Episode Transcript
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0:04
I
0:10
promise not to laugh. I might
0:13
have a mild to moderate crush on
0:15
Maeve. No shit. What gave it
0:17
away? She, uh... She
0:21
touched my eyebrows. Now I have an erection.
0:26
You
0:28
said you wouldn't laugh. It
0:31
won't go away. It's been half an hour. It's
0:33
really cold.
0:40
Coldness usually works for me, but there we go. It's Ben Bailey-Smith
0:42
here. And Sasha Bates. And we return
0:45
with the second part, part two of our
0:47
look at sex education. Putting
0:49
some of these brilliant teenage characters from the
0:51
Emmy award-winning Netflix series created
0:53
by Laurie Nunn into therapy.
0:56
So last week, we looked in some detail at the female
0:58
characters of the show. If
1:01
you haven't heard that one, I strongly
1:03
advise you to go and check it out. It's the perfect accompaniment
1:06
for this one. Just like a penis and a vagina.
1:09
All right, Sasha, give us a bit of background to that
1:11
clip we just heard.
1:12
That was Otis, played by Asa
1:15
Butterfield. And he's in the school swimming
1:17
pool, can't get out for reasons that he
1:19
explained, talking to his mate Eric, played
1:22
by Shruti Gatwa. And he finally
1:24
admits that he does fancy Maeve.
1:27
We've all spotted it long before he did.
1:29
But yes, so as we know from
1:31
last week, Otis and Maeve run
1:33
a sort of sex advice clinic for their
1:35
classmates at the inaptly
1:38
named Moordale High. And
1:40
if last week was a bit female dominated, I
1:42
think we can
1:42
spend a bit of time this week on masculinity
1:45
and what being a man means for the
1:47
male characters. Who knows, who knows. And
1:49
you'd think that Otis, with
1:52
two, not just one, but two parents,
1:54
both being therapists, he'd be
1:57
super well adjusted. But that is not
1:59
the case.
1:59
Well, no, it's never really that simple,
2:03
but we'll look at his parents
2:05
and all the ways in which they do screw
2:08
him up, as parents always do, and
2:10
how the other parenting styles for
2:13
each of those boys has affected each
2:15
of them in different ways. So yeah, I think Otis,
2:17
Aria and Adam are worth
2:19
looking at. We looked a little bit at Jackson last week.
2:22
We'll
2:22
see if he pops up again. But those
2:24
three. All right. Coming
2:26
up, does seeing your parents have sex
2:29
when you're a child affect you? What
2:32
a question. Who knows? I'm sure
2:34
it's fine. What's worse as a
2:36
parent being strict or a smother-er
2:38
and we'll look also at how
2:40
useful a 16-year-old therapist can
2:42
really be? Oh yeah, and there's going
2:44
to be lots of rude words and reveals
2:47
of the plot and all of that stuff because it's
2:49
shrink
2:50
the box.
2:51
All right. And
2:56
just a quick reminder how the lead male characters
2:58
fit into Sex Education Series 1. So
3:00
this first series introduced us to
3:03
Otis, Otis Milburn, who's a teenage
3:05
boy, he lives with his sex forever as mum, but
3:07
he crucially is scared of sex. It
3:10
has a physical reaction to it. Maeve,
3:13
his schoolmate, who goes on to date
3:15
Jackson, the head boy, noticed that Otis
3:18
has this natural talent for counseling people
3:20
and giving advice after Adam Groff, the
3:22
headmaster's son, took too much Viagra
3:25
and had to hide in the toilets. Eric,
3:27
Otis' best friend who is
3:29
gay and is bullied by Adam, has
3:32
come out to his family. They're struggling with
3:34
it. And as it turns out, some of the locals
3:36
are even worse. So with that in
3:39
mind, Sash, tell us a bit about our
3:41
main client this week, Otis Milburn.
3:43
Yeah, Otis is 16, lives
3:46
with his mother, who is a sex therapist.
3:49
And his dad is two, but he's absent
3:51
since their divorce. The house that
3:53
they live in, which is ridiculously lavish
3:55
and gorgeous, is also where his mum has
3:58
her therapy consultation room.
3:59
her clients come and go. So
4:02
sex and therapy are very present
4:04
in Otis' home life. He's an only
4:06
child and yeah, his best friend is
4:09
Eric and the two of them sort of outsiders
4:12
as we kind of established last week.
4:14
So if Otis walks into your lavish
4:17
home office up in the hills. With
4:19
that view. What
4:21
would be the first thing that you'd look? Oh,
4:24
well, he is on the outside.
4:26
He's seemingly very grown
4:28
up and sensible and the sort of
4:31
nice boy next door that everybody kind
4:33
of wishes their child would be. Yeah, his mom Jean
4:35
describes him as contained, doesn't she?
4:37
She uses that word when the
4:39
plumber's asking about him. Yes, yeah,
4:42
no, that's right. And he is, he kind of looks
4:45
very
4:45
well adjusted. And in many ways he
4:48
is, but there's a lot going
4:50
on under the surface because he is very
4:52
shy. He is scared of
4:54
sex. The first thing we learn about him is he can't masturbate.
4:57
And he's really embarrassed by this. His
4:59
mom, the sex therapist, is always like on
5:01
him to get on with it. As
5:04
is Eric, who is the kind of polar
5:06
opposite in terms of sexual openness
5:09
and willingness to
5:12
get out there and get on with it. And
5:14
his mom and he live alone and
5:16
are quite enmeshed with each other.
5:19
He is like
5:20
wanting to move away as teenagers
5:23
do as we talked about last time, but his mom's
5:25
sort of holding him back. She's
5:28
struggling much more than he is with the separation.
