Episode Transcript
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0:00
- Check, check. Yeah. Okay. We got the thing working.
0:05
You are tuned into what's the matter with we podcast,
0:12
the God the Dad podcast, the fishing podcast.
0:18
We went on a family record
0:22
shopping expedition. More on that in a moment.
0:28
Meanwhile, you are tuned into the what's the Matter
0:33
with me podcast. My name is John. I'm 44 years old.
0:39
Husband, father of two small business owner, radio DJ
0:45
podcaster, and I have multiple sclerosis
0:50
trigeminal neuralgia. And I made this podcast to share what I'm going through.
0:57
It's have a lot of multifaceted narratives.
1:01
We had our neighbors over for dinner last night.
1:06
We had pulled pork sandwiches and cold slaw.
1:10
Every time I make a pulled pork sandwich, I'm like
1:14
the thing hopping hot sauce needs hopping hot sauce.
1:18
I put it on it. I put hopping hot sauce on my, on my sandwich
1:25
and it was the jam. Speaking of the jam
1:31
- Hopping hot sauce. It's the best hot sauce hopping on sauce.
1:37
It's the best sauce in the world.
1:41
The world, I'm telling you. - All right. It was the jingle.
1:47
A lot of people say, I wish the jingle just played all the time.
1:55
All the time. Everywhere I went, I have to go places.
2:00
And they aren't playing the jingle.
2:03
And I'm like, you shouldn't go there. You're going places you shouldn't go.
2:10
It's the jingle. Check out hopping hot sauce on Amazon.
2:16
Wanna give some shout outs when just to get us rolling.
2:21
Get this thing on the road. Shout out to the Sandman.
2:26
He wrote in for fresh fish market
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recommendations in the South Bay.
2:34
So I gave up all my spots to him.
2:37
Not really, not really at the place on 13th Street,
2:42
there's a place out on 13th
2:46
where it becomes old Oakland Road in San Jose.
2:51
It's like a wholesale fish market.
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You go in there, there's just plastic tubs.
2:58
It is not like a grocery store.
3:03
It has no a acument.
3:07
It's the floor is wet, there's drains in the floor.
3:11
There's tanks with crab and fish and lobster.
3:16
It's pretty hectic. I told them Whole Foods was the best in the South Bay.
3:23
It kind of is that the downtown Whole Foods on, um,
3:28
the Alameda, they have a pretty good fish market.
3:33
That's not really like giving up your spots
3:38
to be like go to Whole Foods. But I was like, go to the Secret Wholesale Fish Market.
3:46
Shout out to the Sandman. Shout out to Jersey girl and Max level two.
3:53
They, they wrote me about a mayhem special on
3:58
KFJC. I think I do want to get involved in it.
4:03
They sent me emails, shout outs. They sent me emails.
4:09
4:13
Jhn at at H-O-P-P-I-N-W-O-R-L
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d.com. You send me an email, I'll send you a shout out.
4:23
Possibly, possibly. Come on. You know it.
4:28
Possibly the best shout out anyone's ever had
4:32
or anyone will have or anyone could have go to.
4:37
What's the matter with me.org? Hit subscribe.
4:42
Subscribe to the podcast and get the selfie.
4:47
You get it in your email box. That's really all it is.
4:52
I'm just trying to propagate the selfie.
4:56
So subscribing. You'll get the selfie every time there's a new episode,
5:02
you'll get an email. And in that episode it'll be a selfie.
5:07
I, I reminder, I gotta take the selfie right now.
5:14
Can't forget to take the selfie. Let's see.
5:19
Here we go. How we looking? How we looking?
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I know I take the selfie here. I should bring my comb out here.
5:26
I know there's going to be a selfie.
5:29
Let me get myself all together. Can comb my hair with this stick?
5:35
Yeah, let's get that selfie. Its time. Yeah. Okay.
5:40
Mission accomplished. So shout outs.
5:44
I went record shopping with my family on the weekend.
5:49
I'm always, every weekend I'm like,
5:52
let's go record shopping. What do you want to do? I want to go record shopping.
5:57
So I went record, record shopping at Amoeba Berkeley
6:02
with the family in my wheelchair.
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Not for anything in particular, just to kind
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of browse, you know, I wanted to just go out,
6:15
see the people. Telegraph Avenue. We went to Telegraph.
6:21
It was a scene. It smelled like incense.
6:25
Where did we park? I think we parked on this street.
6:30
Yeah, we parked on this street. We street parking.
