Episode Transcript
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0:12
Growing up in the Maryland suburbs outside
0:14
of d C, Broadway was
0:16
just far enough away to seem like
0:18
another world, a magical
0:21
one. So it's no surprise
0:23
that some of my fondest memories are
0:26
of the train trips i'd take with my parents
0:29
to go and see Broadway shows.
0:31
First was the musical Barnum
0:33
starring Jim Dale. Joined
0:36
the third just like hi Wan
0:39
when I was a killed.
0:42
After that, I think it was Annie. I
0:45
don't mean anything by you.
0:49
Both were great shows, but the
0:51
trip we took in February
0:54
was next level. We
0:57
were going to see a show that was nothing
0:59
short of an event. I
1:02
loved Andrew Lloyd Webber's musical
1:04
Cats even before I saw it,
1:07
and not in an ironic way. I
1:09
played that original Broadway cast album
1:12
until the vinyl almost melted. The
1:15
song memory instantly
1:17
unforgettable junior
1:22
Face. My
1:26
friend Mario and I would listen to
1:28
it over and over on the stereo
1:30
in his family room, and when
1:33
Betty Buckley would hit that big note, I
1:35
would grab the nearest sofa pello
1:37
and bite it.
1:47
Look, I was only thirteen years old. I
1:49
honestly didn't know how else to channel
1:51
the urges it tapped into. When
1:56
I finally saw the show as a much more
1:58
sophisticated four year old, my
2:01
expectations were actually exceeded.
2:04
That's set, the costumes,
2:07
and that dancing. My
2:09
parents and I sat in the very last
2:11
row of the balcony, so the cats
2:13
who came into the audience didn't come anywhere
2:15
near us. But so what, It
2:18
was still impossibly exciting.
2:20
Afterwards, I went back home to Bethesda,
2:22
Maryland with an official cat's sweatshirt,
2:26
the one with the two yellow cat eyes on the
2:28
back. I wore that sweatshirt to
2:30
Pile Junior High almost every day
2:32
for the rest of the winter. I
2:34
ended up writing a letter to every member
2:36
of the cast twice. I
2:39
only received a couple of responses,
2:41
but I was absolutely thrilled that
2:44
one of them was from Mr Mustaphel's
2:46
himself, Tim Scott, this
2:49
dancer. When he did twenty
2:51
four consecutive weets, he
2:54
took my breath away. I didn't
2:56
know that those wild spins were called forwetas,
2:59
or even how spell the word. All
3:01
I knew was that I was watching someone defy
3:03
the laws of physics. Tim
3:06
Scott's letter to me was short, but gracious.
3:09
I was just so happy that he answered.
3:12
But back then I had no idea of
3:15
the offstage drama that was quietly
3:17
building for Tim Scott and for
3:19
many in the cast of Cats, for the
3:21
Broadway community at large, and
3:24
especially for the gay men who were
3:26
in essential part of that community.
3:28
AIDS was discovered first and young homosexual
3:31
meant there is no cure and it is often
3:33
fatal. By the fall
3:35
of two when Cats opened
3:37
on Broadway, AIDS had become
3:40
a health crisis. By
3:42
the end of the decade, it would claim the
3:44
lives of over one hundred thousand
3:47
Americans and would devastate
3:49
the arts world. In the original cast
3:51
of Cats alone, AIDS would
3:53
cut down four dancers at
3:55
the very top of their careers and
3:57
in peak physical form. The
4:00
tragedy of the whole thing, isn't it. That's
4:02
a microcosm of the big picture.
4:04
You've got to show that's about youth and vitality,
4:07
and these are people who were taken down
4:09
in the prime of their lives. This
4:11
is the story of one of those dancers.
4:14
It's a story of talent, beautiful,
4:17
beautiful dancer. You can't imagine
4:19
all of the tricks that he did. It was just
4:22
absolutely incredible. It's a story of
4:24
dreams I'll never begin, he said,
4:26
you know what, I just want to be the best dance so
4:28
I could possibly be and be on Broadway.
4:31
Most of all, it's a love story.
4:34
One night he turned and looked at me, and
4:36
I looked back at him, and there was this long,
4:39
meaningful moment. So I like
4:41
to say that I fell in love with
4:43
him when he was dressed as a cat from
4:47
CBS Sunday Morning and I heart
4:50
I'm Morocca and this is
4:52
mobituaries, this
4:55
moment. Timothy Scott,
4:57
February
5:00
eight, death of
5:02
a dancer. My
5:13
parents splurged and they brought me the five
5:15
dollar souvenir programs and inside
5:18
there's an autograph best
5:22
Ken page. Oh my goodness, oh
5:25
wonderful look at that. And
5:27
I had to thank you for stopping on Seventh
5:29
Avenue when it was really cold in February
5:33
signing my souvenir program. Uh, we'll
5:35
see, we didn't know it, but this day was gonna happen.
5:40
I'm talking to well, really gushing
5:42
over actor Ken Paige, who
5:44
played the role of Old Deuteronomy
5:47
in the original Broadway cast of Cats.
5:58
When I saw Ken Paige and Cats, I
6:00
was already a fan of his from the musical
6:02
review ain't misbehaving. I'm
6:04
going right now and
6:07
write you
6:13
might know Ken Paige best as the voice
6:15
of the evil Oogie Boogie in Tim Burton's
6:17
The Nightmare Before Christmas. It's
6:20
good book and
6:24
attention now, bogie
6:27
Man. But I'm talking to Ken
6:29
today because of his connection to
6:31
CATS co star Timothy Scott.
