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Wheelchair Dig

Wheelchair Dig

Released Tuesday, 20th February 2024
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Wheelchair Dig

Wheelchair Dig

Wheelchair Dig

Wheelchair Dig

Tuesday, 20th February 2024
Good episode? Give it some love!
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Episode Transcript

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0:00

- Check, check. Yeah. Okay. We got the thing working.

0:05

You are tuned into what's the matter with we podcast,

0:12

the God the Dad podcast, the fishing podcast.

0:18

We went on a family record

0:22

shopping expedition. More on that in a moment.

0:28

Meanwhile, you are tuned into the what's the Matter

0:33

with me podcast. My name is John. I'm 44 years old.

0:39

Husband, father of two small business owner, radio DJ

0:45

podcaster, and I have multiple sclerosis

0:50

trigeminal neuralgia. And I made this podcast to share what I'm going through.

0:57

It's have a lot of multifaceted narratives.

1:01

We had our neighbors over for dinner last night.

1:06

We had pulled pork sandwiches and cold slaw.

1:10

Every time I make a pulled pork sandwich, I'm like

1:14

the thing hopping hot sauce needs hopping hot sauce.

1:18

I put it on it. I put hopping hot sauce on my, on my sandwich

1:25

and it was the jam. Speaking of the jam

1:31

- Hopping hot sauce. It's the best hot sauce hopping on sauce.

1:37

It's the best sauce in the world.

1:41

The world, I'm telling you. - All right. It was the jingle.

1:47

A lot of people say, I wish the jingle just played all the time.

1:55

All the time. Everywhere I went, I have to go places.

2:00

And they aren't playing the jingle.

2:03

And I'm like, you shouldn't go there. You're going places you shouldn't go.

2:10

It's the jingle. Check out hopping hot sauce on Amazon.

2:16

Wanna give some shout outs when just to get us rolling.

2:21

Get this thing on the road. Shout out to the Sandman.

2:26

He wrote in for fresh fish market

2:30

recommendations in the South Bay.

2:34

So I gave up all my spots to him.

2:37

Not really, not really at the place on 13th Street,

2:42

there's a place out on 13th

2:46

where it becomes old Oakland Road in San Jose.

2:51

It's like a wholesale fish market.

2:54

You go in there, there's just plastic tubs.

2:58

It is not like a grocery store.

3:03

It has no a acument.

3:07

It's the floor is wet, there's drains in the floor.

3:11

There's tanks with crab and fish and lobster.

3:16

It's pretty hectic. I told them Whole Foods was the best in the South Bay.

3:23

It kind of is that the downtown Whole Foods on, um,

3:28

the Alameda, they have a pretty good fish market.

3:33

That's not really like giving up your spots

3:38

to be like go to Whole Foods. But I was like, go to the Secret Wholesale Fish Market.

3:46

Shout out to the Sandman. Shout out to Jersey girl and Max level two.

3:53

They, they wrote me about a mayhem special on

3:58

KFJC. I think I do want to get involved in it.

4:03

They sent me emails, shout outs. They sent me emails.

4:13

Jhn at at H-O-P-P-I-N-W-O-R-L

4:17

d.com. You send me an email, I'll send you a shout out.

4:23

Possibly, possibly. Come on. You know it.

4:28

Possibly the best shout out anyone's ever had

4:32

or anyone will have or anyone could have go to.

4:37

What's the matter with me.org? Hit subscribe.

4:42

Subscribe to the podcast and get the selfie.

4:47

You get it in your email box. That's really all it is.

4:52

I'm just trying to propagate the selfie.

4:56

So subscribing. You'll get the selfie every time there's a new episode,

5:02

you'll get an email. And in that episode it'll be a selfie.

5:07

I, I reminder, I gotta take the selfie right now.

5:14

Can't forget to take the selfie. Let's see.

5:19

Here we go. How we looking? How we looking?

5:22

I know I take the selfie here. I should bring my comb out here.

5:26

I know there's going to be a selfie.

5:29

Let me get myself all together. Can comb my hair with this stick?

5:35

Yeah, let's get that selfie. Its time. Yeah. Okay.

5:40

Mission accomplished. So shout outs.

5:44

I went record shopping with my family on the weekend.