6:35
We took the wheelchair with the wheelchair lift.
6:39
So all that worked out. We got into amoeba.
6:43
It's kinda, they, they shopping amoeba isn't great because,
6:49
and record shopping in the wheelchair just isn't
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that great because the stacks are
6:59
above your eye level. So you can barely peek into the CDs
7:05
and see what it barely. And I need help seeing what's in the back
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of the, I, you know, I can only shop like the front half,
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front two thirds of the stack, what's in the back.
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I am kinda out outta luck. But they have the featured records
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and the featured CDs featured stuff is
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above those stacks kind of in the back.
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And I can see that. So a little bit.
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I get to, and that's where I've been shopping
7:45
for quite a while now. 'cause I like to go to the record store
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and see what the people
7:53
who work there are like pulling out
7:56
and amoeba the jazz section.
8:00
It's a lot like my John Coltrane, miles Davis, they,
8:05
they take out, it's like there's no other,
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no other artist you can find except those two.
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But actually I found, I found it Dawn Cherry cd
8:19
and it was up there before the, all the Coltran kicked in
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and Dawn Cherry. And the thing that caught my eye was it had Nana
8:32
Vasconcellos, who's a
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Brazilian percussionist.
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Um, he plays Barba
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and like all the Brazilian percussion
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instruments are pretty in.
8:47
Interesting. I think he died a couple years ago.
8:51
I think it's fair to say he's like a master percussionist.
8:57
So I was like, okay, cool. Dawn Cherry.
9:00
Dawn Cherry is a multi-instrumentalist horn
9:04
and reed player, a trumpet flute, you know,
9:09
he's like in it with Colin Walcott,
9:15
who's like a dude, white dude playing sitar.
9:19
That's like an easy way and gongs and stuff.
9:23
So it's like proto world music. They were all into that.
9:28
Dawn Cherry, none of us, Conello
9:31
and Colin Walcott, they're getting together kind
9:35
of jamming with this expanded
9:40
world music kind of instrumentation.
9:44
So the band is called Kona, which is like
9:49
Colin Don Nana
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Kodo Kona.
9:57
And it's, it was a three cd, three CD set
10:02
and it was on ECM, which is like, they have a lot of euro
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jazz and kind of froggy jazz and stuff.
10:12
So interesting label.
10:15
And the artist that nana gon sold me,
10:20
and it was a three CDs that used, so the
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Kona Kona trilogy
10:29
and it's um, out of stock outta print at ECM.
10:35
They have seven copies of it on dis cogs
10:39
and the cheapest one is $37.
10:44
I think I got the this for 26 bucks at Amoeba.
10:50
So I was like, okay, I'm getting a deal.
10:53
So I was like, okay, I'll pick that up. ECM three CD set, Brazilian percussionist.
11:00
I'm in code. Maybe I can find a a, a YouTube video.
11:08
My son was all into hip hop as soon as we got there.
11:13
He wanted, you know, and I, I told him when I was a kid, my parents
11:18
didn't buy hip hop for me if he had had a parental
11:23
advisory label on it, which is all of them.
11:28
When that's when he told me. And I'm like, yes, you're right. Like I remember that.
11:34
So we got around it. We're always kind of having legal work around in my family
11:40
to make things work. You gotta kinda fudge the edges sometime.
11:47
He didn't buy it. I bought it. Okay.
11:49
So I got the Marshall Mathers to
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CD by Eminem. He picked that out. That's what was available.
11:59
Used for like seven bucks.
12:02
It wasn't really about what you could, it was,
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I told him, you gotta look at what's used.
12:10
That's what you can get. You make a dollar 50 a week.
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So I bought it for him, you know, because I, I had already previously said that bit about
12:23
won't get it if it's got the parental advisory
12:27
and you know, I was like, how do I get it out of that?
12:30
Having said that, so I got it for him. He was happy.
12:36
I think it probably has some adult themes,
12:41
but as far as rapper rappers go,
12:45
Eminem isn't as bad as it as it could be.
12:51
That's, uh, the way I looked out at it
12:54
and I was like, okay, at least there's some level of
13:00
straight honest dealing here with Eminem
13:04
that you might not get with like Nelly, right?
13:09
I don't wanna have talk bad on Nelly,
13:12
but it seems like Eminem might have
13:17
less pop. I'm not sure where I'm going here.
13:21
I'm trying to justify why I bought this record.
13:26
I did it to make my son happy.
13:29
He was happy briefly.