6:34
You see, Cats wasn't the first time Ken
6:37
and Tim worked together. They
6:39
both began their professional stage careers
6:41
as teenagers at the legendary
6:44
St. Louis Municipal Opera Theater
6:46
commonly known as the Muni, the
6:49
oldest and largest outdoor musical
6:51
theater in North America. He
6:53
was in the dance ensemble and I was in the singing
6:56
ensemble. He danced. I don't say I moved
6:58
well, and I will never be At this day. There's
7:00
a beautiful fountain between a rehearsal space
7:02
and the backstage, and he was sitting up
7:04
at the top and the water was sort of running
7:07
through his feet and everything. And he said
7:09
to me, he said, you know what, I just want
7:11
to be the best dance so I could possibly be
7:14
and be on Broadway. And I said,
7:16
yeah, me too. I want to be I want to be on Broadway
7:18
too. You know, I was eighteen,
7:21
so he must have been probably seventeen.
7:24
As it turns out, their dreams of Broadway
7:27
were not far fetched. Timothy
7:32
Scott Schnell was born on September
7:36
in Morton Grove, Illinois, a suburb
7:39
of Chicago. Tim had something of
7:41
a late start. A lot of dancers
7:43
start training as early as four years
7:45
old. Tim Scott didn't start taking
7:47
dance lessons until he was a teenager,
7:50
but it was clear from the get go he
7:53
was un natural. He went straight
7:55
from high school into show business.
7:58
After the Muni, Tim Scot moved
8:00
to New York City. Success came
8:03
quickly. Broadway impressario
8:05
Michael Bennett cast Tim in
8:07
the first international company of a
8:09
chorus line.
8:14
Soon after, Tim was touring nationally
8:16
in Bob Fosse's smash musical
8:19
review Dance Him. We
8:21
Got Spent Sleeps joke Scott Whils
8:23
another incredible bonny gigs,
8:25
but I am not allowed to mention on television.
8:29
Tim was what's called an ensemble
8:31
dancer. Back then, they were called
8:33
gypsies, which actress Bonnie
8:35
Franklin defined at the nine Tony
8:38
Awards maybe I'd better explain
8:40
to the audience at home and
8:43
that the term gypsy lovingly
8:45
applies to all danswers in the Broadway
8:48
theater. They were called that because
8:50
they traveled from company to company,
8:52
from chorus line to chorus line, constantly
8:55
auditioning for their next gig. This
8:57
was and is the life of a dance
9:00
sir. In
9:07
Tim toured with the popular comedy
9:09
Mine duo Shields and Yarnell.
9:12
Yes, and this was the time when mimes could
9:14
be superstars. To
9:16
be a Pepper Pepper
9:19
all you gotta do. The next
9:21
year, Tim danced on a ceiling in
9:24
a big Dr Pepper commercial. Yeah.
9:28
Then in came
9:30
the casting call for Cats.
9:33
I think we all had a sense that it was a really
9:35
big deal. We didn't really know what
9:37
the show is about, you know. I asked
9:40
my agent, so, what can you tell me what it's
9:42
about? And she goes, Cats, and
9:44
I'm like, yeah, but what's the
9:46
store And she goes, it's about cats. That,
9:49
my friends, is the one and only Betty
9:51
Buckley, the woman who caused me
9:54
to bite that sofa pillow all those years
9:56
ago when she hit that note,
10:03
Oh I love that. When I first met you
10:05
and you told me that story. I was so touched
10:07
by that. That's amazing to me, so
10:10
great. She was called in for the pivotal
10:12
role of Grizabella the Bedraggle
10:15
to pass her prime glamour cat.
10:17
And so I went into audition and
10:20
they told my agent that they
10:23
weren't going to consider me because I
10:25
radiated health and well being and they
10:27
wanted someone who radiated death and dying.
10:30
Lucky for us, she got the role, joining
10:33
a cast that included Ken Paige
10:36
and Tim Scott. So the first
10:38
day of Cats, I walked up to him and I
10:40
said, well, I guess you're officially one of
10:42
the great best dances on Broadway, and
10:44
particularly in that role. That was
10:46
a very, very coveted role. Tim
10:49
was cast as Mr Mustapheles,
10:52
the conjuring cat. Here he is
10:54
singing, we can die
10:58
like a flying tuck me. In
11:01
a show that was focused on spectacular
11:04
musical numbers and not a whole
11:06
lot on plot, Tim's role was
11:09
one of the most challenging. It required
11:11
a dancer with extraordinary technique,
11:14
but Tim had something more than that. He
11:16
had presence. He had
11:18
these amazing eyes. His eyes
11:21
were like blue beans. He also
11:23
had this sort of mysterious nous about
11:26
him and he was always there. The
11:28
first time I saw him dance, I found
11:30
it un Kenny that I had this rush
11:32
of joy through my body
11:35
that was completely spontaneous and it
11:37
was not an intellectual experience
11:39
of like, oh that guy dances really
11:41
well. It was like this
11:44
kind of breathless, exquisite
11:46
joy watching him
11:48
and I was like, who's that kid,
11:50
you know, I mean, why is he able to do
11:53
that? Okay? Sidebar
11:55
Cats is more than anything a
11:57
dance show for the actors who
12:00
had limited background and dance, like
12:02
Betty Buckley and Ken Paige. Rehearsing
12:04
for Cats was like Marine Corps basic
12:07
training. The Winter Garden Theater
12:09
was there Paris Island. There
12:11
were five of us that were like normal people,
12:14
you know, and the rest of them were like amazing.
12:17
Betty and I both had to do the full on dance
12:20
class, you know, and you had to
12:22
do it. I had to do cart wheels across
12:24
the floor in front of this incredible
12:26
company of dancers and Cats and
12:29
Campaige and I just clung to each other and
12:31
I was like I'm going to die and
12:33
he was like, I'm right with you. And
12:36
it was like so humiliating
12:38
old Deuteronomy and Chris Sabella
12:40
are not cartwheeling cats we
12:42
should be clear about. No, that's
12:45
we should be clear. Well,
12:48
you have no idea now.