5:49

I'm always, every weekend I'm like,

5:52

let's go record shopping. What do you want to do? I want to go record shopping.

5:57

So I went record, record shopping at Amoeba Berkeley

6:02

with the family in my wheelchair.

6:06

Not for anything in particular, just to kind

6:11

of browse, you know, I wanted to just go out,

6:15

see the people. Telegraph Avenue. We went to Telegraph.

6:21

It was a scene. It smelled like incense.

6:25

Where did we park? I think we parked on this street.

6:30

Yeah, we parked on this street. We street parking.

6:35

We took the wheelchair with the wheelchair lift.

6:39

So all that worked out. We got into amoeba.

6:43

It's kinda, they, they shopping amoeba isn't great because,

6:49

and record shopping in the wheelchair just isn't

6:53

that great because the stacks are

6:59

above your eye level. So you can barely peek into the CDs

7:05

and see what it barely. And I need help seeing what's in the back

7:13

of the, I, you know, I can only shop like the front half,

7:18

front two thirds of the stack, what's in the back.

7:23

I am kinda out outta luck. But they have the featured records

7:30

and the featured CDs featured stuff is

7:34

above those stacks kind of in the back.

7:38

And I can see that. So a little bit.

7:42

I get to, and that's where I've been shopping

7:45

for quite a while now. 'cause I like to go to the record store

7:50

and see what the people

7:53

who work there are like pulling out

7:56

and amoeba the jazz section.

8:00

It's a lot like my John Coltrane, miles Davis, they,

8:05

they take out, it's like there's no other,

8:09

no other artist you can find except those two.

8:14

But actually I found, I found it Dawn Cherry cd

8:19

and it was up there before the, all the Coltran kicked in

8:26

and Dawn Cherry. And the thing that caught my eye was it had Nana

8:32

Vasconcellos, who's a

8:35

Brazilian percussionist.

8:39

Um, he plays Barba

8:41

and like all the Brazilian percussion

8:44

instruments are pretty in.

8:47

Interesting. I think he died a couple years ago.

8:51

I think it's fair to say he's like a master percussionist.

8:57

So I was like, okay, cool. Dawn Cherry.

9:00

Dawn Cherry is a multi-instrumentalist horn

9:04

and reed player, a trumpet flute, you know,

9:09

he's like in it with Colin Walcott,

9:15

who's like a dude, white dude playing sitar.

9:19

That's like an easy way and gongs and stuff.

9:23

So it's like proto world music. They were all into that.

9:28

Dawn Cherry, none of us, Conello

9:31

and Colin Walcott, they're getting together kind

9:35

of jamming with this expanded

9:40

world music kind of instrumentation.

9:44

So the band is called Kona, which is like

9:49

Colin Don Nana

9:53

Kodo Kona.

9:57

And it's, it was a three cd, three CD set

10:02

and it was on ECM, which is like, they have a lot of euro

10:07

jazz and kind of froggy jazz and stuff.

10:12

So interesting label.

10:15

And the artist that nana gon sold me,

10:20

and it was a three CDs that used, so the

10:26

Kona Kona trilogy

10:29

and it's um, out of stock outta print at ECM.

10:35

They have seven copies of it on dis cogs

10:39

and the cheapest one is $37.

10:44

I think I got the this for 26 bucks at Amoeba.

10:50

So I was like, okay, I'm getting a deal.

10:53

So I was like, okay, I'll pick that up. ECM three CD set, Brazilian percussionist.

11:00

I'm in code. Maybe I can find a a, a YouTube video.

11:08

My son was all into hip hop as soon as we got there.

11:13

He wanted, you know, and I, I told him when I was a kid, my parents

11:18

didn't buy hip hop for me if he had had a parental

11:23

advisory label on it, which is all of them.

11:28

When that's when he told me. And I'm like, yes, you're right. Like I remember that.

11:34

So we got around it. We're always kind of having legal work around in my family

11:40

to make things work. You gotta kinda fudge the edges sometime.

11:47

He didn't buy it. I bought it. Okay.

11:49

So I got the Marshall Mathers to

11:53

CD by Eminem. He picked that out. That's what was available.

11:59

Used for like seven bucks.

