Antix Press
Portrait of an EditorEpisodes
Episodes of Portrait of an Editor
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In this Portrait of an Editor, Dave Wielgosz discusses his move from the East Coast to the West Coast and his journey from editor to writer. Along the way, we cover what could help you become an editor at DC Comics or Marvel and the support he
This ep covers a lot! Will Dennis and I address one of the core reasons for this podcast by discussing Roy Thomas taking co-creator credit for Wolverine and Will's own experiences with creator-owned material, specifically the origins of Vertigo
The Dead the Damned could be 2024's theme for the comics industry. For now, it's the title of Goats Flying Press's first release. After a two-year break, I talked with Sebastian Girner about his new publishing venture, Goats Fly Press, and whet
I've heard many people say no one buys comic book anthologies. Well, that might not be so true. For several years, DC Comics has had a successful run with its 80-Page Giant seasonal anthologies. Alex Antone, who edited some of the earlier issue
Here's a bonus interview with Amanda Meadows about Fairsquare Comics' new Kickstarter project -- Mutiny: Black Girl Magick. A heads-up. This ep contains two or three f-bombs. Mutiny Black Girl Magick Kickstarter Page https://www.kickstarter.co
Will Dennis and I connect to talk about a few things 2023 and a few things 2024. We cover NYCC 2023, Thought Bubble, Roger Stern, Will's favorite comic of 2023, Moonshine, the loss of editorial institutional knowledge, and the demise of comics
Post San Diego Comic-Con 2023, I had a great conversation with Denton Tipton about the new version of Magma Comix. We cover Denton's and Magma's past, present, and future and what keeps him going through the ups and downs that come with working
First, DSTRLY's anthology, THE DEVIL'S CUT, which Will Dennis discusses in this ep, was released last week. So scoop up your copy before it sells out. Along with talking about 2023's San Diego Comic-Con, we also review Will's past and discuss h
SDCC2023, Barcon, John Byrne, COVID, BARNSTORMERS, Fabio Moon, and we spent some serious time discussing all the covers for DSTRLY's Devil's Cut and how they came to be. (FYI - This was recorded a bit before the SAG-AFTRA strike.)
Robyn Chapman discusses her work on First Second's release of HOMICIDE: THE GRAPHIC NOVEL, which is an adaptation of David Simon's nonfiction book Homicide: A Year on the Killing Streets, which also was the source material for the award-winning
My quick tour of Marvel's Avengers Heroes office wraps up. This time I talked with Annalise Bissa about her career's progress from intern to editor. By discussing her background, mentors, and various responsibilities at the House of Ideas for t
Marvel's Executive Editor Tom Brevoort and I discuss the genesis, execution, and response to two unique Marvel series--AVENGERS BEYOND and NAMOR: CONQUERED SHORES. Tom explains why Marvel's Two-In-One and Team-Up series might not work in today'
First, a huge congratulations to Alex Segura for winning the Los Angeles Times Festival of Books Prize for the Mystery/Thriller category for SECRET IDENTITY.As for this interview, it's a companion piece to my interview with Cliff Chiang, in whi
No intro with this episode of CROPPED because I wanted to jump right into the Q&A with Will Dennis about his role with DSTLRY. And I asked him to explain what the hell is a Founding Editor.
Comixology Originals' EDGEWORLD relaunched a few months back. Three new issues from this new arc are already available. I caught up with series writer and co-creator Chuck Austen to discuss this arc's direction.Of course, sticking with the show
Will Dennis and I journey down memory lane and review the nine issues of Captain America (#247 to #255) that Roger Stern and John Byrne pretty much teased readers with in 1980. We ask "What If" and "What Could Have Been" a lot regarding their w
I had a great talk with Cliff Chiang in which we discussed how his editing work at Vertigo Comics reverberates throughout his career right up to CATWOMAN: LONELY CITY. He also dived into the creative and somewhat laborious process he took to ma
After Will Dennis and I realized we hadn't recorded a CROPPED since before New York Comic Con, we jumped into reviewing 2022 and pondered what would happen in 2023. Hey, it's only February, so we can talk about 2023 still. Will examines how his
I know it's been a while since a new Portrait of an Editor. Sorry about that. I have two in the can, and I'm working on a few more. Sometimes the research for interviews and scheduling them can take up more time than the actual interview. I rec
In part 3 of my talk with Andy Khouri, we wrap up our talk about the early days of DC's Black Label and move on to his editing chores on DC's relaunch of Vertigo and working on the Young Animal pop-up imprint. We discuss FAR SECTOR and its plac
In part 2 of my Portrait of an Editor interview with Andy Khouri, we wrap up his take on editing Green Arrow. Also, we discuss how he learned to navigate the politics of the DC offices and the tastes of his bosses. Finally, we talk about the ea
One good reason for taking my time on this is that I think Andy delivered a great interview that explains some of the core reasons why I do this podcast. Over the course of 3 hours, he described what it was like for him to join DC Comics' edito
Here's my final New York Comic Con 2022 interview. First, I talked with Scott Dunbier years ago on the eve of another New York Comic Con. You can find that talk on the Portrait of an Editor Patreon page. In our new conversation, we discuss his
You could say my NYCC2022 talk with Fabrice Sapolsky should be called Portrait of a Publisher. We cover a lot here with what he is doing with FairSquare Comics. He delivers excellent points on the hustle it takes to keep an independent publishe
At NYCC 2022, I reconnected with Heavy Metal's executive editor Joseph Illidge. We talked about George Perez's takes on Scarlet Witch and Wonder Woman, the deaths that hit the industry in 2022, and the exciting future for Heavy Metal with its p
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