Why Are People Into That?!
Why Are People Into That?!Episodes
Episodes of Why Are People Into That?!
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Yin Q, writer of the piece "We All Deserve To Heal" from We Too, discusses Spike Lee, Body of Workers, Kink Out Spaces at MOMA PS1, disassociation, complicity, power play, control, and forgiveness. // Yin Q is a mother, kink educator, writer, a
“They have no stakes. We have all of the stakes.”In the latest episode of my special series on WE TOO: Essays on Sex Work and Survival, I interviewed Selena the Stripper, who wrote the book's introduction.Discussed: FKA Twigs' pole dance approp
For the first episode of a special series celebrating the release of We Too: Essays on Sex Work and Survival, I chatted with the book's editor Natalie West. (I associate edited and contributed to the anthology!) //"You have to be ok with ambigu
Hey YAPIT fans! I'm focusing my energy on SfSx Volume 2, the hustle, and work/life balance in these turbulent times. Listen for a few words on my hiatus, and what to expect in 2021. xoxoxo TH Support this show http://supporter.acast.com/yapit.
“No amount of assimilation or pride has shaken this sense of myself as an inverted dark predatory lesbian.” //Certified lesbian vampire Annie Rose Malamet joins me to explain the appeal of darkness, finesse, predation, the night, immortal codep
"How can brands do more for social justice movements? Give people pleasure! Give people a reason to have a wet a$s p#ssy! Uplifting difficult conversations about Black Lives Matter: that’s what makes p#ssy wet! Loving relationships and care sta
“Kink is an arena where I find tidiness.” //In Part 2 of my talk with Juno Mac, co-author of Revolting Prostitutes, we discuss: great books about sex work, rational thoughts in an irrational world, whether there's such a thing as the sex worker
“Is it ok for 'Juno Mac' to be an anxious hooker and an advocate for sex worker rights? Am I allowed to be a messy, complicated person?” //The co-author of the indispensable book Revolting Prostitutes join me over the phone from her quarantine
“The push and pull between clarity and imagination is something I think about a lot in visual storytelling.” //I called up SfSx series artist Jen Hickman to celebrate the release of our SfSx: Volume 1: Protection trade paperback on July 22nd!Je
“The funny thing about Crash Pad is: you know that I know that you know that I know that there’s cameras in there." //In Part 2 of my interview with Shine, we focus in on Why Are People Into Voyeurism. //Shine tells a legendary tale of how seei
On May 11th, I recorded an episode remotely with Shine, about 15 years of Crash Pad Series, and a second part about voyeurism. On June 24th, I called her back to get her perspective on the Movement for Black Lives. This is part one, including o
What is the Whorearchy? How can understanding it help us to combat whorephobia? This portmanteau meaning Whore-Hierarchy is a term originating from and used within the sex worker rights movement describing social stratification within the indus
“There’s a part of me that’s going to enact a sadism on you from the inside.” // It’s YAPIT: COVID-19 Lightning Round Edition, recorded live on Instagram May 2nd 2020. //In which I really try my best to game-ify YAPIT even though I don’t have a
"That’s the sex appeal of fascism: the desire to be violated. To be cut through like butter and spread... Fascism is sexy because it’s dangerous, confident, and... leather! It’s scary and comforting at the same time, because you don’t have to m
“What does our desire endorse?” // Content Warning: This episode features two Jewish leftist queers in Brooklyn talking about the history, aesthetics, and complicated erotic allegories of fascism. Some graphic references to torture from fiction
“I really like people to cry at my titty show!” //In part 2, Fancy and I get to the bottom of that age old debate: is burlesque stripping? Fancy recounts the plastic bag routine that won her Miss Coney Island 2016, as well as some of her favori
“I don’t experience my naked body as inherently erotic. It’s my body, and I like it. It has so much more to do for me with the glamour and the transgression. That’s the part where I’m comfortable and excited. Burlesque was the first time I ever
“All subcultures use aesthetics to establish community." // Fetish artist and aesthete Lanee Bird joined me the day after her film Laboratory was screened as part of Kink Out: Spaces at MOMA PS1. We talked fetish as: obsession, reverence, preci
"Riding someone while biting them is like consuming them from both ends.” / “The esophagus is the thinking man’s rectum.” / Worship, biting, vampirism, feeding frenzies, body farms, eating pubes, menstrual blood, ripping into each other, the ac
“While my mouth is open, he gets lost among my teeth, sliding down my throat, not being able to escape my mouth.” //In truly one of the most deranged episodes in the history of this podcast, Empress Wu and I speculate about the thrall of cannib
“I’ll chain you to the bed and put a pretty bow on you” // This live show, recorded at the NYC Pleasure Chest in December 2019, is all about balance: silk ties and heavy metal shackles, being juicy and muscular, being a genderqueer parent and
The last pod of the year is footage from my first class of the year: Getting Clean to Get Dirty: Anal Prep, Health, and Pleasure at the West Hollywood Pleasure Chest from January 2019!Anal play is one of the most pleasurable and taboo-busting f
“It’s a strengthening of the will. It’s letting them surrender into their purpose of service."Yin Q is a BDSM ritualist/educator, mother to two fierce children and two calm animals, and writer of Mercy Mistress, a web series based on Q’s memoir
In Part 2, Christine graces us with some explicit Catholic play stories. We discuss cilices, bloody bibles, corruption, possession, places to store a rosary, lesbian nuns, demon dildos, and mortification of the motherfuckin flesh! She offers a
DaemonumX aka Christine talks about her leather dyke zine FIST, her polyamory zine LINKED, and what it even means to be a zine maker in 2019. We also chat about her notorious rope suspension performances and why they’re more about sadism than b
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