5:30
So there's a bit of a tension going
5:32
on there. She's not very boundry. She's really not boundry,
5:34
no. She jumps into his space
5:36
like way too often. Yeah, I mean, to the point- Makes your
5:38
toes curl. Yeah, it does. I mean, to the point
5:41
where he actually puts a lock or gets
5:43
a lock put on his bedroom door to stop
5:45
her just barging in. And at one point
5:47
she actually slams right
5:49
through it. She breaks it. She's so desperate to get
5:52
into his room. And it's a good metaphor for how she
5:54
wants to just be in his head. And
5:57
wants him to stay her little boy
5:59
in many ways.
5:59
So he remains fearful
6:02
and that is one of the big sort of things
6:04
you clock with him just sort
6:06
of going about life He's he's quite
6:09
nervous quite sort of on edge. He's quite
6:11
nervous about all sorts of things.
6:13
Yeah, and has panic attacks He's even
6:15
has panic attacks and we get a sense
6:17
of perhaps where that might have
6:19
bedded in to his formative
6:22
years in this next clip
6:25
There was once a very happy horse
6:28
called Hubert Hubert
6:30
was so happy he would run around
6:33
all day long. Mummy. Hmm.
6:35
Why was daddy naked with that lady?
6:40
What do you mean darling? Daddy
6:42
was naked with that lady in his office. I
6:45
saw that bums Do
6:48
you know what sex is Otis? Sex
6:52
is when a man puts his penis inside
6:55
a woman's vagina Does
6:57
it hurt? It can Intercourse
7:02
can be wonderful But
7:05
it can also cause tremendous pain and
7:09
if you're not careful Sex
7:12
can destroy lives Happy
7:15
Hubert was going to the happy horse
7:18
festival to see all his happiness
7:20
Holy shit My
7:24
god, I mean imagine that being
7:26
your introduction to what sex is. It's
7:28
this thing that can be wonderful But mainly
7:30
it's gonna destroy your life and
7:33
the lives of many others multiple other people
7:35
faceless people that you've not even met yet That
7:38
was from series one of sex education
7:41
episode six with Jillian Anderson there
7:43
as Jean Melbourne and Reuben Crier
7:46
as a young Otis Listening to the
7:48
story of happy Hubert the
7:50
episode was written by Laurie Nunn and Freddie Seiborne
7:53
I'm directed by Kate Herron full
7:55
credits, of course at the end of this podcast
7:58
now
7:59
when I first I watched that scene, I did
8:01
find it absolutely devastating
8:03
and funny too. But
8:06
it did make me think like, would you, could
8:08
you remember something
8:11
like that for the rest of your
8:14
life? And could it affect
8:16
the rest of your life? Just those few words
8:19
and that, as well as obviously
8:21
the, I think the image is stronger, what he actually saw.
8:24
But you know, the
8:26
words are important because he needs
8:28
the image explained. He
8:30
doesn't know what he's seen. Yeah, I
8:32
mean, I think they're really pivotal moments.
8:35
The seeing of his dad with, I mean,
8:37
a client. I mean, it wasn't even just a woman
8:39
he was having an affair with. I mean, as a therapist, I
8:42
just shut, I can't even go there to think of
8:44
how awful that is, that boundary
8:46
across. But anyway, so yeah, so the
8:48
image of seeing his dad having sex
8:51
when he doesn't know what it is, his
8:53
mum explaining that sex
8:55
can destroy lives and hurts. And
8:58
then from then on, he sees nothing
9:00
but the hurts that it has
9:01
done to his mum and his family. So
9:03
he has daily reminders
9:06
that his mum has changed completely
9:08
from this betrayal. She no longer
9:10
wants to have a relationship. She now uses
9:13
men for sex. He has this parade of men
9:15
going through her bedroom and then being
9:17
summarily dismissed the next morning.
9:20
So he's seen what it's done to
9:22
her. He sees how lonely she is, despite
9:25
this sort of bravado of not
9:28
wanting a relationship. So yeah,
9:30
I mean, clients
9:31
are always saying to me, oh,
9:34
it can't because of that, that happened so long
9:36
ago, or it was just one conversation,
9:38
or it was just one thing. It that can't be why
9:40
I'm depressed or anxious or angry
9:43
now. But these things really
9:45
matter. They really, really do
9:47
stay in your brain and they can
9:51
really inform how
9:53
you then see yourself, how you see others,
9:55
what you believe relationships to be.
9:57
And it can be really hard to move on.
9:59
Of course, it's not impossible. That's why we have therapy
10:02
in the first place. That's why it's so important. People
10:04
need to be able to see, yeah, that was really
10:07
strong in that moment, but it
10:09
doesn't have to define you. It doesn't have to define
10:11
how you are. It's not everybody that
10:13
acts like that. So this
10:16
is precisely what therapy is there for
10:18
really, to be able to talk through these
10:20
really painful, life-defining
10:23
moments to realize, well, we don't have to be trapped there.
10:26
They informed what we are and who we are, but we
10:28
don't have to be stuck there. We can move on from
10:30
it. We can learn from it. We can understand
10:33
and see it from a different perspective. He's not
10:35
that, whatever he was there, that little seven or eight
10:37
year old boy anymore. He doesn't have
10:40
to respond from the same place.
10:42
But having said all that, Otis hasn't
10:44
really talked about it. He hasn't moved
10:46
on. He's still stuck there. As amazing and as true
10:49
as that theory is, that you've just said,
10:51
he doesn't know that. He
10:53
doesn't know the power
10:56
that he can have to make
10:58
his life a positive and happy place,
11:01
in general and sexually as well. What
11:04
do you think he thinks is gonna happen, if
11:07
he has sex or if he masturbates?
