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Cut and Paste

St. Louis Public Radio

Cut and Paste

An Arts podcast
Good podcast? Give it some love!
Cut and Paste

St. Louis Public Radio

Cut and Paste

Episodes
Cut and Paste

St. Louis Public Radio

Cut and Paste

An Arts podcast
Good podcast? Give it some love!
Rate Podcast

Episodes of Cut and Paste

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After years of twists and turns, the twentysomething St. Louis band sit on the eve of its major label debut.
One idea behind it is to create an upbeat and safe activity for people who’ve been getting most of their entertainment via computer or TV screens during the coronavirus pandemic. Audiences can’t gather in a theater for a stage adaptation of the
From raising $160 million to shipping a lonely Monet, Brent R. Benjamin has seen a lot in 21 years as director of St. Louis Art Museum. He reflects on his tenure and looks ahead to how museums can adapt to the coronavirus pandemic.
“Upstairs Headroom” explores similar territory as “A Thousand Shades,” with deeper drinks of jazz fusion, electronic elements and ear-friendly pop poured into the style. The pair describe it as “future soul.”
D.B. Dowd has spent a lot of time collecting and studying the history of illustration, a category of artwork that art historians and art museums have sometimes overlooked.
Monument Lab rethinks the memorials and historic places of St. Louis
St. Louis trio CaveofswordS address the anxiety of contemporary American life by looking straight at it.
Carl Phillips was teaching Latin to high school students when a poet changed his life. Phillips had long been an avid reader and wrote poems casually, but he never conceived of poetry as a career path. The poet Martin Espada visited the schoo
Artist Mee Jey started a collaboration with husband Jey Sushil at the beginning of January. She pledged to create a portrait of Sushil every day for a year. Each day, she shows him the finished piece without comment, and he writes a short note
Jane Birdsall-Lander talks about her "Dictionary Poem Project."
As a pediatrician who is also an accomplished cabaret artist, Ken Haller says he may play several roles over the course of a day: teacher, doctor, friend, singer. He says those roles are all different aspects of his chief pursuit: being a heale
Examining the legacy of the late, great St. Louis multi-purpose venue Foam.
When some music lovers cue up the oldies, they go way back —sometimes 1,000 years or so. Definitions vary as to what exactly counts as early music, but the wide-ranging category goes back at least to the beginning of European music notation,
The Black Tulip Chorale is notable as an "all-identity" choir, in an artistic world where people presenting as male are often sent to one creative corner and people presenting as female are sent to another.
When Stéphane Denève was a 10-year-old child growing up in a small town in the north of France, he heard something he liked.A nun liked to play the pipe organ in the chapel at his Catholic school, and Deneve would hide there to listen.“I th
Visual artist Yingxue Zuo grew up amid persecution by the Chinese government during Mao's Cultural Revolution, and discovered art as a way to propel himself from a potential life of manual labor. His latest work incorporates figures from contem
Thiel sought his literary fortunes in San Francisco in 1963, where he moved into the Haight-Ashbury neighborhood and discovered the burgeoning scene of Beat poets centered around Lawrence Ferlinghetti’s City Lights bookstore. Allen Ginsberg was
St. Louis Youth Poet Laureate Camryn Howe and UrbArts founder MK Stallings reveal the electrifying power of the spoken word.
Palestinian-American artists Saj ISsa and Kiki Salem talk about their collaborative exhibition "Back Home In Your New Home" at Kranzberg Arts Center in St. Louis, Missouri, USA.
Authors Amanda E. Doyle and Steve Pick discuss their book "St. Louis Sound: An Illustrated Timeline." They talk about key figures from St. Louis music history, from Chuck Berry to Nelly. They also explain the legendary origins of songs "St. Lou
The chorus specializes in music by African-Americans, from 19th century spirituals arranged for 120-voice chorus, to contemporary gospel and pieces by black composers. The melding of black-American and European classical styles is heard vividly
Syrhea Conoway isn’t a DJ, and Contemporary Art Museum St. Louis isn’t a dance club. Yet Conoway — in the guise guide of her solo project, Syna So Pro — is CAM’s new DJ-in-residence. She’ll fill monthly, two-hour sets with instrumental pieces s
Justin Phillip Reed published his first collection of poetry (“Indecency,” Coffee House Press) earlier this year — and it won the National Book Award for poetry. “Indecency” is in large part a product of the 29-year old’s time in St. Louis. His
We talk with Dino Taca and Adrian Gough, who ran the Upstairs Lounge in its final months, after a run that began in 1991. The Upstairs was home to various forms of underground electronic music. 
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