12:50
When the show finally opened in October
12:53
two, it didn't get great reviews,
12:55
But so what reviews are
12:57
about? The here and now cats?
13:00
As the commercial tagline pointed out, was
13:02
now and forever. Catch now
13:04
and forever At the Window Garden Theater, it
13:09
was the show to see and be seen
13:11
at Andy Warhol, Diana
13:14
Ross, Frank Zappa, Carrie
13:16
Grant, Mary Tyler Moore. Those are
13:18
just a few of the big names who showed
13:20
up. Then it swept the
13:22
Tony's Betty Buckley one
13:24
for Best Featured Actress in a Musical.
13:27
I want to thank my mom and my dad and
13:29
my brother no him and my other brothers and that
13:33
brother. She thanked Norman, even
13:35
though he wasn't in the show, his
13:37
life was about to be changed by
13:40
it. Oh. I was very much a country
13:42
boy. I probably still am at heart,
13:45
you know, my most essential self. It
13:47
was an exciting time for me, but I was
13:49
also a little lost
13:51
amongst all the hubbub. On the other
13:53
side of the break, Grizabella's
13:55
younger brother and Mr Mustaphile's
13:58
meat. What
14:15
was it like having your little brother backstage
14:17
with you at Cats? Well? At first,
14:19
I mean I was really happy that he was there. And
14:22
my brother and I, you know, have been at
14:24
points in our lives very close. That's
14:27
Betty Buckley talking about her little
14:29
brother, Norman Buckley back
14:31
in the early eighties when she was starring
14:33
in Cats. Norman was new
14:35
to New York. Sister and brother
14:38
may have been close, but Betty didn't
14:40
know that Norman was gay. We
14:43
grew up in Texas with a military father, and
14:45
you know, it wasn't something that was certainly
14:47
discussed or we even considered.
14:50
So he was staying at my apartment
14:53
when he first came to New York and was
14:56
coming out as a gay person, and I
14:58
didn't know what was going on. So
15:01
he left some of his journals out for
15:03
me to see, and I
15:05
read some entries and was shocked,
15:08
was like, what is this? And so there was
15:10
some big confrontations between he and
15:12
I, and I can freely admit that I don't
15:14
think I handled those very well. Norman
15:17
describes himself as a country boy
15:19
back then. What was he like? Was he innocent?
15:21
Was he very boyish, totally innocent.
15:24
Oh my god, that's why I was scared,
15:27
wet behind the ears, delicate
15:29
artistic boy. Yeah,
15:31
I knew he was twenty seven, but still to
15:33
me, he was always my little baby
15:36
brother who was a vulnerable, sweet kid.
15:39
Today, Norman Buckley is an accomplished
15:42
TV director, having worked on over
15:44
forty shows, including The o C,
15:47
Gossip Girl, and Pretty Little Liars?
15:49
Does It Not
15:52
Really? But the Sluttier than Better? Back
15:55
then, Norman was working as an editing
15:57
room assistant on the movie Easy
16:00
Money, just across the street
16:02
from the Winter Garden Theater. I
16:04
would generally, uh, just visit
16:06
with her earn her dressing room until she
16:08
had to go back on stage. Norman's
16:11
favorite place in the theater was the cat
16:13
walk high above the stage. That's
16:15
where he'd watched the end of the show when
16:17
Grizabella ascends on a giant
16:20
tire to the heavy side layer
16:22
the equivalent of cat Heaven,
16:25
at least I think that's what it is. That's
16:27
actually the first time I had an encounter
16:29
with Tim Scott, because that was where he
16:31
would make his big entrance for
16:34
his big number as Mr Mustapoles.
16:36
He was lowered on a rope from that same
16:39
cat walk. For a long period
16:41
of time, he didn't even register
16:43
that I was up there with him. And then
16:46
one night he turned and looked at me, and
16:48
I looked back at him, and there was this long,
16:50
meaningful moment. Tim
16:53
may have been dressed as a cat with lots
16:55
of cat makeup, but Norman
16:57
was spellbound. He had very
17:00
intense eyes. He was
17:02
kind of otherworldly looking.
17:04
I was much taller than him. Norman
17:06
was six one, Tim seven.
17:09
We looked a little bit like Mutt and Jeff. Some
17:12
days later, after the show, Norman
17:14
and his sister Betty shared a big Checker
17:17
taxi cab with Tim. During
17:19
the ride, Norman and Tim
17:21
experienced another wordless
17:23
moment of connection. This
17:26
was a much more profound encounter.
17:28
At that moment, I thought, oh, this person
17:30
is going to be significant in your life. You
17:33
really thought that there very
17:35
much, so I can remember it as though it
17:37
happened yesterday. I looked
17:39
at him, I took him in, he was taking
17:42
me in, and I thought, this is
17:44
it. The very next night,
17:46
Norman mustered his courage
17:48
and stood in the doorway of Tim's dressing
17:51
room at intermission, and I said,
17:53
do you want to have dinner, and he said, yes, it
17:55
was like great, and that was it?
17:58
Is that the kind of thing you could have imagined your
18:00
self doing even six months before. I
18:03
can't even imagine myself doing that now. So
18:06
it's I think I met him the next
18:08
night on the corner. I still didn't want to
18:11
tell my sister that I was seeing
18:13
somebody in her show. Norman
18:15
says. The chemistry was instant. Was
18:17
he funny, very funny. He had a great sense
18:20
of humor. I laughed a lot
18:22
his jokes. It's
18:24
got to be at least one laugher in the relationship.
18:27
But Betty was concerned. In
18:30
New York City, the whole gay scene in
18:32
the nighties, you know, was wild,
18:35
and I was terrified for him. I
18:38
was just basically scared, and we didn't
18:40
know what AIDS was quite yet.
