Finally, after three years of this podcast, the time has come to talk about something that we’ve rarely talked about before. It’s time to talk about …

… Metallica.

The first part of this two-part series focuses on how being raised as a Christian Scientist impacted lead vocalist James Hetfield’s life and Metallica’s lyrics. This provides the dynamic duo with an opportunity to discuss the history and theology of Mary Baker Eddy and the Church of Christ, Scientist. If you’re interested in doing apologetics with Christian Scientists, this episode provides you with everything you need to get started. Along the way, Timothy is deeply embarrassed as Garrick reveals not only his toes but also his deep affection for Mariah Carey and his deep-seated fear of Oingo Boingo super-fans.

The first installment of “Behind the Covers” puts Metallica’s cover of a tune originally performed by The Kinks into battle against Van Halen’s version of the same song. In the end, your intrepid cohosts can’t agree on a winner. What they do agree about is that The Kinks are underrated and that Van Halen and Metallica are two of the greatest bands ever. Also, "Bëhïnd thë Cövërs" would be the perfect name for a cover band that decorates the stage with quilts and duvets.

ABOUT HOSTS

Timothy Paul Jones, Ph.D., is C. Edwin Gheens Professor of Christian Ministry at The Southern Baptist Theological Seminary. He teaches in the areas of family ministry and applied apologetics. He has authored or edited more than a dozen books, including Why Should I Trust the Bible?, The God Who Goes Before You, Perspectives on Family Ministry, and Christian History Made Easy. Follow Dr. Jones at @DrTimothyPJones.

Garrick Bailey is a Ph.D. student in systematic theology at The Southern Baptist Theological Seminary, studying Herman Bavinck and Roman Catholicism under the supervision of Gregg Allison.

LINKS TO CLICK

The God That Failed (song by Metallica)

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The Apologetics Newsletter

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CLOSING CREDITS

Music for the podcast has been licensed through Artlist.io and performed by Cunningham Manor. Brief excerpts of music played in each program are included solely for the purposes of comment and critique as allowed under the fair-use provision of U.S. copyright law. “The fair use of a copyrighted work … for purposes such as criticism, comment, news reporting, teaching, … scholarship, or research, is not an infringement of copyright” (U.S. Code § 107, Limitations on exclusive rights: Fair use).