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Pontefract

Pontefract

Released Thursday, 24th August 2023
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Pontefract

Pontefract

Pontefract

Pontefract

Thursday, 24th August 2023
Good episode? Give it some love!
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Episode Transcript

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0:01

We hope you're enjoying Season 2 of

0:03

Impact Winter.

0:05

All episodes of Season 2 are

0:07

now available ad-free in fully

0:10

immersive Dolby Atmos, exclusively

0:13

on Audible. Visit audible.com

0:16

slash wintercontinues and sign

0:19

up for a free trial.

0:32

This is a work of

0:34

fiction. Any resemblance

0:37

to actual people, events, or settings is

0:39

purely coincidental.

0:49

We

1:00

don't quite know what to do. We

1:05

left the castle the day before last, on

1:08

our way to find Darcy. We

1:11

were headed to Stranraer in

1:13

Scotland, far from Devon,

1:16

but the shortest distance across to Antrim.

1:21

We were somewhere in Gloucestershire when

1:24

Lydia had to stop to use the loo. But

1:28

there wasn't a loo, so

1:30

we pulled over by the heath.

1:35

Are you finished yet? Yeah,

1:37

I'm coming! Lydia,

1:41

seriously, this isn't the safest place. I said I'm

1:44

coming! Christ. Did

1:53

you say that?

1:55

It was.

2:01

Lydia, run! Fuck.

2:04

Get back in the car. Get

2:07

in. There's

2:12

too many. Hold

2:17

on. Look

2:26

out, there's more. I see them. I'm

2:30

falling behind.

2:43

It was a close call. Much

2:45

too close. I

2:49

was still annoyed that she'd invited herself along

2:51

to begin with. I didn't want to be responsible

2:53

for her. She wasn't ready for this.

2:58

I told you we couldn't just stop by the woods. Alright,

3:01

well, I had things to take her off. They can smell blood, Lydia. And

3:04

I can't fucking control my period, Penelope.

3:11

It's fine. They're just blighters.

3:15

How many blighters have you and Hope killed anyway? I

3:18

don't know. She

3:21

was always so impressed that you took down an overlord.

3:25

That's like killing a god, she said.

3:27

It wasn't easy. She

3:30

thought you could do anything. Felt

3:32

so safe with you. It's

3:35

a long drive. You should

3:37

try and get some sleep. Funny you

3:39

could kill a god, but not the blighter that got her.

3:44

It was a rare sort of blighter. I

3:49

take blood on Wednesdays. The

3:52

volunteers will call you a hero. Talking

3:55

about how you helped to hold off that horde that

3:57

tapped the castle. And I

3:59

think that's what I wanted.

3:59

them seem to care that that hold was there for you. Yeah

4:03

well I cared. Me too.

4:08

I always wondered who else was going to turn up looking

4:10

for you. Humble John wasn't

4:12

there because

4:13

of me. No he

4:16

was there for her. What

4:21

are you doing? Why are we stopping? Something's

4:23

wrong. Breaks feel loose.

4:31

What is it? Lines broken.

4:33

Probably the ones we ran over. Well what

4:36

were you supposed to do? Just stay in the car. I'll

4:39

sort it

4:40

out.

4:46

Get it sorted? Well enough. What

4:49

are you doing? What

4:51

does it look like? Looks like you're drawing blood. Aren't

4:54

you clever? Here

4:57

lunch. I

4:59

didn't ask you to do that. You think

5:01

I want to wait until you're hungry enough to ask me to

5:03

do it? What?

5:09

Do you want me to throw it out? No fine

5:13

just give it. So

5:17

do we have breaks? I taped

5:19

up the line and topped it off with some hand soap. Hand

5:22

soap. Works in a pinch. It'll

5:24

last us genre? No but it'll get us to Pontifract.

5:27

Pontifract? Yorkshire. What's

5:30

in Yorkshire?

5:30

Gussie's

5:33

ex-husband. Kilgore

5:37

Nokes. He was a military intelligence contractor.

5:40

Now one of the castle's trading partners helps

5:42

us out with auto parts. I knew

5:44

he could patch us up. There was just

5:46

one issue. He

5:53

doesn't know about Darcy. Gussie doesn't really

5:55

like to advertise that our lead vampire killer

5:57

is an overlord now. What do we say if he

5:59

asks?