18:43
In fact, when AIDS was first reported,
18:45
it wasn't even called AIDS. A
18:47
mystery disease known as the gay plague
18:49
has become an epidemic unprecedented
18:51
in the history of American medicine. The
18:54
lifestyle of some male homosexuals
18:56
has triggered an epidemic of a rare
18:59
form of cancer. A mysterious, newly
19:01
discovered disease, which affects
19:03
mostly homosexual men. When
19:05
did the disease become real to you?
19:08
Well, you know, it's that trajectory that you see
19:10
so wonderfully portrayed in Long Time Companion.
19:13
It really was the thing where people started whispering,
19:16
and things started popping up from the newspaper,
19:18
and people started making calls saying, did
19:20
you hear about this thing that's going around?
19:23
That's ken page again. He's
19:25
referring to the nine movie Longtime
19:28
Companion, directed by Norman
19:30
Renee, who ultimately died from
19:33
AIDS himself. The film opens
19:35
on the morning of July three.
19:38
The characters wake up to the ominous
19:40
New York Times article by Lawrence k
19:42
Altman, the first in a mainstream
19:45
publication to make reference to the disease
19:47
that would be called AIDS. They
19:49
immediately begin phoning each other, Hello,
19:52
have you seen the paper? Oh? I
19:54
was just shipped to help. Have you got it? Yeah,
19:58
the page, you
20:01
can't miss it. Did you see the paper?
20:04
I missed that? Oh well, just listen.
20:08
Rare cants are seen in forty one Homosexuals.
20:11
By the time Cats was in rehearsal, concern
20:15
was burgeoning into a sense of alarm.
20:18
Then you started to hear did you know
20:20
so? And so I heard they're not well, they have
20:22
they have that gay cancer. Right. There was
20:24
fear everywhere. Ken remembers
20:27
when early in the epidemic he was working
20:29
in Los Angeles and went to pick up
20:31
a friend at the airport. Ken
20:33
was stunned by the friend's appearance. He
20:36
was a good twenty five pounds lighter
20:38
and blessing. He was saying, well, I got this rash.
20:40
I want to get in the sun so I can get rid of this
20:43
rash. And I feel bad about
20:45
it to this very day, thinking to myself,
20:47
I don't know do I want him staying in my
20:49
house. He came to me for solace
20:52
and comfort, but I was afraid
20:54
of what that all meant. And
20:56
I can honestly say that I don't think
20:58
I handled it as well as I could have. But
21:00
it was typical for what everybody
21:03
was experiencing. Even
21:06
after the generic sounding acronym
21:09
AIDS Acquired immunodeficiency
21:11
syndrome was coined in September
21:13
of two, it felt like
21:15
the full force of blame for the disease
21:18
was being placed squarely on gay
21:20
men. Of course, being gay was
21:22
already stigmatized. The
21:24
American Psychiatric Association had
21:27
only removed homosexuality
21:29
from its list of mental disorders
21:31
in ninety three, and
21:33
in two only one
21:35
state, Wisconsin, had a law
21:38
on the books making it illegal to fire
21:40
people simply for being gay.
21:43
Coming out of the closet, never easy
21:45
to begin with, was even scarier
21:47
when it seemed to carry a death sentence
21:50
for me. Just realizing I was gay
21:52
at the time. I was twelve years old
21:54
when AIDS was first being widely reported,
21:57
wasn't just fraught, it was frightening.
22:00
I vividly remember a day in eighth grade
22:03
when a teacher finally talked to us about
22:05
AIDS. The girl who sat in front
22:07
of me turned around, looked straight at
22:09
me, and said, that's what you're going
22:11
to get. Many years later
22:13
she reached out to me on social media to apologize.
22:17
Of course I forgave her. It was junior high.
22:19
We were all incredibly mean to each other.
22:22
Once Norman and Tim were officially
22:24
a couple, Betty gave her blessing,
22:27
so I was really relieved in
22:29
so many ways that Tim was his first
22:32
great love. When she did find
22:34
out about the relationship with Tim, she
22:36
was very approving, I told her,
22:38
and she hesitated for a moment, thought about
22:40
it, and she said, well, you picked the right
22:42
one. She said, I can see this. I
22:45
loved Tim, and of course I love my brother,
22:47
so ultimately I was like, well,
22:51
it's not money of my business, and I
22:53
have to say I love them both. So there
22:55
we go. But while Betty may have been
22:58
relieved, Tim Scott him self
23:00
was increasingly worried. Dates
23:02
was always a specter that kind of hung
23:05
over our relationship. Tim had
23:07
actually been involved with someone who was
23:09
one of the really early AIDS cases
23:12
that young man was dying.
23:14
During previews of Cats, Tim
23:17
would go from the theater sometimes
23:19
to his hospital room and sit with him.
23:22
Now bear in mind, in
23:24
AIDS test was still three years
23:27
away and any life saving
23:29
treatment was fourteen years
23:31
away. We had a hair dresser named
23:33
Paul Lopez who worked on eight Misbehavior,
23:36
and he got sick and he wasn't
23:38
feeling well, like on Wednesday, Mattnee.
23:41
He wasn't doing well. Thursday he
23:43
came in. They said, you really aren't well. You should go home.
23:45
Friday he went into the hospital Saturday,
23:48
Sunday he was unconscious by Monday,
23:51
and he died on Tuesday, and that
23:53
was from Wednesday. Not even
23:55
a week later, he was gone. The federal
23:58
government wasn't slow to act. It
24:00
didn't act at all. On October
24:02
fifteenth, two, just
24:05
a week after CATS opened, President
24:07
Reagan's Press Secretary Larry Speaks,
24:10
was asked about AIDS by a reporter
24:12
named Lester King, Solving. Here's
24:15
how that exchange went.
24:17
Have any reactions with the announce
24:19
from the Center for Disease Control
24:22
Atlanta that a d S
24:24
is now an epidemic in six six
24:27
hundred cases.
