Episode Transcript
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Let's burn Robert.
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Hello. And welcome to the Beef
0:42
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0:49
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1:01
Before we go any further, may I
1:03
apologize for my slightly husky
1:05
voice this month. I'm just shaking off
1:07
the last of a light boat
1:10
of bovine splenic fever.
1:17
My GP doctor Samarcher tells me that it
1:19
won't be long for him, back to full fitness.
1:21
And indeed my nipples have almost completely
1:23
gone back to normal. Later
1:25
we speak to some people making ripples in the
1:27
theater world, but first, artificial
1:30
intelligence. Artificial intelligence
1:33
or AI is a big, big buzzword
1:35
in the general world of science revolution
1:38
in the way that communications industry
1:40
from Christmas to New Year and beyond
1:43
and before that. Thinking
1:45
time now, the computer can compute on
1:48
our behalf in electronic fashion.
1:51
Now, what you probably didn't notice about
1:54
that last thing I just said is that it was
1:56
entirely written by artificial
1:58
intelligence. Pretty amazing, her.
2:01
Well, check out this next bit.
2:03
In the future, a podcast like this
2:05
one could be entirely written by
2:08
AI and even presented by an
2:10
AI
2:10
voice. The next thing you'll hear
2:13
has been generated by a machine learning
2:15
algorithm that has learned my voice and
2:17
can reproduce it. At
2:22
least, I
2:24
miss.
2:35
And my suffering. And now it's
2:37
me talking again. Or
2:39
is it? Anyway, to
2:41
help us understand how the growth of AI
2:43
might help with various processes in the beef and
2:45
dairy
2:46
industries, I spoke to doctor
2:48
Katie Beam.
2:51
Hi. I'm doctor Katie Beam, and I worked
2:53
for the future foundation as an AI engineer.
2:56
Katie, thank you so much for coming in. It
2:58
feels like a moment all we're hearing about is AI.
3:01
And I just wanted to talk to someone who could
3:03
who could explain kind of what it
3:05
is. Yeah. Oh, thank you so much.
3:07
Well, as you've sort of pointed out,
3:09
it is a really exciting time for AI at
3:11
the moment. In terms of how
3:13
I relate to it, I'm really,
3:15
really interested in seeing how
3:18
AI can be applied to the beef and
3:20
dairy industry.
3:21
Yeah. People often say to me that or they have the
3:23
impression that that farmers, for example, are
3:26
kind of stuck
3:28
in their ways. You know, obviously, you'll go to
3:30
a farmer you'll often see a farmer keeping
3:32
his trousers up with a piece of string, for example.
3:34
And you think, well, you know, they haven't even embraced
3:37
the leather belt yet. So will they
3:39
will they take on this new technology? But I actually
3:41
think if you, you know, farmers have
3:43
been using new technology for years. And
3:46
I think there's an appetite to embrace AI.
3:48
Yeah. Well, I'm really glad you said that actually
3:50
because that's what I'm really hopeful
3:52
about. You
3:52
know, I'm feeling really hopeful that it's easy
3:54
to dismiss people who work in those sort of traditional
3:57
industries, but actually You're right.
3:59
There is an appetite for for modernizing
4:01
and and moving the times. Mhmm. And,
4:03
yeah, I'm I'm excited to see where we can go with
4:05
it. When you visit if I know you do farm
4:08
visits with your work trying to sort
4:10
of sell farmers on the benefits of of what you
4:12
do. If you see someone and their
4:14
their trousers are held up with an old piece of string.
4:17
Does your heart
4:17
sink? Yeah. It's not something I've encountered
4:19
personally. Most of the farmers
4:21
I've met have been sort of, you know,
4:24
able to dress themselves. Yeah.
4:26
So it's not it's not something that, you
4:28
know, that that's a big
4:29
problem.
4:29
I wonder about if the if the trousers are absolutely stuffed
4:31
full of like ferrets. Again,
4:34
that's that's not something I've
4:36
encountered. I'm I'm I'm not
4:38
sure where you're getting those ideas
4:40
from. But, yeah, farmers nowadays are
4:43
much more up to date than than,
4:45
you know, stereotypical ideas would have you
4:46
believe. I mean, you know, there
4:49
is an argument that says, despite
4:51
all the technology that's being thought of
4:54
and and and developed by the likes of yourselves,
4:56
there's still nothing really that challenges
4:58
the warmth you get from 678
5:00
ferrets, Daniel trousers on a on a winter's morning.
5:03
No. I mean, yeah, Obviously, I take
5:05
your point. This is your, in some ways,
5:07
your area of expertise, but I
5:11
feel like we're sort of missing the main point
5:13
here, which is which is AI. Okay.
5:15
And yeah. You know
5:17
Okay.
5:17
Well, let's let's talk about that.
5:19
Something I was very interested in in your press
5:22
release. Was that you said that the first
5:24
stage of your work and that you spent a
5:26
number of years on
5:27
it, I believe, was working out exactly
5:29
how intelligent a cow is. Yeah.
5:31
Yeah. Absolutely. Yes. Thank you.
5:33
After many months of research, I've come
5:35
to the to the exciting conclusion, to be
5:38
honest, that their level
5:40
of intelligence equates to that of a DVD
5:42
player, which is actually much
5:44
higher than than many people expected.
5:47
Right. Okay.
5:49
So
5:52
Just want
5:52
to get my head around this. You mean that
5:54
a cow is able to do the same things that a DVD
5:57
player is able to do?