5:59

Where are we going? It's fine, just leave the talking to me. I'm

6:03

confused. Nobody

6:06

wanted to tell him Darcy was turned, but he trusts

6:09

our vampire security head. Jesus

6:14

Christ.

6:14

He

6:17

doesn't know about you either. We'll

6:20

be fine. Well, yeah, I know I

6:22

will. I'm not lying to some ex-military

6:24

intelligence bloke about being a vampire.

6:28

His runners have met me. They know the castle

6:30

has a new security head, they just don't know the rest.

6:34

We're fine. Hopefully we'll just be in and out.

6:45

It took almost all night to get there. The

6:48

roads were in a state.

6:56

Lydia slept through it, twitching

6:59

and muttering at some private nightmare. We

7:15

finally arrived at dawn. It was a walled

7:17

patch of farmland. I buzzed the gate, explained

7:20

the situation to the extent that I could, and

7:22

the voice in the speaker was skeptical.

7:24

Who did you

7:26

say you were? Hanelope

7:28

Chambers. I'm their security

7:31

head. Ask

7:36

Jeffrey. He's met me. Jeffrey's

7:44

no longer with us. Oh.

7:48

Well, I'm sorry to hear that. Hanelope

7:57

Chambers. Security.

8:00

The Head, Loughran

8:02

Castle. That's right. What

8:09

is your male's name back in Loughran?

8:13

She's your ex-wife, Mr. Nix. I

8:16

know who she is. I want you to say

8:18

her full name.

8:22

Marjorie Augusta Blackwood.

8:31

He came out to meet us in grey camouflage

8:33

trousers, flagging us over. Over

8:35

here. Yeah. We

8:43

parked in a barn with no animals, just a half dozen

8:46

military vehicles. Union flags and St George crosses hanging

8:48

from the rafters. Marjorie, yeah. She

8:50

hates that name.

8:51

It's

8:54

good as shibboleth as any. Right. Sorry

8:57

to hear about Jeffrey. Oh, he's fine. He

9:00

and his wife just wanted a change of scenery.

9:02

I think they got bored here. It's

9:05

a quiet spread. Can be, yeah.

9:08

Where did you say you were headed? Damn Frees

9:11

and Galloway. We were tipped off to

9:12

a possible store of medical supplies. Oh, whereabouts? Galloway

9:16

Community Hospital in Strandrull.

9:18

Yeah, maybe. You'll have to let

9:21

me know. I haven't been up there

9:23

in a while. Anyway, I'll see what I can do. Anyway,

9:27

I'll see what I can do to get you on your way. Break

9:29

climb, was

9:30

it? Yeah. Need any help with it? No, no.

9:33

I know my way around this old girl. You've

9:36

come a ways. Go have a rest

9:38

up at the house. I insist I'll do

9:40

a full diagnostic. Thanks

9:42

for this, Mr. Nokes. Hey,

9:45

we look after our Kith and Cain up here and

9:48

call me Kilgo. Please.

9:52

He was a friendly lad, but

9:55

something about him made me... I

9:57

don't know... nervous. Or

10:01

maybe it was Lydia making me nervous. You're

10:03

pretty good at that, aren't you? What?

10:07

Lying? More

10:10

and more, she felt like a time bomb. We

10:17

waited in the house while he worked in the barn. She

10:20

paced the rooms like a caged animal. I

10:23

read.

10:23

Thumbed

10:25

through a magazine from before the impact, glancing

10:28

through articles about movies that never came out and

10:30

people who were probably dead.

10:32

Hey,

10:44

Is it real?

10:47

There was a fanged skull on the mantle. Yeah,

10:51

an odd story behind that one. Oh, sorry.

10:54

We were just. No, no, it's

10:57

all right. It was fine. I

11:00

don't keep it out not to be noticed.

11:01

What's the odd story? Well,

11:05

after the comet hit, I drove down

11:07

to collect my mother from a complex in

11:09

Sheffield and I found it had been

11:11

evacuated. Whiskey?

11:13

I'm all right. Sure. I'll

11:16

take one. He squinted

11:18

at her like he was about to ask how old she was and

11:21

then shrugged and went on. So

11:25

a week after that, I'm back

11:28

here and this young

11:30

woman shows up on my doorstep.