11:08
Well, I think it's not even that he thinks,
11:11
because it's not a thinking thing. I think this
11:13
is what happens with stuff that happens really early on.
11:15
It embeds itself in your unconscious.
11:17
So you can think all you like about who sex
11:19
is very natural and it doesn't hurt and it isn't
11:22
gonna destroy my life. But
11:24
he's not responding from a thinking place. His
11:27
brain is being overridden by the
11:29
emotional hurt that he never processed
11:31
about, oh, this
11:34
is why my mum is
11:36
like she is. And I think he's
11:38
worried unconsciously and probably
11:40
consciously as well, that he will be like his dad. That
11:43
he doesn't want to do this act
11:45
that can hurt women and
11:47
hurt himself, because I imagine his dad isn't very
11:50
happy either. He seems looking at his
11:52
little shit from the zoom calls he
11:54
has with him. But so I think he
11:56
doesn't want to be like his dad. He doesn't want to cause
11:59
hurt.
11:59
He also doesn't want to be like his mum, who's always
12:02
pushing people away. His mum's
12:04
giving him sort of mixed messages. I
12:06
was just going to say, I think there's a lot of
12:08
mixed messages because, you know, he has
12:10
a wet dream and she
12:12
can't help herself.
12:14
She has no boundaries. She
12:17
goes, he
12:18
begs her, you know, not
12:20
to go in his room. And so she immediately goes
12:22
in as soon as first opportunity, checks
12:24
the sheet, finds the soiled sheet
12:27
and she washes it.
12:29
And when she takes it out and it's clean,
12:32
she has a sort of little moment with herself. And I was
12:34
just like, what do you want? Like
12:37
you sort of encourage him to become
12:40
sexualized when he doesn't want
12:42
to. But then you also seem to want
12:45
him to like stay a little boy.
12:48
I think it must be so hard for him to know what she
12:50
wants from him.
12:51
I think it really is. And I think she
12:54
is, they're both caught in this double bind. She's
12:57
encouraging him verbally and cognitively,
13:00
you know, masturbate, be a man,
13:02
you know, grow up. It's important.
13:04
But at the same time, all her actions are saying, stay my little boy,
13:07
don't leave me. Don't put a lock on your
13:09
door. Tell me everything. Don't
13:12
be another man that leaves me on
13:14
my own. So yeah. She
13:15
says as much to the plumber, right? Yeah.
13:18
She says like, I'm scared. I'm scared. He
13:21
doesn't know how lonely he makes me feel. No,
13:23
exactly. So yeah, she's kind
13:25
of both pushing him out the door and saying, yes, individuate,
13:28
go forth. And at the same time, she's like
13:31
pulling him back by the collar saying, no, please don't
13:33
leave me and please, please stay mine
13:35
because you are the only man in my life that I can
13:38
trust. So they're both kind of stuck
13:40
really. So I think it's no wonder
13:43
really that he's kind of screwed up both from both
13:45
sides, from the early pivotal,
13:47
seeing what happens, seeing
13:50
what his mum has become, and then not wanting
13:52
to be
13:52
his dickhead of a dad.
13:54
Yeah. And I suppose she doesn't want him to
13:56
turn into that kind of man. It's
13:58
less like we're here with. with Eric
14:00
and his dad, that
14:03
really sort of sad scene in
14:05
the car where his dad says,
14:09
what kind of man do you want to become?
14:13
And Eric says, what kind of man do you want me to be?
14:16
I know. Because it feels like you're not happy
14:18
with the one that I am. Yeah. And
14:20
you know, basically is what he's saying there. So
14:23
look, I mean, let's have a look at, speaking
14:25
of Eric, let's have a look at some of the other boys
14:28
and their approach to this
14:30
really sort of delicate stage
14:32
of transitioning from
14:35
boy to young man. Let's
14:37
look at Adam. Let's look at Adam.
14:39
We'll come around to Otis.
14:40
Well, Adam sort of almost got the opposite
14:42
problem in that if Otis'
14:44
mum is too smothering
14:47
and intrusive and caring
14:49
for him, Adam's dad
14:52
could not be more different in that he doesn't
14:54
seem to care. He doesn't seem to like him. He's
14:57
constantly putting him down. He's constantly
14:59
just telling him what a failure and what
15:01
a disappointment he is. And
15:03
Adam has no softness or kindness
15:06
or warmth in his life at all. He's frightened
15:08
of his dad. And as often
15:10
happens, somebody who is bullied then becomes
15:12
a bully, because it's the only way they can get any
15:15
sort of form of self-esteem
15:17
back by projecting out everything
15:20
that's been given to him. He has to then like put
15:22
it out onto somebody else. And it's
15:24
interesting that the person that he chooses to bully most
15:27
is Eric, because Eric represents
15:29
everything that he can't be. Eric is a free spirit.
15:32
Eric does just say, this is me in
15:34
all my kind of quirky
15:37
out there, nurse. And I'm not gonna be
15:39
ashamed of myself. I'm not gonna be who
15:41
the world wants me to be or who my
15:43
dad wants me to be. I'm going to defy my father
15:46
and say, yeah, I'm gonna wear colorful clothes and
15:48
makeup and be very openly
15:51
gay and flamboyant.
15:53
And that's everything that Adam can't be. I
15:56
mean, we don't find out till later that Adam actually is gay
15:58
as well, but that will also... also be
16:00
fueling the self-loathing.
16:03
It's like, oh, he gets to be everything that I would never
16:05
let myself be.
16:06
And he's tentative. He's a very tentative
16:08
bully, isn't he? Because he never really
16:11
sort of fully bully bullies.
16:14
He's always a bit kind of like...
