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L.A. POST PRODUCTION SOUND DESIGN

George Haddad and Ethan Beigel

L.A. POST PRODUCTION SOUND DESIGN

A TV, Film, Technology and Arts podcast
Good podcast? Give it some love!
L.A. POST PRODUCTION SOUND DESIGN

George Haddad and Ethan Beigel

L.A. POST PRODUCTION SOUND DESIGN

Episodes
L.A. POST PRODUCTION SOUND DESIGN

George Haddad and Ethan Beigel

L.A. POST PRODUCTION SOUND DESIGN

A TV, Film, Technology and Arts podcast
Good podcast? Give it some love!
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Episodes of L.A. POST PRODUCTION SOUND DESIGN

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Sound Designer Angelo Palazzo talks about sound editing as Freelance vs Studio jobs, using sound libraries vs field recordings and when to create minimal sound design vs big sound design for film and television.
Re-recording Mixer and Field Recordist Tom Paolantonio talks about the sound process for Television and Radio commercial ads. We also dive into his Ambisonic Ambiences library for 360 Video, VR, & Video Games where each recorded location comes
In this episode Ethan Beigel speaks with dialogue and ADR editor Marlena Graslewicz, best known for her work on Ken Burns' documentaries.  We discuss her escape to the US from Communist Poland, the differences between the documentary styles of
Sound Designer Chad Hughes discusses his approach to weapons and gun editing, sound design through performance, his practical use of MIDI and gives us an inside look into designing for film and gaming trailers with his exclusive sound libraries
Production Sound Mixer Jeff Pullman gives his perspective of recording dialog and sound on set and working side by side with the Lighting & Wardrobe departments while filming in New York city.  
Gaming and film sound designer Scott Gershin takes us through amazing tips and tricks on designing sound with guitars, synthesizers, & voice treatment on movies from Flubber, Herbie, Pacific Rim, True Lies and more.  Plus a great look into the
Gaming and film sound designer Scott Gershin takes us through amazing tips and tricks on designing sound with guitars, synthesizers, & voice treatment on movies from Flubber, Herbie, Pacific Rim, True Lies and more.  Plus a great look into the
I speak with ADR and Sound Supervisor Ruth Adelman. With over 2 decades of editing and recording ADR on past Star Trek series and all 3 C.S.I shows Ruth speaks about her experience and approach on how to deliver quality sound and maintain stron
A chat with Ben Cook about home studio setups, sound designing and mixing your own tracks, and the amazing stories behind many projects where he was live on set recording ambiences, horses, cars, doors and so much more while they were in progre
Ethan Beigel speaks with picture editor Evan Schiff.  We get his perspective and approach on how he sees sound helping the editing process through the final mix on the John Wick films, parts 2 & 3 and Birds of Prey.
I had the pleasure to speak with seasoned Foley artist Alyson Dee Moore. Always fun to hear the tricks, secrets and what was used when she performs and records the amazing foley sounds across so many great films and shows.
A very inspiring and motivating conversation with Matt Waters.  From sound design to mixing and his time on Game of Thrones, I enjoyed talking to him about his long successful career.
Director and Producer Annabelle Frost talks about what she expects from the sound crew on set, the challenges while filming and how she approaches sound editing and mixing in post production starting from budgeting through the final playback on
We talk to Jeremy Olsen who does animation sound as a dialog recordist and editor.  An interesting perspective into that side of the business.  Dealing with over 10,000 lines of dialog, working on 15-20 episodes at the same time and how sound e
My conversation with Charles Maynes.  Charles discusses his experiences and techniques in sound design and mixing, sound effects libraries and live on-set weapons and helicopter recordings.  Great stories about his long career in our industry.
Supervising Sound Editors and Mixers George Haddad and Ethan Beigel discuss their experiences during the Covid-19 timeline that effected the post production sound industry in Los Angeles.  Topics include editing, completion of sound editorial a
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