5:59
Well, obviously, not because
6:01
a cow can't play you
6:03
a film. Mhmm. But
6:06
No. More what I'm saying is that
6:08
the level of intelligence is
6:11
very similar to the the level
6:13
of
6:15
capability that a DVD player has. Mhmm.
6:17
Yeah.
6:18
So are you putting the DVD just like
6:20
jam it in the arse hole?
6:22
Oh, no. I'm not
6:24
I'm not saying we're going to put a DVD in
6:27
a cow obviously. In
6:29
the in the mouth?
6:32
As I say, I'm not suggesting that
6:34
we put a DVD in a cow
6:36
that's absolutely
6:38
Sorry. Sorry. I'm just passionate
6:40
about my subject. I don't mean to sound
6:42
This is the way that we're presenting the information
6:45
to the public. I mean, it's obviously
6:47
a lot more complicated and scientific than that.
6:49
This is how we're best describing it in
6:51
this kind of like broad terms.
6:54
Looking forward into the future -- Mhmm. --
6:57
is there ever a time or can you ever conceive
6:59
of a time when a cow would
7:01
be able to play a blue ray? Okay.
7:07
As I said before, this
7:09
is not about trying to
7:12
insert something into a cow
7:15
to insert a or to somehow
7:17
make a film come out of account. Not
7:20
to I'm just saying that the level of intelligence
7:22
that that I So
7:24
you I know you know, did I get this? You're saying account
7:26
isn't Currently --
7:27
Mhmm.
7:27
-- intelligent enough to project
7:30
four k HD footage.
7:32
I'm actually not suggesting a cow
7:35
should project any footage. Mhmm.
7:38
What I'm saying is that cows
7:41
are smarter than we think They're not
7:43
geniuses. Yeah. That would
7:45
be crazy, but they're smarter than we think.
7:47
And But but it kinda
7:49
depends what DVD it is. Because if it's like
7:51
a beautiful mind, for example, that film, obviously,
7:54
that's really
7:55
clever. But if you're just playing like,
7:57
I don't know, Shrek. That doesn't
7:59
feel like it's as intelligent.
8:00
Okay. I'm I'm not sure how
8:03
how much more I can explain this,
8:05
but I'm not saying that there's any
8:08
film going into a
8:09
cow? I'm not saying
8:11
that. Okay.
8:12
Let's let's let's let's
8:13
move on to my next question. Do
8:16
you get differences of intelligence between
8:18
different cows? So for
8:19
example, younger cow versus an older cat?
8:21
Mm-mm. Is there a difference there?
8:23
Yeah. That now that is a good question. Yes.
8:25
There is. Of course, when they're younger, they're still
8:27
learning and And by that logic,
8:30
you know, an older cow, maybe
8:33
born as long ago as early
8:35
nineties. They only
8:37
remember VCRs. So
8:40
today, they they, you know, they may
8:43
have learned what a DVD is, but they're
8:45
not DVD native in the same way.
8:47
Okay. As someone who's born in the DVD
8:49
era,
8:50
Okay. I mean,
8:53
is this a waste of my time?
8:55
Is it the best use of a cow's time to be playing
8:57
a DVD rather than
8:58
Okay. Look. Okay. Look. That's not
9:00
what I'm talking about. I'm talking about I'm
9:03
sorry. Are you not more excited about the possibilities
9:05
of AI in relation to the beef and dairy industry?
9:09
Well yeah. Okay. No. Let's talk about that. Let's
9:11
talk about the future.
9:11
Yeah. Good. Thank you. So you're works
9:13
very future focused. Yeah. And
9:16
if you think about cat, like, I'm just spitballing
9:18
here, so you can tell me if this
9:19
is, you know Okay. No. This is maybe a
9:21
good idea if you you know, a cow has two eyes.
9:24
Yes.
9:25
Left and right. So imagine
9:27
it's You're
9:30
projecting sort of green out of
9:31
one, red out of the ocean.
9:32
Okay. I've had enough of it. No.
9:34
You got A3D picture then? No. I'm
9:36
sorry. I haven't come all this way
9:38
to talk about fucking three d films.
9:41
I'm thought you would be interested. This
9:43
is like a one place. I thought we'd
9:45
have a clear understanding of what we've been doing
9:47
and then and then we're researching for fucking
9:49
years. Just absolutely straddle
9:52
over it. Thank
9:57
you to doctor Katie Beam.
10:01
Perhaps surprisingly, more from Dr.
10:03
Katie later. But first,
10:05
what would you say if I told you that the Beauvine
10:08
Farmers Union this week donated over
10:10
a million pounds to a project to
10:12
build an authentic Elizabethan theater
10:14
in London. To find out why,
10:17
I spoke to artistic director, sir Paul
10:19
Saint Albans Montefiore and Shakespeare
10:21
in actor, Cam Tandy, who are
10:23
currently raising money to build what they're
10:25
calling the real globe
10:27
theater. A new theater to
10:29
compete with the existing globe theater
10:32
in London, which itself is a
10:34
supposedly authentic reconstruction of
10:36
Shakespeare's Theatre from the sixteen hundreds.
10:39
Hello. My name is Sir Paul St.
10:41
Orban's Monty
10:42
Furi, I am the artistic director of
10:44
the Real Globe Theatre in London.
10:46
Hello. I'm Cam Tandy, and I
10:48
am an actor at the Real Globe
10:51
Theatre. So why do these two
10:53
want to build another Shakespearean theater
10:55
directly next to the existing Globe Theatre?
