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Cities and Memory - remixing the world

Cities and Memory

Cities and Memory - remixing the world

A daily Arts, Music and Society podcast
 1 person rated this podcast
Cities and Memory - remixing the world

Cities and Memory

Cities and Memory - remixing the world

Episodes
Cities and Memory - remixing the world

Cities and Memory

Cities and Memory - remixing the world

A daily Arts, Music and Society podcast
 1 person rated this podcast
Rate Podcast

Episodes of Cities and Memory

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"I wanted to capture the rolling rhythm of a water in the original field recording so I've used a series of pads and synth sounds to create that feeling. I also used a repeating piano melody to mimic the sounds of the water going over rocks etc
In this scene in Berkshire, Vermont, a small babbling stream takes center stage as a variety of birds can be heard singing both near and far.Recorded by Chris Ruprecht. 
"Inside the church of San Stae, the right wall contains altars with works by Niccolò Bambini, Giuseppe Camerata, and Antonio Balestra. The three chapels on the left house works by Giuseppe Torretto, Pietro Baratta, Francesco Migliori, and Jacop
The iconic sounds of the Grand Canal in Venice, as heard from outside the Chiesa di San Stae. The low thrum of vaporetto taxis and smaller boats, the lapping of water on the sides of the canal, the conversations of locals zipping up past us on
"A walk through the Spice Market and the surrounding area in Pointe-à-Pitre, Guadeloupe.  It's 11 a.m. on September 7, 2019."Recorded by Azadeh Nilchiani.
"My track “Pointe-à-Pitre” is based on a field recording from a spice Market in Pointe-à-Pitre, Guadeloupe. I was drawn to the field recording because it captures the magical atmosphere of the city. I can imagine being taken away by the smell o
"Reimagined the streets of Montmartre as haunted from the ghosts of the past."Montmartre street recording reimagined by VVHΛLTHISИEY.
"My recollection of this field recording was standing in Campo San Giacomo di Rialto at 4pm, after an entire day of recording the sounds of Venice - my favourite urban space in the world for sound recording. The sun was warm and mellow, and the
A walkthrough across Venice's iconic Rialto Bridge, through the market at the bottom of the bridge, and out into Campo San Giacomo di Rialto. In this quiet square just away from the hustle and bustle of one of Venice's most popular tourist spot
"The sound of the migrating terns is replaced by violins playing a the same rhythm as a short loop of the field recording. This pattern is faded in and out with other orchestral string instruments playing similar tern patterns."Migrating tern
Tern colony at Cemlyn Bay, Anglesey. Sandwich, Common and Arctic tern migrate from Africa or as far as the Antarctic for the Artic tern every spring to breed there and then head back each autumn hopefully with young terns following them. Reco
"I listened and listened to the beautiful recording and played along the best I could on my acoustic guitar to form an idea. I used the recording complete in places and cut up and sampled in others , to creat a kind of vocal line to the piece.
"In my mind, a pier is almost always a busy place, people are coming or going and that alone brings excitement. For those who in fact are on the pier to embark on a voyage it is perhaps even more exciting. Remember the feeling as a child going
"I loved how the field recording provided a really nice atmospheric layer to the song. The interesting thing is that the recording has different moments as in one part you hear the sounds of the waves and in another, human voices combined with
"A period of timea few minutes longfifty-eight years wide.""This recording gave such a strong sense of a moment in time held still - the way in which the space of a minute in the middle of the night can take on the same qualities as an hour
"I used the field recording unedited and throughout the duration of my piece. It inspired me to put myself in the outdoors, listen to the sounds of nature in the recording and transfer how this made me feel into music: peaceful and hopeful, and
"A sleepy harbour at Pepperskär on the island of Järsö, 12km south of Mariehamn, Åland's capital. It's just after 7am on a Sunday. The roe deer on the road vanish into the woods as I arrive, the gulls haven't yet flown in from the rocky havens
"The field recording from the martial arts studio in Thailand is over 20 minutes long, so I initially selected several parts that appealed to me because of their athletic energy, community spirit and sweat. "I chose sound sections that reflec
"People from across Chiang Mai and the globe training in a Muay Thai gym."Recorded in Chiang Mai, Thailand by Alex Boyesen.Part of the Sound of Adventure project in partnership with Exodus Travels. To learn more and explore the full collect
"A dense and captivating dawn chorus of Vietnamese wildlife in Huyện Đà Bắc, Hòa Bình, Vietnam. The waking of animals, birds, insects and people on the edge of a lake in the jungle at around 5am."Recorded in Vietnam by Kit Wilmans Fegradoe.
"Quite coincidentally, the track "CO-PI-I" was made on the go during my recent travels in late 2023. I believe it happened for a good reason since it serves the purpose of the "Sound of Adventure" project. "Over the years I made an interestin
"The field recording in this piece inspired me to create a story about how an adventure can begin feeling dark and uncertain but can then open up to an expanse of lightness and magic. "Often when I have travelled, being in an unknown places i
"The wildlife of Berkshire, Vermont awakening. The scene features Morning Doves' distinctive calls, along with other song birds, a few Raven calls, as well as the croaking of frogs at a nearby pond."Recorded in Vermont, USA by Chris Ruprecht.
"The recording location is an unidentified crossroad in Tokyo. Whenever the traffic light turns green, the speakers on the traffic lights play continuous bird chirping sounds to alert people to proceed. "In some parts of China, which is also
"Lots of small sounds stood out from the field recording I worked with, small enough not to be noticed, yet, in the right frame of mind, significant enough to catch one's attention. I tried to be open to letting them take my attention for a wan
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