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Curated by
mmeduchatelet

Created April 01, 2021

Updated November 15, 2021

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  1. Melvyn Bragg and guests discuss one of Shakespeare’s greatest tragedies. When three witches prophesy that Macbeth will be king one day, he is not prepared to wait and almost the next day he murders King Duncan as he sleeps, a guest at Macbeth’s
  2. Melvyn Bragg and guests discuss one of Shakespeare's most popular works, written c1595 in the last years of Elizabeth I. It is a comedy of love and desire and their many complications as well as their simplicity, and a reflection on society's e
  3. Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master
  4. Melvyn Bragg and guests discuss the works of Wharton (1862-1937) such as The Age of Innocence for which she won the Pulitzer Prize and was the first woman to do so, The House of Mirth, and The Custom of the Country. Her novels explore the worl
  5. Melvyn Bragg and guests discuss Shakespeare's best known, most quoted and longest play, written c1599 - 1602 and rewritten throughout his lifetime. It is the story of Hamlet, Prince of Denmark, encouraged by his father's ghost to take revenge o
  6. Melvyn Bragg and guests discuss the life and impact of Germaine de Staël (1766-1817) who Byron praised as Europe's greatest living writer, and was at the heart of intellectual and literary life in the France of revolution and of Napoleon. As we
  7. Melvyn Bragg and guests discuss Aphra Behn (1640-1689), who made her name and her living as a playwright, poet and writer of fiction under the Restoration. Virginia Woolf wrote of her: ' All women together, ought to let flowers fall upon the gr
  8. Melvyn Bragg and guests discuss the life and works of Emily Dickinson, arguably the most startling and original poet in America in the C19th. According to Thomas Wentworth Higginson, her correspondent and mentor, writing 15 years after her deat
  9. Melvyn Bragg and guests discuss the Muses and their role in Greek mythology, when they were goddesses of poetry, song, music and dance: what the Greeks called mousike, 'the art of the Muses' from which we derive our word 'music.' While the numb
  10. Melvyn Bragg and guests discuss Tristan and Iseult, one of the most popular stories of the Middle Ages. From roots in Celtic myth, it passed into written form in Britain a century after the Norman Conquest and almost immediately spread througho
  11. Melvyn Bragg and his guests discuss the life and work of the 18th-century novelist, playwright and diarist Fanny Burney, also known as Madame D'Arblay and Frances Burney. Her first novel, Evelina, was published anonymously and caused a sensatio
  12. Melvyn Bragg and his guests discuss the Greek poet Sappho. Born in the late seventh century BC, Sappho spent much of her life on the island of Lesbos. In antiquity she was famed as one of the greatest lyric poets, but owing to a series of accid
  13. Melvyn Bragg and his guests discuss the Amazons, a tribe of formidable female warriors first described in Greek literature. They appear in the Homeric epics and were described by Herodotus, and featured prominently in the decoration of Greek va
  14. Melvyn Bragg and his guests discuss the Druids, the priests of ancient Europe. Active in Ireland, Britain and Gaul, the Druids were first written about by Roman authors including Julius Caesar and Pliny, who described them as wearing white robe
  15. Melvyn Bragg and his guests discuss the Kama Sutra, one of the most celebrated and often misunderstood texts of Indian literature. Probably composed during the reign of the Gupta dynasty around 1800 years ago, the work is a collection of writin
  16. Melvyn Bragg and his guests discuss the history of metaphor. In Shakespeare's As You Like It, the melancholy Jaques declares: "All the world's a stage/And all the men and women merely players." This is a celebrated use of metaphor, a figure of
  17. Melvyn Bragg and his guests discuss the unicorn. In the 5th century BC a Greek historian, Ctesias, described a strange one-horned beast which he believed to live in a remote area of India. Later classical scholars, including Aristotle and Pliny
  18. Melvyn Bragg and guests David Jackson, Dorothy Rowe and Alastair Wright discuss the work of the Norwegian artist Edvard Munch, focusing on his most famous painting, The Scream.First exhibited in 1893 in Berlin, The Scream was the culmination of
  19. Melvyn Bragg and guests Jonathan Bate, Julie Sanders and Janet Clare discuss Elizabethan and Jacobean revenge tragedy. From Thomas Kyd's The Spanish Tragedy to Shakespeare's Hamlet, the Elizabethan stage was awash with the bloody business of re
  20. Melvyn Bragg and guests discuss King Lear. Around the turn of 1606, a group of London theatre-goers braved the plague to take in a new play by the well-known impresario, Mr William Shakespeare. Packed into the Globe Theatre, they were treated
  21. Melvyn Bragg and guests discuss the great 18th Century fashion for epistolary literature. From its first appearance in the 17th Century with writers like Aphra Behn, epistolary fiction, fiction in the form of letters, reached its heyday in the
  22. Melvyn Bragg and guests discuss the life and work of the Argentinian master of the short story, Jorge Luis Borges. Borges is one of the greatest writers of the 20th Century, best known for his intriguing short stories that play with philosophic
  23. Melvyn Bragg and guests discuss hell and its representation in literature and the visual arts, through the ages from Ancient Egypt to modern Christianity. Why do certain religions have a Satan figure and others don’t? And why did hell shift fro
  24. Melvyn Bragg and guests discuss the anti slavery novel, 'Uncle Tom's Cabin'. When Abraham Lincoln met the writer Harriet Beecher Stowe after the start of the American Civil War, he reportedly said to her: 'So you're the little lady whose book s
