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a screenwriter's secret diary

sa presents

a screenwriter's secret diary

A weekly TV, Film and Education podcast
Good podcast? Give it some love!
a screenwriter's secret diary

sa presents

a screenwriter's secret diary

Episodes
a screenwriter's secret diary

sa presents

a screenwriter's secret diary

A weekly TV, Film and Education podcast
Good podcast? Give it some love!
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Episodes of a screenwriter's secret diary

Mark All
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welcome to the honest side of the entertainment biz, where we talk about what it's like to actually work here in hollywood. make sure to hit the follow button so you don't miss any episodes! see you every wednesday! 
allegedly. don’t believe me. this is just for entertainment purposes. :)YOUTUBE VERSION: https://youtu.be/avq6d40B0Mg?si=brFNXT4Z4heB0w9m  Here are some families you can help just by donating as little as $1, $5, or $10 OR share it with your ne
why do they keep making remakes, prequels, sequels, and adaptations? well, it's because it’s easy, lazy, and risk-free. let’s talk about it. let’s talk about what you can do as a screenwriter, filmmaker, and artist to break free from these chai
does the majority of the audience know the name of the screenwriter who wrote their favorite movies and shows? if anything, you probably know the author of the book if it’s adapted from a book, but not the screenwriter who adapted it into a mov
why do we procrastinate? let’s discuss some ways you can move past the initial paralysis and start developing your screenplay, fiction story, book, or idea. video version - https://youtu.be/j62dlmcaAjw?si=LqfwpIFo3h8lKDL_if you're an aspiring f
we’re talking about the fear of your idea getting stolen, how to protect your work, and real stories about copyrighting, protection, the fear, and more. if you're an aspiring filmmaker, screenwriter, or actor, or if you dream about being a part
let’s talk about actual gatekeeping in hollywood, which extends beyond mere nepotism. this episode explores the biggest chicken-and-egg conundrum in the screenwriting field: “oh, you need an agent or a manager to introduce you to a producer” bu
this episode explores the reality of being a foreign artist based in the united states and discusses the process, restrictions, and everything else surrounding the artist visa (O-1 visa). it doesn't matter if you're an american or a foreigner;
i had an unforgettable experience when I burned my fingerprints while handling a scorching baking tray without any protection... through this mishap, i'm sharing insider tips into tv writing, the importance of professional boundaries, and how o
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