Podcast | Description | Categories | Reach (Monthly) | Reach (Episode) | Contacts | Curator's Notes | ||||
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DRAMA: Flies in the Jar, an audio-drama told in seventeen episodes, follows an ever-widening web of intrigue. It’s also a treat for the ears. The wonderful cast of voice actors, stylized soundscape, and original music (by Lady Zen) drop the lis | ||||||||||
THRILLER: Blackout throws you into a bleak world where you can almost feel the cold isolation of Berlin, New Hampshire. The series has a fully-realized soundscape, with a haunting musical score. | ||||||||||
SCIENCE FICTION: Limetown works because it sounds like nonfiction (at least when it begins). Lia Haddock narrates the story as if she’s reporting on a real unsolved mystery. The amazing cast makes you wonder if you’re listening to voice actors | ||||||||||
COMEDY: Squad Car 22 follows two cops who seem to have a habit of accidentally finding things like a giant squid-pig (half pig and half squid) or a portal to another reality. The crude humor isn’t for everyone, but the timely topics always make | ||||||||||
COMEDY DRAMA: Sandra has some of the best acting you'll find in a audio drama. Alia Shawkat (Arrested Development) really sells the character of Helen who works behind the scenes as customer service for an AI. This podcast starts out great wit | ||||||||||
MUSICAL: 36 Questions is a three-act musical with thirteen original songs. The story revolves around a married couple, Judith and Jase. After Jase realizes ‘Judith’ isn’t even his wife’s real name the couple tries asking each other thirty-six q | ||||||||||
HORROR: This narrative-driven audio-drama could easily be described as minimalistic. Usually, a single actor tells an unnerving tale with a few sound effects and ambient noises. But I think it’s the simplicity that makes it so good. Give one a | ||||||||||
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