Podchaser Logo
Home
Lisa O'Neill's Documentation Videos

Keith Armstrong

Lisa O'Neill's Documentation Videos

Good podcast? Give it some love!
Lisa O'Neill's Documentation Videos

Keith Armstrong

Lisa O'Neill's Documentation Videos

Episodes
Lisa O'Neill's Documentation Videos

Keith Armstrong

Lisa O'Neill's Documentation Videos

Good podcast? Give it some love!
Rate Podcast

Episodes of Lisa O'Neill's Documentation Videos

Mark All
Search Episodes...
Transact (Flesh/Skin/Bone) showcased the outcomes of a six-month research and development grant funded by the New Media Arts Board of the Australia Council. The project aimed to develop a new media installation form that would be experienced by
The work comprises the amalgamation of three solos created over a period of 5 years, following the journey of the Yeti, a small curious woman with heavy feet on an exploration through time and space.Each solo was created in response to the wa
Performance installation at the Judith Wright Centre for Contemporary Art, Brisbane, Queensland. Used live performance and peppers ghost video effects.
#14 (Project1 14) was a multimedia performance work, presented in Spring Hill Baths, Brisbane for the 1996 Brisbane Festival of the Arts. The work was presented in the winter-empty pool shell and enveloped and involved audience interaction in a
Through a sweetly macabre ritual of song and dance, a songstress and her accompanist are catapulted into an unexpected nasty little whirly-gig! Very quietly, just between us, the tall one says there’s something very familiar about the small one
A woman enters an ice exhibition and allows herself to be drawn into the enigmatic appeal of the male figured seen in Auguste Rodin’s sculpture, ‘The Kiss’. His seductive appeal satisfies her need to be romanticized and pushes her to delve into
All Tomorrow's Parties marked the first of many collaborations to come between Lisa and Christine Johnston. The work was inspired by the music of The Velvet Underground and the dramatic height difference between these two ladies!
Electric Herring was performed at the Arena Nightclub, situated in Fortitude Valley, the live music district of Brisbane. The piece was inspired by the music of local band 'Squelch' who accompanied the performance live on stage.
Sweet Yeti I was the first solo dance work created and performed by O'Neill. The performance took place at The Crab Room - an artist run performance space located in Brisbane in the year 1995.
Come in, sit down and relax and follow the fantastic voyages of 'Ling Change', our youthful heroine, as she journeys through a complex maze of alternate outcomes caused by you, the audience within the installation space.transit_lounge, a mult
Yeti in E Minor was inspired by the room in which it was created. The room was situated at The Cherring Herring (an independent Brisbane dance space run by artists in 1996/97). The room was initially white with four walls. In preparation for th
Alternately haunting and playful, the performance leads us on a journey of moods which traces the physical story of shared space. In the absence of text, the unspoken/unspeakable is heightened..This exploration originated in the performance o
Teardrop Explodes was a site-specific work created in response to the ground floor foyer space of a high rise building in the Central Business District of Brisbane. Performances took place during and outside office hours.
Fugu San creates a powerful territory where time and space is tangible. Fugu San is not alone but in partnership with her environment, compressing the space between performer and spectator. With intense body focus, energy and gaze, she create
Rate

Join Podchaser to...

  • Rate podcasts and episodes
  • Follow podcasts and creators
  • Create podcast and episode lists
  • & much more

Unlock more with Podchaser Pro

  • Audience Insights
  • Contact Information
  • Demographics
  • Charts
  • Sponsor History
  • and More!
Pro Features