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From The Inside with Peter Rix
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Michael Chugg – aka ‘Chuggy’ - is one of the legendary characters of Australian music and the founder & executive chairman of music and touring company, Chugg Entertainment. Having managed and toured bands since the 60s, Chuggy’s life in music
The 1970s meant a new era of Australian music. The Sunbury Rock Festival in the early 1970s was Australia’s equivalent to Woodstock. Around the same time, the touring scene started to take off in Sydney after years of decline with Michael one o
The modern day era saw Michael Chugg’s music life take on different turns – touring new acts and new genres, breaking new artists in Australia and a return to managing artists. Chuggy had to get hands on with artists - playing a role in breakin
This conversation is one very close to Peter Rix's heart. One of his early artist management jobs was with the glam rock band Hush. The mid-1970s saw the band take on constant performing, touring, radio airplay and regular appearances on 'Count
This conversation is one very close to Peter Rix's heart. One of his early artist management jobs was with the glam rock band Hush. The mid-1970s saw the band take on constant performing, touring, radio airplay and regular appearances on 'Count
Even while touring, performing and being on TV as a 'rock star' in the 1970s, Les was already thinking about the future and where he would go next in life. While working on his re-invention after the end of Hush, Les discovered that being in a
John Watson is best known as the manager of an astonishing roster of recording artists from Silverchair to Missy Higgins, Birds of Tokyo, Paul Mac, The Presets, Gotye, Dustin Tebbutt and these days, Cold Chisel and Midnight Oil. John also runs
In Part 2, Peter and John look at the role of the manager in the life and career of a recording artist: when to stay close, when to keep your distance, how to deal with the big highs and the big lows. Each artist that John has worked with over
Nowadays John also co-manages Cold Chisel and manages Midnight Oil, in addition to his work with artists such as Gotye, The Presets, Birds of Tokyo and Dustin Tebbutt. In Part 3 of their conversation, Peter and John look at how Cold Chisel came
This story is one hell of a ride. John Woodruff has played many roles over the years. From agent to manager to venue proprietor to music publisher to record label owner to magazine publisher. After experiencing success in the 70s and 80s throug
John Woodruff's work in the 70s and 80s set him up for the moment where he saw a young Suze DeMarchi performing on UK television while visiting London. Tracking her down led to The Baby Animals, an Aussie rock group ready for the MTV generation
Long time tour promoter and now Chairman of Live Nation Australasia, Michael Coppel's career in music started fresh out of university. It meant running record stores and booking bands - long hard hours borne out of a love of music. Coppel is as
The landscape of touring is changing and evolving to a new scale. The tours are bigger - bigger money, larger venues, more countries with bigger entourages. Peter and Michael look at the differences in the business from then to now; about how a
There are few long-standing members of the music industry globally who have the unique ability to hear and smell a hit record. There are even less who can show a track record for finding those neglected, unsigned, unwanted recording artists who
In Part 2 of Peter's conversation with Charles Fisher, they look at Charles's 10 years spent producing records in the US and how that differed from working in Australia. They also look at the arrival of digital audio and production and how it h
There is no rock and roll without the radio. As a manager of artists and bands in the 1970s, it was part of Peter Rix's job to help break his artists through to success. To break your band, you needed to get their song on the radio. For Peter,
The 80s brought in a new time for radio - a new way of listening via crystal clear FM and new ways of doing things. Peter and Rod talk about those early days when FM turned on for the first time: how the first Triple M - Triple M Sydney hit the
There are many criteria you can place on success in the music business: taking your band to number 1 on the American Billboard Chart, selling nearly 50 million albums, selling-out Wembley Stadium and playing to 78,000 fans are amongst them. One
The next phase of Chris Murphy's career sees Chris start building INXS from a local young band to an international band taking to the global stage. Underpinning his work and belief in the band and their future was an internal self-belief that n
The rise and rise of INXS did not mean resting on one's laurels. It meant recording, and touring and touring and even more touring, despite everyone else thinking it was time to rest and enjoy the fruits of the labour to date. This idea of keep
Harvey Lister is the Chairman and CEO of AEG Ogden - manager of the largest network of venues in Asia Pacific. Peter Rix and Harvey met in the 70s, when Harvey was initially working in radio station promotions at legendary Brisbane radio statio
Harvey Lister is the Chairman and CEO of AEG Ogden - manager of the largest network of venues in Asia Pacific. Peter Rix and Harvey met in the 70s, via radio promotions and touring bands in Queensland. In Part 2 of their conversation, Harvey ta
The ARIA Awards first kicked off in 1987. Elton John was the Master of Ceremonies, and John Farnham's Whispering Jack album won nearly everything. The coming together of the music business with all its egos, vibes, competitiveness, and divided
In Part 2 of this conversation, Peter, Phillip and Mark speak about the growth of the ARIA Awards from an event that was a sit down dinner with no live music or television broadcast, to a big broadcast production on television filled with live
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