12:02

It wasn't really about what you could, it was,

12:07

I told him, you gotta look at what's used.

12:10

That's what you can get. You make a dollar 50 a week.

12:17

So I bought it for him, you know, because I, I had already previously said that bit about

12:23

won't get it if it's got the parental advisory

12:27

and you know, I was like, how do I get it out of that?

12:30

Having said that, so I got it for him. He was happy.

12:36

I think it probably has some adult themes,

12:41

but as far as rapper rappers go,

12:45

Eminem isn't as bad as it as it could be.

12:51

That's, uh, the way I looked out at it

12:54

and I was like, okay, at least there's some level of

13:00

straight honest dealing here with Eminem

13:04

that you might not get with like Nelly, right?

13:09

I don't wanna have talk bad on Nelly,

13:12

but it seems like Eminem might have

13:17

less pop. I'm not sure where I'm going here.

13:21

I'm trying to justify why I bought this record.

13:26

I did it to make my son happy.

13:29

He was happy briefly.

13:32

And then a an hour or two later he was freaking out about something.

13:38

Okay. So my wife and my daughter were all, were also there

13:42

and it's like, I got a cd.

13:45

My son got a cd so my wife

13:48

and my daughter went in on

13:52

and I, you know, they, I I am not sure

13:55

how they negotiated this. I was busy dropping the jazz

14:00

and hip hop sections. My wife and my daughter went in on the Taylor Swift

14:08

cover CD Taylor's version.

14:12

She does a bunch of covers and then in parentheses writes Taylor's version

14:19

after each one. And you know, she's been all over the TV and the media.

14:25

It's like, don't you

14:28

remember when Cat Power did a covers record?

14:33

She called it the covers record,

14:35

but it's not like every song she was like

14:38

Cat Power's version. Like that's kinda understood.

14:46

So I thought that was something a little odd to insist upon

14:51

writing that it was your version.

14:54

Maybe there's more to that. And also I didn't wanna hit on Taylor Swift

15:01

because of the propensity of men

15:05

to tear down women, uh,

15:08

in every aspect.

15:12

So a little bit, maybe I'll just let her go away with it.

15:16

Get away with it. And so Taylor's version, who cares?

15:21

I put it on the CD player on the way home, we listen to it.

15:25

It's like electro pop. It's powerful music.

15:30

That's what I thought. The frequencies of the movie, of the, the frequencies

15:36

of the song, the way it's mastered,

15:39

they're just like on a hundred percent blast mode.

15:46

They're very strong, very loud.

15:49

It's pop music, but it like peels your eyelids back

15:54

and curls your eyelashes. It's powerful. And so I thought that was something cool.

16:00

Like I think that people who listen to that kind

16:05

of music and inhabit that space and feel powerful

16:10

and like I said about men constantly

16:14

tearing down women in every aspect all the time,

16:19

that's probably good to be powerful.

16:22

And it probably, I can't experience what that feels like,

16:26

but I was like, dang, this Electropop is like

16:32

take no prisoners. Electropop not looking back.

16:36

We're gonna have a dance party and we won't look back powerful.

16:42

Join us in the dance party

16:44

or we'll rip your body to shreds when I say it.

16:49

It'll peel your eyelids back and curl your eyelashes

16:54

or else get the hell out of here. It's Taylor's version. Taylor's version.

17:00

Plenty Riz. I was trying to like throw around

17:05

young people slang at my Super Bowl party

17:08

and everybody was like, we're just going to ignore you.

17:13

So I'll do it here where it's a one-sided conversation.

17:18

Taylor Swift has Riz

17:21

and she has more drip than I expected.

17:26

And I think guys that aren't feeling Taylor Swift

17:30

or Sus alright, alright.

17:32

Enough, it's, it's obvious, pretty obvious why she's a major

17:38

spectacular pop star Taylor Swift.

17:44

I was nervous, <laugh>, I was nervous about that segment

17:49

because if I screwed up my Taylor Swift review,

17:55

the internet would kill me. I'm pretty sure. I wonder if there

18:02

are people who will listen to this just

18:06

to make sure I don't talk any smack about Taylor Swift.

18:11

Well the thing is, I can, I liked it.

18:14

I thought, I thought dang, but I did think, dang, this is powerful.

