CineVic Society of Independent Filmmakers
Push In - The CineVic PodcastEpisodes
Episodes of Push In
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From how to apply for the position, to how much you’ll get paid, Victoria’s 2022-24 Artist-in-Residence Kemi Craig shares everything you ever wanted to know about her job but were afraid to ask!Kemi is a dancer, filmmaker, multi-media creator a
You may say you’ll never do it but, if you’re an indie filmmaker, chances are at some point you’re probably going to wind up producing your own work. In this fun and frank episode, actor, writer, director, and producer Ana de Lara really tells
With all the talk about toxic masculinity, it’s a real treat to watch a film that explores traditionally held “masculine” qualities like aggression, competitiveness — even homophobia — while also acknowledging masculinity’s potential for tende
When you’re on set and your film deals with the potentially triggering subject of suicide, how do you provide for the physical and emotional needs of a diverse cast and crew? This was the challenge that led filmmaker Ana de Lara to collaborate
Is your concept brave enough to be “not safe, taboo," or “mean and awful”? Filipina/Canadian filmmaker Ana de Lara thinks it just might make a great comedy! In Part I of our interview with this multiple award-winning Filipina/Canadian actor/wr
The brutal “treatments” that the Canadian government and CIA jointly funded at the height of the Cold War era’s brainwashing paranoia are the stuff of nightmares. Patients with diagnoses as innocent as postpartum depression were rendered virtua
If you’re interested in ways a filmmaker’s career can advance, this is an episode you won’t want to miss! Listen up as multiple award-winning Vancouver writer/director Connor Gaston shares the roots of his fascination with reincarnation, the v
There’s certain to be lots that filmmakers and other creatives can relate to in part one of Joyce Kline’s two-part interview with Vancouver based, internationally award-winning, writer/director Connor Gaston. With humour and rare honesty, Conno
Last episode, we heard from one of the most requested camera operators in Canada, award-winning, daredevil cinematographer DAVID MALYSHEFF. David is known for delivering the goods under extreme conditions - filming from horseback, helicopters,
Not many cinematographers shoot on submarines or from horseback, helicopters and kayaks - but today’s guest filmmaker, award-winning industry veteran David Malysheff, has done exactly that. With more than 25 years of television production exp
Film sets are high pressure environments with brutally long hours and the traditionally hierarchical structure of a military campaign. In this episode, filmmaker and much sought-after editor Lesley Marshall tells us how she balances the needs o
Unless you’re already a well-heeled nepo baby, this might be the one Push In episode you literally can’t afford to miss! Last episode, Push In interviewed filmmaker Denver Jackson, the brilliant creator and one-man animation team behind the web
Pride yourself on being hard working and dedicated to your art? Well, this interview with award-winning Victoria animator Denver Jackson will make you feel like a total slacker! Buckle up as this one-man powerhouse shares how he got into animat
This September, after over 40 years, Victoria’s iconic Pic A Flic Video will close, imperiling its unrivaled collection of 25,000 cult classics, musicals, foreign films, sci-fi, short films, silent movies, independent animations and rare docume
Host Joyce Kline reaches across the Pacific for a fun chat with Singapore based, BAFTA-nominated animator Calleen Koh. Calleen’s short To Kill the Birds and the Bees—a real highlight of this year’s Short Circuit Pacific Rim Film Festival—will
In this fun episode, Joyce meets up with writing/directing team Sonya Chwyl and Anik Desmarais-Spencer. Their latest short horror comedy Slip poses a sadly relatable question for these inflationary times: “How far will you go to keep your shitt
What’s it like to pitch to a panel of judges in front of a live theatre audience— when you think you’re awful at pitching? That was the challenge for multi-talented filmmaker Daniel Kwon, the writer, director, editor and co-producer of 2022’s C
Every screenplay has at least one element that a filmmaker knows is going to be tricky to carry off. But when the script demands you track down an elusive rare bird and find a location where an actor can safely fell a giant tree with a hand axe
Revealing what your family’s really like behind the scenes can be a giant leap of faith that few have the courage—and family support—to take. In her sensitive short The Mess We’re In, emerging Vancouver writer/director JAMIE LAM draws upon pers
Is it possible to use surreal, magical realist narrative methods to engage audiences in an experience best described as visually immersive, especially when the protagonists are young black men and the antagonists are police officers?JOHNNY KIRK
Wondering how much you should budget for insurance in your Telefilm Talent to Watch application, or what insurance you actually need for making a short film? This interview with Front Row Insurance Brokers VP Mike Groner covers everything you e
A traumatic work injury would stop most of us, but that’s what it took to steer Chris Vautour from her beloved 25-year career as a location scout and manager towards her original goal of becoming a filmmaker. With refreshing candor, the self-pr
In today’s info-packed episode, Push In interviews veteran film industry location scout and manager Chris Vautour. With astounding clarity, Chris concisely sums up the most important things to know when location scouting. If you want tips on s
Curious about the brave new world of interactive documentaries? Experimental filmmaker Morgan Rhys Tams’ “elevated cinema” goes where few have gone before. From a community-based animation with 120 collaborators, to an animated site-specific
When BC documentary filmmaker Morgan Rhys Tams was 31 years old, he wrote a short letter to the absentee father he’d never known. This led to his decision to drive 5000 kilometers to the opposite coast of Canada so the two could meet for the fi
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