La Trobe University
Ancient Greece: Myth, Art, WarEpisodes
Episodes of Ancient Greece
Mark All
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After a curious gap of over 30 years, the Athenians finally started to rebuild on the Acropolis following the Persian sack of 480 BC. In this lecture Dr Gillian Shepherd examines the extravagant programme of grand buildings – most famously the
After a curious gap of over 30 years, the Athenians finally started to rebuild on the Acropolis following the Persian sack of 480 BC. In this lecture Dr Gillian Shepherd examines the extravagant programme of grand buildings – most famously the
The Battle of Marathon in 490 BC – when against all odds the Athenians (with a bit of help from the Plataeans) defeated the Persians was too good a PR opportunity for the Athenians to ignore and they made the most of it. In this lecture Dr Gill
The Battle of Marathon in 490 BC – when against all odds the Athenians (with a bit of help from the Plataeans) defeated the Persians was too good a PR opportunity for the Athenians to ignore and they made the most of it. In this lecture Dr Gill
Sanctuaries were the context for many of the most impressive buildings and sculptures produced by the ancient Greeks. In this lecture Dr Gillian Shepherd looks at the basic types of sanctuary and temple design, and then focuses on one of the mo
Sanctuaries were the context for many of the most impressive buildings and sculptures produced by the ancient Greeks. In this lecture Dr Gillian Shepherd looks at the basic types of sanctuary and temple design, and then focuses on one of the mo
Mythological scenes are common in Greek art. The Trojan War was a very popular subject for Greek artists, especially vase painters of the 6th and 5th centuries BC. In this lecture Dr Gillian Shepherd looks at range of images of the Trojan War –
Mythological scenes are common in Greek art. The Trojan War was a very popular subject for Greek artists, especially vase painters of the 6th and 5th centuries BC. In this lecture Dr Gillian Shepherd looks at range of images of the Trojan War –
Pottery is the single biggest category of evidence we have from the classical world – there is nothing we have more of. Much of it is fragmentary coarseware, but other vases were decorated. Thousands of vases painted in the black and red figure
Pottery is the single biggest category of evidence we have from the classical world – there is nothing we have more of. Much of it is fragmentary coarseware, but other vases were decorated. Thousands of vases painted in the black and red figure
Set in the aftermath of the Trojan War, Euripides’ Trojan Women is a lament for the fallen city and the fate of its women, destined for slavery. In this lecture Dr Heather Sebo examines one of the darkest of all Greek plays, where tragedy upon
Set in the aftermath of the Trojan War, Euripides’ Trojan Women is a lament for the fallen city and the fate of its women, destined for slavery. In this lecture Dr Heather Sebo examines one of the darkest of all Greek plays, where tragedy upon
Staged not long after the disastrous defeat of the Athenians at Syracuse during the Peloponnesian War, the seriousness of Aristophanes’ Lysistrata would not have been lost on its audience, despite it being a comedy laden with sexual humour. In
Staged not long after the disastrous defeat of the Athenians at Syracuse during the Peloponnesian War, the seriousness of Aristophanes’ Lysistrata would not have been lost on its audience, despite it being a comedy laden with sexual humour. In
Sophocles’ Ajax is one of our earliest surviving Greek plays, produced in c. 440 BC. In this lecture Dr Heather Sebo examines Sophocles’ treatment of the theme of a changing world which posed new challenges and required new skills for coping –
Sophocles’ Ajax is one of our earliest surviving Greek plays, produced in c. 440 BC. In this lecture Dr Heather Sebo examines Sophocles’ treatment of the theme of a changing world which posed new challenges and required new skills for coping –
Performed in Athens in the last years of the Peloponnesian War and when Athens had a democracy, Euripides’ Iphigenia in Aulis is appropriately a play about decision-making. In this lecture Dr Heather Sebo traces the dramatic events in Iphigenia
Performed in Athens in the last years of the Peloponnesian War and when Athens had a democracy, Euripides’ Iphigenia in Aulis is appropriately a play about decision-making. In this lecture Dr Heather Sebo traces the dramatic events in Iphigenia
This lecture examines the role and status of Athenian drama in Athenian society. Picking up where the last lecture (on the Peloponnesian War) left off, Dr Gillian Shepherd looks at the finale of the Sicilian Expedition, and the event that prece
This lecture examines the role and status of Athenian drama in Athenian society. Picking up where the last lecture (on the Peloponnesian War) left off, Dr Gillian Shepherd looks at the finale of the Sicilian Expedition, and the event that prece
Between 431 and 404 BC a bitter war known as the Peloponnesian War was fought between the two major powers of ancient Greece – Athens and Sparta – and their respective allies. In this lecture, Dr Gillian Shepherd outlines the events of the Pelo
Between 431 and 404 BC a bitter war known as the Peloponnesian War was fought between the two major powers of ancient Greece – Athens and Sparta – and their respective allies. In this lecture, Dr Gillian Shepherd outlines the events of the Pelo
Following the fall of the Peisistratid tyranny in Athens, the Athenians instituted a revolutionary new form of government: democracy. In this lecture, Dr Gillian Shepherd looks at the nature of Athenian democracy and how we think it might have
Following the fall of the Peisistratid tyranny in Athens, the Athenians instituted a revolutionary new form of government: democracy. In this lecture, Dr Gillian Shepherd looks at the nature of Athenian democracy and how we think it might have
Peisistratos, tyrant of Athens, seems to have ruled benevolently and Athens prospered under his regime. In the course of the 6th century BC, important public buildings were erected in both the Agora (town square) of Athens and on the Acropolis.
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