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Radiolab

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A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder.

WNYC Studios is a listener-supported producer of other leading podcasts including On the Media, Snap Judgment, Death, Sex & Money, Nancy and Here’s the Thing with Alec Baldwin.

© WNYC Studios

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1 episode
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231 episodes
Host
232 episodes
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2 episodes
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1 episode

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Dolly Parton's America: Neon Moss
Today on Radiolab, we're bringing you the fourth episode of Jad's special series, Dolly Parton's America. In this episode, Jad goes back up the mountain to visit Dolly’s actual Tennessee mountain home, where she tells stories about her first trips out of the holler. Back on the mountaintop, standing under the rain by the Little Pigeon River, the trip triggers memories of Jad’s first visit to his father's childhood home, and opens the gateway to dizzying stories of music and migration. Support Radiolab today at Radiolab.org/donate. 
Songs that Cross Borders
Coming off our adventures with Square Dancing, and Jad's dive into the world of Dolly Parton, we look back at one our favorites. About a decade ago, we found out that American country music is surprising popular in places like Zimbabwe, Thailand, and South Africa. Aaron Fox, an anthropologist of music at Columbia University, tells us that quite simply, country music tells a story that a lot of us get. Then, intrepid international reporter Gregory Warner takes us along on one of his very first forays into another country, where he discovers an unexpected taste of home. Support Radiolab today at Radiolab.org/donate.  Aaron Foxes book: Real Country: Music And Language In Working-Class Culture  Gregory Warner's podcast Rough Translation 
Birdie in the Cage
People have been doing the square dance since before the Declaration of Independence. But does that mean it should be THE American folk dance? That question took us on a journey from Appalachian front porches, to dance classes across our nation, to the halls of Congress, and finally a Kansas City convention center. And along the way, we uncovered a secret history of square dancing that made us see how much of our national identity we could stuff into that square, and what it means for a dance to be of the people, by the people, and for the people.  Special thanks to Jim Mayo, Claude Fowler, Paul Gifford, Jim Maczko, Jim Davis, Paul Moore, Jack Pladdys, Mary Jane Wegener, Kinsey Brooke and Connie Keener.  This episode was reported by Tracie Hunte and produced by Annie McEwen, Tracie Hunte, and Matt Kielty. Support Radiolab today at Radiolab.org/donate.    Check out Phil Jamison's book,  “Hoedowns, Reels, and Frolics: Roots and Branches of Southern Appalachian Dance” Watch this 1948 Lucky Strike Cigarette Square Dancing Commercial A rare image of Black Square Dancers in 1948 The Square Dance History Project Read “America’s Wholesome Square Dancing Tradition is a Tool of White Supremacy,” by Robyn Pennachia for Quartz And Pennachia’s original Twitter thread Read “The State Folk Dance Conspiracy: Fabricating a National Folk Dance,” by Julianne Mangin  

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Podcast Details
Started
Dec 13th, 2011
Latest Episode
Nov 8th, 2019
Release Period
Weekly
No. of Episodes
232
Avg. Episode Length
42 minutes
Explicit
No
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