24:32
It's known as gay play. Yes,
24:36
I mean, it's a pretty serious thing that one and
24:38
every three people again this have died. And
24:40
I wondered if the president where I
24:43
don't have it? Are you do you?
24:45
You don't have it? Well, I'm relieved to hear
24:48
that you don't
24:51
answer my question. How do you know?
24:53
That's right? Speaks and much of the White
24:55
House Press Corps, we're treating AIDS
24:58
and its victims as a joke. President
25:01
Reagan himself didn't utter the
25:03
word AIDS, and then only in response
25:06
to a reporter's question, until
25:08
the fall of over
25:11
four years into the devastation. When
25:15
Tim's contract with CATS ended
25:18
that same year, the couple decided
25:20
to move west and begin a new chapter
25:22
in Los Angeles. Not long
25:24
after their move, they drove up to Malibu.
25:28
We went out to Zuma Beach one day and
25:30
he said to me, very tentatively, I
25:32
really can't imagine my life
25:35
without you, and I want to stay with you for the rest
25:37
of my life. And I responded,
25:39
I want to stay with you for the rest of my life.
25:41
It was this really solemn moment.
25:44
I like to think of it as a vows. I
25:46
considered myself married to Tim.
25:49
There was no legal way to do
25:51
that at the time, and it was a
25:53
commitment. And I'm so happy
25:56
that had happened before he became
25:59
ill, because there was
26:01
no question but that I would
26:03
see him through it. And I think he felt
26:05
that on the other side of the break.
26:08
Tim Scott's last show, the
26:10
Ultimate tribute to the dancer
26:13
What I did doing
26:19
what we Love. That's her
26:22
anthem, what I did for love.
26:33
I'm visiting tonight at the home of
26:36
Tim Scott. I'll knock on the door now,
26:42
Hello, Hello, would
26:44
you like to come in? I would like to come in. I'm
26:48
watching home video of Norman
26:50
Buckley and Tim Scott. It's
26:53
sometime in late or
26:55
early and they're
26:57
joking around giving a tour of their
26:59
so me two bedroom apartment in West
27:02
Hollywood. Here is Kennedy.
27:05
Here we meet their cat,
27:07
who just happens to be named more.
27:15
Look at the cat's
27:17
eyes. Really looked like the eyes on the back of
27:19
my cat sweatshirt. Tim and Norman
27:22
seem happy. Why shouldn't they be. They're
27:24
young, thirty years old. They make each
27:26
other laugh, and career wise,
27:29
things are going well for both of them. At
27:31
the time, Norman was working as an assistant
27:34
editor on a horror movie called Trick
27:36
or Treat starring Gene Simmons
27:38
of Kiss He's a rook and
27:40
Roll and during this period,
27:43
Tim scored two film gigs.
27:46
He was cast in the four D spectacular
27:48
Captain Eo, shown exclusively
27:51
at Disney Parks. This was,
27:53
at the time the most expensive
27:55
film per minute ever made. Tim
27:58
is part of the enormous On so Bold, dancing
28:00
behind Michael Jackson. Tim
28:08
was also cast in the movie version of
28:11
the musical A chorus Line. It's
28:13
a bit part. He plays boy with
28:15
headband. Seriously, that's
28:18
his screen credit. But so what? It
28:20
was a job on a movie up
28:25
We even get to hear him sing briefly,
28:27
God, I really blew it, I really
28:30
blew it. What I love about
28:32
it is that it's very brief, but it
28:34
very much captures Tim's spirit.
28:37
It's a short, lovely cameo.
28:40
And then, ten
28:43
years after he toured internationally
28:45
in the stage production of A chorus Line, Tim
28:48
was cast in a European tour of the show.
28:51
Okay, since it's come up a couple of times,
28:53
let's talk for a moment about a chorus
28:55
line. This musical is the
28:58
ultimate tribute to dancers just
29:00
like Tim, not stars, not
29:03
household names, dancers struggling
29:06
and auditioning for roles in the chorus, not
29:08
doing it with the expectation of becoming rich
29:11
and famous, but doing it for the love
29:13
of dancing. Tim was cast in
29:15
the role of Mike, a dancer who's
29:17
up for any challenge. Perfect
29:20
for Tim. I mean to have Tim's
29:22
technique, his splits
29:25
and jumps and turns and all
29:27
of that quite spectacular.
29:30
This is Broadway legend. Bi
29:32
orch Lee, you are in the original
29:35
King and I Yes, How
29:39
old were you? I was five,
29:43
by the way, I was fired at eight because
29:45
I outgrew my costume. By York
29:47
went on to play Connie in the original Broadway
29:50
cast of A chorus Line. A good
29:52
ten, cak what ten? That's
29:54
the story of my life. A
29:57
chorus Line was conceived by the
30:00
legendary dancer turned director Michael
30:02
Bennett, who would himself die from
30:05
aids by orc. The keeper
30:07
of the chorus Line Flame has been directing
30:09
revivals and road companies of the show
30:11
for decades. It is a tribute
30:14
to the dancer. The audience comes in, and
30:16
what Michael wanted to convey was that
30:18
they were peeking in on an
30:21
audition, because no one has ever
30:23
seen an audition outside of the people
30:26
who are involved. One
30:29
song that Tim Scott sang many times
30:31
as part of the ensemble of A chorus Line
30:34
is what I Did for Love. It's a
30:36
song about the short and sometimes
30:38
painful careers of dancers. It
30:41
pops up towards the end of the show after
30:43
one of the dancers has had a serious accident
30:46
and has to drop out of the industry altogether.
30:49
The director asks the remaining dancers
30:52
what they would say if they learned that they could
30:54
never dance again. The
30:57
character of Morales starts the
30:59
song off kiss Today
31:01
You could love The
31:07
suitetness and the
31:09
sorrow. Wish
31:14
me luck the same to
31:19
you. But
31:24
I can't regret what
31:27
I did for love.