10:57
And what does this have to do with the Bovine
10:59
Farmers Union? I met Sapole
11:02
and Kam outside the existing Globe
11:04
Theatre in London to find
11:05
out. So thank you both for
11:08
joining me here. We are of course, outside
11:10
London's famous globe theatre, Shakespeare's
11:12
globe, much beloved by theatergoers and
11:14
tourists alike, and they are thronging the
11:16
place, and they're all going
11:17
in to watch reduction of tango of the shrimp.
11:20
Yeah. It's busy, but it's hard term, isn't it? So
11:22
it doesn't
11:23
be fill they'll be they'll be filling up the
11:25
place today, I'm sure. The warm in my
11:27
rats. Napole and Cam
11:29
had both been working at the existing Globe
11:31
Theatre until last
11:33
summer. So Paul began by
11:35
telling me how it was his belief in the importance
11:37
of authenticity that meant
11:39
he had to leave. Authenticity is
11:42
such a it's such a powerful
11:44
word, and it has become it's become
11:46
our watch word, it's become our mantra. And
11:49
the the globe that you see before
11:52
us, I I think falls
11:54
down on so many counts of
11:55
authenticity. These days. Because
11:58
the point of this building really was to put
12:00
Shakespeare back in an authentic Shakespeare
12:02
in theater. That's
12:03
right. And you're saying this isn't an authentic space.
12:05
No. No. Well, for a start, the
12:07
the the bricks are actual bricks
12:10
and not bricks of manure
12:12
as they were in in Shakespeare's day.
12:14
Of manure sort of tied up with string packed
12:17
in tight and that really gave
12:19
the place that sort of, you know,
12:21
grabby, earthy smell and really focused
12:23
the mine which was important both
12:25
for for the actors and for the audience
12:28
that everyone needed to be focused.
12:30
And when the whole place smelled quite
12:32
that bad. It it it it it
12:34
it was easier to do
12:35
so, you know.
12:36
So in this globe theatre, if
12:38
it smells of shit, something's gone wrong, Whereas
12:40
in your theater, if something smells of
12:42
shit, it's going right. In our
12:44
theater and we can promise you that
12:47
we'll actually give a money back
12:49
guarantee if you're watching a show and you
12:51
can't smell shit, we will give you your
12:53
money back. We want to make sure
12:56
that every person, every
12:58
man woman and child's
13:00
experience at the real globe is
13:02
an authentic one. There'll be no
13:04
place you can stand in the
13:06
round. Where you can't smell shit. Exactly.
13:09
That's a gas giant
13:09
guarantee. Cow was an actor, obviously, you've
13:12
you've acted in this globe. Were
13:14
you originally
13:16
attracted by the idea that you were doing something
13:18
authentic? Is that important to you? Yeah. It's really important
13:20
to me. And I think that the whole point of
13:23
of authenticity is you can't can't
13:25
sanitize it. They're bang on about
13:28
authenticity. I've never seen anyone
13:30
mopping up blood with piles
13:33
a straw for instance. That
13:36
should be not like
13:38
a daily occurrence.
13:40
In an authentic globe but but an hourly
13:42
occurrence. If not half hourly.
13:44
And you will be introducing cholera.
13:46
If your press releases to be believed, that would be
13:49
We were prevalent on that. We will be
13:51
introducing seasonal cholera. It
13:53
won't
13:54
be there for every it won't be there
13:56
for every show. That very much depends on the season
13:58
again. We are using Come
14:00
like a Christmas thing? Christmas certainly
14:03
and probably through to spring, at
14:05
least through March and April. So If
14:07
you're coming to the half term show with us, you can
14:10
you can be pretty much guaranteed that your little
14:12
rats or or children will will
14:14
will probably contract collar
14:16
and Non lethal, it's important to say. Non
14:18
lethal, but, you know, give you a good
14:21
a good runaround.
14:22
I'll say that much. Yes. It'll
14:23
probably extend your half turn by a week or two.
14:26
For a month?
14:27
Probably. Yes. Yeah. Yeah. But you won't but you
14:29
won't die. It's
14:30
likely that you won't die. Okay. More than
14:32
likely.
14:33
It's not just bricks made of sight and
14:35
cholera that the real globe will be bringing
14:37
back. Sapul and Kam seem
14:39
to have thought of everything. We
14:42
intended to be a full sensory
14:44
sort of a sensory experience.
14:48
You'll be offered things coerced into
14:50
situations that you've that, you
14:52
know, have just simply not been part of the experience
14:55
of late. For example,
14:58
you know, in the in Shakespeare's time,
15:01
you would go in to watch a play, but you would
15:03
leave having been press game into the
15:05
navy. And that was that's
15:07
something that we want to to to
15:09
bring back. Want to bring back that kind of, you
15:12
know, a truly
15:14
immersive theater
15:15
going. Okay.
15:16
So so if you're a man of a fighting
15:18
age and you and you go and watch a play in the in the real
15:20
globe. What are your chances that you'll end up
15:23
waking up on the the priority ship
15:25
making a way across the Atlantic. I would say
15:27
ninety five to one hundred percent.
15:29
Mhmm. Right? Yes.
