You wanted these text work sessions as separate episodes and I'm happy to accommodate! First up: @ShimermanArmin from Ep #2 takes us into Shakespeare's Henry VI, part 3 with Richard of Gloucester, a soliloquy Armin used for auditions. He also t
Harry Groener from Ep. #4 talks text work on singing a Noel Coward song ("Mrs. Worthington") and performing King Lear's "Reason not the need" speech from Shakespeare's play. If you're following along, this speech is at the end of Act 2, Scene 4
Geoffrey Wade from Ep. #5 talks text work on performing The Player from Tom Stoppard's Rosencrantz and Guildenstern are Dead. Geoffrey played this part at Weston Playhouse in Vermont and he even shares some of his script notes from rehearsals.
Peter Van Norden from Ep. #7 talks text work on performing platitudes and pauses in Harold Pinter's The Hothouse. As he was in rehearsals when we spoke, you'll hear how Peter is still figuring things out, still asking questions, and not really
Nike Doukas from Ep. #6 talks text work on performing contemporary iambic pentameter and verse from Mike Bartlett's King Charles III. You'll hear that Nike brings the same tools that she would to any verse text, classical or modern. There are s
Dakin Matthews is an actor, teacher, and scholar. In this bonus episode you'll hear the mini-Shakespeare master class he gives in episode #12 on one of the speeches from Romeo and Juliet. You'll learn the logic that Juliet uses and how it unrav
Francis Guinan from Ep. #14 talks text work in Jessica Dickey's The Rembrandt, which premiered at Steppenwolf Theatre in Chicago in 2017 with Francis in the cast, alongside John Mahoney, who many people know as the dad on Frasier (one of my per