16:17
It's almost like he's testing the water when
16:19
he bullies. Like, could you be my friend?
16:21
Okay, no, fuck you. I'm going to bully
16:23
you. He seems to have that pattern all
16:25
the time. Even when he meets
16:28
Eric with the dogs, there's almost a moment
16:30
where it's like, hey, you've got a dog. I've
16:32
got a dog.
16:33
And then, you know, it's the one tiny
16:36
thing goes wrong. And he's back to that normal
16:38
mode. Fuck you. Covers Eric's
16:41
dad's car and dog shit.
16:43
Oh, I know. Well, he has got that. Like I say,
16:45
he's got this nasty streak, but you're absolutely right.
16:47
He's also got some really sweet moments
16:49
to him, like with the dog, like
16:52
when he sees his own dad
16:54
be proud of Jackson when Jackson wins
16:56
the swimming competition. And he sees his
16:59
dad be really proud of him. And you can see
17:01
the hurt that, oh, he's never going to look at
17:03
me with any pride.
17:06
So you see those moments of vulnerability. And
17:09
at the party, there's
17:11
a party that Amy has and Adam
17:14
is causes chaos. And he
17:16
speaks to Otis' mom, who's
17:19
much better at being as often happens
17:21
being a mom or a wise
17:24
counsel to somebody other than her own child,
17:26
because she's too close to Otis. He
17:28
shows Jean that, you know, he just wants friends
17:31
and to be liked, but he just doesn't seem to know
17:33
how to. So he does sort of open up to her
17:35
a little bit. So yeah, he definitely he wants
17:38
to be loved like everybody, but he has to like,
17:40
Maeve, he has to put on a bravado of, you
17:42
know,
17:43
I'm the tough guy. And in
17:45
this stage, I don't know what is
17:48
worse, like to be super
17:51
smothering as a parent or to
17:53
be super strict, you know, looking at them,
17:55
I'm talking about the parents in the show
17:57
here. And Adam's
17:59
seen
17:59
I mean, we don't see a lot of his mum, but when we
18:02
do see her, she's almost like
18:04
in denial of who he is. She
18:06
sort of desperately wants him
18:08
to be the thing that
18:11
he's clearly not in that moment. Like
18:13
I'm thinking about the scene where
18:17
they have an extended family over to
18:19
celebrate him winning the essay award.
18:21
Yeah. And he's, which is clearly
18:23
plagiarized. He didn't win. He did not write
18:25
it. But his mum is like sort of gleefully
18:29
celebrating him, like
18:31
a little girl, she's like fawning around
18:33
him and, oh, my clever Adam,
18:35
my funny Adam. And it's almost
18:37
like she's overcompensating. He gets nothing
18:40
from that warmth that she's
18:42
trying to give him. But then
18:44
even that warmth feels a little
18:46
forced. Yeah, it feels quite performative,
18:48
doesn't it? That whole family feel like they're
18:50
performing a role. The dad is like performing
18:53
the role of headmaster that he's clearly
18:56
not very cut out to do. And the mum
18:58
seems to be performing the happy family, which
19:00
they're not. And there's Adam performing the role
19:03
of tough guy when actually he
19:05
doesn't want to be beating up at Eric. He wants to
19:07
be having sex with him. So
19:10
none of them, they're so inauthentic,
19:14
which is complete opposite really to Eric.
19:16
But most people, including
19:18
his own father, Eric's own father, are frightened
19:21
of Eric's authenticity. But yeah, I think
19:23
all these different parenting styles leave
19:26
a trace. They all come
19:28
at a cost. I don't think it's a matter of who's
19:30
worse or who's better. It's like each one has
19:32
to be dealt with. Each one's got its own different
19:35
set of repercussions that people
19:37
then, if they don't have therapy early or
19:39
don't have friends they can talk to, spend
19:42
the rest of their lives unpicking really, which
19:44
a lot of people do if they haven't got close
19:46
friends or they're not very emotionally intelligent
19:49
or aware.
19:50
They do get stuck in
19:53
these patterns of
19:54
relating that they had from early
19:56
on.
19:56
And Jackson's
19:59
parents. They're slightly different.
20:03
There is a smothering quality to them, but
20:06
I guess different from Adam, it's
20:10
all about, or it seems to be all
20:12
about, him kind of representing
20:15
them and the family as a whole, as
20:17
well as himself, as this unbeatable
20:21
winner at life. And
20:24
it's an incredibly pressurized
20:27
environment that he's in. Yeah,
20:29
I mean, of his two mums, the white mum, definitely
20:35
seems to be
20:37
trying to get him to be something
20:39
that she couldn't. You kind of get a sense of
20:41
failed expectations from her, and I
20:43
couldn't be the best at something, so I'm going
20:45
to make sure he is almost.
20:48
It definitely feels like he's doing
20:50
it for her rather than
20:52
for him.
20:53
Yeah, you feel like she'd be maybe
20:56
not even sad, but angry if
20:59
he didn't make it. It's
21:01
interesting the way they introduced her, I don't know
21:03
if you remember, but the first time you see her, they're
21:06
running at dawn before school. And
21:09
because of who she is, an older
21:12
white woman
21:13
with a black, not a mixed
21:16
race kid, a black kid, I assumed
21:18
that she was a personal trainer. And
21:20
all the language was like a personal trainer
21:23
would to their client. She
21:25
sort of is. Yeah, so it was really
21:27
funny, like seeing her in the house was like
21:29
a reveal. I was like, oh my God, he's got two mums,
21:32
of course. Well,
21:34
I think it does depict a sort of style
21:36
of parenting that can be like being a personal
21:38
trainer or a personal executive coach.