31:30
What I did for love
31:34
the message of the song. Whatever
31:36
life throws at these artists, they'll
31:38
face the future with the same bravery
31:41
and undefeated optimism with which
31:43
they pursued their careers, however
31:46
short they may be. It's about
31:48
survival, but also doing
31:50
what we love. That's her
31:52
anthem, what I did for love. To
31:55
do it because you love it. Whether you're dancing,
31:57
singing, acting, or whatever you do, we
32:00
do it because we love it. I think
32:02
there's something really special about Tim Scott's
32:05
last show being the show
32:07
that pays tribute to the dancer. Yeah.
32:15
A few weeks into their European tour, by
32:17
Orc noticed that Tim Scott was
32:20
losing stamina. At the time,
32:22
I did not know that he was ill.
32:25
I think we were in Surich and
32:28
he wasn't feeling well. He had
32:30
no energy at all. Tim
32:33
was having holistic medications mailed
32:35
to him on the road. He'd tried
32:37
crystals, meditation and other
32:39
alternative remedies. They weren't
32:42
working. He eventually left
32:44
the tour, left the tour and he
32:46
called me and he said, you know, I don't want to do this
32:48
anymore. He said, I'm too old. I don't
32:51
want to be the dancer anymore. I
32:53
want to come home. Tim was still
32:55
only thirty one. He
32:57
went to the doctor and they did an indoscap.
33:00
He had a very light case of
33:02
pneumacist this pneumonia, which was one
33:04
of the ways that they diagnosed aids
33:07
at the time. And I said, okay,
33:09
well, we'll take it a step at a time.
33:11
But we essentially knew that it was a death
33:14
sentence. The question was just how
33:16
long we hoped for some
33:19
type of miraculous cure.
33:21
We hoped something would happen, As
33:24
with so many terminal conditions, though
33:27
Tim's illness didn't move in a straight
33:29
line. By December, he
33:32
was experiencing an upswing. On
33:35
Christmas Eve that year, he and Norman,
33:38
underneath their Christmas tree in their West
33:40
Hollywood apartment, take turns
33:42
opening Presence. What is
33:44
it? It's a book
33:47
from from Norma, the
33:52
Great Towns of California, Oh
33:57
great, Oh,
34:04
the best American short Stories more
34:13
Slacks. I
34:17
don't want to sentimentalize it, and I don't
34:19
want to romanticize
34:21
it, but it was a wonderful period
34:23
of time. It sounds counterintuitive
34:26
to say that, but it was a wonderful period of
34:28
time because we were so deeply connected
34:30
at that point. The next morning
34:32
they celebrate at a friend's home. Tim
34:35
teaches the friends three daughters a dance.
34:38
Okay, there, but
34:47
I have to say, the girls don't seem all that
34:49
focused, and I kind of want to jump
34:52
into the video tape and tell them you're getting
34:54
a free dance lesson from the original
34:56
broad White. Mr Mustapholes. Pull
34:59
it together. Okay,
35:01
I'm back now. Not long after that Christmas,
35:04
Tim and Norman took a road trip. We
35:07
drove across the Southwest and we went to the Grand
35:09
Canyon and he went out on this rock.
35:12
It was very precarious. I was like, oh,
35:14
please, don't go out so far. I don't go out so far. And
35:16
he went out on the end of this rock and did
35:18
this pirouet. But
35:22
after returning to Los Angeles and
35:24
especially virulent case of pneumonia
35:26
sent Tim to the hospital. It
35:29
was at that point I said, we have to
35:31
tell your parents, we have to let them
35:33
know. And his mother immediately
35:36
flew out. She was this wonderful
35:38
Italian woman who was a wonderful
35:41
cook. And took care of us.
35:43
Tim's parents, Richard and Rosemary,
35:46
stayed at a motel nearby. Tim's
35:48
father, Richard Schnell, was still working
35:51
as a technical writer for Motorola. Rosemary
35:54
Schnell was a homemaker. Tim
35:56
was their only child. When
35:58
he gave his parents the
36:01
news about his diagnosis.
36:03
Do you think that his mother suspected
36:07
in any way they knew something
36:09
was up? They couldn't have been better though
36:11
in their response. They were lovely
36:13
people, and I feel enormous
36:16
gratitude to them. They
36:19
accepted me, they loved
36:22
me. They remained
36:24
close to me for the rest of their lives.
36:27
So many people during that period of time did
36:29
not have the support of their parents. For
36:32
many people in the theater, it was their chosen
36:35
family, not their biological one,
36:37
that rallied around them. The community
36:40
had to help themselves. Women
36:42
like bi orch Lee, who had grown up
36:44
performing with so many gay men who
36:46
were like brothers to her, played a special
36:49
role. He became angels
36:52
when we started hearing about all
36:54
of these people. We started taking
36:57
care of them, just being with them to
36:59
go to get their medicine or
37:02
to feed them, helping
37:04
them. They because people
37:06
were afraid these were our friends,
37:09
and so we didn't have any
37:11
fear. My best friends
37:13
all died of AIDS. Most
37:15
of my closest male friends that I
37:17
met doing Guys and Dolls and Pearly and
37:20
the Whiz and so forth, they all died.
37:23
They all died. This is can Paige
37:25
again. It was devastating,
37:28
and many many other friends who to
37:30
bury degree. Some went home just
37:33
disappeared. Others had no home to
37:35
go to because their families rejected them. Some
37:38
of us as friend group at that time, which
37:40
is something else I'll always treasure those
37:42
of us who gathered and rallied and supported
37:45
each other, and if someone fell ill,
37:47
you just gathered around them and did whatever you needed
37:50
to do, including burial.