11:33

Now, normally a 20 something

11:36

turning up in an apocalypse to claim that

11:38

she's my 72 year old mother would

11:40

get a door slammed in her face. Were

11:44

it not for that very face from

11:46

that photo there? This

11:48

is her. 29 years young

11:51

and that's me in a lap.

11:53

I didn't know they could come out younger.

11:59

I didn't. know they existed. These

12:02

were early days, even the bloody blighters

12:04

were just wild rumours. So

12:08

I let her in and asked

12:10

what happened, and she said she

12:12

couldn't remember.

12:13

How did you find out? What

12:16

she was? Well

12:18

that night, the

12:20

fangs came out. She

12:23

attacked me. Her

12:25

own son. I

12:28

keep a skull here to remind me of... What they

12:30

are underneath, she said. Careful

12:33

to lock eyes with me. Yeah,

12:36

exactly. You get

12:38

it. Anyway,

12:42

your repairs are done. That's brilliant.

12:44

Thank you. Sorry it took so long. You

12:47

won't be getting up to Stram Ra before tonight.

12:49

No, not the way the A1's gummed up. I

12:52

could spare some C4. Helps with

12:54

some of it. Yeah,

12:56

thank you. But I'm no demolitions expert.

12:59

Well you're free to stay here for the night. I've

13:02

got a guest house in the back. Just one bed

13:04

I'm afraid, but the sofa's cosy.

13:07

Oh I'm fine. I can just

13:09

sleep on the drive. Well

13:11

your driver can't.

13:13

Can't she? Oh,

13:17

oh. No. No,

13:21

of course not. But

13:23

she'll need to sleep too. I

13:26

didn't

13:26

want to stay any longer. But she called

13:28

attention to the incongruity. That's

13:31

very kind of you. Thank you. Right

13:34

then. It's settled. I'll

13:36

see what I can manage for dinner. Make

13:38

yourselves at home. I might actually

13:40

have some steaks thawed.

13:50

Oh, I hope that's not too rare for you.

13:52

I have to conserve my gas out here. It's

13:54

perfect. Penelope likes it

13:56

bloody. Yeah?

14:02

I shot her a cautioning look and tried to change

14:04

the subject. Gussie mentioned

14:07

you met in the service. In another life.

14:09

I was in logistics. Oh,

14:12

and sort of a... The hardware, yeah. I

14:14

think it's why she got sick of me. She's

14:16

always more interested in people.

14:22

You did some work for SIS

14:24

though, right? Overseas, mostly. Where

14:27

were you stationed? Oh, here

14:29

and there in Eastern Europe. Well, I'm sure Gussie's

14:31

glad to have another last from the Foreign Office

14:34

around. We get on. Yeah,

14:36

I mean it's hard to believe you spent so long in that holding

14:38

cell, right? Holding

14:42

cell? Shit. Is

14:44

that not supposed to... What

14:49

was this? Gussie

14:51

threw you in the clink. It

14:53

was before Lydia's time. Is

14:55

there a story there? Not really. They

14:58

were just a bit wary when I showed up. Didn't

15:01

quite buy the whole bystander thing. You

15:03

came in with a cover? It was a force of habit.

15:06

I didn't know who they were either. We

15:09

sorted it out though. Lucky

15:11

thing. After Jet went

15:14

down in that attack. Canannopy,

15:21

did your lot in security ever work out what all those

15:24

blighters wanted? Yeah, I'm

15:26

curious about that too. What

15:29

was that about? They just swarmed the

15:31

place.

15:32

Yeah, we never did sort

15:34

that out. It's weird.

15:41

My

15:41

stomach was churning after dinner.

15:44

I didn't know if it was the conversation or the

15:46

meal. Vampires and solid

15:48

foods don't get along. Are

15:52

you done in there? I'm fucking

15:54

knackered and I still need to brush my teeth.

16:01

All right. All yours. Finally.

