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92Y's Read ByEpisodes
Episodes of 92Y's Read By
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Sophie Herron on their selection: Last July, I read John McPhee’s Basin and Range for the first time and was immediately captured by the slim volume—its structure, its fluid sentences, the breadth and depth of its probity and its wry and ever-p
Kenzie Allen on her selection: Growing up, I spent precious time each summer on a fire lookout, Sand Mountain, in the Oregon Cascades, and I still return there to volunteer with my father, as happened just last week. Each time I read “deer crow
Alexandra Zuckerman on her selection: In her book, On Beauty and Being Just, it is as if, in Elaine Scarry’s view, the external world has the power to tumultuously expose to us our errors of judgment; wrong beliefs cannot merely be held. Her sm
Mag Gabbert on her selection: I read Kathryn Nuernberger's essay "A Thin Blue Line," which comes from her wonderful collection of essayettes, Brief Interviews with the Romantic Past. I return to these pieces often because they give me new ideas
Ina Cariño on her selection: Aracelis Girmay’s “You are Who I Love,” first published in 2017, is still so, so needed today. The repetition of the title throughout the poem gives it a musicality that mimics the chants of those who march in the s
Tracie Morris on her selection: I have the great pleasure of sharing small excerpts from Brent Hayes Edwards’ wonderful book, Epistrophies. In it, I repeat a quote from the legendary Mary Lou Williams to introduce Edward’s commentary on Sun Ra
Rowan Ricardo Phillips on his selection: The poem "This Lime-tree Bower my Prison'' was written by Samuel Taylor Coleridge in the summer of 1797. He had been set to journey the Quantocks with a group of friends but burned his foot in an acciden
Sheila Heti on her selection: I chose a chapter from Stefan Zweig’s The World of Yesterday, which he wrote between 1934 and 1941. It is one of the most fascinating and vivid descriptions I have ever read—not only of what Victorian manners and m
Hi! Read By is taking a vacation this month. We'll be back in July with more episodes, from more great writers. Thanks for your support and see you soon! Stay safe.
Tobias Wolff on his selection: I read three poems, two by my longtime friend and colleague, Eavan Boland, who died last year, a loss that I feel still. There is a tradition in Irish poetry, inflected by the long Independence movement and a cert
Howard Norman on his selection: I read two diary entries by the iconic haiku master, Masaoka Shiki, which I translated with Kazumi Tanaka while in Japan in 2007. Shiki was often confined by his lifelong illness to his bed; a recurring image is
Merve Emre on her selection: At the beginning of March, I helped to organize a group reading of Robert Musil's unfinished masterpiece The Man Without Qualities. The excerpt I have chosen to read, from Chapter 32, "The Forgotten, Highly Relevant
Chris Kraus on her selection: A friend recommended The Executioner’s Song to me when I started researching a book set on the Iron Range of northern Minnesota. Mailer wrote it in 1979 based on events that occurred in Utah between 1976-1977. The
Paul Tran on their selection: The handprint is one of the earliest examples of self-representation. I can hardly imagine what it was like, thousands and thousands of years ago, to seek shelter in a cave; to find others had been there; to see th
Valzhyna Mort on her selection: On April 26th, 1986, the worst nuclear reactor accident in history occurred in Chernobyl. I am reading from Voices from Chernobyl: The Oral History of a Nuclear Disaster by Svetlana Alexievich, translated by Keit
Paisley Rekdal on her selection: Charming may not be a word commonly associated with Alexander Pope, but for me, “Epistle to Miss Blount, On Her Leaving the Town, After the Coronation” may be one of the most charming poems I know. Pope, famous
Jane Hirshfield on her selection: “The Lives of the Poets” Poems are about our human lives--their knowing by stories, language, feelings, comprehensions, perplexities, musics. Because the lives of poets include the making of poetry, some poems
Stacy Schiff on her selection: In a contest between the novelist Elizabeth Jane Howard and her third husband, Kingsley Amis, I will opt for Howard every time -- with an exception made for Amis’s 1954 Lucky Jim. As laughter seems in short supply
Notes on the selections: It’s been a year. That’s been the chorus for the past couple of weeks, and we're here, saying it too; it feels too notable, too hard-won, too full of loss, too much not to note. This episode is a compilation of some of
Producer's note: We return this week to Diana Khoi Nguyen's reading of poems from Asian poets in diaspora. Please support your local Asian diaspora and anti-racist community organizing, as you can. In particular, Nguyen recommends donations to
Yesenia Montilla on her selections: It seems truly unbelievable that we are coming on a year of this pandemic and I have been like so many: just trying my hardest to survive. How I have survived is by slipping into poetry; my own and others. Wh
Raquel Salas Rivera with coquíes in background: “ataúd abierto para un obituario puertorriqueño” // “open casket for a puerto rican obituary” This poem responds to Pedro Pietri’s “Puerto Rican Obituary” by expanding it to include those Puerto R
Monique Truong on her selection: On March 5, 2020, mere days before COVID-19 would change our day-to-day existence, I attended a crowded bookstore reading here in NYC, where Yoko Tawada and her friend Bettina Brandt read from Tawada's novel, Me
A.E. Stallings on her selection: Matthew Prior (1664 – 1721) rose from humble beginnings--he was the nephew of a tavern owner--to be one of the most important poets of his day, and to serve as a diplomat in the Hague and Paris. He is known now
Diana Khoi Nguyen on her selection: In a time of global isolation unprecedented for multiple generations, I have retreated into the community of words of others, that is, a return to the nook of books, day in, day out, and it is very much a com
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