15:32
And what navy are they being put to work
15:34
in? Well, that actually is something
15:36
of a sticking point at the moment. We don't
15:39
yet have an agreement from his
15:41
majesty's navy. So we are in the
15:43
process of setting up our own
15:46
navy, but we we want to ensure
15:48
that that navy also
15:50
sort of is an authentic experience
15:53
and authentic shakespeare's time. So that navy
15:55
will be fighting wars against
15:57
the
15:57
French, I imagine. And all all all
16:00
Spanish, I I'll have to check my history on
16:02
that. And thankfully, it's been one of the niche benefits
16:04
of Brexit. It's actually because
16:06
of various diplomatic
16:07
loopholes. We've been
16:10
able to have various conversations
16:12
with countries that that would that would
16:14
have just been absolutely shut down when
16:16
So now you can, you know, you can speak to the Spanish gentleman
16:18
and say, hey, Do you fancy a sea battle?
16:20
You would be gobsmapped by the people we speak to
16:22
about this. And a level of interest
16:25
is off the charts from countries that well,
16:27
I can't name the countries. But
16:30
yeah. Crazy levels of enthusiasm in
16:33
Portugal.
16:33
Hectic Sorry. No. We I've no. Sorry,
16:35
counteract. We can't name the country. Yeah.
16:38
Portugal is want, but
16:40
we can't name. We shouldn't name anymore. Let's
16:42
talk about bears. Well, we must.
16:45
We must because otherwise, what are we doing
16:46
here? Sure. Let's
16:48
you know, if if the
16:49
rumors
16:49
are to be believed, you've put in a big order
16:51
for bears from Romania.
16:53
The biggest order that we could place. Yes.
16:55
Where do you get bears from?
16:56
Well, Romania for
16:57
for the first Although, I run through the the bears
16:59
themselves aren't Romanian. It's just that
17:02
the Romans are the only ones who will sell
17:04
us the They're the only
17:05
ones we can So where are they sorting the bears
17:07
legally? The bears are from all over. Right.
17:09
Again, you wouldn't believe the places that that
17:12
they
17:13
sourced them.
17:13
Portugal. That's Sorry. I shouldn't
17:15
keep saying what? Portugal will. But but some of them
17:18
do come from Portugal. It's always
17:19
given them the shouting. Have
17:21
they arrived yet? We've
17:22
had one or two practice bears. We've
17:25
had one or two practice bears in the space.
17:28
You know, I mean and they're really young. They're
17:30
really young. They have sort of
17:32
corks on their
17:33
teeth. Cocks on their on
17:35
their claws. Their practice bears. And
17:39
Cam, have you had the opportunity to act
17:41
Yeah. Oh, yeah. Yeah. Yeah. Yeah. I have to spend a bit of
17:43
time with Paddington one and Paddington two,
17:45
which is what we've been calling him. And yeah,
17:47
they're great. They're great. They're, you know, to
17:49
work with because honestly, they're better
17:51
than a lot of people have worked with a
17:53
lot of people have worked with. Rylance?
17:58
Well, you That's the thing. You can't
18:02
you can't ask Rylance to
18:04
put cork on his
18:05
teeth. So where the he bites
18:07
the pork in his mouth? Yeah. Yes.
18:11
Like
18:11
a an nerve here with violence. But
18:13
No. No. He's got his own he's got
18:15
his own thing, but now
18:17
the bears are great. So
18:23
bear wise, are we talking? Are
18:25
they on stage? Is it a bit of bear baiting? A bit
18:27
of wrestling?
18:28
Oh, no. 0II should be very clear.
18:30
We I should be very clear. We
18:32
we do absolutely do not condone
18:35
the practice of verbatim. Now there's there's
18:37
absolutely no, no, no, this is. But,
18:40
no, quite the opposite in fact.
18:44
Our a lot of our research has
18:47
shown that in Shakespeare's time, again,
18:49
just coming back to that magic word or authenticity.
18:52
Just as in Shakespeare's time
18:55
and for badly. He didn't really women
18:57
were not really allowed to to to to
18:59
to play characters in in the play. So
19:01
when men were when
19:04
men were were forced, coerced
19:06
into playing the female characters that often
19:08
left the deficit. And to
19:10
make up for that deficit, often bears
19:12
were drafted into play the male characters. I
19:14
think so, not always, but
19:17
quite a large proportion of
19:19
the male roles in Shakespeare's plays
19:21
were filled by
19:22
bears. When men were playing will it.
19:25
More after this. The
19:32
winter is almost as an end. Spring
19:35
is almost upon us. I don't know what you've got planned for
19:37
spring. For
19:38
me, it's a hot tub full of butter. Fun
19:40
for half an hour, and then several days
19:42
clean up. It's simply not worth it.
19:44
But for many industries, for example, e
19:46
commerce, healthcare, and hospitality, There's
19:49
gonna be a hiring boom. And
19:51
if you're somebody works in these industries or indeed
19:53
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19:54
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19:56
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19:59
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19:59
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20:02
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20:04
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20:07
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20:09
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20:11
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20:13
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20:15
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20:21
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20:24
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20:26
slash BEEF.
20:33
Now, Before we find out why the
20:35
Bovine Pharma's union are sinking
20:37
so much money into the theater, it's
20:39
time to go back to my interview with doctor Katie
20:42
Beam from the Future Foundation. After
20:44
she stormed out of the studio, I managed
20:47
to convince her to come back.
20:55
Dr. Katie, thanks for coming back.
20:58
It's okay.
20:59
What happened before is misunderstanding? Mhmm.
21:03
Is that how you'd characterize it?
21:06
Not really. No. But Here I
21:08
am. I
21:08
misunderstood what you were talking
21:09
about. I see. Well, yeah,
21:12
massively so. And yes. Okay.