18:20

And it made me think how men are always tearing down women.

18:25

So we turned up the block from Telegraph

18:29

right after Rasputin.

18:32

We turned up the block and like it's hard.

18:35

I, I spent a lot of time on Telegraph,

18:38

but I hardly recognize it and I realized what was going on.

18:44

People's Park was gone. I didn't even know what side of the street people's park was

18:52

'cause I don't recognize rec.

18:54

Why do we keep saying that? I don't recognize things, the things they built

19:02

across the street from People's Park.

19:06

So people's park is gone, but whatever's across the street it's different.

19:13

And they have these shipping containers

19:17

blockading the sidewalk where people's park was

19:22

and there's cops hanging out. There were three cops guarding the shipping containers,

19:29

blockading Peoples Park.

19:31

And it had bad vibes. Like I was over there a little bit.

19:36

We didn't go all the way, I didn't say anything.

19:39

We didn't go up the blog. We went part of the way

19:43

and then I was like, someone's gonna throw like a Molotov

19:47

cocktail and I'm in my wheelchair and I'm going to get burnt

19:51

and pepper sprayed. Like definitely the person in the wheelchair is getting

19:57

pepper sprayed 'cause it's musty tv.

20:03

I didn't hang out in people's park.

20:05

People's park was already like

20:10

homeless people were living in the trees.

20:13

There was kind of the stage we, we really used it

20:18

just to cut across. We would, that's Peoples Park was useful

20:24

for cutting across, but not anymore.

20:27

It's a bad scene. Bad vibes, BV Berkeley, bad vibes.

20:33

Being inspiring all the time is kind of a drag

20:38

when you are a disabled person, everyone is like

20:43

expecting you to give some angle.

20:47

That's like inspiration. I kind of was thinking about that,

20:52

about disability inspiration

20:56

and I, I googled that idea.

20:59

I came up with this article from Forbes

21:02

from April, 2022 by Andrew

21:07

Andrew Ang. He writes, in 2014,

21:14

disabled Australian disability activist Ella Young

21:19

gave a TED talk titled, I'm Not Your Inspiration,

21:24

thank you very much. It has become an essential text of disability culture

21:32

and a touchstone for people with disabilities

21:36

struggling to describe their experiences.

21:41

Young's presentation and even just the title

21:46

put into tart succinct words, something people

21:50

with disabilities all over the world instinctively feel,

21:56

but often can't explain. Disabled people have complicated relationships

22:03

with a lot of words, but the one other, the disability itself

22:10

disabled people feel most intensely about

22:15

maybe the word inspirational.

22:19

Skipping down about why the word inspirational

22:24

is a problem rather than conveying

22:29

admiration and respect. Inspirational tends to suggest condescension,

22:36

condescension and sentimentality.

22:40

It's not just the word itself,

22:42

but the tone of voice so often used

22:46

to articulate it. Vague, dreamy, childish.

22:51

It seems to offer disabled people's lives

22:56

to supply emotional satisfaction

23:00

for non-disabled people.

23:04

Why do people continue to use the word?

23:07

There are good reasons too.

23:10

Sometimes they literally mean it. It's a word they know.

23:15

In order to compliment a disabled person, instead

23:20

of calling a disabled person inspirational,

23:25

use more specific adjectives that refer

23:29

to the person's unique and positive qualities.

23:34

Not just broad stereotypes of disabled people in general.

23:40

If you find inspirational on the tip

23:43

of your tongue when discussing people

23:46

with disabilities, stop and think.

23:50

You don't necessarily have to censor yourself,

23:54

but be aware that rightly or wrongly, the word is at best problematic

24:01

and it worst toxic for many disabled people.

24:06

And then maybe think of something more specific, personal

24:12

and original to say. So I'll put a link to that kind of interesting thinking.

24:18

Is there a healthy place for inspirational

24:22

and disability culture by Andrew Pol?

24:26

Rang April 21st, 2022 in Forbes.

24:33

Yeah, that can be a drag.

24:35

But I was thinking about the radio.

24:39

You know, I was on the radio and it, I really connected with the listener

24:45

in the radio, it's four disabled people,

24:50

unpopular people. The voice on the radio, you're talking

24:55

and the listener is hearing you. It's like a one-on-one. It's just like this.

