it's a interesting

56:05

fuck you, Like he didn't die in

56:07

some heroic yeah, or even like I

56:09

don't know.

56:10

Emotional like yeah, final

56:12

goodbye.

56:12

Yeah, just that, but like death, I mean

56:15

that was I actually thought that episode. Sorry, I know we keep

56:17

going down rabbit holes, but I thought that episode was one

56:19

of the finest depictions I've ever seen of what it's really

56:21

like to get bad news, like the way

56:23

the bad news, not the whole thing, because I actually thought they

56:25

went on a bit long with the with the whole like kids

56:28

find it out thing, It just felt like it took a little

56:30

longer than needed to. But I was like at

56:32

the end of it, I was like, you know, I think they could have edited down, like fifteen

56:34

minutes of that could have been edited straight out and it would have

56:36

been fine. But the way the news

56:39

is communicated and the call comes through and that whole

56:41

thing is like, I'm like, this is exactly what it's like

56:43

when somebody tells you that somebody has died. This is the exact

56:45

feeling, and this sort of like

56:47

the way it like sounds when you're listening to them

56:49

on the phone, or when you know, if you're listening to somebody

56:52

get the news or whatever. Anyhow, we

56:54

got to wrap up, Katie. This has been so fascinating,

56:56

not only the succession talk which is

56:58

Lee, which was like I wanted to get into

57:00

and it was desperate to get into because I really was

57:03

hoping to do this kind of stupidly

57:06

detailed exploration with you. So I'm

57:08

glad that we did it, but like the what a

57:10

fascinating, Like You've had such a fascinating career

57:13

and like I had no idea what a

57:15

long strange trip it had been for you to

57:17

the world of journalism, and is

57:20

this it? Are you done? You're not going to go back to Goldmen or

57:22

anything.

57:23

Who knows if they'd ever have me back? But no. I mean,

57:25

I'm it's been funny like writing

57:27

about Succession the last few months,

57:29

and I'm like, this is kind of silly,

57:32

but also kind of nice.

57:34

This has become like my mini beat for a little while

57:36

here.

57:37

With your background, I would imagine there's

57:39

a lot of like material there

57:41

from those like that World of Money that would

57:43

be really anyhow, this is great. You got to

57:45

come back and we got to do this again.

57:48

You know, we should talk about the show Industry or something down

57:50

the road. I don't know if you've ever watched that show.

57:52

It's kind of interesting our industry.

57:53

I have.

57:54

I have watched so Industry. I have

57:56

watched alone because Laura hated it. When

57:58

I'm like alone in front of the TV and I want to watch

58:01

something, that's one of those shows that I've put on because

58:03

i know Laura won't watch it with me and

58:05

doesn't care about it. So I'm like, Okay,

58:08

I'm not going to like try to you know, because I'm not going to watch,

58:10

you know, an important show. Yeah, he's interesting.

58:12

It is definitely in the family.

58:15

I thought season I like season two a lot better than season

58:17

one, and now I'm they've like hooked me

58:19

a little bit more than I is it?

58:20

Are they continuing to make Industry? Is that going to be a show

58:23

they're getting? Yeah?

58:23

So season three there I think filming

58:26

now? And the guy that

58:28

what's the guy the guy from Game of Thrones? You

58:31

know nothing, John

58:33

Snow, John Snow.

58:34

Isn't it John's coming to

58:36

industry? It's just

58:38

John Snowe's coming to industry would sell

58:41

a lot, put a lot of asses in seeds. Actually, all

58:43

right, fine, maybe I'll finish season two of Industry

58:45

and then and then we'll have talk about it. Or maybe I'll

58:47

watch all of Yellowstone on a Blu ray box

58:50

set and and give you my take

58:52

on What was the character you mentioned? What was her name?

58:54

Oh, Beth Button, Debbie Boone or you'll see

58:57

Debbie Boone. That's actually her.

58:58

That's what that's a person, that's a verse.

59:01

What did you do do this her day?

59:03

That's her character's day, that's her characters?

59:05

Da am I?

59:05

Yeah, I don't even know. Here's the thing about Yellowstone. Sorry,

59:07

I know we're just so over time here, but like I don't

59:09

even know when it's set. Like in my mind it's like

59:11

a Western set in the old days. But it's not, is

59:14

it.

59:14

It's a modern got to like go on

59:16

the journey for yourself. I guess you want to tell me.

59:19

There must be some shows that are not set in present day

59:21

because they're called nineteen twenty three

59:25

three? Okay, good, all right, Well listen, this

59:27

is great. You got to come back. We're going to talk about industry, We're

59:29

going to talk about Yellowstone, and then some secret

59:32

third thing that has yet to be put on television yet,

59:34

and we're going to have a long conversation about it. Thank

59:37

you so much for doing this.

59:37

I really enjoyed it you as well.

59:40

Thanks for having me.

59:47

Well that is our show for this week. I mean, I

59:49

think there's a good chance I'm going to be discussing

59:51

Succession after next week's episode,

59:54

and so just going to be filling this the

59:56

next one with huge spoilers about whoever

59:58

is going to die next that show. But

1:00:01

anyhow, we'll be back with more what

1:00:04

future, And as always, I wish you and your family

1:00:06

the very best

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