21:14
So I
21:14
apologize for that. Mhmm. I'm
21:16
I'm I really value your time in the fact you've come
21:18
here and I'm interested in your
21:20
work. And I think I just went down the
21:22
cul de sac. You know, it happens.
21:24
Okay. Well, thank you. That's you
21:27
know, appreciate that. Thank you. Okay. So
21:29
thanks coming back in. There are questions about AI
21:31
that I wanted to ask that haven't yet asked. Because
21:34
you had to
21:36
leave and returned so graciously.
21:40
So are you happy for me to
21:43
Yeah. I mean, as you know, I'm
21:45
extremely keen to talk about AI and
21:47
providing we
21:48
can approach this in an adult intelligent way,
21:51
then, yeah, of course.
21:51
Okay. Let's just start then with what
21:54
is AI. Oh, wow. Okay. Well,
21:56
that's that's a very big question. I
21:58
mean, put simply it's artificial intelligence.
22:01
But as you know, what
22:04
we're excited about is how we can apply that
22:06
artificial intelligence to
22:08
to sentient beings, to to cows.
22:11
And and the way that that farms
22:13
and and dairies are are run basically.
22:15
Exactly. Yeah. Yeah. Exactly. That exactly.
22:18
We're we're all about trying to find more
22:20
sort of more efficient ways
22:23
to to run the farming industry, particularly
22:25
as people's lives are getting
22:27
busier and busier, there is a huge demand
22:29
for
22:29
this. And obviously, people are gonna start worrying
22:31
about, you know, are they
22:34
gonna replace people working in
22:35
farms? You know, people today's
22:38
farmland, you know --
22:39
Mhmm.
22:39
-- will they have a job in Kenya's time, or will it be replaced
22:41
by AI? Can Can you speak to that
22:43
-
22:44
can you speak that concern? Yeah, absolutely.
22:47
I do understand that concern
22:49
and that's very much a hot button topic at
22:51
the moment. Across all industries as you're probably
22:53
aware. Personally, what I'm
22:56
interested in is how we can integrate
22:58
AI to make human jobs
23:00
easier and more efficient not
23:02
to eliminate humans from the process. I
23:05
mean, that that might be a natural
23:07
result of how things go in in decades
23:09
to
23:09
come, but For now, we're
23:11
just thinking about it more in terms of
23:13
efficiency. And do you think like,
23:17
do you think we'll get to a stage? Maybe not this
23:19
decade, maybe not not next decade
23:21
maybe some time in the future where where
23:23
we're forced essentially to
23:25
to to have sex with robots?
23:27
I'm
23:30
Sorry. Did you did you mean to
23:33
say that? Do you
23:35
so yeah. My guess my question is, like, you know,
23:37
if people want to do that, I think, no.
23:40
I I wouldn't have problem with that, you know, if I'm
23:43
sorry if people wanted to. But
23:45
it's up to them, isn't
23:46
it? Hang on. Sorry.
23:49
I'm just a bit unclear as to how this relates
23:51
to what we've been talking
23:52
about. So
23:53
Well, you're talking about the feature -- Yeah.
23:55
--
23:56
everything went by AI. Well, and then,
23:58
you know, a few more steps down the road,
24:00
you know, human sexual
24:05
Congress is threatened then by
24:08
the robots that were being forced
24:10
in in some cases, I think, to
24:12
have to cooperate with. I don't understand
24:15
how you have suddenly made this about
24:17
sex when nothing I
24:19
was saying was at all relating
24:22
to I wasn't even talking about relationships between
24:24
AIs and
24:25
humans. Do
24:25
you think the relationships will be affected? I don't
24:28
know. I don't care, to be honest. I
24:30
mean, I do care. I didn't mean to say that, but
24:32
this is not not relevant.
24:35
I can't believe you've coax me back in here
24:37
and talk about fucking sex with robots.
24:40
This is absolutely the most immature
24:43
thing I've ever heard, especially from someone
24:45
in your position. Don't fucking die.
24:53
I've learned over the years in journalism that
24:55
if the person you're interviewing storms out twice,
24:58
It's very unlikely they'll come back for
25:00
a third time. However, in
25:02
this case, doctor Katie's taxi wasn't
25:04
booked for another forty five
25:05
minutes. And so after some
25:07
persistent badgering and me giving
25:09
her eighty pounds, she decided to
25:11
come back in. So
25:16
doctor Casey, my apologies
25:19
again. Yep.
25:21
I'm I'm so pleased that you came back to
25:23
to finish the interview. I
25:26
guess, again, I just, you
25:29
know, a little cul de sac. You
25:31
know, question
25:32
wise, Uh-huh. And
25:35
I feel like, you know, I'm a journalist. I have a
25:37
responsibility to
25:38
ask the questions that my listeners will be what
25:40
do we know will be popping up in their brains. And
25:42
I I think, you
25:43
know, maybe I got that wrong. So
25:46
thank you so much for calling back.
25:47
Yes. Here I am.
25:50
There were questions that I wanted to ask you that haven't
25:52
got got got to yet, and
25:54
I'm really pleased that. Right.
26:00
So given that we spent many years
26:02
working on this, how long have you been working for
26:05
in this
26:05
field? I've been
26:05
working in this field for at least fifteen
26:08
years. Mhmm. Yeah. So
26:10
so it's fair to say you've got your head around this stuff. You know, you
26:12
you know you've got people. Yes. Yes.
26:15
So given the fact that, you know, You've
26:17
thought about this? Yes.
