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Columbia University School of the Arts International Play Reading Festival

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Playwrights Asiimwe Deborah Kawe (Uganda), Nick Makoha (England), and Dima Mikhayel Matta (Lebanon), in conversation with Columbia University School of the Arts International Play Reading Festival Co-Founder David Henry Hwang, Theatre Program.
Queerness is a construct. So is language, and so is this play. Nothing about this performance is reliable. The performer questions gender, memory, sex, identity, and her relationship with Beirut — but gives no answers.THIS IS NOT A MEMORIZED SC
In the heat of a November night in 1978, after eight years of civil war, four-year-old Nick and his mother flee their homeland of Uganda. What unfolds is a story of those who find themselves exiled, told through a series of voices echoing from
A group of nervous visa applicants in an unnamed country sit in a waiting room, trading stories and tips on how to best present themselves before US consuls — the “gODs.” Their reasons for coming to the US vary, but will the gODs consider them?
Co-founded by Carol Becker, Dean of Columbia University School of the Arts, and David Henry Hwang, Theatre Program, this annual festival presents readings of three plays by living international playwrights. Now in its fourth year, the 2021 Colu
Playwrights Candace Chong Mui Ngam (Hong Kong), Nophand (Thailand), and Camila Villegas (Mexico), in conversation with Columbia University School of the Arts International Play Reading Festival Co-Founder David Henry Hwang, Theatre.PRODUCTION C
Featuring translators Daniel Jáquez (Rarámuri Dreams) and Nophand (Taxi Radio).Moderated by Susan Bernofsky, Writing. Translating for the stage is a special skill, and sometimes plays pass through several hands on their way from their original
Thirty years later, the Tiananmen Square massacre remains censored and repressed. Sui Lum and Ah Dai grapple with a date so volatile that the government won’t let them say it aloud. May 35th explores the indelible human aspiration for freedom a
On a stormy night in Bangkok, four beings are stuck in traffic. Accompanied by karaoke hits, Taxi Radio is a dark comedy that conjures the afterlife and calls upon higher powers to critique cycles of corruption. This soulful play highlights the
Nicolasa goes to the police to report that her son has been kidnapped. Jacinto confesses to the murder of his friend. Unfolding in the rugged landscape of the Sierra Tarahumara in Northern Mexico, both parents seek justice and redemption—if onl
Welcome to the Columbia University School of the Arts International Play Reading Festival. Co-founded by Carol Becker and David Henry Hwang, this annual marquee festival presents readings of three plays by living international playwrights along
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