13:32
And then a an hour or two later he was freaking out about something.
13:38
Okay. So my wife and my daughter were all, were also there
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and it's like, I got a cd.
13:45
My son got a cd so my wife
13:48
and my daughter went in on
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and I, you know, they, I I am not sure
13:55
how they negotiated this. I was busy dropping the jazz
14:00
and hip hop sections. My wife and my daughter went in on the Taylor Swift
14:08
cover CD Taylor's version.
14:12
She does a bunch of covers and then in parentheses writes Taylor's version
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after each one. And you know, she's been all over the TV and the media.
14:25
It's like, don't you
14:28
remember when Cat Power did a covers record?
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She called it the covers record,
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but it's not like every song she was like
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Cat Power's version. Like that's kinda understood.
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So I thought that was something a little odd to insist upon
14:51
writing that it was your version.
14:54
Maybe there's more to that. And also I didn't wanna hit on Taylor Swift
15:01
because of the propensity of men
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to tear down women, uh,
15:08
in every aspect.
15:12
So a little bit, maybe I'll just let her go away with it.
15:16
Get away with it. And so Taylor's version, who cares?
15:21
I put it on the CD player on the way home, we listen to it.
15:25
It's like electro pop. It's powerful music.
15:30
That's what I thought. The frequencies of the movie, of the, the frequencies
15:36
of the song, the way it's mastered,
15:39
they're just like on a hundred percent blast mode.
15:46
They're very strong, very loud.
15:49
It's pop music, but it like peels your eyelids back
15:54
and curls your eyelashes. It's powerful. And so I thought that was something cool.
16:00
Like I think that people who listen to that kind
16:05
of music and inhabit that space and feel powerful
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and like I said about men constantly
16:14
tearing down women in every aspect all the time,
16:19
that's probably good to be powerful.
16:22
And it probably, I can't experience what that feels like,
16:26
but I was like, dang, this Electropop is like
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take no prisoners. Electropop not looking back.
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We're gonna have a dance party and we won't look back powerful.
16:42
Join us in the dance party
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or we'll rip your body to shreds when I say it.
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It'll peel your eyelids back and curl your eyelashes
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or else get the hell out of here. It's Taylor's version. Taylor's version.
17:00
Plenty Riz. I was trying to like throw around
17:05
young people slang at my Super Bowl party
17:08
and everybody was like, we're just going to ignore you.
17:13
So I'll do it here where it's a one-sided conversation.
17:18
Taylor Swift has Riz
17:21
and she has more drip than I expected.
17:26
And I think guys that aren't feeling Taylor Swift
17:30
or Sus alright, alright.
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Enough, it's, it's obvious, pretty obvious why she's a major
17:38
spectacular pop star Taylor Swift.
17:44
I was nervous, <laugh>, I was nervous about that segment
17:49
because if I screwed up my Taylor Swift review,
17:55
the internet would kill me. I'm pretty sure. I wonder if there
18:02
are people who will listen to this just
18:06
to make sure I don't talk any smack about Taylor Swift.
18:11
Well the thing is, I can, I liked it.
18:14
I thought, I thought dang, but I did think, dang, this is powerful.
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And it made me think how men are always tearing down women.
18:25
So we turned up the block from Telegraph
18:29
right after Rasputin.
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We turned up the block and like it's hard.
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I, I spent a lot of time on Telegraph,
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but I hardly recognize it and I realized what was going on.
18:44
People's Park was gone. I didn't even know what side of the street people's park was
18:52
'cause I don't recognize rec.
18:54
Why do we keep saying that? I don't recognize things, the things they built
19:02
across the street from People's Park.
19:06
So people's park is gone, but whatever's across the street it's different.
19:13
And they have these shipping containers
19:17
blockading the sidewalk where people's park was
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and there's cops hanging out. There were three cops guarding the shipping containers,
19:29
blockading Peoples Park.
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And it had bad vibes. Like I was over there a little bit.
19:36
We didn't go all the way, I didn't say anything.
19:39
We didn't go up the blog. We went part of the way
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and then I was like, someone's gonna throw like a Molotov
19:47
cocktail and I'm in my wheelchair and I'm going to get burnt
19:51
and pepper sprayed. Like definitely the person in the wheelchair is getting
19:57
pepper sprayed 'cause it's musty tv.
20:03
I didn't hang out in people's park.
20:05
People's park was already like
20:10
homeless people were living in the trees.