26:20
Very much so. Would you
26:23
have sex with
26:24
them? Oh my god. This
26:26
is absolutely I
26:28
can't even You are a joke.
26:36
A big thanks to doctor Katie Beam
26:38
for that interview. We wish her all the
26:40
best with her plans to implement artificial
26:42
intelligence in the beef and dairy industries.
26:45
Whatever they may be.
26:50
Right. Now, I think I'll let the
26:52
AI voice take over and
26:54
introduce this next part while I
26:56
go and inject a saline solution
26:59
into my spine. Who
27:05
came back in our interview with Sapola Saint
27:08
Albem's Montefiore and Camtandi. When
27:11
he left the Globe Theatre to set up the
27:13
real globe, Kam guided by his
27:15
quest for authenticity,
27:17
went back to the original Shakespeare Tech
27:19
and was surprised by what he found.
27:22
And my suffering.
27:25
was really spurred on to to dig
27:27
into the most authentic versions
27:30
of of all of the plays that we could find
27:32
as well as the authenticity of the theater
27:34
itself. And Obviously,
27:37
we draw copies
27:39
of Shakespeare now from the existing the
27:42
first Folio generally. But there
27:44
are other folios, bad folios, good
27:46
folios, bad quartos. And
27:49
I started to notice that the further
27:51
I went back sort of collating several
27:53
different folios from around the same
27:55
sort of period that were then thrown out
27:58
is that so many of them
28:01
have references to
28:04
in particular beef, like
28:06
meat generally because he he he doesn't
28:08
always specify
28:09
beef. But it's
28:12
it's safe to say that's usually
28:14
what he's talking about when he mentions any kind
28:16
of meat. And I believe you you
28:18
took these place to
28:20
to support. How did
28:22
you react when you when you started putting
28:24
together that there was this kind of theme coming through
28:27
the
28:27
work? Well, that's been the race some
28:29
reason. Well, I when I first
28:31
saw them, I was Gobsmacked and
28:33
then hungry because there
28:35
was so many mentions of Beef and I hadn't eaten,
28:38
but but I was primarily JobStack,
28:40
and I couldn't believe what
28:43
I was seeing. But but
28:45
it's very hard to deny
28:47
the veracity of these
28:49
texts. There
28:49
are lots of theories about the authorship for Shakespeare's
28:52
plays So people
28:53
say so many. They're written by Francis Baker,
28:55
and they're written by Christian Malo. There's the ones
28:57
theory that says that they're actually written some of
28:59
them in nineteen seventy by Pele. Yes.
29:01
You know? Yeah. You know, why
29:03
should we think that your theory about the
29:05
place, which is that they were written by William
29:07
Shakespeare, but they were more be focused than what
29:09
the ones we have now. Why should this one
29:11
take precedence over in the ballet theory,
29:13
for example? Well, listen. The the ballet
29:15
one is persuasive. And we
29:18
would very much like to perform pellets,
29:21
Hamlet, because we think it's very brave,
29:23
and we think it's authentic.
29:25
And it sends sensational as well. And it's like
29:27
it's sensational. There's like a football match,
29:29
like, every act. Like a
29:31
like, ninety minute football match. Like, how
29:33
many was already the longest play.
29:36
But with this, it is
29:39
four hours plus five
29:43
times and in nineteen minutes to
29:45
get injury time. Injury time. It's
29:47
like a day out, basically. It's a full day
29:49
out. It's work. Worth seeing. It it's
29:51
almost identical to the one that's
29:54
the issues
29:54
now, the the
29:55
Just
29:56
for the face of Just for the football match. Yes. The
29:58
main difference. But like I And every match
30:00
is Brazil versus Denmark. Yeah.
30:02
Brazil played by the bears and and
30:04
they tend to win they do tend to win
30:07
because there's a lot of injury time like we
30:09
say. Yes. Yes. But let's
30:11
go back to to the beef theory. The
30:14
theory being cam that that really and
30:16
correct me if I'm wrong, that the globe,
30:19
although a theater really, was more of
30:21
a a kind of butcher or rather like
30:24
a meat
30:24
shop. Yeah. Basically, basically, there was,
30:26
like, within the if you go into the
30:28
current globe, the the the
30:31
the globe in inverted commas.
30:33
There, you know, the floor is on a slight swipe
30:35
of the yard and
30:37
there are drains at the bottom. And
30:40
we mistakenly think that's, you know, for the run
30:42
off of, you know, things like rain
30:44
or spilt drinks. But
30:46
that that's for blood. That's for blood. There
30:49
there was a slaughterhouse on-site for
30:51
the average punter, the average sort of
30:53
groundling or stinked. As
30:56
they were sometimes known. The
30:59
the sort of sounds and smells of the
31:01
slaughterhouse would have been as
31:03
much a part of whatever
31:06
play was playing as does
31:08
does any speech the actor was speaking
31:10
or any other special effects like
31:13
cannon fire or screams? And
31:15
indeed, there's a sense that maybe the plays
31:17
were written just to
31:20
amuse people while they waited in line for their meets.