16:05

Hang on. Your

16:07

tongue got a bit loose at dinner. Did

16:09

it? Oh, sorry about that. It

16:13

almost felt like you were doing it on purpose. That's

16:15

a weird thing to say. We

16:17

can't play games here. Someone

16:20

will get hurt. I'm not playing games,

16:22

I just forgot. How

16:28

are you? How

16:30

am I? Yeah. Do

16:33

you care? I'm

16:35

not indifferent to what I put you through. I

16:38

can assure you that my problem is that you have almost

16:40

nothing to do with that. I'm all

16:43

ears. You want to get into it? Nope.

16:46

Suit yourself. I'll

16:49

take the bed. You grab the sofa. What

16:52

the hell? You don't even sleep. Yeah,

16:54

well, probably best we keep up appearances after

16:56

the confusion at dinner.

17:00

I laid in bed, staring at the ceiling all night, worrying

17:02

that she'd given me away,

17:04

half expecting our host to burst in, crossbow loaded.

17:14

But morning came, and we left without

17:16

a fuss. I

17:30

was in a hurry to put the situation behind us and get across

17:32

the water to Ireland. The air was frigid

17:34

and wet, another snowstorm coming.

17:42

It's not entirely unlike Soho,

17:44

you know. Your whole

17:46

situation at the castle. Most

17:50

of the time it was fairly clinical. Like

17:53

giving blood to a doctor's office. Except

17:56

one cholesterol is around. She

18:05

liked to drink it right from you. You'd

18:08

come in there and there'd be

18:10

clear plastic on the bed. But you

18:13

had no idea why, of course.

18:17

Every time was

18:19

as scary as the first. But

18:23

she'd tell you to disrobe and you'd do it like

18:25

a wind-up toy. She

18:28

liked that vein on your thigh, see?

18:30

You really don't have to get into it. Why?

18:34

Does it make you hungry? She

18:38

was baiting me. I

18:40

didn't say anything. Do

18:42

you think that the council's treating

18:44

Hope any better? It's

18:47

weird that you didn't see it coming, though. That

18:50

blighter that got her, I don't get that. I told

18:52

you it was a rare one. Yeah, but you heard

18:54

of him, right? He had no reason to be there.

18:57

Except he did. We

19:00

had no idea

19:00

what Darcy was up to. Well, you

19:02

had some idea. We had theories. She

19:04

shouldn't have been out there. You tried telling

19:07

her that. Why didn't you? I

19:10

was tired of defending myself, so

19:12

I threw out the name she blurted out in her

19:14

interview. Who's

19:17

Emily? Emily.

19:19

In my periphery, she turned

19:21

to glare at me, radiating a quiet

19:24

rage. I

19:27

could tell I'd hit a tender spot. I

19:29

felt bad, but she stopped, at

19:31

least. Just folded her

19:33

arms and watched the grey terrain drift by. Later,

19:36

we arrived at the bridge. A broken

19:39

span of concrete over a narrow gorge. No

19:41

way across. I'll

19:44

have to double back again. Come

19:47

on, let's go.

19:51

How

20:00

could you let him take her? I'm

20:03

trying to understand. She thought the

20:05

world of you. I paused, looked

20:07

back. She was still standing at the

20:09

broken edge of the roadway, staring out across.

20:12

Let him.

20:14

I didn't let him do anything.

20:17

Come on. But she didn't

20:19

move. She just stayed

20:22

at the ledge. I rolled

20:24

my eyes and kept moving. I'm

20:27

leaving without you. No, you're not.

20:31

Don't leave me without you. Put the crossbow

20:33

down, Lydia, before you hurt yourself.

20:36

You think I'm joking. You

20:38

think I can't get to Antrim without you. You

20:41

are joking. You just don't know it yet. No, you're a badass, is

20:43

that it? You lost her. She

20:47

counted on you and you lost her. You think

20:49

I didn't put up a fight? Not hard enough. Not

20:51

hard... I fought harder than you've ever

20:53

fought for anything in your tiny little life. Don't

20:55

tell me about me, you don't feel like I'm going to get to the edge

20:58

of my little life. Don't tell me about me, you know fuck all

21:00

about me. That monster ripped my fucking heart out. And

21:02

you know its name. You

21:04

knew things like him were

21:06

out there, waiting. You

21:08

knew something was off the moment you found those

21:10

bodies and she should never have been

21:12

out there. She wanted to be there.