21:41
And yeah, some parents think that's their role, just
21:43
to kind of push and push and push.
21:46
And perhaps all three of these boys, Otis,
21:49
Adam and Jackson, are struggling
21:51
with the weight of expectation. Yeah.
21:55
You know, from their parents.
21:56
Yeah, I think that's right.
21:59
Eric's the only one who...
23:54
I
24:03
just shouted at that man. Yeah.
24:10
Yeah, he did. Maybe
24:14
I am
24:16
learning from my brave son.
24:17
Yeah,
24:20
it's kind of a beautiful moment. And at the end of that
24:23
section, Eric hugs his
24:25
dad and Adams
24:26
looking on, of all people. How
24:29
many times have we seen this Adam
24:32
looking on at a
24:34
relationship that he covets or
24:36
a father that he doesn't
24:38
have? I'm
24:41
even reminded of that scene again where
24:43
they're celebrating the essay where every
24:46
individual member of the family professes
24:48
their pride in him. And he looks to his
24:50
dad and his dad's like, yeah, what they
24:52
said. Yeah. Everyone's
24:56
proud, you know. He just wants to hear,
24:58
I'm proud. But yeah, I
25:00
suppose most of all what
25:02
we get in that scene
25:04
with Eric
25:06
and his dad is that there's a sense of hope around
25:08
the corner, which is kind
25:10
of the underlying feeling of the whole
25:12
show. And hope,
25:15
of course, is what we're all after, really,
25:17
isn't it? All the time. So after
25:19
the break, we're going to be looking at male friendships
25:22
in a bit more detail. And we're going to explore
25:24
how the observing ego
25:26
helps Otis as a therapist. We're
25:29
going to be back right after these ads and a Syora
25:31
takes subscriber, in which case we'll see you in seconds.
25:34
Oh, here's a quickie for you. Eric is named Trombono
25:37
after he got an erection playing an instrument during
25:39
a school assembly. But do you remember what
25:42
that instrument was? And I'll give you a
25:44
clue.
25:45
It wasn't a trombone. Kids, eh?
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we explore the finite nature of so much
28:09
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28:11
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28:13
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28:16
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it threaten our survival? Join
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28:22
consequences of a world without.
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Listen now on Apple, or wherever you
28:27
get your podcasts.
28:35
All right, we're back. And you know, sex
28:38
ed fans, you wouldn't have known the answer
28:40
to the teaser straight away. But
28:42
those who aren't aware or have forgotten, Eric
28:45
played the French horn, of
28:47
course. Horn, French
28:50
letters. Yeah, come on, sex education.
28:52
Sash, we talked about female friendships
28:55
in the last episode. But what challenges
28:58
do the male characters
29:00
face in that department?
29:02
Well, I think what's really sweet is Otis and
29:04
Eric's relationship. And often,
29:08
young girls are better at making friendships
29:10
than boys, the
29:12
cliche is that boys bond over the
29:14
sport and the games
29:16
and everything. And they don't talk as much. But in fact,
29:19
we get some good depictions here of how close Otis
29:21
and Eric are and how they do talk and how much
29:23
they mean to each other. But Otis starts
29:26
to leave Eric behind a little bit when he
29:28
gets involved with the clinic and Maeve.
29:31
And I think why Eric joins bands in
29:33
the first place is because he's
29:35
feeling left out and Otis isn't there for him
29:37
as much and he's feeling quite lonely
29:40
and rejected. And that's when he
29:42
falters, we've talked about how confident he is,
29:44
but without Otis' backup,
29:47
he does start to question himself a little
29:50
bit. And when Otis
29:52
lets him down on their annual
29:55
trip to go and see a Hedwig and the Angry
29:57
Inch, and they all dress up. And
30:00
Eric is left alone on a bus
30:02
in all his outfit, which of course
30:04
does lead to him being beaten up.
30:07
And again, it's quite a good representation
30:09
of how without your friends there,
30:12
you can be really alone. But
30:15
it is all part of this changes
30:18
going on for teenagers as
30:20
they're kind of exploring the balance
30:22
between being independent and being
30:25
part of a team. And that's not just with their parents. I
30:27
think their friendships are also being put
30:29
to the test to see where the boundaries
30:32
of friendship can go and can they
30:34
stretch as far as incorporating
30:36
one of you getting a partner. And we
30:39
see that faltering, we see how
30:41
much that affects Eric. And in fact, this
30:44
is the only time in the whole show when he just thinks, okay,
30:47
well, I'm just
30:47
going to wear beige. And
30:50
he has an episode as a way he's wearing beige. And
30:52
it's just, it's heartbreaking because it kind
30:54
of, it feels like all the spirit,
30:57
all the fight has gone out of him.
30:58
His face, his body language is just completely different.
31:01
He looks like a different person. Yeah, I mean, he even tries doing
31:03
what his parents want him to do and go to
31:05
church and be a good little Christian boy. And
31:08
it's just not him. And
31:11
luckily for all of us, especially
31:13
Eric, he becomes the Eric that we know
31:15
and love and he can't live a lie.
31:18
He does put it back on. But
31:20
yeah, I think he and Otis are hugely important and
31:23
they do share things together. And
31:26
Adam, again, he's the one that's isolated. He's
31:29
got no friends. He's got no one to talk to. And
31:31
it's why he has to take it, why he becomes a bully, another
31:33
reason why he becomes
31:34
a bully. There's a much longer route
31:36
to that understanding of self
31:39
if you remain isolated, do you
31:41
think? Yeah, I think so because
31:43
it is in the to and fro and the testing of, is
31:46
it okay to do this? Is it not okay to
31:48
do this? How much can I be me? How much can I let you
31:50
be you? That's where they sort of learn. Someone
31:53
you trust asking you a difficult question
31:56
or a challenging question is powerful, right? Yeah,
31:59
and they fall out.