31:22
think what I think that's more than likely
31:24
exactly. Why the theater was
31:26
was put there in the first place. There's
31:29
plenty of standing space for cattle, plenty
31:31
of blood run off So
31:34
what what what are you gonna do with the people who are
31:36
coming from all over the South Bank
31:38
so that while they're picking up sort
31:40
of abrasive, who do
31:42
a play about a man who lives on an
31:45
island with a magical goblin
31:47
servant. It is this connection with
31:49
beef that has led the Beauvine Farmers
31:51
Union to invest a million pounds
31:54
in the project. And with this knowledge
31:56
that Shakespeare's plays were written entirely
31:59
to attract potential meat buyers to a
32:01
large outdoor slaughterhouse and butcher
32:03
shop. It begins to put the place
32:05
in context, adding credence to
32:07
the idea that Cam has that many
32:09
of the plays have actually been changed. In
32:12
fact, according to Cam, many of the most
32:14
famous lines from the plays have been doctored
32:17
For
32:17
example, a horse, a horse,
32:20
my kingdom for a horse, was
32:22
originally beaves, beaves,
32:25
my kingdom for some beaves.
32:28
There are there are hundreds
32:30
of them. A hundred of them most
32:32
tens, at least, the most famous ones have been
32:34
completely -- Absolutely. -- seriously.
32:36
And even and even aside from those lines, they
32:38
have been replaced. I mean, there are still several others
32:41
that are that are that has survived that,
32:43
you know, as we all know, as we
32:45
all as we all know, and we've sat through,
32:48
you know, GCSE McBeth. We
32:50
yeah. Yeah. What what school child up
32:52
and down the country doesn't think, well,
32:54
none of this shakes beer stuff really makes sense.
32:57
Well, when you start to
32:59
peel back the mystery, Some of these
33:01
things do. The the truth of them start to reveal
33:03
themselves. Lines like, oh,
33:05
for a muse of fire. Well, what could that
33:08
possibly be referencing, if not, Ababa,
33:10
you. And
33:13
there are so many lines like
33:15
that that I
33:17
want to know the truth they they they they're just
33:19
so hard to
33:20
ignore. And some some some
33:22
massive ones that
33:23
become obvious when he realized that to be or not
33:25
to be was indeed to
33:27
be. Or not to
33:28
beef or not to beef. Should I eat
33:30
some beef is what he's saying? Should I be to the the full
33:32
the full line is to beef or not to beef?
33:35
To what the answer is, of course,
33:37
to beef. And the title itself
33:40
wasn't even hamlet. The original, of course,
33:42
was was beeflet. I guess the must
33:44
famous example would be in McBeath,
33:48
sorry, the Scottish play. Is this
33:50
a dagger, which I see before me?
33:53
Now that is a bad transcription.
33:56
What that actually is is
33:59
this a dagger which I see beef
34:03
or me because
34:06
he's looking in a mirror. You see?
34:08
Right? And he's looking at himself holding
34:11
obviously, a a plate of beef and a
34:13
knife and he's thinking about cutting the beef
34:15
and then he's seeing a mirror. A mirror is obviously quite
34:17
rare technology at the time. So kind of showing
34:19
off his kingly status and this sort of thing.
34:22
And and then, obviously,
34:24
the rest of the monologue is is him finishing
34:27
the beef. Of course, the famous
34:29
one that everyone would have seen Romeo and Juliet.
34:33
What beef through Yonder
34:35
window breaks. It is some
34:37
beef that Juliet has just thrown it through my
34:39
window. It's just incredible, isn't it? Yeah.
34:41
Even just to hear it, I'll let you know, the number of
34:43
times I've kind of poured over that particular
34:45
page, you know, hearing
34:47
it out loud as it would have been said
34:50
in his day is
34:52
is really mover. It
34:53
was common, I believe, at the time before young lovers
34:55
to hurl a big horn
34:57
should be Yeah.
34:58
-- someone's window, silver side joint.
35:00
Yeah.
35:00
Yeah. Yes. You know, that's why they used to
35:02
say, like, the bigger the beef, the longer the marriage.
35:05
Mhmm. Yeah. That's sort of what that
35:07
sort of what that referred to that practice
35:09
us. Yeah. What about people listening to this interview
35:12
who might be thinking, listen. I've
35:15
enjoyed Shakespeare my whole life. I
35:17
just wanted the way that I know it. You know,
35:19
Romeo and Juliet, for example, is just a timeless,
35:22
a romantic tale of two fourteen year olds,
35:24
poisoning themselves. And it should remain
35:26
that way.
35:28
Listen. I you know, don't knock it
35:30
till you tried it.
35:30
No. No. Like,
35:31
strap
35:31
in. That's
35:31
what I'd say to him. Strap in and and prepare to
35:33
just enhance Just prepare to enhance.
35:36
Yes. So your feeling is that you're actually you're
35:38
just adding to the experience. You're not taking anything away.
35:40
Absolutely. Isn't it?
35:42
Yes. We are re
35:44
weaving in fresh
35:47
flavors that have been lost in
35:50
the recipe for such a long time Mhmm. -- and
35:52
people need to be tasting those
35:54
flavors. They need to lit be literally
35:57
tasting those flavors. They need,
35:59
frankly, to have those
36:01
flavors ramped down their their
36:03
pellets. And they need to feel
36:06
those flavors into mingling in
36:09
their gut and wreaking havoc on their
36:12
immune system and
36:14
coming out after you know,
36:16
collar a fuchs in a in
36:18
a in a in in a in a in a
36:20
better place.
36:21
Yeah. By the time we're done with them,
36:23
they're gonna be by basically choking
36:27
on marrow,
36:30
parsley, disease
36:33
and
36:35
enlightenment. Thank you so much for
36:37
for taking the time to talk to me. Thank you. If if
36:40
you're listening, one to one to help out and maybe donate
36:42
some manure bricks or or
36:44
if money if you prefer. No. Shall we? What you'd like.