37:53
Burial became a terrible challenge
37:55
for the bereaved. Early on in
37:57
Manhattan, only one funeral
38:00
home, Reddens on Fourteenth Street,
38:02
was willing to accept the remains of
38:04
the victims of AIDS. Now,
38:07
it's hard to know how many people died
38:09
during the early years of the epidemic. Families,
38:13
churches, hospitals often lied
38:15
about the cause of death. That's how
38:17
deep the stigma was. And as
38:19
David France, author of How to Survive
38:22
a Plague, has reported some gay
38:24
men, when they detected a lesion or
38:26
another symptom of infection, would
38:29
kill themselves. Many of
38:31
the dead ended up in unmarked Potter's
38:33
fields like Heart Island off the Bronx,
38:36
the final resting place for the ostracized
38:39
and abandoned. When
38:41
Tim Scott wasn't in the hospital for
38:44
an infection, he was at home. Betty
38:47
Buckley was just down the street. I
38:53
don't remember that. I that I was as
38:55
supportive as I aspired to be. There wasn't
38:57
a lot I could do. Yeah,
38:59
I remember finding this puppy,
39:02
this beautiful little ducks and puppy that I thought
39:04
would be great to give to Tim. I
39:06
gave him this puppy and he didn't want a puppy,
39:10
so I was I thought I was doing
39:12
something to make him feel, you
39:15
know, really comforted and engaged. But it
39:17
was a wrong choice. I don't know. He
39:19
had lost a lot of weight, but I
39:21
didn't see that. I didn't see that at the time.
39:24
While I was there with him, he was just the person
39:26
I loved, and I never really took in the fact
39:28
that he was vanishing right before
39:31
my eyes. Finally, on
39:33
Halloween, while
39:35
Norman was driving him home from his latest
39:38
hospital visit for pneumonia. Tim
39:40
made an announcement and he said,
39:42
that's it. I don't want to go back to the hospital again.
39:45
Tim would spend his remaining days at
39:47
home. I've always felt that
39:49
there was a beautiful symmetry
39:52
to the relationship that Tim and I had.
39:54
We were together for five years, and during
39:57
the first two and a half years, I would say
39:59
that he was the one who was taking care of me.
40:01
He was the one that was helping me come
40:04
into my own and during the second
40:06
too and a half years of our relationship, I became
40:10
the caretaker. During those
40:12
weeks, Norman rarely left
40:14
Tim side. If you're going to
40:16
go through some major life trial, you would want
40:19
to go through with my brother, Norman. It was
40:21
incredibly admirable and
40:23
inspiring watching him be
40:25
there for this person that he loved so much.
40:28
In the middle of one night, Norman woke
40:30
up to find Tim sitting bolt
40:32
upright in bed, wide awake,
40:35
staring out into the distance, and
40:38
I said, what's going on. He said nothing. He said,
40:40
I'm just trying to measure where we are
40:42
relative to that space out there. And
40:45
I said, well, what space you're talking about? And he said,
40:47
Oh, it's not anything I could explain to you. It's
40:49
just a lot more than we know. And
40:52
I said, well, I'm sure
40:54
that that's so. And he said,
40:56
so are you ready for your big test? And
40:58
I said, well, I really know what you
41:01
mean by that, but I guess I'm as ready as
41:03
I ever will be. And he
41:05
said, okay, we'll go back to sleep, and
41:07
he patted me on the arm and I went back
41:09
to sleep. And then when I woke up, he was in a coma
41:12
and he never woke up again. That
41:14
was the last time I ever spoke to him. As
41:16
difficult as that period of time was, it
41:19
was also extraordinary.
41:21
I felt deeply loved by him, and
41:24
I deeply loved him. And
41:30
it's funny, you know, you don't
41:32
think about these things for a
41:34
long time, and then you talk about them
41:36
and suddenly the emotion
41:39
comes back over you again. What
41:42
do you think he meant by are you ready for
41:45
your big test? Are
41:47
you ready to be on your own? Are
41:49
you ready to except
41:52
that you have to let go of me? Who
41:55
knows? You know? I mean he was also on
41:58
pain killers. You know, there's there's
42:01
all kinds of possibilities
42:03
that maybe he was just hallucinating, but
42:06
at least he was hallucinating
42:08
in a particularly profound poetic way.
42:12
Tim's parents and friends gathered and
42:14
took visuals as he remained comatose
42:17
for about ten days. It was
42:19
Norman who was with Tim during his final
42:21
moments. He
42:23
took his last breath, I could see like
42:26
his eyes, his eyes were very blue, and
42:28
then all of a sudden, there was just this point of life, that swimp.
42:32
It was almost like I saw the life force leave him.
42:34
And he died at six thirty in the morning on February
42:41
Is it for gay men your age
42:44
particularly difficult that a
42:46
lot of your contemporaries are no longer
42:48
with us? Died many years ago? Kin,
42:51
Paige and I were sitting together sometime
42:54
years after Timid died, and I
42:56
said, Uh, where's all the game
42:58
in my age? And Kin said to
43:00
me, Norman, they all died. Were
43:03
a small number of survivors, the
43:06
people our age, they're gone. It
43:09
really hit me like a ton of bricks when he said
43:11
that four from the original
43:13
Broadway cast of Cats died from
43:16
aids. Tim was thirty
43:18
two, Stephen Guelfer was
43:20
thirty nine. Read Jones,
43:22
who was wonderful in the role of Skimble,
43:25
Shanks was thirty five and
43:27
Renee Clemente was thirty eight. As
43:30
a successful TV director of popular
43:33
shows featuring picture perfect
43:35
teens and people in their twenties, Norman
43:38
Buckley regularly works with young people
43:41
who have little knowledge of the outbreak
43:43
of the AIDS crisis. It's hard
43:45
to explain to the younger generations
43:48
just what a hollacious period
43:50
of time that was in terms of the loss.