  25. Melvyn Bragg and guests discuss the concept of friendship. In Greek and Roman times, friendship was thought of as being an essential constituent of both a good society and a good life; a good society because it lay at the heart of participative
  26. Melvyn Bragg and guests discuss the development and the future of the novel. D.H. Lawrence was proud of his job, he said: “I am a man, and alive…for this reason I am a novelist. And being a novelist, I consider myself superior to the saint, the
  27. Melvyn Bragg and guests discuss truth, lies and fiction. In 1995 a book appeared which brought its author great acclaim from serious critics, won prizes, stunned its readers and was thought to add significantly and profoundly to the literature
  28. Melvyn Bragg investigates masculinity in literature. Ernest Hemingway wrote in The Old Man and the Sea, “A man can be destroyed but not defeated”. In a time when traditional male roles have been systematically challenged it is a sentiment that
  29. Melvyn Bragg and guests discuss the history of the politics and practice of reading. Gustave Flaubert’s sage advice to us was: “Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. No, read in o
  30. Melvyn Bragg and guests discuss the work of William Shakespeare. He was nominated as the Man of the last Millennium and he steps into this one - on film, on stage, in academia, in schools, in private passions, probably in song and dance as well
  31. Melvyn Bragg and guests discuss the American Ideal. The Twentieth Century has been called the American Century, and you don’t have to look very far to see the evidence of its enormous success. In 1919 President Woodrow Wilson said; “Sometimes p
  32. Melvyn Bragg and guests discuss biography which sells more books now than ever before; last year people in this country spent 115 million pounds on 12 and a half million copies of biographies. And it’s not just in Britain that life stories are
  33. Melvyn Bragg examines what we know about the life of William Shakespeare. Charles Dickens said of the deeply enigmatic Shakespeare, “It is a great comfort…that so little is known concerning the poet. The life of William Shakespeare is a fine my
  34. Melvyn Bragg and guests discuss the life and work of the 19th century Russian novelist Leo Tolstoy.The Russian novel has been acclaimed as one of the outstanding genres of literature alongside Greek Tragedy, Shakespeare’s Plays and Romantic Poe
  35. Melvyn Bragg and guests discuss multiculturalism. The divisions between people provoked and exploited because of differences in religion, culture, nationality and race seem to beset the planet the more information technology promises globalisat
  36. Melvyn Bragg and guests discuss Death, what the 16th century philosopher Frances Bacon called, ‘the least of all evils’. A subject which has provoked thousands of reflections which live on: How has the perception, dread or even desire for our o
  37. Melvyn Bragg and guests discuss the history of London. To T.S.Eliot it was the “Unreal City”, to Wordsworth “Earth has not anything to show more fair” but to Shelley, “Hell is a city much like London”. At the start of this twenty-first century
  38. Melvyn Bragg and guests discuss the ideals, exponents and legacy of Romanticism. In the space of a few years around the start of the nineteenth century the Romantic period gave us: Wordsworth, Coleridge, Blake, Burns, two Shelleys, Keats, De Qu
  39. Melvyn Bragg and guests discuss the Scriblerus Club. The 18th century Club included some of the most extraordinary and vivid satirists ever to have written in the English language. We are given giants and midgets, implausible unions with Siames
  40. Melvyn Bragg and guests discuss the legendary wizard Merlin. He was sired by an incubus and born of a virgin; he was a prophet, a shape-shifter, a king-maker and a mad man of the woods. Before Gandalf there was Merlin: the power behind Arthur a
  41. Melvyn Bragg and guests discuss the literary and visual depiction of fairies, supernatural creatures that inhabit a half-way world between this one and the next.'They stole little Bridget for seven years long; When she came down again her frien
  42. Melvyn Bragg and guests discuss Dante’s ‘Inferno’ - a medieval journey through the nine circles of Hell. “Abandon hope, all ye who enter here”. This famous phrase is written above the gate of Hell in a 14th century poem by the Italian poet Dant
  43. Join us for a conversation with award-winning poet Don Paterson to discuss where science and poetry meet, and the role of citizen science in modern research.
  44. Do you think scientists are boring boffins who don’t leave the lab? Think again!
  45. Melvyn Bragg and his guests discuss the French philosopher and social activist Simone Weil. Born in Paris in 1909 into a wealthy, agnostic Jewish family, Weil was a precocious child and attended the prestigious Ecole Normale Superieure in Paris
  46. Melvyn Bragg and his guests discuss the philosophy of truth. Pontius Pilate famously asked: what is truth? In the twentieth century, the nature of truth became a subject of particular interest to philosophers, but they preferred to ask a slight
  47. Melvyn Bragg and guests discuss the story of human evolution, which stretches back over six million years. It is not the story of one species but of several diverse species, some of whom walked the Earth at the same time. From the earliest homi
  48. Melvyn Bragg and guests discuss negative numbers, a history of mystery and suspicion. In 1759 the British mathematician Francis Maseres wrote that negative numbers "darken the very whole doctrines of the equations and make dark of the things wh

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