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The Art of AssemblyEpisodes
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The Art of Assembly
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Episodes of The Art of Assembly
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For years, theatres, museums and other art institutions have been trying to broaden their audiences – with limited success: the (Western) art field still mainly assembles a white, urban middle class by protecting its borders through distinction
Acoustic spaces play a part in defining borders and creating communities. While they fundamentally influence the shaping of public space, their ideological underpinnings, power structures and implications are often unacknowledged. The 26th edit
Acoustic spaces play a part in defining borders and creating communities. While they fundamentally influence the shaping of public space, their ideological underpinnings, power structures and implications are often unacknowledged. The 26th edit
Acoustic spaces play a part in defining borders and creating communities. While they fundamentally influence the shaping of public space, their ideological underpinnings, power structures and implications are often unacknowledged. The 26th edit
Theatres regulate space and time for their audiences and demand collective engagement. Other kinds of venues – like museums or libraries – are designed to separate and isolate even large crowds and promote liberal ideas of emancipation. Everyon
Theatres regulate space and time for their audiences and demand collective engagement. Other kinds of venues – like museums or libraries – are designed to separate and isolate even large crowds and promote liberal ideas of emancipation. Everyon
XXIV: Interwoven Bodies (Michael Hardt, Michael Kliën, Pedro Lasch, Corina Stan & Florian Malzacher)
How do we deliberate before and beyond language, how do we create relations without words, how are our bodies determined by the spaces we are in? The 25th edition of The Art of Assembly takes place in the context of Michael Kliën’s “Parliament”
How do we deliberate before and beyond language, how do we create relations without words, how are our bodies determined by the spaces we are in? The 25th edition of The Art of Assembly takes place in the context of Michael Kliën’s “Parliament”
The pandemic introduced virtual gatherings into many people’s lives. Team meetings, activist assemblies, even theater performances were now attended from kitchen chairs, sofas, and beds. Both activists and performance makers (usually strong bel
The pandemic introduced virtual gatherings into many people’s lives. Team meetings, activist assemblies, even theater performances were now attended from kitchen chairs, sofas, and beds. Both activists and performance makers (usually strong bel
Provocations as a means of disturbance have long been part of artists’ as well as activists’ basic toolkits. But in a time when many already feel permanently snubbed, artistic provocations often seem stale and redundant. The demand for repair,
Provocations as a means of disturbance have long been part of artists’ as well as activists’ basic toolkits. But in a time when many already feel permanently snubbed, artistic provocations often seem stale and redundant. The demand for repair,
Music is biggest business and at the same time a space for revolt against the status quo, the regulations and constraints of society. This edition of The Art of Assembly looks at the dissident side of music, how it can suggest alternative ways
Inspiriert von Volkstribunalen wie demjenigen, das der Philosoph Bertrand Russell 1966 zur Untersuchung amerikanischer Kriegsverbrechen im Vietnamkrieg organisierte, aber auch von künstlerischen Einflüssen wie Brechts Lernspielen oder dem popul
Inspired by People’s Tribunals like the one organized by philosopher Bertrand Russell in 1966 to investigate American war crimes in… Read more XX: Nous Accusons! People’s Tribunals between Politics, Activism & Art (with Lisa Ito-Tapang / Concer
Contemporary stages have often become places to exhibit one’s own injuries, traumas, or shame. Theater as a safer space – in the spirit of a concept that emerged in the USA in the 1960s in feminist and civil rights movements: A protected sphere
Contemporary stages have often become places to exhibit one’s own injuries, traumas, or shame. Theater as a safer space – in the spirit of a concept that emerged in the USA in the 1960s in feminist and civil rights movements: A protected sphere
Contemporary stages have often become places to exhibit one’s own injuries, traumas, or shame. Theater as a safer space – in the… Read more XIX: Safe vs. Brave? Art Between Sanctuary and Confrontation (Miriam Ibrahim, Edit Kaldor und Ingo Nierm
The energy of body next to body. The excitement of the game. Winning, loosing, bursts of emotions. Shouting, singing, yelling, joy, and anger – sometimes on the verge of violence. Elite sport events bring together masses of people across nation
The energy of body next to body. The excitement of the game. Winning, loosing, bursts of emotions. Shouting, singing, yelling, joy, and anger – sometimes on the verge of violence. Elite sport events bring together masses of people across nation
At least since Joseph Beuys’ legendary “International College for Creativity and Interdisciplinary Research” artistic assemblies are also a playing field for the production and transfer of knowledge. The 17th edition of “The Art of Assembly inv
At least since Joseph Beuys’ legendary “International College for Creativity and Interdisciplinary Research” artistic assemblies are also a playing field for the production and transfer of knowledge. The 17th edition of “The Art of Assembly inv
At least since Joseph Beuys’ legendary “International College for Creativity and Interdisciplinary Research” artistic assemblies are also a playing field for the production and transfer of knowledge. The 17th edition of “The Art of Assembly inv
When activist movements gain momentum, even win elections after many years of struggle and work on the ground, there is a lot of enthusiasm – but also larger-than-life expectations. A diverse electorate with often very different expectations de
When activist movements gain momentum, even win elections after many years of struggle and work on the ground, there is a lot of enthusiasm – but also larger-than-life expectations. A diverse electorate with often very different expectations de
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