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Ten Minute Play Workshop

Ten Minute Play Workshop

An Arts podcast
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Ten Minute Play Workshop

Ten Minute Play Workshop

Episodes
Ten Minute Play Workshop

Ten Minute Play Workshop

An Arts podcast
Good podcast? Give it some love!
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Episodes of Ten Minute Play Workshop

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Theodore D. Kemper's script, "War Wounds," is powerful. That was the word we all came to as we responded to the script. Powerful.The workshop focused on the articulating character actions and dialogue, the elements of the plot that made us he
You've been there before. The waiting room of a doctor's office. That place you didn't want to be. And with those people you didn't want to be with.Allison Leshowitz's script, "The Waiting Room," is a hilarious telling of what can happen when
CJ Ehrlich's script, "Waiting for Hugot," is a comedic script that was a blast to read and workshop.Ehrlich's script is filled with references to celebrity culture. Characters try to break into a world that is not their own, and the ensuing s
Gina Femia's script, "The Last Love Song on Earth," not only takes one through the end of the world, it allows the reader to wonder what their own response would be.The script flows naturally, dialogue ebbing and reaching through the torrents
Aaron Sampson's script, "The Abduction of Don Vito," is a wonderfully-crafted tension-filled plot that is a hoot to read! We had a blast workshopping it tonight and challenged Aaron to take it even more deeply int the world of tension and intri
Tonight's TMPW session was packed with professional writers and Aurin Squire's "St. Augustine, FLA" is a script that is packed with characters and story development. When these two worlds came together, we had a blast envisioning the expansion
Arthur Holden's script, "The Falling Son," is delicate and rich and masterful. Written in verse - the kind of verse that is felt and not heard (like a current, as was mentioned in the workshop) - the parallel stories and depth of emotion that p
Mervyn Kaufman's "Nothing Doing" will challenge the notions you have about art! It is funny and bold and thought-provoking. And, the characters are a ton of fun!My thanks to Mervyn for sharing his script with us, and to John Gamel, Gene Griff
Michael Eichler's "Christmas Dinner Rudford's Diner" will bring you to a diner on a lonely Christmas day and introduce you to two characters that dive into a conversation that reveals the fears and hopes of two strangers brought together by, we
Elena Tabachnick's "Animal Communication" is a hot script about topics that ring true for so many people. Love, ambition, devotion and professional desire that consumes a person - all of these things are in Tabachnick's script. After reading th
I love Jane Denitz Smith's work and her script "Go, Dog, Go" was no exception. If anything is thematic in Jane's work it is how recognizable the characters and emotions are. Somehow I always come away from her work thinking, "How did she know I
Steve Koppman's "Sensationally, You" is a blast of a script to read! It is subtle, direct and stormy all at once. It covers childhood angst, a sense of longing and is a true coming of age story.My thanks to John Gamel and John Byrne for helpi
Some days I feel luckier than lucky to have stumbled onto TMPW because I get to read so many scripts and workshop with such fun playwrights! Victor Wishna's script, "To The Dogs" is a script I would read again and again. It dives into topics of
Jefferson Navicky's "Devoe Street" cuts to the bone. It is raw and lucid and full of life. And, it hides, in the best ways. I won't give the end of the script away, or the end of the workshop... This is one workshop that stayed with me for days
If you're a father, or a son, or you know a father or a son, this play is for you! Nick Kloppenberg's "Pile of Bologna" is a wonderful exchange between a father and a son that drives to the heart of what it must be like to be in that relationsh
Brian Foster's "Future Box #400918" is an incredibly creative notion that gives one pause. And during that pause, we consider if we'd really want to go there, if we'd really want to be a part of the world Foster creates. The script was immediat
Barry Ernst's "Ass Backwards" is a poignant script about teenagers witnessing and responding to the September 11, 2001 terrorist attacks.The workshop was almost as intense as the script - give it a listen! My thanks to Barry for sharing his s
With readers like Arthur Holden and Ellen Steves, we couldn't let this session go by! Thomas Heine's script, "Man in the Mirror" was workshopped without Thomas (scheduling conflict), but by the end of the piece, we knew we had to publish the wo
If you want to hear the most controversial script we've done on TMPW to-date, and also listen to a rousing workshop, this is the session for you!Ellen Steves' "Asking For It" is a script with a notion of truth that can be seen as offensive, l
Real Carpentier's script, "Best Friend Forever," takes one down a rocky, tough road of emotion, but the trip is well worth it.The script is an eloquent exchange of thoughts and emotions about terminal illness, with poignancy sprinkled through
Helicopters, dorm rooms, the sometimes-not-so-subtle nudge and presence of parents in our lives -- Stefan Lanfer's script, "Expected Value" brings it all together.This is a great read, and we had a lot of fun putting it through a workshop ses
Lynn-Steven Johanson's "The Collision of Venus and Mars" is a hoot!Love, sex, the "what if" of the end of the world... it really has it all in there! We had a great time workshopping this script - my thanks to Lynn for sharing his script and
Tom Misuraca has done it again! His script, "Kiss My Astral Projection" is another fun and fast-paced script that tethers characters to each other in a way that makes me want to be a part of the cast!I'm going to keep this short, but encourag
The focus of the script is classical music, young, future success and old, bitter failure, and by the end of the reading, I felt like I had gotten the first semester of classical music training young composers get (and even felt the highs and l
If you are looking for a fun script that reads like butter, read or listen to Anthony Pezzula's "Manage the Two."It is tight, it has rhythm, and it delighted us in workshop. And, of course, I can't give the ending away!My thanks to Tony for
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