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Curator insights - European galleries

Art Gallery of New South Wales

Curator insights - European galleries

An Arts and Visual Arts podcast
Good podcast? Give it some love!
Curator insights - European galleries

Art Gallery of New South Wales

Curator insights - European galleries

Episodes
Curator insights - European galleries

Art Gallery of New South Wales

Curator insights - European galleries

An Arts and Visual Arts podcast
Good podcast? Give it some love!
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Episodes of Curator insights

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This demonstration of parental discipline of the Merovingian period remains shocking more than a century after its completion. It says much for the grotes-query of nineteenth-century Salon painting, of which it is so spectacular an example, tha
Though never officially a member of the Pre-Raphaelite Brotherhood, this colleague of Dante Gabriel Rossetti and William Morris was, by inclination and practice, sympathetic to the realist ambitions of the movement. Born in Calais, Madox Brown
The so-called Zulu War came at the moment of greatest British imperial presence in South Africa. Though understood differently today, in 1879 - the year of the event depicted in de Neuville's famous canvas - the violent exchange was seen in ter
With its gold-ground and tempera technique, this devotional altarpiece is an example of the international Gothic style that survived in Siena well into the fifteenth century. Noted for the richness and variety of his palette, Sano di Pietro was
Known as the 'Diamond Claude' by virtue of its faceted format, this exquisite painting on copper is one of a clutch of such works executed by the celebrated classicist. Claude Gellée was born in Lorrain, but spent most of a productive life in h
Jacques Blanchard was one of the most important painters active in Paris in the first half of the seventeenth century. His principal rivals were Simon Vouet and Philippe de Champaigne. Born in Paris in 1600, Blanchard served an apprenticeship w
With his pupil Fragonard, François Boucher is rightly held to epitomise the rococo sensibility in French eighteenth-century painting. Refined in intelligence as much as in taste, Boucher's art is a celebration of surface, not superficiality. Hi
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