Marsha Everlyn (Tanya Fear), top advisor to Joan Harrison (Jenny Agutter), the leader of His Majesty's Official Opposition is currently living in exile with the rest of her party on the shores of Europe State. With more and more English political refugees arriving off the ferry every day, and with the arrival in Calais of Felix Harrison (Harry Lloyd), Joan Harrison's demagogic son, both Marsha and the party at large find themselves caught between country and conscience in a high stakes game of love, loyalty, espionage and betrayal.

Cast: Tanya Fear (Kick Ass 2, Spotless, A Moving Image), Jenny Agutter (Call the Midwife, The Railway Children), Harry Lloyd (Game of Thrones, The Theory of Everything), Alexander Cobb (Indian Summers, Mr. Selfridge), Samuel West (Darkest Hour, Notting Hill), Fiona button (Lip Service, Grantchester), Angus Wright (The Iron Lady, Flowers), Shane Taylor (Band of Brothers), James Fleet (Four Weddings and a Funeral), William Hope (Aliens).

Written and directed by Frida De Rivaz. Produced for New Time by Karl Broadway. Dialogue editing by Gregory Bunker and Frida De Rivaz. Foley and sound design by Frida De Rivaz.

IMPORTANT: First Person Immersive (FPI) audio utilises binaural technology and requires the listener to use a pair of stereo headphones/earphones.

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Bonus

Liner Notes

Mar 27th, 2018

Trailer

Mar 26th, 2018

PART V

Mar 26th, 2018

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Podcast Reviews

evoterra

I love so much about this podcast. It’s well-acted, incredibly rich in sound, and set in a world I’d love to explore more. I was hoping to add this one to my list, Evolicious Podcast Fiction right here on Podchaser. But due to two fatal flaws, I cannot. One of the flaws is forgivable: it’s light on exposition, leaving (in my opinion) too much to the imagination, with little more that sounds (rich, immersive sounds) for what seems like minutes on end. I think I kinda know what was happening, but a good deal was lost on me. But again, that might be a preference, and I’ll not begrudge the creator their preferences. The bigger flaws is all too common: much of the dialog is obfuscated by that rich soundscape. Waves crashing let us know we’re on the beach. But having the waves so loud as to require me to activate the noise-canceling feature of my headphones make me wonder if I, the listener, were meant to be laying in the surf as the dialog happened. So yes, it sounds great. I just wish I could have heard all the dialog between characters, as I’m sure it was important.

Dec 14th, 2020

malene_gitte

Top of the line. Just go listen - you can´t let go till it´s finished.

Apr 8th, 2018

nitebeing

The sound mixing is very strange in this podcast... environmental sounds often overwhelm the dialogue, and the placement of sfx and voices is sometimes a bit weird. the voice acting is good, but i never felt like i really cared about the characters or the story. i'm not a fan of political dramas, so that is part of it. it also was not a convincing world to me... so ya, for me this is another example of good production value, but not enough to back that up, and too much of a film-like focus without playing into the strengths of an audio-only medium.

Jul 8th, 2024

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