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Playwright to Playwright: Conversations with Artists about Theatre, Process, and General Life

Alexander Kveton

Playwright to Playwright: Conversations with Artists about Theatre, Process, and General Life

A weekly Arts, Performing Arts and Education podcast
Good podcast? Give it some love!
Playwright to Playwright: Conversations with Artists about Theatre, Process, and General Life

Alexander Kveton

Playwright to Playwright: Conversations with Artists about Theatre, Process, and General Life

Episodes
Playwright to Playwright: Conversations with Artists about Theatre, Process, and General Life

Alexander Kveton

Playwright to Playwright: Conversations with Artists about Theatre, Process, and General Life

A weekly Arts, Performing Arts and Education podcast
Good podcast? Give it some love!
Rate Podcast

Episodes of Playwright to Playwright

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In this departure from form, Alex follows up with Dan to talk about his experience self-producing his play "Dick Pix" and "Perfect Teeth" - the most important factor of self-producing, challenges along the way, and the wonderful work of his cas
Alex talks to Sam about the difference between writing as a teenager versus an adult, being the writer that doesn't get every opportunity, and figuring out your path as an emerging writer. Actors Dave Klasko and Leslie Marseglia from Sam's new
Alex talks to Catherine about writing romance today, being trashy, body issues, and the phenomenon of discovering repressed feelings in writing. Catherine reads from her play This is How You Got Me Naked.
Alex talks to Caridad about making space for the impossible, the giants of playwriting, reconciling history and the classics, how plays are perceived in our current culture, and problems with how institutions approach them. Caridad reads from R
Alex talks to Paris about fear, creating your "yes," defying expectations, being a different type of rebel, and overcoming abuse. Paris reads from his play Spare the Rod, or By My Mother's Hand.   Website: http://www.pariscrayton3.com/ NPX: htt
Alex talks to Daniel about his upcoming productions Perfect Teeth and Dick Pix, jumping between styles, one's intention as a writer, and being your own audience. Daniel reads two samples from Dick Pix.   Links: Show Info: https://perfectpixplay
Alex talks to Francisca about being inspired by history, realizing the importance of sharing personal experiences, writing about millennials, mental health, and building a life as a writer. Actor Christy Hall reads from Francisca's play weightl
Alex talks to Ben about what young playwrights should remember, getting sober, socialism, how to use one's privilege, and getting more radicalism into theatre. Ben reads from his play "Spoons." Info on Spoons:   Crowdfunding: https://www.classy
Alex talks to Ryann about coming from an acting background, moving from writing more collaboratively to writing on her own, Westerns, TV vs plays, mimicking what you love, and not being afraid of bad ideas. Ryann reads from her play A Doll's Ho
Alex talks to David about being silly, sitting in the middle of wanting to make big plays but being drawn to things you once found “boring,” and allowing oneself not to belittle the thing you are doing. David reads from his play-in-progress The
Alex talks to Max about revisiting earlier plays, theatre outside of New York City, creating through devising, directing new plays, teaching playwriting, and lessons from his favorite plays to teach. Max reads from a play currently in developme
Alex talks to Winter about her uniquely feminist childhood, her journey to playwriting from acting and journalism, and challenging oneself to practice empathy at every moment and write for broader audiences. Katharine Heller and Hilary Asare re
Alex talks to Kirya about her artistic beginnings in Northern California, her transition from acting to playwriting, poetry versus plays, and creating identity-based work. Kirya reads from her play Permitted.
Alex talks to Kirya about her artistic beginnings in Northern California, her transition from acting to playwriting, poetry versus plays, and creating identity-based work. Kirya reads from her play Permitted.
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