25:00

It's broadcasting. It's a one-on-one conversation with the listener

25:06

and for disabled people, unpopular people,

25:11

weirdos, homeless people, people in jail,

25:17

anyone who tunes in can listen.

25:20

That's kind of the same with this podcast.

25:24

If you're able to, you can listen.

25:27

It's democratic in that way.

25:30

And anyone who wants to, you can listen.

25:35

Whoever you are, you can listen. You're welcome here.

25:40

It's in the equal space. With that said, I gotta put it in here. Email me.

25:46

I'll give you a shout out. The best. Shout out [email protected].

25:51

Huge shout out JH Agent at

25:55

H-O-P-P-I-N-W-O-R-L d.com.

25:59

Thanks for tuning in.

26:02

I went record shopping, a family record shopping

26:08

expedition, an incursion in Berkeley.

26:13

We had our neighbors over for over for dinner last night.

26:17

It was pretty good. Pulled pork sandwiches with hopping hot sauce.

26:23

Shout out Sandman jersey Girl Max level.

26:27

Subscribe, get the selfie. I went record shopping at Amoeba

26:33

with the family in my wheelchair.

26:36

I got Kona, my son got m and m.

26:39

My wife and daughter got Taylor Swift.

26:42

There's no more People's Park, but the bad vibes are there.

26:47

Being inspiring. Kind of complicated.

26:51

The radio broadcasting, it's democratic.

26:55

Everyone is welcome. Pull up a chair, gather round, send me an email.

27:01

Thanks for tuning in to what's the Matter With Me podcast.

27:08

I'll check you next time.

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From The Podcast

What's The Matter With Me? Podcast

On the What's The Matter With Me? Podcast, I delve into the intricacies of my journey, navigating life with multiple sclerosis (MS) and trigeminal neuralgia. This platform serves as a conduit for me to share not only the challenges but also the triumphs that come with these health conditions. It's a space where I open up about my experiences, providing insights into the daily hurdles and victories that shape my life.The podcast serves a crucial role in developing my disability consciousness. It's a medium through which I explore and reflect on the impact of these conditions on my identity, relationships, and overall perspective on life. By openly discussing my struggles, I aim to create awareness and understanding, both for myself and for those who tune in.A significant aspect of the podcast is its role in building bridges—connecting me to various facets of my life. One of the primary connections is with my caregivers. I recognize and appreciate the support they provide, and through the podcast, I express gratitude, share experiences, and foster a deeper understanding of the caregiver-patient dynamic.In addition to caregivers, the podcast acts as a channel to engage with healthcare professionals. I share insights into my medical journey, discussing treatments, challenges in managing symptoms, and the evolving nature of living with chronic conditions. This connection with the medical community contributes to a more comprehensive dialogue about the realities of these health challenges.Moreover, the podcast extends its reach to the disabled community. It becomes a platform for solidarity, a space where shared experiences can be a source of strength and inspiration. By being candid about my journey, I hope to contribute to a sense of community among those facing similar struggles.Beyond the realm of health, the podcast connects me to the broader community. It serves as a window into the world of disabled individuals, breaking down stereotypes and fostering understanding. It becomes a tool for advocacy, dispelling misconceptions and promoting inclusivity.As the owner of Hoppin Hot Sauce, the podcast takes on an additional layer of significance. It provides a unique perspective on the challenges faced by disabled entrepreneurs. I share firsthand experiences of navigating the business landscape while managing health conditions. This dual role as a business owner and someone with chronic illnesses sheds light on the resilience and creativity required to overcome obstacles in the entrepreneurial journey.The What's The Matter With Me? Podcast becomes a platform for discussions on disability in the business world. It addresses the need for inclusivity, accommodations, and a shift in societal perceptions regarding the capabilities of disabled individuals in professional spheres.In essence, the podcast is a multifaceted endeavor. It is a personal exploration, a source of connection with caregivers and the medical community, a beacon of solidarity for the disabled community, and a tool for advocating inclusivity in the business world. Through candid storytelling and open dialogue, it contributes to a more informed and compassionate understanding of life with chronic conditions, leaving a lasting impact on both individuals and society at large.

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