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Almeida Theatre Podcast

Almeida Theatre

Almeida Theatre Podcast

An Arts podcast
Good podcast? Give it some love!
Almeida Theatre Podcast

Almeida Theatre

Almeida Theatre Podcast

Episodes
Almeida Theatre Podcast

Almeida Theatre

Almeida Theatre Podcast

An Arts podcast
Good podcast? Give it some love!
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Episodes of Almeida Theatre Podcast

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Almeida Artistic Director Rupert Goold talks to playwright Mike Bartlett about his critically-acclaimed play Albion. Following two sell-out runs at the Almeida, Albion will be screened on BBC Four and BBC iPlayer.Mike and Rupert talk about wo
Miriam Buether’s designs are regularly seen onstage at the Almeida including in Albion, Shipwreck, Machinal, Boy and Game. See some more on her designs here: https://bit.ly/2ML4Pw2In this episode, she talks to Artistic Director Rupert Goold a
Indira Varma (The Treatment, Game of Thrones) talks to Almeida Artistic Director Rupert Goold about her varied career on screen and stage. She talks about starring opposite Andrew Scott and how the Coronavirus crisis stopped her production of T
Almeida Artistic Director Rupert Goold talks to actor Tobias Menzies (The Hunt, Game of Throne, Outlander) about his work on stage, playing Prince Philip in Netflix's The Crown, and his aspirations to become a director.This podcast was record
Two-time Olivier Award-winning actor Noma Dumezweni talks to the Almeida's Artistic Director Rupert Goold about originating the role of Hermione in Harry Potter and the Cursed Child, the theatre she loves, as well as what it was like performing
Olivier and Tony Award-winning composer and sound designer Adam Cork (The Hunt, Ink) talks to long-time collaborator Almeida Artistic Director Rupert Goold about how he creates the sound of a production. He also discusses the creation of the cr
The Almeida Theatre's Artistic Director Rupert Goold talks to the writer Beth Steel whose play The House of Shades was due to go into rehearsals at the Almeida just as the lockdown hit. She talks about her unconventional route to becoming a wri
WARNING: this episode includes swearingThe Almeida Theatre's Artistic Director Rupert Goold talks to BAFTA and Emmy Award-nominated actor Matt Smith during the lockdown caused by the Coronavirus outbreak of 2020. Matt discusses his career on
While Coronavirus has forced our doors to close, we are keeping the memory of the theatre alive through a new series of podcasts with some recent Almeida artists, including Matt Smith, Noma Dumezweni and Tobias Menzies. Listen from Sat 23 May
Khalid Abdalla, activist and actor (The Kite Runner) currently cast in the Almeida's The Duchess of Malfi and previously in Shipwreck, talks to the Almeida's Artistic Director Rupert Goold.
Almeida Theatre Podcast: where the creatives, who work behind the scenes to create the work on the Almeida stage, talk about themselves, their careers and their experiences.In our second episode, award-winning playwright Jeremy O. Harris (Sla
Episode 1At the Almeida Theatre we make brave new work that asks big questions: of plays, of theatre and of the world around us.The Almeida Theatre Podcast brings together artists who create the performances on stage to talk about their liv
On the eve of The Twilight Zone's first preview, Almeida Associate Director Robert Icke talks to playwright Anne Washburn about adapting the cult TV show for the stage, the writer/director relationship and the meeting point between a new play a
Writer Mike Bartlett and Rupert Goold discuss working together following collaborations on Albion and the internationally acclaimed King Charles III, the role of the writer in the room and what makes a great play.
In this podcast Almeida Artistic Director Rupert Goold joins the writer of Ink James Graham to discuss the themes of his newest play, writing about real life figures and creative process.Get more from the Almeida at https://almeida.co.uk/explo
In this podcast Robert Icke joins writer of Against Christopher Shinn to discuss classic plays, his playwriting process and the theme of violence. Shinn explores his journey as a playwright from America to London, differences in theatrical land
More than four hundred years on from the reign of Elizabeth I, arguably the most iconic female leader in British history, the reality of women in power today is debated on the Almeida stage. Tanya Seghatchian chairs a panel including Sonia Frie
What is naturalism? How did it develop? And is it still a viable way to make theatre? Journalist Andrew Haydon, academic Dan Rebellato and playwright David Eldridge discuss the characteristics of the 19th-century movement in European theatre, w
Almeida Artistic Director Rupert Goold talks with with Sir Richard Eyre about the joys and challenges of artistic leadership; about balancing directing shows with directing an artistic programme; and about how theatre has evolved since Richard'
What is tragedy, and what, in theory and in life, does it have to say to us now? On 22 October 2015, Charlotte Higgins (Guardian chief culture writer and author of It's All Greek to Me), was joined by Edith Hall (Professor in the Department of
What does Medea's story ask of contemporary feminism? Following Rachel Cusk's reimagined 'Medea' for the Almeida stage, she was joined by interviewer, broadcaster and author of Hot Feminist, Polly Vernon and the editor of Mumsnet, Sarah Crown f
Is it ever acceptable to kill? Do the ends ever justify the means? On 2 July 2015, the Almeida Theatre hosted a panel discussion as part of the Almeida Greeks season, inspired by our production of Oresteia, to explore the challenges of making m
On 6 September 2015, Director Bijan Sheibani curated a day to unpack the infamous Greek complex, exploring where art and psychoanalysis meet. Bijan was joined by Professor Edith Hall, Professor in the Department of Classics and Centre for Helle
What if a god were alive and among us now? How would we know? What would it mean and how might we act? On 20 August 2015, the Almeida Theatre hosted a panel discussion as part of the Almeida Greeks season, inspired by our production of Bakkahi,
Simon Stephens’ Carmen Disruption upends the expectations of anyone entering the Almeida Theatre. It’s a kind of living poetry, taking its cue from Bizet’s ever-popular opera but taking it into ever darker territory. When does an artist’s assum
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