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Matthew Burchanoski
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The episode Tim and Matt were made for, explaining movies via Dril tweets. If you don't know Dril, go open Twitter and have yourself a reading session. We rattle off a bunch of favorites, and Tim relays how this David Lean classic is really jus
Belle and Sebastian produced a truly marvelous set of mournful yet sweet songs on If You're Feeling Sinister, a niche that they still loom over 30 years later. You might call it earnest, or even (and Matt might fight you) twee, but we call in N
The movie title announces but Tim questions, are these really The Best Years of Our Lives? What makes the years best or even meaningful? How do we live out our lives as best we can? It's freshmen philosophy time, baby, but with two unrelenting
Another one of those episodes where Matt pretends to know anything about electronic music. Some fun ones here though, all classics of that late-90s shooting star genre Big Beat, which is blessedly straightforward in name. Chemical Brothers make
At their cores, the guys (particularly Tim) exude Dad Energy. That's surely been evident this entire podcast, but it's heightened here when they get to talk about early 19th century American history, specifically the Monroe Doctrine. See how th
Actually okay timing here with Drake having just released a new album. Matt won't "get" that one just like he doesn't "get" Take Care...or Lana Del Ray's Ultraviolence or Father John Misty's Pure Comedy. Decade defining artists of the 2010s all
Dr. Strangelove is as much a movie of incredible sight gags and one-liners as it is profound political commentary. Tim and Matt share their favorites, naturally, before Tim frames the film as the more successful Twin to a similar, proximate mov
A whole host of albums on the docket in this one! Matt gives Tim the choice of two sets to be considered alongside Eric B. and Rakim’s stone-cold classic Paid in Full. (If you haven’t heard Eric B. and, especially, Rakim directly, you’ve heard
The famous addition to the movie version of Sound of Music, "Something Good" speaks to that (realized) hope of doing something, anything helpful for others. Tim tracks that theme of I Must Have Done Something Good through Crossing Delancey (Joa
We love a good genre episode and here’s a big one from the 90s, which has influenced everything from Bjork to the theme song of House. Portishead’s Dummy sets the stage for the forlorn, downtempo, psychedelic mix of jazz, dub, and soul that is
Tim is here doing serious things and giving some love to the old studio model of movie making along with the peak and power of MGM. Meanwhile, Matt is being a nudnik and subjecting Tim and everyone else to a ranking of Butt Rock songs. Where el
“It was beauty killed the beast.” So ends King Kong (1933), whom Matt and Tim love very much. A memorable last line goes a long way in establishing a film’s legacy, especially when it encapsulates the spirit of the film so perfectly. Tim looks
Matt is feeling his oats in this one and ready to confront you all with the legacies of Mumford and Sons and Nickelback. Vampire Weekend feel like a Matt band, but they aren't. What they undoubtedly are is a King of 21st Century Rock, emblemati
Though I would have appreciated the bit of running La La Land into this for no reason, Tim has standards. He's looking at the classic crime film as a Three Decade Period Piece. In other words, the movie released roughly three decades after the
We're back after a long but necessary hiatus. And what better way to return than with....oh no. Welp, Kanye is back on the podcast, and even more treacherous than last we talked about him. Which is a shame, because College Dropout is a genuinel
Tim loves a good chance to slag the AFI for choosing not actually American movies but we have a bit of nuance on that theme this episode. Tim looks at John Schlesinger’s Midnight Cowboy as a prime example of a non-American director bringing som
Matt keeps the rock theme going and checks in on life after the extinction (read: reunion tours) of the dinosaurs. Sleater-Kinney lambast and reinvigorate rock all at once in The Woods, a totemic and virile nearly-closing statement from the ban
The Philadelphia Story, in addition to being an interesting early rom-com, reflects well on one of the great mid-century movie titans, MGM. Tim tracks the story - the rise and fall, the palace intrigue, the style and viewpoint - of MGM through
I don't know that grunge killed Guns N' Roses so much as Guns N' Roses killed Guns N' Roses but, regardless, Appetite for Destruction lives on in radio waves and arenas everywhere. "Welcome to the Jungle," "Paradise City," and "Sweet Child of M
We’re all trying to hold back the darkness these days, but the folks in these movies especially so. Tim takes quick stock of the most annoying child actors, then talks the dark circumstances surrounding the protagonists of Shane, Bringing Out t
The 2009 Grammys were weird as hell. Matt and Tim cover that weirdness in great depth before digging into the especially weird Best Album category. Robert Plant and Allison Krauss won that year, and Ne-Yo was there too. But Lil Wayne’s Tha Cart
Anything that gets Tim and Matt close to Beefsquatch is dangerous, and Tim’s just not even trying to avert it here. Come for the Beefcake chants, stay for the measured and considered analysis of masculinity and gender performativity. Gaze upon
For all the Shoegaze lovers out there - and apparently you’re a sizeable contingency of our audience - here are three albums that are, at most, a stone’s throw from stuff featured in the My Blood Valentine and Shoegaze Decile episodes. Scottish
A regular concern for Tim and Matt is the art of translating the stage into film, which so often goes awry. We’ve talked other instances of this in previous episodes, but Tim builds the whole ship out of Pulitzer Prize adaptations this time. Tr
“Get the point? Good, let’s dance.” Such is the ethos of Janet Jackson’s Rhythm Nation 1814, a massive and eminently funky album which, along with Jackson’s Control, helped define and kick off New Jack Swing. Teddy Riley, who was instrumental t
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