20:13
There was kind of the stage we, we really used it
20:18
just to cut across. We would, that's Peoples Park was useful
20:24
for cutting across, but not anymore.
20:27
It's a bad scene. Bad vibes, BV Berkeley, bad vibes.
20:33
Being inspiring all the time is kind of a drag
20:38
when you are a disabled person, everyone is like
20:43
expecting you to give some angle.
20:47
That's like inspiration. I kind of was thinking about that,
20:52
about disability inspiration
20:56
and I, I googled that idea.
20:59
I came up with this article from Forbes
21:02
from April, 2022 by Andrew
21:07
Andrew Ang. He writes, in 2014,
21:14
disabled Australian disability activist Ella Young
21:19
gave a TED talk titled, I'm Not Your Inspiration,
21:24
thank you very much. It has become an essential text of disability culture
21:32
and a touchstone for people with disabilities
21:36
struggling to describe their experiences.
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Young's presentation and even just the title
21:46
put into tart succinct words, something people
21:50
with disabilities all over the world instinctively feel,
21:56
but often can't explain. Disabled people have complicated relationships
22:03
with a lot of words, but the one other, the disability itself
22:10
disabled people feel most intensely about
22:15
maybe the word inspirational.
22:19
Skipping down about why the word inspirational
22:24
is a problem rather than conveying
22:29
admiration and respect. Inspirational tends to suggest condescension,
22:36
condescension and sentimentality.
22:40
It's not just the word itself,
22:42
but the tone of voice so often used
22:46
to articulate it. Vague, dreamy, childish.
22:51
It seems to offer disabled people's lives
22:56
to supply emotional satisfaction
23:00
for non-disabled people.
23:04
Why do people continue to use the word?
23:07
There are good reasons too.
23:10
Sometimes they literally mean it. It's a word they know.
23:15
In order to compliment a disabled person, instead
23:20
of calling a disabled person inspirational,
23:25
use more specific adjectives that refer
23:29
to the person's unique and positive qualities.
23:34
Not just broad stereotypes of disabled people in general.
23:40
If you find inspirational on the tip
23:43
of your tongue when discussing people
23:46
with disabilities, stop and think.
23:50
You don't necessarily have to censor yourself,
23:54
but be aware that rightly or wrongly, the word is at best problematic
24:01
and it worst toxic for many disabled people.
24:06
And then maybe think of something more specific, personal
24:12
and original to say. So I'll put a link to that kind of interesting thinking.
24:18
Is there a healthy place for inspirational
24:22
and disability culture by Andrew Pol?
24:26
Rang April 21st, 2022 in Forbes.
24:33
Yeah, that can be a drag.
24:35
But I was thinking about the radio.
24:39
You know, I was on the radio and it, I really connected with the listener
24:45
in the radio, it's four disabled people,
24:50
unpopular people. The voice on the radio, you're talking
24:55
and the listener is hearing you. It's like a one-on-one. It's just like this.
25:00
It's broadcasting. It's a one-on-one conversation with the listener
25:06
and for disabled people, unpopular people,
25:11
weirdos, homeless people, people in jail,
25:17
anyone who tunes in can listen.
25:20
That's kind of the same with this podcast.
25:24
If you're able to, you can listen.
25:27
It's democratic in that way.
25:30
And anyone who wants to, you can listen.
25:35
Whoever you are, you can listen. You're welcome here.
25:40
It's in the equal space. With that said, I gotta put it in here. Email me.
25:46
I'll give you a shout out. The best. Shout out [email protected].
25:51
Huge shout out JH Agent at
25:55
H-O-P-P-I-N-W-O-R-L d.com.
25:59
Thanks for tuning in.
26:02
I went record shopping, a family record shopping
26:08
expedition, an incursion in Berkeley.
26:13
We had our neighbors over for over for dinner last night.
26:17
It was pretty good. Pulled pork sandwiches with hopping hot sauce.
26:23
Shout out Sandman jersey Girl Max level.
26:27
Subscribe, get the selfie. I went record shopping at Amoeba
26:33
with the family in my wheelchair.
26:36
I got Kona, my son got m and m.
26:39
My wife and daughter got Taylor Swift.
26:42
There's no more People's Park, but the bad vibes are there.
26:47
Being inspiring. Kind of complicated.
26:51
The radio broadcasting, it's democratic.
26:55
Everyone is welcome. Pull up a chair, gather round, send me an email.
27:01
Thanks for tuning in to what's the Matter With Me podcast.
27:08
I'll check you next time.
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