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Money 4 Nothing
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This past March, Shigeichi Negishi passed away at 100. While you might not know his name, you’ve certainly enjoyed the musical world he helped create. Negishi has long been credited as the inventor of Karaoke—pulling together consumer electroni
Dear Listener, Have you found yourself coming down with more consistent cases of nostalgia lately? Do you consider yourself a millennial? Well, if so, you might be soon buying a pricey concert ticket to one of the hottest trends in live music:
This week, we take a roundabout tour of the platform power that drives our musical landscape. First up is Neil Young, whose one-man stand against Spotify for its support of Joe Rogan just ended in….well…total defeat. We explore why Ol' Neil was
Much of the time, it feels like almost nothing could shake up the streaming status-quo. This isn’t one of those times. Over the past week, Congressperson Rashida Tlaib (with support from the Union of Musicians and Allied Workers) released the L
Is rock dead? Not according to Imagine Dragons. You know the band with 10 different billion-streamed songs? The one that’s sold 46 million records? You’ve definitely heard of them, but....have you ever really HEARD them? Probably not. And that’
This past week, negotiations broke down between Universal Music—the biggest and most powerful of the three major labels—and Tik Tok, the world’s most viral social media platform. The result: Universal’s music has been pulled—almost entirely—fro
Like the rest of the increasingly small world of music criticism, we were shaken by the news that Pitchfork had not only been more-or-less gutted by publisher Conde Nast, but pulled into GQ. Gentleman’s Quarterly. Of all possible things. G-frea
New year, same old music business. To get things kicked off right, we circle back to check in on two of our favorite industry players, and things….well, we hate to tell you, but things aren’t GREAT, you know? Regarding Hipgnosis, the once high-
When we heard that BMI, an organization designed to collect money on behalf of songwriters, had decided (on its own?) to drop its non-profit status and go for the cash, our response was confusion. Like—can they even do that? What does that even
This time Sam and David Turner dig into the financially rocky patch in which Patreon—the name that launched a thousand podcasts—has recently found itself. Looking at the longer trajectory of the fan-funding platform, they try to piece together
Over the summer, New York’s premier EDM festival Electric Zoo descended deep into the Fyre Fest zone—that magical place combining blatant rip-off and profoundly unsafe conditions. Purchased by by owners of Brooklyn mega-club Avant Gardner the p
Hi folks! As part of our collaboration with Penny Fractions, we are bringing you the first episode of a new format—David, Saxon, and Sam, thinking through our moment in an off-the-cuff convo about current events. We hope you like it! The music
First off—big news in Money 4 Nothing-land. We’ve just OFFICIALLY joined forces with the amazing Penny Fractions newsletter to create a new and almighty Voltron (Sailors Moon?) of critical coverage on the music industry. We’ll be rolling out ex
If you listen to essentially any piece of contemporary music, you’re likely—more than likely—to hear the influence of Bob Moog. Moog invented the first modular synthesizer, a device for creating electronic sound simultaneously more powerful and
Machine Learning. It’s in the news, and increasingly, it's in our tunes. Somehow. Maybe? Given the ravenous hype cycles of tech, it can be extremely difficult to separate the real, the potentially real, the squint-and-maybe-you-can-see it, and
On Nov 5th, 2021, the first night of Travis Scott’s Astroworld festival collapsed into horror—a terrible crowd crush at the Houston event killed 10, and reportedly injured thousands. In the wake of the catastrophe, fingers were pointed at Scott
This week, the crew digs into two timely stories providing some new perspective on this crazy little thing called music. First, they dig into the rising influence of so-called “super fans”: folks who consume content from their favorite artists
"Ambient Music" has seen a renewed interest for reasons that we can only speculate. 2016 election? Increased atomization of individuals? The multi-headed hell-scape of pandemic + climate change + economic woes? Sure. Whatever the reason, the pa
Early this year, K-pop was the site of some truly Succession level drama, as Hybe (the company that launched BTS) attempted to steal SM Entertainment (a longtime mainstay of the industry) out from under Kakao (a Facebook + Spotify level media c
It used to be so simple. There were the major labels (all 6 of them, or whatever) and there were the independents or "the indies." Over the 80’s and 90s, a position initially adopted out of economic necessity grew into a distinctive cultural mo
Everyone is talking about AI—and that includes the music biz. No one is disputing the wide-ranging potential of these new tools, but is our rapidly-approaching deep-fake future really (or at least, FULLY) being driven by technology? Sam and Sax
Five years ago, Robin Thicke and Pharrell Williams finally lost the (musical) lawsuit of the century. Their song, “Blurred Lines,” had been an inescapable summertime hit, a wedding-DJ-standby, and the center of a very Obama-Era debate over whet
In the digital economy, recommendation algorithms get…a LOT of attention. To some, they’re the special sauce behind everything from Spotify’s personalized playlists to Tik Tok’s “For You” page. For others, they represent a dark, vibe-generating
No one knows anything about the streaming economy. Not Really. That’s the stark message at the heart of Public Knowledge’s new whitepaper “Streaming in the Dark,” which catalogs the remarkable “wall of NDAs” operating at every level of the mode
For this episode, Saxon and Sam check in on Spotify, which is…not in great shape. Even in the best of times, the company was handcuffed to the majors, and threatened by mega-sized competitors like Apple & Amazon. And these, my friend, are no lo
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