21:14

Because of you. You

21:17

made her feel safe. Protected

21:20

like nothing could touch her. Oh, OK,

21:23

I see now, I know what this is. You're not

21:25

angry with me for losing her. Don't...don't

21:28

go any closer. No,

21:30

it's more petty than that, isn't it? Shut

21:32

up! No, no, no, no, you want to do this? Let's

21:35

get into it.

21:36

You hate what I had with her. Stop

21:38

it! You hate that she was more at home out here

21:40

with me, a vampire, than she ever was with you. I

21:45

felt the arrow lodge in my skin. Her

21:49

regret was immediate. Holy shit.

21:52

Luckily her aim was terrible.

21:55

I reached up to pull the arrow from my neck. Oh,

22:01

I'm so sorry.

22:05

I could have just let it go. It

22:07

was over. She was stepping

22:09

forward to help me, but the attacks

22:11

had taken

22:11

their toll and something snapped.

22:15

Are you all right? So

22:18

I threw my palm hard against her chest, forgetting

22:20

my strength.

22:24

I only meant to embarrass her, to

22:27

knock her flat on her ass for once, but

22:29

she slipped on a patch of black ice, staggered

22:32

back towards the ledge. Shit.

22:35

Help! I grabbed the strap of the crossbow, but it

22:37

slipped in her arm. No!

22:41

I watched her body fall 12 meters.

22:48

Lydia! Lydia!

22:56

She didn't answer, didn't

22:58

move. Just lay there, still.

23:02

As big flakes of snow began

23:04

to fall.

23:05

Lydia! And

23:08

slowly it dawned on me. Oh,

23:10

God. She

23:12

was right. In

23:16

the end, I was the dangerous one.

23:21

Not her. Not Kilgore.

23:23

Me. I

23:26

was the bomb. Lydia?

23:31

Lydia! Hey, hang

23:32

on! Don't move! Don't move! I'm

23:35

coming down! All is around,

23:38

and the

23:40

sky is grey. I've

23:46

been for a while. All

23:50

the winter's day. All

23:53

the winter's day. But

23:55

I'd be safe from home. If

23:59

I'm alone. I was in LA

24:02

I was in LA In

24:05

the dark I'm full of dreams We're

24:08

such witnesses They

24:10

have all been dreams We're

24:14

such witnesses I'm full

24:16

of dreams We're such witnesses

24:20

They We're

24:30

such witnesses

24:32

We're such witnesses We're

24:34

such witnesses

25:00

We're such witnesses

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From The Podcast

Impact Winter

“They came after the impact and the firestorms. When the sun went dark. Like they’d been there all along. Just waiting.”From executive producers of The Walking Dead and Travis Beacham, the writer of Pacific Rim, comes a heart-stopping Audible Original featuring a brilliant British cast. It’s the near future and seven years since a comet hit the earth and blotted out the sun. The world is a dark, frozen landscape. And then, beastly creatures emerge and take over. Can they really be vampires?In the British countryside, a band of survivors forms a resistance in the fallout shelter of a medieval castle. Darcy is a battle-tested vampire hunter who is at the front line leading the charge to save humanity. Meanwhile, her younger sister Hope wants life to return normal so she can go above ground and know what it’s like to live again. And she just might be willing to risk it all.A story of apocalypse, horror, and adventure, Impact Winter is a wholly original new saga created just for Audible with immersive 3D audio that dares you to pop in your earbuds and listen in the dark. Venture into an eternally sunless world of swords and crossbows; primal hunters and shape-shifters; leaders and lovers. Hear how a brave few fight to survive the impact winter.Starring Liam Cunningham as Jepson Belgrave, Holliday Grainger as Darcy, Esme Creed-Miles as Hope, David Gyasi as Rook, Bella Ramsey as Whisper and Indira Varma as Kallistrata, Himesh Patel as Felix. Written, directed and executive produced by Travis Beacham. Also Executive Produced by Robert Kirkman, David Alpert, Rick Jacobs, Bryan Furst, Sean Furst and Alexandra August of Skybound Entertainment, Bard Dorros and Zack Hayden of Anonymous Content and Cliff Roberts. Executive producer for Audible was Matt Patterson.Associate Producer: Wes MazdaPlease note: This content is for mature audiences only. It contains adult language and themes. Discretion is advised.

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