31:59
Which of course friends do
32:02
but I've said before in other episodes. It's not
32:04
the falling out Everybody falls out at some point
32:07
if they've got a really authentic relationship at
32:09
some point You're gonna have to say this is not
32:12
okay And the other person may or may not
32:14
be able to take that and then if
32:16
you can get beyond that It's going to be stronger
32:19
as a result of having had the the
32:21
breakup was if you never test it
32:24
It's always a little bit like oh Can't
32:26
I say this but if you've put it to the test
32:28
and you've been able to say
32:29
yeah I was a dick or you were a dick But
32:32
actually the friendship is worth
32:34
worth more than than that all the
32:36
ruptures all the repairs to the rupture
32:39
Make it stronger and stronger and stronger
32:41
Well, that is a beautiful thing. It's
32:43
just so nice to hear in it. So
32:46
I want to dig into a little bit to
32:49
Otis being a therapist like
32:51
we got this junior therapist to
32:53
look into here You know you can be
32:55
as judgmental as you want You
32:58
know, we've not seen the likes of Otis
33:00
since doogie how's at MD, you know,
33:03
so but we we've looked at fictional
33:05
therapists proper therapist before dr Melfi,
33:07
of course in Sopranos We
33:10
had the therapist and I may destroy you and flee
33:12
bag There's even a character in
33:14
friends. There's George's therapist in Seinfeld
33:19
But let's hear a 16 year old therapist
33:21
in sex therapist specifically
33:24
in full flow
33:25
Tell him if you tell him about it. I don't know why
33:27
we're doing this It's not like some advice
33:30
from a 16 year old straight dudes gonna magically
33:32
fix us Stupid.
33:34
Yeah. Well, I mean you're right Ruthie
33:37
I'm not particularly well-versed in the
33:39
intricacies of lesbian sexual relations But
33:41
I think if I can learn a
33:43
bit more about your emotional relationship to one another
33:46
I might be able to get closer to the roots of
33:48
the problem.
33:48
We don't have a problem with our relationship
33:52
We're in love and it's great. We're
33:54
just Inexperienced
33:56
this is my first lesbian relationship.
33:59
Me too First, I mean, lesbian
34:01
sex therapy session. So have you got
34:04
any ideas, Kinsey? Because I'd like to have
34:06
an orgasm sometime this century. Yeah,
34:08
leave it with me. I'll do some research and
34:11
see what I can come up with. Yeah, brilliant. Thanks.
34:14
Thank you.
34:15
Mm. So Otis,
34:17
you know, he's not afraid of showing
34:20
that he doesn't know it all. But
34:22
he is very calm in difficult
34:25
situations and conversations like that. You know,
34:28
from your point of view, how useful
34:30
or effective is Otis, really?
34:33
I think he's doing really well, actually. I
34:35
think he is holding that position,
34:38
which is a therapist you have to do, which is to
34:40
be really
34:42
interested and empathic and attuned,
34:45
but without actually getting involved. He can't
34:47
tell them what to do. But what
34:49
he can do is be that observer that has the perspective,
34:53
that is not in there, in
34:55
the relationship with all the kind of like the swirling
34:57
emotions that are going on. He can look at it from
34:59
outside and say, I don't think this is
35:01
about the sex. I think it's about your relationship
35:03
and your communication. And they're
35:05
saying, no, no, no, no, it's not. I mean, it turns out that
35:08
he's absolutely right. Yeah, it
35:11
is all about their relationship
35:12
and their communication and the sex. He
35:14
sees Ruthie, doesn't he, around behind a bush,
35:16
kissing someone? Yeah, because she wants her first relationship to be with
35:18
her best friend. But
35:23
of course, it's her best friend and
35:25
she can't summon up sexual attraction
35:27
for her, whereas she can for someone else.
35:30
But she doesn't want to
35:32
admit that. And he says right
35:34
from the word go, they challenge him
35:36
and say, well, what can you know about a lesbian relationship?
35:39
And he's like, I don't know anything. But
35:41
because I'm not in the midst, I
35:44
can see from the outside
35:46
what is, I can get a clearer picture.
35:49
And in a way, that's what a therapist is trying
35:51
to encourage a client to do, is to develop
35:54
what we call an observing ego within
35:56
themselves. So even when the therapist or
35:58
the friend or whoever is not in the midst of it, not there to say,
36:00
actually, can you see what you're doing here? You've
36:03
developed a part of you that can stand back
36:06
and say, oh, I can see that there's
36:08
a part of me that is feeling really
36:11
unsure or is feeling really angry
36:13
or is feeling whatever I'm feeling. But there's another
36:16
part of me that can say, yeah, you're not your
36:18
anger. You're not your sadness. There's a part
36:20
of you feeling that. And there's also a part of you
36:22
that is able to watch from the outside
36:25
and say, yeah, you're sad because it's a sad
36:27
situation. It doesn't mean you are a sad person.
36:29
Does that make sense?
36:30
Absolutely. I was just listening to you and you
36:35
see that understanding, that level of maturity
36:37
in him,
36:38
as soon as Rufy says, no, what
36:41
does she say? We're in love and it's all perfect. And
36:43
he's just like, he doesn't buy that for a second,
36:46
but he doesn't know them. And like you say, he's got no experience
36:49
in lesbian relationships or anything like that.
36:51
But he's smart enough to clock
36:54
body language, tone of voice. And
36:57
that something is wrong that
37:00
needs his support. He's good at
37:02
that. And can we say these are
37:06
good things he's got from his slightly messed
37:08
up
37:08
parents or not?