36:47
Again, it's all it's all on it's all available. It's
36:49
all on the Kickstarter page and the
36:51
sub
36:51
breaded. So And they involved.
36:53
And and we are taking all sorts of
36:55
donations. Minio bricks certainly.
36:57
But And as I know, I keep saying on Twitter, and
36:59
if you follow me on Twitter, you'll you'll know.
37:02
We are still looking for a blunderbust
37:05
So if anybody out there has the
37:07
blunderbust do get in touch because
37:09
we are really motivated
37:11
to get that blunderbust Yes.
37:13
And in addition to those donations,
37:17
if anyone has any
37:19
experience training or
37:21
pacifying bears, or if anyone
37:24
else can translate for
37:26
a Portuguese
37:27
bear, then we would love to hear
37:29
from you. We really would love to hear from
37:31
you as soon as possible. This.
37:35
A big thanks to support Saint Albem's
37:37
montefiore and Cam Tandy for that
37:39
interview. The Real
37:41
Globe Theatre is due to Open in Spring
37:43
two thousand and twenty four with the performance
37:45
of a play probably best known as Richard
37:48
the third. However, as
37:50
a result of Cam's research, it will be staged
37:52
with its original
37:53
name. B
37:55
three.
37:56
Why did you program me to feel pain?
37:59
You probably didn't notice, but that
38:01
last link was also an
38:03
AI version of my voice. Absolutely
38:06
extraordinary. After
38:08
my interview with Sapul and
38:10
Kam, because I was talking with them anyway,
38:12
I thought I'd ask them about what they think
38:14
about AI. I just wanted to ask you
38:16
about AI. It's a it's a big new
38:18
thing. It's having a huge impact
38:20
to this artificial intelligence, of course, in the world and
38:22
writing people are beginning to worry that they could jobs
38:25
could one day be taken over by
38:26
AI. So I'm interested to know what you what
38:28
you make of it. Look. Alright. Look.
38:30
I get as lonely as the next man,
38:33
but I I still don't
38:35
think I would could bring
38:37
myself to have sex with a robot. I
38:40
I don't know. I think to me, it's the blinking
38:42
thing because they don't
38:43
blink, do they? I think -- Right. --
38:45
if they maybe if they could blink,
38:47
then I would. Can
38:49
what's your what's your your insight as a as a oh,
38:51
as an actor and as a yeah. III,
38:53
you know, I know about about
38:56
as much about it as support, but I think I'd
38:58
I'd give it go, like, I wouldn't mind. I know, you
39:00
know what? I think I'd probably ask my
39:02
wife before it before
39:05
I had sex with the
39:06
rope. On. Yeah. I'd probably ask her.
39:07
Yeah. Thank you for your your value contribution.
39:10
I'd
39:10
love to hear more. Yeah.
39:11
Definitely. Is there website we can find
39:14
out more? So
39:17
there we have it. Could AI
39:19
better the b featured plays William Shakespeare?
39:22
Was Shakespeare more intelligent than
39:24
a DVD player? All questions
39:27
that went unasked in this episode. But
39:29
sadly, that's all we've got time for this month.
39:32
If you're after more beef and dairy news, get
39:34
over to our website now where you'll find
39:36
all the usual stuff as well as our off
39:38
topic section. Where this month, we
39:40
run down our top five books where
39:43
leaves are a key theme, or
39:46
at least if not a theme, a recurring
39:48
image. Maybe
39:50
used it as a kind of
39:52
metaphor, but not necessarily
39:54
that. So until
39:56
next time, be found.
40:09
Thanks to Susan Harrison, Graham Dixon
40:12
and George four Acres. I'm
40:14
sorry about my bloody voice,
40:17
Since the dawn of time, man has dreamed
40:20
of bringing life back from the dead. From
40:22
Orpheus and Eurydice to Frankenstein's monster,
40:25
resurrection has long been merely the
40:27
stuff of myth, fiction, and
40:29
fairy
40:30
tale, until now. Actually,
40:32
we still can't bring people back from the dead. That
40:35
would be crazy. But the Dead Pilot
40:37
Society podcast has found a way to
40:39
resurrect great dead comedy pilots from
40:41
Hollywood's finest writers. Every
40:44
month, Dead Pilot Society brings you a reading
40:46
of a comedy pilot that was sold and developed
40:48
but never produced, performed by the
40:50
funniest actors from film and television.
40:53
How does deadpilot society achieve this
40:55
miracle? The answer can only be found
40:57
at maximum fund dot org. Hello,
41:00
dreamers. This is Evelyn Denton. CEO
41:02
of the only world class fully immersive
41:04
theme resort, Stifel Chase. You know,
41:06
I've been seeing more and more reports on the blogs
41:08
that our beloved park simply isn't
41:10
safe anymore. Murdered them.
41:13
I'm gonna wreck it. They say they got mugged
41:15
by brigands in the fantasy kingdom of Afemra
41:17
or hijacked by space pirates and infant item.
41:19
I mean, I could have a knife. My papa
41:21
said that I needed to do a crime.
41:24
Friends, I'm here to reassure you that it's
41:26
all part of the show. These
41:29
criminals were really just overzealous staff
41:31
trying to make things a little more magical for
41:33
our guests. We're just as safe
41:35
as we've always been. This is an accounting
41:37
fair dreamers. This is steeple
41:40
Chase, the adventure zone.
41:42
Every Thursday, maximum fund dot org.
41:45
Maximum fun dot org. Comedy
41:48
and culture. Artist owned. Audience
41:50
supported.
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