43:53
I'm very aware that when I talk
43:55
about my experiences, that people
43:57
can only understand certain
44:00
things when they've experienced those things themselves,
44:03
and I have compassion for that, so
44:06
I try to just be patient.
44:09
Ken Paige has a tougher message for
44:11
younger generations. What I want
44:14
to say to them is, don't
44:16
be stupid. It's not gone.
44:18
There's just ways of handling it. Don't
44:21
be cavalier. Don't take it
44:23
for granted that you're well and you're gonna be well,
44:25
and there's a pill and as this is that you can do anything
44:27
you want. Don't be stupid. People
44:29
paid for what you know. People
44:32
paid for the cocktails
44:34
and the pills and the things that you have that
44:37
make you able to not worry about
44:39
how you have sex. Someone paid
44:42
literally their lives for that. Don't
44:44
forget that. Never forget.
44:48
When Cats returned to Broadway in ken
44:52
Paige was in the audience on opening night,
44:54
but for him it wasn't as much a revival
44:57
as it was a remembrance. M
45:00
I went to the opening night. Rosie O'Donnell
45:02
was sitting there to night left, and
45:04
I said, oh god, she goes. What's it like for
45:06
you, she asked me. I said, I just see
45:08
ghosts. I said, there's so many people
45:11
up there with the makeup and all. It was pretty
45:13
much the same. I said, I see Renee
45:15
Clamente, I see Read Jones,
45:18
I see Tim Scott, I
45:20
see Stephen Guelfer right
45:22
there in front of me on
45:25
the stage. I was happy they were
45:27
doing it, and I supported the revival and on no
45:29
no, But it was also very difficult
45:31
to sit and watch because you couldn't
45:33
not go through the memory. Tim
45:38
Scott was cremated. For his
45:40
final resting place, Tim's parents
45:43
and Norman decided on that very
45:45
spot in Arizona where Tim
45:48
had once pirouetted, and so we
45:50
went out to the Grand Canyon,
45:53
the five or six of us, and
45:55
we went out on the end of that rock, which
45:57
in retrospect is totally crazy, is
46:00
uh. I look at pictures of it now and I think,
46:02
oh my god, we can have all fallen off and
46:04
joined him with
46:08
this episode. I wanted to pay tribute
46:10
to all those artists whose names
46:13
didn't make headlines when they died, and
46:16
so I wrote to Tom Viola, the head
46:18
of Broadway Cares Equity Fights AIDS.
46:20
It's one of the oldest and largest groups
46:23
raising money to support artists living
46:25
with HIV AIDS. I wanted
46:27
to know what he might have to say about Tim
46:29
Scott. I didn't know Tim
46:32
Scott well, he wrote, but with
46:34
Cats being such a smash hit when it opened,
46:37
and Tim being so blazing hot as the
46:39
original Mr Mustopheles, he
46:41
was one of the eighties most beautiful and popular
46:44
Broadway dancers. Plus
46:46
he was a very sweet guy. Tim's
46:49
passing from AIDS was
46:51
truly one of the deaths that galvanized
46:54
to the community into the very early
46:56
efforts to do something that culminated
46:59
in the founding of Equity Fights AIDS
47:01
and Broadway Cares. Will
47:04
let Ken Page the wise old
47:07
deuteronomy of Cats have the
47:09
final word. Those
47:11
of us who have survived aids this
47:14
that the other even whatever, just age.
47:16
If we don't tell the story, who does? Because
47:20
you can only tell it if you were there. And
47:22
if we are not responsible in telling
47:24
it and passing it on when people ask like you
47:26
have, then it dies literally
47:29
and it's too valuable a story,
47:32
whether it's in one person named Tim Scott
47:35
or in any of the number of people we named from cats,
47:37
or the greater number that we're in the theater New
47:39
York at the time, or the even greater number
47:42
that was the world population that we lost.
47:44
We who have survived have to tell the
47:46
story. I
47:58
hope you've enjoyed seas and three of Mobituaries.
48:02
If you were with us the first two seasons,
48:04
thanks for sticking around. If you
48:06
haven't heard our previous seasons, I
48:09
hope you'll do a little delving. Either way,
48:11
feel free to spread the word about
48:13
mobids me. I ask you to please
48:16
rate and review this podcast. You can
48:18
also follow Mobituaries on Facebook
48:20
and Instagram, and you can follow me
48:22
on Twitter at morocco and
48:24
check out Mobituaries. Great Lives
48:27
Worth Reliving the New York Times best
48:29
selling book, now available in paperback
48:31
and audiobook. It includes plenty
48:34
of stories not in the podcast. This
48:37
episode of Mobituaries was produced
48:39
by Francisco Robina. Our
48:42
team of producers also includes Aaron
48:44
Shrink, Wilco, Martinezcaceto,
48:47
and me Morocca. It was
48:49
edited by Moral Wolves and engineered
48:51
by Josh Hahn, with fact checking
48:53
by Naomi bar Our production
48:56
company is Neon Houm Media. Our
48:59
archival produce sir is Jamie Benson.
49:01
Our theme music is written by Daniel
49:04
Hart. Indispensable
49:06
support from Craig Swaggler, Dustin
49:08
Gervais, Alan Pang, Reggie
49:10
Basio and everyone at CBS
49:13
News Radio. Special thanks
49:15
to David France, Tom Biola,
49:18
Bill Keith Richard, j Alexander,
49:21
Megan Marcus, Molly Raleigh, Steven
49:23
Spanbauer, and Alberto Robina.
49:26
The Invincible. Aaron Shrank is
49:28
our senior producer. Executive
49:30
producers for Mobituaries include Steve
49:33
Raizys and Morocca. The series
49:36
is created by Yours Truly and
49:38
as always, thanks to Rant Morrison
49:41
and John carp for helping breathe
49:43
life into Mobituaries
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