37:10
Well, possibly. He's obviously well
37:13
versed in the lingo and he's had
37:15
his mum and possibly his dad sort of explain
37:18
a lot of stuff to him. And
37:20
he's very good at explaining in turn.
37:22
So yes, he probably has picked up some stuff from them,
37:24
but I think also temperamentally, he
37:26
is naturally an observer
37:29
as we saw, you know, it got him in trouble because he observed
37:31
his dad having
37:34
sex with a client. So I think it's
37:36
always, there's never any one thing. I think a combination
37:39
of his temperament,
37:40
his background, the fact
37:42
that his parents have very
37:45
openly talked about therapy things.
37:47
And the fact that he doesn't have a relationship
37:50
of his own, the fact that he is scared
37:52
of his own getting in there
37:54
with with with Maeve or anybody.
37:56
That doesn't
37:57
affect his confidence though
37:59
when he's. in the room with his clients.
38:02
No, because it's very different. He's there as a therapist.
38:05
He's not there as him. And again, it's
38:07
that those parts, there's the part of him that
38:09
is in love with Maeve and too scared to
38:12
tell her. And there's a part of him that is like
38:14
quite a mature therapist itself. And
38:16
he can be both those things. They seem
38:18
contradictory, but they coexist in the same person.
38:21
But we all have massively contradictory
38:23
bits in us.
38:24
Maeve explicitly says to him,
38:26
doesn't she? Don't tell anyone that
38:28
you're a virgin. Don't mention him.
38:30
In her head, that
38:32
makes him way less... Have
38:35
no authority almost. Have no authority
38:39
in sex advice and sex therapy.
38:41
It just sort of bolsters your point. I was
38:43
just reminded as you were saying.
38:45
Yeah, because otherwise
38:47
as a therapist, if somebody came to me that
38:49
had anxiety and I could say, well, I've never
38:52
had anxiety. I can't work with you. I'd
38:54
only ever be seeing sort of like
38:56
depressed grievers. If I was only going to see
38:58
people that I had some personal experience
39:00
of. So you're always
39:03
going to be seeing people that come to you and say, oh, I've got an
39:05
addiction or I've got this, that or the other.
39:07
I don't have to personally have known what it's
39:09
like to be an addict in order to work
39:12
with them. But I
39:14
will have known what it is to suffer
39:16
because we all have. I mean, there
39:18
is a sort of a theory of the wounded
39:21
healer that the best therapists, the best
39:23
healers are people that have their own wounds because they know
39:25
what that's like to be
39:27
in pain. It doesn't have to have been the same pain.
39:30
We don't have to have had the same sort of
39:33
tragedies or difficulties or struggles, but
39:36
I understand what it is to struggle. I understand
39:38
what it is to feel out
39:40
of control or whatever the
39:42
thing is, even if it's
39:44
not in the exact same way.
39:45
Yeah, have you ever prescribed
39:48
a wank? Do
39:51
you know what? I don't think I have.
39:55
I don't think I
39:57
have. As
40:01
ever, full of insight, Sash.
40:03
And just feeling the
40:05
massive amount of holes that there are in my
40:07
knowledge of all of this stuff. I genuinely,
40:10
like 20 plus episodes in to
40:12
Shrink the Box, I feel like a little
40:14
bit smarter.
40:15
I'm not gonna lie. Just from sitting
40:18
opposite you and going, wait a minute, what?
40:20
If you ever hear that awkward pause when you finish talking,
40:22
where I don't say anything, it's not because
40:25
you've lost track of what's going
40:27
on, or it's all gone to shit. It's because I'm going, fuck,
40:30
wow, damn, that's true.
40:33
And then I think, okay, right, let's
40:35
get back to it. Yeah, well, it's
40:38
why being a therapist is such a sort of endlessly fascinating
40:41
job. But I think also, we
40:43
always say to people, write
40:45
in with your suggestions for new characters. But also,
40:47
you know, if they've got, if you've got
40:49
questions about what the
40:52
process of therapy, I don't mean your own
40:54
personal therapy, but the process
40:56
of therapy and what is actually going on, because it can seem
40:58
like this sort of like mystical, weird
41:01
thing where nobody really knows
41:03
what goes on. So yeah, people should definitely
41:05
ask us if we've got things that we can elucidate.
41:08
And now we've got so many mental health professionals
41:11
listening to us as well. I think they could
41:13
do their suggestions in a whole different way. So
41:15
they could look, they could write in and go like,
41:18
I want to dig deeper into transference. Here's
41:20
a great character for that. Yeah.
41:23
Yeah, we'll see. We'll see what happens as
41:26
we go forward, as we go forth on this
41:28
journey, this box shrinking journey.
41:31
And thank you to everyone who's on the train with
41:34
us, including
41:35
Charlie, who's written into
41:37
the show at shrink the box at sonymusic.com
41:41
and said, dudes, just call us
41:43
dudes. Glorious, glorious show.
41:45
Love it. Want to hear your thoughts on dark.
41:48
It's in German, but there's some serious meat
41:50
to it.
41:51
Ulrich deserves some thought. So do
41:54
many of the characters. Keep up the good work, Charlie.
41:57
I've heard about dark only
41:59
because I was...
41:59
I was working with someone who was going on to
42:02
the job as it was about to be
42:04
filmed and they were going to Germany and they're really nervous about
42:06
it because it is all in German and they were English.
42:09
But that's all I know so I will dig into
42:11
that.
42:11
I've never heard of it. It sounds intriguing.
42:14
I like the brevity of Charlie's email
42:16
as well. It's just like get in, say what
42:18
I want to say, get out
42:19
of here. I didn't even have time to say Ben and Sasha, just
42:21
dudes. Good show,
42:23
love it. Dark, check it out, keep
42:26
it up, Charlie. Brilliant.
42:27
Concise and
42:30
to the point. Thanks, Charlie. Good work, Charles.
42:33
So do follow us if you don't already on
42:35
Apple Podcasts, Stitcher, Spotify,
42:38
Amazon Music, wherever you fancy and
42:40
get your new episodes ASAP
42:42
and tell a friend to tell a friend so
42:45
we can spread the word and get some more
42:47
episodes in your ears. And if you want to listen
42:50
without the ads, you know what to do. Subscribe
42:52
to Extra Takes. You get the ad free episodes
42:54
of Kerr Mode and Mayo's Take as well as all their
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bonus bits. And you can have a
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free trial. Check it out. Give it a go.
43:01
Just click try free at the top of the
43:03
shrink the box page on Apple
43:05
Podcasts or you can visit extra takes.com
43:08
if you prefer. Thanks to our production team.
43:11
Production management is Lily Hambly. System
43:13
producer is Marnie Woodmead. Social media
43:15
is Jonathan Imieri. Studio engineer
43:17
is Matthias Torres-Soleil and
43:20
mix engineer is John Scott. The
43:22
producer for this episode is Michael Dale and
43:24
the senior producer is Selena Reem. Exec
43:27
producer, Simon Paul. Shrink
43:29
the Box is a Sony Music Entertainment
43:31
production. Now, we're
43:33
not gonna have a part three of Sex Education just
43:36
yet. Maybe some other time. Although we almost
43:38
could. We almost could to be honest. So many great characters. I
43:40
think all the wire fans and soprano fans
43:42
will probably get really upset with us. They're going
43:45
back for more. So, Sasha,
43:47
who have we got for the last guest
43:49
of season one of Shrink the Box?
43:51
Can't believe we're at the last
43:53
guest. We made it. Yeah. Well, many
43:56
of you asked for this character. You asked and we
43:58
listened and the much
43:59
anticipated season two has
44:02
just dropped on Disney+. Ooh. Let's
44:05
take a listen. Don't wipe your hands
44:07
on your apron, Chef. Jeff.
44:09
I refer to everybody as chef because it's a
44:11
sign of respect. You could throw down, huh? So
44:14
how you going to pass the family test? Delicious or impressive?
44:17
Delicious is impressive. All right.
44:18
Yo, family's up. I just never have
44:21
platanos with like grass on it. I'm
44:24
coming home. We want to change this restaurant, right?
44:26
I'm coming home. We have to change the chemistry.
44:29
It's Chicago. Why
44:30
are you always like watching me? Because it's just sort
44:33
of my job. We're in a chili flakes because
44:35
it organizes it's more confusing. Right there. They
44:37
both chili flakes.
44:40
This is a delicate ecosystem and it's held
44:43
together by a shared history and
44:45
love. I
44:47
have every intention of turning this into a respectable
44:50
place of business. Eventually.
44:55
Oh, man, it's Kami. It's Kami
44:58
from the Bay. I actually thought his name was Jeff
45:00
for ages when I was watching this series.
45:02
What? Why? Oh, Chef? Because they were like,
45:04
yes, Jeff. Yes, Jeff. And then
45:06
I was like, why did they keep calling everybody Jeff? I
45:09
was like, oh my God, I'm such a fucking idiot.
45:11
They're saying yes, Chef. But yeah,
45:13
if you don't know,
45:15
Kami is this young award-winning chef
45:17
who's come back to his hometown in Chicago to
45:20
run this kind of slightly decrepit family
45:23
sandwich shop that was left to him after
45:25
his brother Mikey's suicide. It's a great watch.
45:28
Do you enjoy it, Shash?
45:28
I did. I found it quite stressful.
45:30
I found the whole, yeah, that
45:33
whole kind of everything. It's hot. It
45:35
was too close. Yeah, and just
45:37
shouting. So I found it a very
45:40
tense watch, but obviously that is
45:42
what they're trying to depict. And
45:45
I think it is, the performances
45:48
are great. The script's very
45:50
spare. And I think it's really about
45:52
the grief over Mikey's death. And
45:56
I think some of that tension represents
45:58
what grief
45:58
can feel like.
45:59
But also it's a great study
46:02
in group dynamics, how
46:04
a new leader has to find a new equilibrium,
46:07
just as that family has to find a new equilibrium
46:09
without Mikey there as
46:12
well. And it's also about managing
46:14
expectations. I mean, there's so much in it, really.
46:17
And yeah, so season two is only just about to come out.
46:19
So we're going to be looking at season one. It's on Disney+. You
46:22
can go to justwatch.com for other
46:25
watching options.
46:26
All right. Thank you, Jeff.
46:29
I'll see you next week. See you.
46:31
Ta-ta. Time
46:39
now for the sex education credits, as promised
46:42
for series one created by Laurie Nunn at
46:44
the top when Otis gets an erection in the swimming
46:47
pool and when he's giving advice to the
46:49
lesbian couple. They're both from episode four
46:51
with Asa Butterfield as Otis, Shuti
46:54
Gatwa as Eric, Lily Newmark as
46:56
Ruthie and Alice Hewkin as
46:58
Tanya, written by Laurie Nunn and
47:01
Laura Neal, directed by Ben Taylor. And
47:03
when Eric's dad asks him if he really wants to
47:05
go to the ball dressed like that, it's episode
47:07
seven starring Diobia Opare as
47:09
Mr. Effiong. Sex Education
47:11
was made by Eleven and distributed by Netflix.
47:14
Thanks for listening and we'll see you
47:15
next week.
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